{PDF} Mass Effect: Deception Ebook, Epub

Total Page:16

File Type:pdf, Size:1020Kb

{PDF} Mass Effect: Deception Ebook, Epub MASS EFFECT: DECEPTION PDF, EPUB, EBOOK William C Dietz | 336 pages | 31 Jan 2012 | Random House USA Inc | 9780345520739 | English | New York, United States Mass Effect: Deception - Wikipedia An all-new adventure inspired by the award-winning videogame from BioWare! The universe is under siege. Every fifty thousand years, a race of sentient machines invades our galaxy to harvest all organic life-forms. They are the Reapers. Two people who know the truth are desperately searching for a way to stop the cycle: Navy admiral David Anderson and his partner, Kahlee Sanders. They have uncovered grisly evidence proving that the Reaper threat is real. But in so doing they have exposed the machinations of Cerberus, a secretive paramilitary organization, and its mysterious leader, the Illusive Man—putting David and Kahlee in mortal danger, for Cerberus will stop at nothing to protect its secrets. But along the way, they find an unlikely ally in Gillian Grayson, a young woman with extraordinary powers. Once the subject of horrifying scientific experiments, Gillian is now free—and beginning to master her deadly abilities. But after learning that Cerberus was responsible for the death of her father, Gillian swears vengeance against the group and the Illusive Man—threatening to unravel everything Kahlee and David are fighting for. I am a big fan of Mass Effect. I loved the first three books. This wiki. This wiki All wikis. Sign In Don't have an account? Start a Wiki. Do you like this video? Categories :. Cancel Save. Doctor Who: The Wheel of Ice. Stephen Baxter. Ringworld Throne. The Alpha Enigma. Michael Gear. Transformers: Exiles. The Void Trilogy 3-Book Bundle. Ballroom of the Skies. John D. John Harrison. Alan Dean Foster. Irontown Blues. The Garden of Rama. Gentry Lee and Arthur C. Soon I Will be Invincible. Austin Grossman. Doctor Who: Harvest of Time. Alastair Reynolds. Robot Dreams. Elizabeth Bear. William F. Nolan and George Clayton Johnson. Michael A. Stackpole and Aaron Allston. Caine Black Knife. Matthew Stover. Paul S. Kemp , Drew Karpyshyn and Sean Williams. Mass Effect: Deception - Mass Effect 3 Wiki Guide - IGN After the presentation, they find that Nick has disappeared. They go to The Cube, a gym for biotics, to see if he had gone there early, but no luck. A volus attendant at The Cube directs them to Ocosta Lem and Arrius Sallus, a salarian and a turian that Nick had been seen with on earlier visits. Lem and Sallus's address turns out to be fake, and Anderson and Sanders come to conclusion that Nick is missing. The Illusive Man orders Leng to steal Paul Grayson's body and begin observing Anderson and Sanders; their recent activities on the Citadel have drawn unwelcome attention to Cerberus. Elsewhere in the galaxy, the batarian slave ship Glory of Khar'shan attacks the quarian ship Idenna, carrying Gillian Grayson and Hendel Mitra, who are part of the ship's security team. When the batarians disable the Idenna's drives and board it, Gillian and Mitra help defend the ship. With Gillian's help, the quarians gain the upper hand and charge onto the Glory of Khar'shan. One of the ship's freed slaves is Hal McCann, a former Cerberus operative who worked on the space station where Paul Grayson had been experimented on with Reaper technology. McCann keeps this fact to himself, but does tell Gillian that her father had been killed and persuades her that information on who killed her father could be found on the Citadel. Deciding to track down her father's killer, Gillian commandeers the Glory of Khar'shan and brings Mitra and McCann with her. Anderson and Sanders find a message from Nick at their apartment. Nick explains that he left to join a group known as the Biotic Underground that advocates biotic supremacy over all of the galaxy's races. Anderson uses contacts in C-Sec to dig up info on where Nick had gone. Response to the novel has been very negative, prompting many fans to petition BioWare to disregard the novel as canon. Some fans resorted to crowd-sourced fact- checking and created Google Docs files highlighting scores of continuity errors, and a fan uploaded a video of themselves burning a copy of the novel on the internet. That same day, BioWare staff member Chris Priestly posted a message on the official forums with an apology to fans as follows [8] :. The teams at Del Rey and BioWare would like to extend our sincerest apologies to the Mass Effect fans for any errors and oversights made in the recent novel Mass Effect: Deception. We are currently working on a number