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Antonio Sacchini
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MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor
METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In
Journal Electronique 16/01/2017 13:25
Operatic Reform in Turin
WOLFGANG AMADEUS MOZART Sacred Vocal Works
Who Was Who in the Old Conservatories
Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)
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WOLFGANG AMADEUS MOZART Works for the Stage
Foreigners at the Académie Royale De Musique (177 4- 1789)
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Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century
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The Performing Arts and the Court of Louis XVI Paul F
27 September 2021
The Neapolitan School: Francesco Durante (1684-1755) - Aspects of Manuscript Dissemination, Misattributions, and Reception
From the Biblioteca Da Ajuda, Lisbon
Notes Sur Le Cid De Sacchini Et Son Contexte
European Music Manuscripts Before 1820 Series Two: from the Biblioteca Da Ajuda, Lisbon
Courtly Representation Play, Singspiel, Opéra Comique. on the Reception of Antonio Sacchini’S L´Isola D´Amore
Luigi Marchesi: Life and Voice
The Evolution of Charles Burney's Musical
The Performing Arts and the Court of Louis XVI Paul F
6.5 X 11 Double Line.P65
Formation and Development of the Italian Vocal School from 16Th to 19Th Centuries
Courtly Representation Play, Singspiel, Opéra Comique. on the Reception of Antonio Sacchini’S L´Isola D´Amore