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Anatole Dauman
A Mode of Production and Distribution
SON 509 S. X-XXV Neu SON
Anatole Dauman « Alors, on Se Bat Toujours? » Janine Euvrard
Argos Films, an Inde
National Identity and the British Historical Film
GODARD and the CINEMATIC ESSAY by Charles Richard Warner
XXXVII:8) Robert Bresson: MOUCHETTE (1967, 78 Min.
Montage in the Films of Nicole Vedrès, Alain Resnais and Chris Marker, 1947-1957
Chris Marker Peter Blum Gallery
Anatole Dauman « Alors, on Se Bat Toujours? » Janine Euvrard
Deconstruction of the Sacred, Ontologies of Monstrosity: Apophatic Approaches in Late Modernist Cinema Scott D
Jean Rouch, Presque Un Homme-Siècle
AFI PREVIEW (ISSN-0194-3847) Is Published Every Six Weeks by the American Film Institute’S Office at 8633 Colesville Road, Silver Spring, MD
Nouvelle Vague
The Essay Film After Fact and Fiction NORA M
27 July – 12 August 2018
VOLUME I · Nº 2 · 2013 Editor: Gonzalo De Lucas (Universitat Pompeu Fabra)
Alain Resnais Emmanuelle Rivaeijiokada Version Restauree Restored Version Alain Resnais Un Filmde a Filmby
Top View
The Political Films of France, Italy, and the United States, 1960-1976
Concentrationary Cinema
Dossier Chris Marker
Japanese Cinema Goes Global
The Sexual Politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon
A French Roman. a Story About the Influence of Soviet Avant-Garde on Cahiers Du Cinéma and the Later Rediscovery of Nicholas Ray
Chronicle of a Summer: Cinema As a Sociological Experience1 Crônica De Um Verão: Cinema Como Experiência Sociológica
Chris Marker