of changes that will appear in future editions of the novel. Kirk Hamilton from Kotaku and Purchese both noted that the novel's publishers, and the game's creators vowed to essentially patch the book and fixing those errors in the next print run. Tom Dowd highlighted the controversy over Deception's continuity errors when discussing BioWare's difficulty with cross- property continuity in his book Storytelling Across Worlds: Transmedia for Creatives and Producers , noting that it was embarrassing for BioWare as they were positioning themselves in the video game industry as a developer "who is all about storytelling". Dowd noted that fans may quickly lose faith when they perceive that producers of the material are not taking continuity seriously, which implies a lack of respect for the intellectual property. He argued that "Continuity maintenance is mandatory for a transmedia storytelling property, and sometimes requires going to great efforts to ensure". And you know you're in trouble when Penny Arcade cares: BioWare's r There are so many errors in this book that a fan-created Google document was started to list them. We would like to thank all Mass Effect fans for their passion and dedication to this ever-growing world, and assure them that we are listening and taking this matter very seriously. View all 58 comments. Leading up to the release of this book, I re-read all three of Drew Karpyshyn's novels. I've always enjoyed them in the past, and so I wanted to see the story continue. I was mildly concerned when I saw that Karpyshyn had moved on, but William C. Dietz had a decent track record, so I figured this book would probably turn out okay. Boy, was I mistaken. As soon as I opened the book, I could tell something was wrong. I like quality writing, but I'm usually able to enjoy pretty much anything. Unfortu Leading up to the release of this book, I re-read all three of Drew Karpyshyn's novels. Unfortunately the writing in this book is of extremely poor quality. In places it makes it very hard to get through. The language is sloppy, the narrative is very confused, and it's full of poor grammar. Now if this was all that was wrong with the book, I supposed I would dock it a few points and leave it at that. But this is tie-in fiction. That's where it's biggest weakness comes into play. As I read through the book, I became more and more confused. The problem is simple: the book appears to have been written by someone who had no knowledge of the previous three books, or the subject matter in general. The timeline is impossible to reconcile with the other books. Numerous terms are misused. Characters lose important traits, and act out of character at seemingly every point. The book is full of these issues. It's very hard to understand how they made their way through quality control. Even setting these problems aside, the book has little to offer. The characters, both returning and new, are flat and uninteresting. The audience is asked to accept as fact various things that seems to make little sense. All in all, I'm extremely disappointed. Anyone who enjoyed the previous three books is going to be sorely disappointed when they reach the end of this installment. It really is a shame, because the series once held such promise. I hope this review is helpful in making an informed decision. There are also various excerpts available online, and I urge you to read them for yourself, so you can see the issues I've detailed, before committing your hard-earned cash to purchasing this book. Feb 07, Ginta rated it did not like it. This review has been hidden because it contains spoilers. To view it, click here. The only major outcome that occurs in Deception is that the three characters previously created in the novel Ascension - Gillian, Hendel, and Nick - are all randomly killed off at the very end for no other purpose other than to erase their existence from the Mass Effect universe. Other than that, nothing matters in this novel to the plot of the Mass Effect series, NOTHING - Anderson and Kahlee make no progress into investigating either Cerberus or the Reapers, the Council still actively dismisses the existence of the Reapers, there is no mention of the events of Arrival or the escalating tensions between the Alliance and the batarians over it, there is no active effort by Cerberus into any of their secret projects This is no "lead-in" to the Mass Effect 3 video game, as some of the game developers previously claimed It's utterly pointless, a waste of the trees used to make the paper to print this worthless book and a waste of the time and energy of anyone who bothers to read through it from start to finish.
