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  • The Creative Process

    The Creative Process

  • Guide to the William K

    Guide to the William K

  • Women's Experimental Cinema

    Women's Experimental Cinema

  • Cinema Studies: the Key Concepts

    Cinema Studies: the Key Concepts

  • From Hitler to Hollywood: Transnational Cinema in World War Ii

    From Hitler to Hollywood: Transnational Cinema in World War Ii

  • Why Are Comedy Films So Critically Underrated?

    Why Are Comedy Films So Critically Underrated?

  • Language and Society in Cinematic Discourse 139-152 Lukas

    Language and Society in Cinematic Discourse 139-152 Lukas

  • Native Language Preservation

    Native Language Preservation

  • English As a Global Language Second Edition

    English As a Global Language Second Edition

  • Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020

    Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020

  • CINECON-FILMS-SCREENED Cinecon February 1, 2011 1 of 49 RELEASE TITLES DATE COMPANY CINECON YEAR Summary 3-D Hollywood 38 2002 NOTE: Slide Show 7 Faces of Dr

    CINECON-FILMS-SCREENED Cinecon February 1, 2011 1 of 49 RELEASE TITLES DATE COMPANY CINECON YEAR Summary 3-D Hollywood 38 2002 NOTE: Slide Show 7 Faces of Dr

  • SIFF Guide 2016

    SIFF Guide 2016

  • Contemporary Performance Almanac 2013

    Contemporary Performance Almanac 2013

  • I Could Have Been a Contender a Semiotic Analysis Of

    I Could Have Been a Contender a Semiotic Analysis Of

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