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Agostino Agazzari
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
International Journal of Education Humanities and Social Science
Missa Papae Marcelli: a Comparative Analysis of the Kyrie and Gloria Movements of Giovanni Pierluigi Da Palestrina and An
A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
Forgotten Reality, Remembered Fiction, Production Values and Court Opera
Early Basso Continuo Practice: Implicit Evidence in the Music of Emilio De’ Cavalieri
A Reexamination of Palestrinas Role in the Catholic Reformation
The Role of the Lute in Sixteenth-Century Consorts: Evidence from Terzi's Intabulations Suzanne Court
Embellishing Lute Music: Using the Renaissance Italian Passaggi
Sound Theology: Musical Morality in the Opera Seelewig DRAFT
Anthology of 17Th-Century Italian Instrumental Music, Introduction
The Theater of Piety: Sacred Operas for the Barberini Family In
Del Sonare Sopra'l Basso Con Tutti Li Stromenti E Dell
Christmas in Baroque Germany
Palestrina Missa Papae Marcelli
A Conductor's Guide to Selected Concerted Madrigals From
Del Sonare Sopra'l Basso Con Tutti Li Stromenti E Dell' Uso Loro Nel
Prætorius & Italy
Top View
Italian Musical Culture and Terminology in the Third Volume of Michael Praetorius’S Syntagma Musicum (1619)
The Use of Harp in Early Seventeenth-Century Italy
1. Homo Fugit Velut Umbra
I Theodoros Kitsos
Implicit Evidence in the Music of Emilio De' Cavalieri
Roma Æterna Palestrina Missa Papæ Marcelli Victoria Missa O Quam Gloriosum
RESEARCH PROPOSAL Dario Poljak TITLE Historically Informed
Rappresentatione Rappresentatione
Blue Heron Program Notes
SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
Confraternitas 7:2 in 1528
“Musical Fury”: Impressing Through Expressing in Baroque Improvisation Hannah M