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Arie Kaplan
When the Superheroes Emerged in the Late 1930S and Early 1940S They
Jewish Comics; Or, Visualizing Current Jewish Narrative
Maybe More Than the Reading, I Enjoyed the Pictures. I Was Raised in a Strictly Spanish-Speaking Household, Where English Was Only My Second Language at School
The Holocaust and Anti-Semitism in Jewish Made Comic Books, 1963
Stony Brook University
Superhero History: Using Comic Books to Teach U.S. History
The Hero, the Anti-Hero, and the Jew in Graphic Trauma Narratives
The Jewish Comic Book Industry, 1933-1954
UC Irvine UC Irvine Electronic Theses and Dissertations
European Journal of American Studies, 10-2 | 2015 the Mutant Problem: X-Men, Confirmation Bias, and the Methodology of Comics A
Reimagining the Creation of Young Adult Literature in the United States
Wonder Woman Unbound
Political Trends in Comic Books and the Notion of a Superhero in Present America
ABSTRACT the Building of the X-Men Transmedia Franchise And
The Holocaust and the Graphic Novel Using Maus and Its Narrative Forms to Bring Credence to the Medium Samantha Zuckerman
Patriotism to Skepticism: Captain America and The
Comics and Conflict: Arw and Patriotically Themed Comics in American Cultural History from World War Ii Through the Iraq War
2019 Or Hadash Scholar in Residence Weekend – April, 5,6 & 7 Featuring Arie Kaplan Topics: Jewish Contributions to Comedy
Top View
Review of Siegel and Shuster's Funnyman
Figuring the Grey Zone: the Auschwitz Sonderkommando in Contemporary Culture
Superhero Comics BLOOMSBURY COMICS STUDIES
Golem-Modern-Wars-And-Their-Monsters-Pdfdrivecom
Bulletin Nissan/Iyar 5776 Volume #22 Issue #4
Jewish American Comic Book Creatorsâ•Ž Depictions of Class
SILVER AGE COMIC BOOKS: UNCOVERING THEIR IMPORTANCE in the MIDST of POLITICAL, SOCIAL, and CULTURAL MOVEMENTS of the 1960S and 1970S
Mr. Media® Interviews by Bob Andelman