Recommended publications
  • The Expanding Storyworld: an Intermedial Study of the Mass Effect Novels Jessika Sundin
    Stockholm University Department of Culture and Aesthetics The Expanding Storyworld: An Intermedial Study of the Mass Effect novels Jessika Sundin Master Thesis in Literature (30 ECTS) Master’s Program in Literature (120 ECTS) Supervisor: Christer Johansson Examiner: Per-Olof Mattsson Spring Semester 2018 Abstract This study investigates the previously neglected literary phenomenon of game novels, a genre that is part of the increasing significance that games are having in culture. Intermedial studies is one of the principal fields that examines these types of phenomena, which provides perspectives for understanding the interactions between media. Furthermore, it forms the foundation for this study that analyses the relation between the four novels by Drew Karpyshyn (Mass Effect: Revelation, 2007; Mass Effect: Ascension, 2008; Mass Effect: Retribution, 2010) and William C. Dietz (Mass Effect: Deception, 2012), and the Mass Effect Trilogy. Differences and similarities between the media are delineated using semiotic theories, primarily the concepts of modalities of media and transfers of media characteristics. The thesis further investigates the narrative discourse, and narrative perspectives in the novels and how these instances relate to the transferred characteristics of Mass Effect. Ultimately, the commonly transferred characteristic in the novels is the storyworld, which reveals both differences and similarities between the media. Regardless of any differences, the similarities demonstrate a relationship where the novels expand the storyworld. Keywords: Drew Karpyshyn, William C. Dietz, Mass Effect, BioWare, storyworld, video games, digital games, intermediality, transmediality, narratology, semiotics 2 Table of Contents 1. Introduction ………………………………………………………………………….…. 4 1.1. Survey of the field …………………………………………………………...………..… 5 1.1.1. Novelizations …………………………………………………………….…….……. 5 1.1.2.
    [Show full text]
  • Mass Effect! Action! Drama! War! Romance!
    Story: In the year 2148, explorers on Mars discovered the remains of an ancient spacefaring civilization. In the decades that followed, these mysterious artifacts revealed startling new technologies, enabling travel to the furthest stars. The basis for this incredible technology was a force that controlled the very fabric of space and time. They called it the greatest discovery in human history. The civilizations of the galaxy call it... --------------------------------------------------------------------------------------------------------------------------------------------- Intro: Element Zero! You're going to be hearing that term (or eezo) a lot from now on. It'll be used to justify faster-than-light travel, energy shields, even glowy space psychic people. Why? Because you get to spend the next 10 years in the sci-fi adventure setting of Mass Effect! Action! Drama! War! Romance! You will begin your adventure in the year 2181. For the record, the first Mass Effect takes place in 2183, Mass Effect 2 takes place in 2185, and Mass Effect 3 kicks off in 2186. You get a few years to get yourself ready for the impending Reaper (sentient starship) invasion. You might even be able to stop it yourself. Remember, you probably know information (or can learn it by just reading the Jump) that could save a lot of lives if you can get people to believe you. Cerberus' (human supremacist organization headed by the Illusive Man) antics, the Collectors, all of that information could be resolved with less fuss if you can get the word out to the right people. You'll have to survive though. Good luck with that! Go join up with Shepard, take things into your own hands, or use your information to change the galaxy.
    [Show full text]
  • Women in STEM on a Spaceship
    Women in STEM on a Spaceship Ursula Whitcher I don’t expect to find role models in video games. There’s a difference in goals, of course: I don’t want to develop my skill with guns, swords, or jumping long distances, and I’m not planning to wreak revenge on anyone. I don’t even want to start a small package-delivery business, which is a standard task in the genre of games I favor. But there’s a more obvious, less pragmatic, reason I don’t expect to see myself in video games: I’m a woman. As a female gamer, I belong to a demographic occasionally mocked and often dismissed entirely. Though women constitute just under half of all gamers (48%, according to the latest industry statistics), female characters are rare and female protagonists even rarer. Recently, for example, the game company Ubisoft announced that there would be no playable female characters in the new Assassin’s Creed game because “the reality of production” made animating women too expensive. As a mathematician, I’ve grown accustomed to real-world contexts where women are rare. In recent years, women have received just over 30% of the Ph.D.s granted in mathematics. Sometimes even 30% seems high: when I go to research workshops in my subfield, I'm often the only junior woman in the room, and occasionally the only woman. That might be because my field overlaps with theoretical physics, and compared to other STEM fields (Science, Technology, Engineering, and Mathematics), math is doing pretty well. Fewer than 20% of new physics and computer science PhDs go to women; the statistics for engineering are similar.
