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Antonio Sacchini

  • 3149028132861.Pdf

    3149028132861.Pdf

  • MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor

    MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor

  • METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In

    METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In

  • Journal Electronique 16/01/2017 13:25

    Journal Electronique 16/01/2017 13:25

  • Operatic Reform in Turin

    Operatic Reform in Turin

  • WOLFGANG AMADEUS MOZART Sacred Vocal Works

    WOLFGANG AMADEUS MOZART Sacred Vocal Works

  • Who Was Who in the Old Conservatories

    Who Was Who in the Old Conservatories

  • Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre

    Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)

  • Marmontel/[Piccinni] on Neapolitan Opera

    Marmontel/[Piccinni] on Neapolitan Opera

  • Mise En Page 1

    Mise En Page 1

  • WOLFGANG AMADEUS MOZART Works for the Stage

    WOLFGANG AMADEUS MOZART Works for the Stage

  • Foreigners at the Académie Royale De Musique (177 4- 1789)

    Foreigners at the Académie Royale De Musique (177 4- 1789)

  • Scraping the Rust Off Berezovsky's Demofoonte

    Scraping the Rust Off Berezovsky's Demofoonte

  • Chopin's Cantabile in Context

    Chopin's Cantabile in Context

  • Anxieties and Depression Disorders in Composers'

    Anxieties and Depression Disorders in Composers'

  • Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century

    Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century

  • Giuseppe Sarti and the Topos of the Tragic in Russian Music* B

    Giuseppe Sarti and the Topos of the Tragic in Russian Music* B

  • View Catalogue

    View Catalogue

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  • The Performing Arts and the Court of Louis XVI Paul F
  • 27 September 2021
  • The Neapolitan School: Francesco Durante (1684-1755) - Aspects of Manuscript Dissemination, Misattributions, and Reception
  • From the Biblioteca Da Ajuda, Lisbon
  • Notes Sur Le Cid De Sacchini Et Son Contexte
  • European Music Manuscripts Before 1820 Series Two: from the Biblioteca Da Ajuda, Lisbon
  • Courtly Representation Play, Singspiel, Opéra Comique. on the Reception of Antonio Sacchini’S L´Isola D´Amore
  • Luigi Marchesi: Life and Voice
  • The Evolution of Charles Burney's Musical
  • The Performing Arts and the Court of Louis XVI Paul F
  • 6.5 X 11 Double Line.P65
  • Formation and Development of the Italian Vocal School from 16Th to 19Th Centuries
  • Courtly Representation Play, Singspiel, Opéra Comique. on the Reception of Antonio Sacchini’S L´Isola D´Amore


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