SIFF Guide 2016
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PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. -
B I U L E T Y N Związku Polskich Kawalerów Maltańskich Suwerennego Rycerskiego Zakonu Szpitalników Św
B I U L E T Y N ZWIĄZKU POLSKICH KAWALERÓW MALTAŃSKICH SUWERENNEGO RYCERSKIEGO ZAKONU SZPITALNIKÓW ŚW. JANA JEROZOLIMSKIEGO, ZWANEGO RODYJSKIM I MALTAŃSKIM I POMOCY MALTAŃSKIEJ Początek nowicjatu sprawiedliwości Władysława Macharskiego Władysław Macharski Begins Novitiate of Justice Kawaler Łaski Magistralnej w Posłuszeństwie Władysław Macharski Władysław Macharski, Knight of Magistral Grace in Obedience, began rozpoczął nowicjat, który przygotowuje go do złożenia ślubów Kawalera a novitiate which will prepare him to make the vows of a Professed Knight. Profesyjnego. Jest to niewątpliwie wielkie wydarzenie w życiu naszego This is indeed a great event in the life of our Association. If Providence Związku. Jeśli Opatrzność pozwoli konfr. Macharskiemu złożyć allows konfr. Macharski to profess his solemn monastic vows, he will be uroczyste śluby zakonne, będzie on w naszym Związku drugim, oprócz the second member of our Association, after Fra’ Jerzy Lasocki, who is a Fra’ Jerzego Lasockiego, członkiem Zakonu I klasy, czyli zakonnikiem first−rank member of the Order of Malta, a monk in the eyes of Canon Law. w rozumieniu prawa kanonicznego. Dołączy on tym samym do grona He will become one of a group of about 50 members of the Order who ok. 50 członków Zakonu Maltańskiego, którzy stanowią jego duchowy form its spiritual core. The ceremony of initiation took place on April 26th trzon. Uroczystość ta miała miejsce 26 kwietnia w czasie Mszy św. during a Mass celebrated in the chapel of the Palace of the Prince Archbi− sprawowanej w kaplicy Pałacu Książęco−Arcybiskupiego w Krakowie. shops in Kraków. In his sermon, Conventual Chaplain a.h. and Master of O tym, że jest to wielkie wydarzenie nie tylko w życiu samego the Novitiate Father Marek Pieńkowski OP stressed that this is a great Nowicjusza, ale i całego Zakonu Maltańskiego, a w szczególności event not only in the life of the candidate, but of the entire Order of Malta Związku Polskich Kawalerów Maltańskich, wspomniał w swoim kazaniu and in particular of the Polish Association of Knights of Malta. -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Pani Bp4 Scenic Projectors
RON HAYS PRODUCTIONS MEGAVISION , PANT BP4 SCENIC PROJECTORS RON HAYS-DESIGNER/DIRECTOR LONG AND SHORT TERM PROJECTOR RENTALS For the first time in the United States, the spectacular image projection and special effect capabilities of Austria's PANT SCENIC PROJECTORS can be yours!! I have 8 Projectors worth more than $300,000. I also design and direct multi-image slide shows and multi-media shows . I have designed and "performed" over twenty-five major productions using these projectors along with lasers, lights and effects. Images can range from twenty feet by twenty feet to two-hundred feet by two-hundred feet with a depth of field of seventy-five feet! Project on buildings, giant screens or scrims, snow or sidewalks, or any light colored surface with 400,000 lumens of light. Available from RON HAYS PRODUCTIONS - complete PANT PROJECTION packages are now available on a daily or weekly rental basis with rates as low as $1200 a week for performing arts users. PRODUCTION DESIGN and SOFTWARE GRAPHIC SERVICES SLIDE PRODUCTION AUTOMATIC SLIDE CHANGERS Experienced TECHNICAL CREWS STURDY TRAVEL CASES LENSES AND EFFECTS (Fire, rain, snow, clouds, water, etc.) COMPUTER CONTROLLED FADE-UPS AND DISSOLVES Tech specs-see over TECHNICAL SPECIFICATIONS 2'-4 3/16" THE PROJECTORS PANT BP4 HMI Weight: 150 Ib in"y' .w TOa ~omuw Size: 40" x 36" x 48" Shipping Weight : 195 Ib THE BALLAST 4000W / 380V 160Hz Weight: 175 Ib Size : 30"x 9" x 16" Shipping Weight: 205 Ib MIX THE TRANSFORMER Step-up (208V / 380V) Weight : 125 Ib 1 3/16" Size: 24" x 24" x 1 /2" W. -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
The Creative Process
The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other. -
Southwest Gas Corporation A+ Total Care Canyon Construction