    [Show full text]
  • Chapter 1- Priority: Dholen (Haestrom's Sun) So Here She Was
    WHISPERING SHADOWS- A MASS EFFECT 3 ALTERNATE ENDING - 1 Chapter 1- Priority: Dholen (Haestrom’s Sun) So here she was. Back on the Normandy. She couldn’t say she was surprised, by what she’d seen at Sanctuary. She’d known the Illusive Man had no problem sacrificing other people for his vaguely-stated goals. And she knew that scamming refugees was a traditional way to make money in wartime. Still, Sanctuary had been coldblooded even by those standards. She’d seen people in the Citadel markets, selling everything they had so they could afford to send their families to Sanctuary. And now the whole lot of them were husks. ...The Illusive Man probably thought it proved how serious and committed he was to saving humanity, that he’d go to such extreme, pointless lengths to save it. Shepard chuckled darkly. She had to wonder what he was saving it from. Hackett wanted to talk to her, ASAP, apparently. She splashed water on her face, wishing that would be enough to wash away the sickness-and-ammonia stench of Sanctuary. Not that Hackett would notice: He’d be a hologram with no sense of smell. She leaned on the metal sink, allowing herself a moment to look in the mirror. Not much of the old Shepard left there, she thought. When the Illusive Man had resurrected her as his errand-girl, he’d made her look the same as she had before she died. She’d hated that. It was a lie, that you could work for Cerberus and not change.
    [Show full text]
  • Trilogy Lore
    Trilogy Lore TABLE OF CONTENTS 1. Galactic Governance ...................................................................................................... 5 History & Galactic Involvement .......................................................................................... 5 Previous Cycles.............................................................................................................. 5 Current Cycle ................................................................................................................. 5 2. Galactic Society.............................................................................................................. 6 Time ............................................................................................................................... 6 Language ....................................................................................................................... 6 Trade and Commerce .................................................................................................... 6 Art .................................................................................................................................. 6 Social Media and Communication .................................................................................. 7 Sexuality ........................................................................................................................ 7 Stereotypes ...................................................................................................................
    [Show full text]
  • Shepard” Will Guide Us: a Textual Analysis of Hegemonic
    THE “SHEPARD” WILL GUIDE US: A TEXTUAL ANALYSIS OF HEGEMONIC REINFORCEMENT AND RESISTANCE IN THE MASS EFFECT VIDEO GAME SERIES by Maricruz Gonzalez A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December 2014 Copyright 2014 by Maricruz Gonzalez ii ACKNOWLEDGEMENTS The author would like to express her sincere thanks and love to her family and friends for their support, patience and encouragement throughout the writing of this manuscript. She would also like to express her sincere thanks to her late grandfather who introduced her to the world of video games and thanks and admiration to her thesis advisor, Dr. Christine Scodari, for guiding her throughout her years as an undergraduate and graduate student, and for having faith in her research and passion in studying video games. iv ABSTRACT Author: Maricruz Gonzalez Title: The “Shepard” Will Guide Us: A Textual Analysis of Hegemonic Reinforcement and Resistance in the Mass Effect Video Game Series Thesis Advisor: Dr. Christine Scodari Degree: Master of Arts Year: 2014 Mass Effect is a Science Fiction/Action Role Playing/Third Person Shooter video game series that takes place in the year 2183, in which the player assumes control of Commander Shepard. Players can choose to customize the character based on his/her gender, appearance, sexual orientation, background origin and occupation. The choices that show up in the game are also based on how the player wants their version of Shepard to interact with other characters and allows players some leeway to shape their own narrative.
    [Show full text]
  • Mass Effect: Retribution Excerpt
    Karp_9780345520722_5p_all_r1.qxp 6/1/10 11:14 AM Page iii RETRIBUTION DREW KARPYSHYN D BALLANTINE BOOKS • NEW YORK Karp_9780345520722_5p_all_r1.qxp 6/1/10 11:14 AM Page 1 PROLOGUE The Illusive Man sat in his chair, staring out the viewing window that formed the entire outer wall of his inner sanctum. The unnamed space station he used as his base was orbiting a red giant-class M star. The semispherical edge of the burning sun filled the entire lower half of the viewing window, its brightness dominating but not completely obscuring the field of stars behind it. The star was in the last stages of its six-billion-year life span. As the grand final act culminating its exis- tence, it would collapse in upon itself, creating a black hole to swallow the entire system. The planets and moons it had spawned in its birth would be de- voured in the inescapable gravitational pull of the dark, gaping maw left behind by its death. The scene encapsulated everything the Illusive Man believed about the galaxy: it was beautiful, glorious and deadly. Life could spring up in the least likely of places in the most unimaginable of forms, only to be snuffed out in a blink of the cosmic eye. He wasn’t about to let that happen to humanity. “Viewing window off,” he said, and the wall Karp_9780345520722_5p_all_r1.qxp 6/1/10 11:14 AM Page 2 2 Drew Karpyshyn became opaque, leaving him alone in a large, dimly lit room. “Lights on,” he said, and illumination spilled from the ceiling.
