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Albert Herring
“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
BENJAMIN BRITTEN's USE of the Passacagt.IA Bernadette De Vilxiers a Thesis Submitted to the Faculty of Arts University of the Wi
That to See How Britten Handles the Dramatic and Musical Materials In
Concert: Opera Workshop: the Music of Benjamin Britten (1913-1976)
Britten's Acoustic Miracles in Noye's Fludde and Curlew River
Castleton Festival Opera the Britten Project: the Rape of Lucretia
ANALYSIS of NOCTURNAL OP. 70 by BENJAMIN BRITTEN Presented
Albert Herring Music by Benjamin Britten Libretto by Eric Crozier
CHAN 9826 FRONT.Qxd 29/8/07 1:48 Pm Page 1
Music for Three Stages: Performance Preparation for Opera, Operetta and Recital
Middlebrow Modernism: Britten's Operas and the Great Divide
BENJAMIN BRITTEN Centenary Celebration
Benjamin Britten
Middlebrow Modernism: Britten's Operas and the Great Divide
Classical Voice Grade 10
1984Aneveningatalderburgh.Pdf (6.855Mb)
Albert Herring Benjamin Britten
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Defining the Contralto Voice Through the Repertoire of Ralph Vaughan
Albert Herring Ervation Form for Our March 23Rd Luncheon at the Multnomah Athletic Club
• Albert Herring
Britten and His Fellow Composers: Six Footnotes for a Seventieth Birthday
Concert: Opera Workshop: the Music of Benjamin Britten (1913-1976)
1.4.4 .8 Transposition of Theme to Other Tonal Centres Occasionally The
Puzzles Music – Created by Christopher Hussey
Dame Josephine Barstow Soprano
Benjamin Britten Supplement to His Work with Bridge He Was Frustrated by a Perceived Lack of Interest in the Kind of Music That He Wished to Write
Information to Users
Categorization of Roles ______Canadian Opera Agreement Opera Agreement
Love and Salvation in Britten's 'Billy Budd' Author(S): Clifford Hindley Source: Music & Letters, Vol
Pears, Peter (1910-1986) by Patricia Juliana Smith
10426.Ch01.Pdf
Opera Libretto and Translation: Appropriation
For the Benjamin Britten Centenary
“Hodie” from a Ceremony of Carols, Opus 28 Treble Voices, a Cappella (Harp Or Piano Accompaniment to Be Used Only If a Processional Is Impossible)
The Voice of the New Renaissance: the Premiere Performances of Peter Pears Christopher Swanson
L'enfant Et Les Sortiléges & Noah's Flood
Forster fi Rst Encountered Billy Budd in 1926
Glyndebourne –Turn of the Screw Teachers Pack