Hours of Operation: Monday – Friday, 8:00 am – 4:00 pm Board of Directors MISSION STATEMENT: To provide nutritious meals, socialization, Jennifer Back health screening, and education. We act as a catalyst for access, Chair opportunity, health and independence for older adults. Cindy Hyslop Vice Chair Thank you to everyone who helped spread the word and to those who came to play games, dine with us, and volunteer hours. We Catherine Vosburg Member couldn’t do this without your support and encouragement. Katrinka Russell Member Vicki Salazar Member Center Staff Charnice Gustafson Interim Director Please join me as we publicly recognize the sponsors who generously donated to make this event possible: Carissa Cassadore Program Coordinator Southwest Gas Corporation Marjorie Birdsill Lead Cook A+ Total Care Candi Ashby Kitchen Aide / Driver Canyon Construction Josie O’Donnell Highland Estates Kitchen Aide / Driver Pizza Barn Debbi Constable Kitchen Aide / Driver PACE Coalition Jesse Morgan Dishwasher Maggie Creek Ranch Total Eyecare Nevada Bank & Trust Read & Powell Family Dental Care 1 | P a g e The Terrace at Ruby View | 775-738-3030 1795 Ruby View Dr. Elko | www.elkoseniors.org August 2019 August Birthday Celebrations Paris, Rama 1 Vaughan, Johnnie 10 Hauser, Laura 20 Church, Susan 1 Solari, Gloria 11 Johnson, Diana 20 Mayer, Mary 1 Huston, Sally 11 Stanton, Jim 20 Hankins, Helen 2 Shurtliff, Janis 11 Konakis, Stanley 20 Farnsworth, Susanna 2 Patton, Ann 11 Hartley, David 21 Reitmeier, Donald 2 Reynolds, Dea Ann 11 Parman, Thetis 21 Stone, -
New York's Kids Deserve Respect
HOSPITALLERS IS PUBLISHED QUARTERLY BY THE SOVEREIGN MILITARY HOSPITALLER ORDER OF ST. JOHN OF JERUSALEM OF RHODES AND OF MALTA ® Volume 1 Winter 2004/2005 AMERICAN ASSOCIATION, U.S.A. ������������ Fellow members of the American Association: New York’s Kids Deserve Respect – am writing this on Thanksgiving weekend, in the wake of our Association’s events over the Healthy Respect I weekend of November 12th. By all accounts, our By James P. Manning, K.M. and John P. Margand, Esq. Annual Business Meeting, Investiture, and Dinner were great successes, and, for that, among many exual abstinence is not a popular subject among teenagers attending schools in other blessings, we give THANKS. the New York City area. To make matters worse, there is stiff entrenched Over the annual events weekend, we were Sopposition to abstinence education at the highest levels of New York’s edu- fortunatefortunate thatthat thethe GrandGrand MMagistryagistry wwasas wwellell rrepresentedepresented bbyy tthehe PPrelaterelate cational community, where a failed condom social marketing policy in city schools of the Order, Archbishop Angelo Acerbi, as well as four members of the continues to spawn sexual promiscuity, disease, and a host of health-related Sovereign Council – H.E. Gian Luca Chiavari, Receiver of the Common behavioral disorders. Treasure (CFO); Fra’ Elie de Comminges; Fra’ John MacPherson; and H.E. Antonio Sanchez – Corea, Jr. In spite of these long odds, Project REACH’s Healthy Respect program has suc- Moving the weekend to the November timeframe from January paid off in increased participation by our membership. Attendance at all func- ceeded, in less than twelve months, in reach- tions appeared to be up signifi cantly from that of last January, but the only ing over 800 at-risk students with up to real measure we took was of Annual Dinner attendance – 750, up 25% twenty hours of character-based abstinence from 600 in January. -
My Cousin Rachel Alive and Kicking Beatriz at Dinner
emy Awa ad rd Ac 0 9 NOMINEE FOR 5 BEST PICTURE, BEST ACTOR, best actress, SCREENPLAY & director! SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY BACK BY POPULAR DEMAND! july 30 (4:30 & 7:00) july 31 (7:00 & 9:15) AUG 1 (7:00 & 9:15) Winner! AUG 2 (7:00 & 9:15) AUG 3, 4 & 5 (7:10 & 9:00) PEOPLE’S CHOICE “SALMA HAYEK GIVES THE PERFORMANCE OF HER CAREER IN THEIR FINEST “HUGE FUN!” MAUDIE AWARD! CEZANNE ET MOI BEATRIZ AT DINNER THIS STEALTH WEAPON OF A COMEDY” –Rolling Stone Director: Lone Scherfig; UK, 2016, 117 min; 14A –The Arts Desk Aisling Walsh; Canada/ -VIFF Danièle Thompson, France, 2016, 117 min; Director: Miguel Arteta, USA, 2017, 82 min; PG Cast: Gemma Arterton, Sam Claflin, Bill Nighy Ireland, 2016, 112 min; PG subtitles; PG A small-scale but elegantly deft squirmfest that features a lumi- family,” so when the VW breaks down, Cathy invites her to stay Set in London in 1940, during the height of the Blitz, this is a film about the making of aThe life of legendary Canadian folk artist This historical drama traces the lifelong nous performance by Salma Hayek. It also has the distinction for dinner. Even though it’s a business dinner. With a lot riding film that needs to serve as a salve for the besieged British populace, boosting morale. ItMaud Lewis is painted in exquisite detail friendship between two renowned 19th cen- of being the first dramatic comedy that’s a provocative alle- on it. In which Cathy and her husband will be hosting the leg- features a plucky, proto-feminist heroine (Gemma Arterton), a jaded love interest (Sam in this impeccably acted, incredibly affect- tury French artists -- painter Paul Cézanne gory of the Age of Trump. -