    [Show full text]
  • A Conflict of Interests Aspects of Morality in Drew Karpyshyn‟S Mass Effect-Trilogy
    A Conflict of Interests Aspects of Morality in Drew Karpyshyn‟s Mass Effect-trilogy Author: Olof Persson Course: ENGK01 Examiner: Claes Lindskog Supervisor: Anna Lindhé Date: 18 January 2010 Table of contents Introduction ……………………………………………………………. page 1 A brief summary of the three novels …………………………………... page 2 Methods of characterization in the Mass Effect-trilogy ……………….. page 3 The principle of equal interests ………………………………………... page 6 Anderson and Saren, can either one claim moral superiority? ………… page 8 The Quarians and the Geth - the interests of synthetic life …………….. page 13 Cerberus, a possible exception to the rule? ……………………………. page 18 Conclusion …………………………………………………………..… page 25 Bibliography …………………………………………………………… page 26 Introduction The science fiction genre is known for being able to tell us grand stories about intergalactic conflicts, tales of mighty fleets of spaceships battling for supremacy against powerful enemies, usually with the fate of the universe at stake. Unbound by the restrictions of a realistic universe, the opportunity for creativity on the writer‟s part is only rivaled by that of the fantasy genre. Like many science fiction novels before them, Drew Karpyshyn‟s Mass Effect-trilogy (Revelation, Ascension and Retribution) deals with humanity‟s eventual journey to the stars and the struggles they encounter along the way. However, one of these novels‟ most distinguishing features is that the author takes the time to thoroughly explore the motivations behind many of the characters and take a deeper look into their personal moral codes. The universe of Mass Effect was created to play host to a series of role-playing video games with the same name. The games put the player in the space boots of Commander Shepard.
    [Show full text]
  • Mass-Effect-3-Manuals
    MASS EFFECT TM 3 MANUAL 1 CONTROL SCHEME 2 SINGLE PLAYER 17 MuLTIPLAYER 26 TIPS AND HELP CONTROL SCHEME Movement Click: 90˚ Cover Turn Camera Click: Navigation Weapon Tap: Reload Hold: Switch Tap: Use, Take Cover Tap Twice: Quick Vault Hold: Storm Melee Mapped Power Tap: Mapped Power Hold: Power Wheel Shoot Mission Computer Quick Save Tap: Mapped Power Hold: Weapon Wheel Tight Aim Squad Attack Squadmate 1 Move/Attack Rally Squadmate 2 Move/Attack 1 SINGLE PLAYER The Main Menu The main menu contains the following items the first time you play. X New Game X Multiplayer X Downloadable Content X Extras After you’ve started a game, this menu will also include the Resume and Load Game options. Resume loads your most recently saved game. New Game Choose from four options when starting a new game: Male Start fresh with a new male character. Female Start fresh with a new female character. Import ME2 Character Import Commander Shepard from Mass Effect TM 2, maintaining your old character’s level as well as the decisions you made that impact Mass Effect 3’s story. Import ME3 Character Unlocks after completing Mass Effect TM 3. This allows you to start a new game while keeping your Commander Shepard’s class, level, weapons, and modifications intact. Load Game After starting a Mass Effect TM career, select LOAD GAME to continue your game, replay from an earlier save point, or switch to another active career. Careers are created each time you start a new game or import an old one. Within each career you will find: Restart Mission Restart your current mission.
