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- Symphony No. 1 and the Development of New Techniques in Contemporary Music Composition
- Musical Feelings and Atonal Music
- The "Musical Idea" and Global Coherence in Schoenberg's Atonal and Serial Music*
- 092-Declarations-Music-Between-The
- Schoenberg, Pappenheim, and the Expression of Solitude in Erwartung,Op.17
- Linear Analysis of Selected Posttonal Works of Arnold Schoenberg: Toward an Application of Schenkerian Concepts to Music of the Posttonal Era (And) String Quartet, No
- Camerata Nova
- Serial Techniques in Works for Unaccompanied Trumpet William Anonie University of South Carolina
- Historical Tradition in the Pre-Serial Atonal Music of Alban Berg. William Glenn Walden Louisiana State University and Agricultural & Mechanical College
- Arnold Schoenberg in Los Angeles Author(S): Dorothy Lamb Crawford Source: the Musical Quarterly, Vol
- MICHAEL FINNISSY at 70 the PIANO MUSIC (6) IAN PACE – Piano Recital at Picture Gallery, Royal Holloway College, University of London, Egham
- Contributors / Collaborateurs
- Fugues in Four Twentieth-Century Multi-Movement Piano Sonatas: an Analytical Study from a Performer's Perspective
- Slovenian Twelve-Tone Music
- Musical Expectancy in Atonal Contexts
- Ruth Crawford Seeger's Sonata for Violin and Piano (1926)
- 7The Twentieth Century and Beyond
- Hans Werner Henze's Early Political Thought
- An Analysis of and Performance Guide to Lou Harrison's Suite for Piano
- Seven Early Songs of Arnold Schoenberg from the Nachod Collection
- Arnold Schoenberg Variations for Orchestra, Op. 31
- The Gould/Schoenberg Dialogues
- Atonality and Serialism
- A New Modular Approach to the Composition of Film Music
- A Practical Approach to Donald Martino's Twelve-Tone Song Cycles
- 10. INSAM Journal 5, Monika Novaković
- The Development of Alban Berg's Compositional Style: a Study of His Jugendlieder (1901-1908) Sara Ballduf Adams
- Sound and Semantics: Topics in the Music of Arnold Schoenberg
- The Twentieth Century
- What Do You Mean I Have to Stay Home?: Considering the Chamber Music of Three Female Composers at the Turn of the 20Th Century
- Techniques of Music Since 1900 (MUSI 2214), Spring 2011 Professor: Andrew Davis (Email Adavis at Uh.Edu)
- Svetlana Kurbatskaya on Serial Music: Twelve Categories of "Twelve-Toneness"
- The Development of Schoenberg's Twelve-Tone Technique
- University of Cincinnati
- Fluctuating and Suspended Meter in Selected Passages from Arnold Schoenberg's Das B Uch Der Hangenden Garten, Opus 15
- The Score (London, 1949-1961)
- Textural Functions in Schoenberg's Second Chamber Symphony Zachary Colonius Washington University in St
- Interpreting Schubert Lieder Through Transcription: Four Composers’ Techniques in Solo Piano Transcriptions of Lieder from Die Schöne Müllerin
- History Study Guide
- Schoenberg, Unfolding, and “Composing with Twelve Tones”: a Case Study (Op
- Schoenberg, Boulez, and Twelve-Tone Composition As "Ideal Type" Author(S): Arved Ashby Source: Journal of the American Musicological Society, Vol
- Theatrical Elements in Toru Takemitsu's Voice and Karlheinz Stockhausen's Zungenspitzentanz Brielle Marie Frost
- Bryan R. Simms. the Atonal Music of Arnold Schoenberg, 1908-1923
- El Cimarrón by Hans Werner Henze – a New Approach to Political Song
- Proclaiming the Mainstream: Schoenberg, Berg, and Webern
- Reconsidering George Gershwin and an American in Paris As An
- The Mathematics of Twelve Tone Music Bethany Shears