DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Alexandre Astruc
Alexandre Astruc
A Mode of Production and Distribution
François Truffaut's Jules and Jim and the French New Wave, Re-Viewed
1 the French New Wave (Revisited)
6 Pairs of Lebowski
GODARD FILM AS THEORY Volker Pantenburg Farocki/Godard
February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 Min.)
Argos Films, an Inde
National Identity and the British Historical Film
Influence of Politique Des Auteurs in the Making of 400 Blows and Breathless
Directed by François Truffaut Written by François Truffaut Dialogue By
Film: an Art Form Worthy of Study
The Disappearance of the French New Wave
Auteur Theory.Key
Robert Rodriguez and the Transformation of a Microbudget
H-France Review Vol. 19 (December 2019), No. 274 Marco Grosoli, Eric Rohmer's Film
The French New Wave, Part One: ¡957–¡968
BY ALEXANDRE ASTRUC by Adrian Martin
V=Flawb1tmokq
Top View
UC Riverside UC Riverside Electronic Theses and Dissertations
Jean-Luc Godard's Breathless: the Revelation of Filmmaking As Cinephilia
Alain Resnais's Literary Cinema
Fantasmatic Genealogies of the French and American New Waves
Truffaut and New Wave
An Application of the Auteur Theory of Filmmaking
Women, Convergent Film Criticism, and the Cinephilia of Feminist Interruptions
Eric Rohmer's Film Theory
The French Short Film: 1947-1967
“In the Same Figure, Like the King That's Dead”: the Phantasmic Authorship of the Other Side of the Wind
The Sexual Politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon
The Self-Portrait and the Film and Video Essay John Conomos
Adaptation and the French New Wave: a Study in Ambivalence Robert Stam
Jean-Luc Godard and Francois Truffaut
Female Auteurs and Their Perceptions of Gender, Sexuality, and National Identity
Auteur Theory and Its Implications
Essays-On-The-Essay-Film.Pdf
2. Alexandre Astruc: an Early but Decisive Influence