    [Show full text]
  • Mass Effect 3 Walkthrough
    Mass Effect 3 Walkthrough Table of Contents Introduction..........................................................................................................................................................................4 Combat Tips....................................................................................................................................................................4 General Tips....................................................................................................................................................................4 Best Weapons.......................................................................................................................................................................5 Assault Rifles..................................................................................................................................................................5 Heavy Pistols...................................................................................................................................................................6 Shotguns..........................................................................................................................................................................7 SMGs (Submachine Guns)..............................................................................................................................................7 Sniper Rifles....................................................................................................................................................................8
    [Show full text]
  • Collectables Optional Assignments
    Collectables ...Optional Assignments continued □Models □Illium □Alliance Cruiser □A Troublemaker □Athabasca Class Freighter □Blue Rose of Illium □Destiny Ascension □Gianna Parasini □Quarian Flotilla Ship □Indentured Service □Geth Ship □Lost Locket Found □Normandy SR1 □Medical Scans □Shadow Broker Ship □The Observer □Sovereign □Salarian Family Data □Turian Cruiser □Smuggling Evidence □UT-47 Kodiak Shuttle □Stolen Goods Found □Miscellaneous Items □System Hacking □Ascension Novel □The Normandy □Fornax □FBA Couplings □Glass of Wine □Serrice Ice Brandy □Illium Skald Fish □Special Ingredients □Mystery Drink! □Omega □Prejek Paddle Fish □The Batarian Bartender □Pyjak Meat □Datapad Recovered □Revelations Novel □Missing Assistant □Shot of Liquor □Packages for Ish □Space Hamster □The Patriarch □Thessian Sunfish □Struggling Quarian □Normandy Upgrades □N7 □Cyclonic Barriers □Abandoned Mine □Extended Fuel Cells □Abandoned Research Station □Geth Sniper Rifle □Anomalous Weather Detected □Krogan Shotgun □Archeological Dig Site □Mordin's Omni-Tool □Blood Pack Base □Probe Capacity □Blood Pack Communications Relay □Scanner Speed □Blue Suns Base □Silaris Armor □Captured Mining Facility □Subject Zero Biotic Boost □Endangered Research Station □Thanix Cannon □Eclipse Smuggling Depot □Hahne-Kedar Facility Optional Assignments □Imminent Ship Crash □The Citadel □Javelin Missiles Launched □The Council □Lost Operative □Captain Bailey □Mining the Canyon □Crime in Progress □MSV Estevanico □False Positives / Forged IDs □MSV Strontium Mule □Krogan Sushi □Quarian Crash
    [Show full text]
  • Deconstructing the Empowered Asari in Mass Effect
    Beyond the Blue-Skinned Space Babe: Deconstructing the Empowered Asari in Mass Effect Alexandra M. Lucas Content Writer | Microsoft Cortana alexandramlucas.com * @silkenmoonlight Topic Overview • How Mass Effect’s Asari built on the classic Triple Goddess paradigm • Why these changes to the classic paradigm are empowering and how you can follow suit • How revising the green- (or blue-) skinned space babe trope can improve the world alexandramlucas.com * @silkenmoonlight CONTENT WARNING • Partial nudity • Sexually explicit content • Mass Effect 1-3 spoilers alexandramlucas.com * @silkenmoonlight alexandramlucas.com * @silkenmoonlight ALEXANDRA M. LUCAS alexandramlucas.com * @silkenmoonlight What I’m Covering Today I. Green-Skinned Space Babe Trope II.Mass Effect & Asari Basics III. Asari Adult Life Stages IV. Classic Triple Goddess Comparison V. Mass Effect Examples VI. Focus Areas For Improving Representation in Games VII. How Improving Representation Can Affect Society THE GREEN- (BLUE-)SKINNED SPACE BABE TROPE It’s not great. alexandramlucas.com * @silkenmoonlight Green-Skinned Space Babe Definition “An exotic yet attractive female alien, tending to look exactly like an attractive female human except for odd coloring and a couple minor features added.” -- TVTropes.org alexandramlucas.com * @silkenmoonlight Green-Skinned Space Babe Background ● Most well-known contemporary example: Star Trek TOS’ first pilot, “The Cage” ● Typically green or blue ● Assumed sexual interest in men ● Common thematic elements ● Slavery/bondage ● Sexually insatiable ● Ignorant of human love, infantile Vina in “The Cage” ● Erotic performance for male gaze Liara is not impressed. And you shouldn’t be, either. 10 ‘Member Mass Effect? alexandramlucas.com * @silkenmoonlight Mass Effect Trilogy Basics 1/2 The year: 2183 CE You: Commander Shepard Your mission: Unite all species to save the galaxy from the Reapers, a powerful race of ancient mechanical beings, and their agents.
    [Show full text]