Joe Rosochacki - Poems
Poetry Series Joe Rosochacki - poems - Publication Date: 2015 Publisher: Poemhunter.com - The World's Poetry Archive Joe Rosochacki(April 8,1954) Although I am a musician, (BM in guitar performance & MA in Music Theory- literature, Eastern Michigan University) guitarist-composer- teacher, I often dabbled with lyrics and continued with my observations that I had written before in the mid-eighties My Observations are mostly prose with poetic lilt. Observations include historical facts, conjecture, objective and subjective views and things that perplex me in life. The Observations that I write are more or less Op. Ed. in format. Although I grew up in Hamtramck, Michigan in the US my current residence is now in Cumby, Texas and I am happily married to my wife, Judy. I invite to listen to my guitar works www.PoemHunter.com - The World's Poetry Archive 1 A Dead Hand You got to know when to hold ‘em, know when to fold ‘em, Know when to walk away and know when to run. You never count your money when you're sittin at the table. There'll be time enough for countin' when the dealins' done. David Reese too young to fold, David Reese a popular jack of all trades when it came to poker, The bluffing, the betting, the skill that he played poker, - was his ace of his sleeve. He played poker without deuces wild, not needing Jokers. To bad his lungs were not flushed out for him to breathe, Was is the casino smoke? Or was it his lifestyle in general? But whatever the circumstance was, he cashed out to soon, he had gone to see his maker, He was relatively young far from being too old. -
Saturday Church
SATURDAY CHURCH A Film by Damon Cardasis Starring: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher Running Time: 82 minutes| U.S. Narrative Competition Theatrical/Digital Release: January 12, 2018 Publicist: Brigade PR Adam Kersh / [email protected] Rob Scheer / [email protected] / 516-680-3755 Shipra Gupta / [email protected] / 315-430-3971 Samuel Goldwyn Films Ryan Boring / [email protected] / 310-860-3113 SYNOPSIS: Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality. *** DAMON CARDASIS, DIRECTOR STATEMENT My mother is an Episcopal Priest in The Bronx. -
Selection of Iranian Films 2020
In the Name of God PUBLISHER Farabi Cinema Foundation No. 59, Sie Tir Ave., Tehran 11358, Iran Management: Tel: +98 21 66708545 / 66705454 Fax: +98 21 66720750 [email protected] International Affairs: Tel: +98 21 66747826 / 66736840 Fax: +98 21 66728758 [email protected] / [email protected] http://en.fcf.ir Editor in Chief: Raed Faridzadeh Teamwork by: Mahsa Fariba, Samareh Khodarahmi, Elnaz Khoshdel, Mona Saheb, Tandis Tabatabaei. Graphics, Layout & Print: Alireza Kiaei A SELECTION OF IRANIAN FILMS 2020 CONTENTS Films 6 General Information 126 Awards 136 Statistics 148 Films Film Title P.N Film Title P.N A BALLAD FOR THE WHITE COW 6 NO PLACE FOR ANGELS 64 ABADAN 1160 8 PLUNDER 66 AMPHIBIOUS 10 PUFF PUFF PASS 68 ATABAI 12 RELY ON THE WIND 70 BANDAR BAND 14 RESET 72 BECAME BLOOD 16 RIOT DAY 74 BONE MARROW 18 THE NIGHT 76 BORN OF THE EARTH 20 THE BLACK CAT 78 CARELESS CRIME 22 THE BLUE GIRL 80 CINEMA SHAHRE GHESEH 24 THE ENEMIES 82 CROWS 26 THE FOURTH ROUND 84 DAY ZERO 28 THE GOOD, THE BAD,THE INDECENT 2 86 DROWN 30 THE GREAT LEAP 88 DROWNING IN HOLY WATER 32 THE INHERITANCE 90 EAR RINGED FISH 34 THE LADY 92 EXCELLENCY 36 THE MARRIAGE PROJECT 94 EXODUS 38 THE RAIN FALLS WHERE IT WILL 96 FATHERS 40 THE REVERSED PATH 98 FILICIDE 42 THE SKIN 100 FORSAKEN HOMES 44 THE SLAUGHTERHOUSE 102 I’M HERE 46 THE STORY OF FORUGH’S GIRL 104 I’M SCARED 48 THE SUN 106 IT’S WINTER 50 THE UNDERCOVER 108 KEEP QUIET SNAIL 52 THE WASTELAND 110 KILLER SPIDER 54 TITI 112 LIFE AMONG WAR FLAGS 56 TOOMAN 114 LUNAR ECLIPSE 58 WALKING WITH THE WIND 116 NARROW RED LINE 60 WALNUT TREE 118 NO CHOICE 62 A BALLAD FOR THE WHITE COW (Ghasideye Gaveh Sefid) Directed by: Behtash Sanaeeha Synopsis: Written by: Behtash Sanaeeha, Maryam Mina’s husband has just been executed Moghadam, Mehrdad Kouroshnia for murder.