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Buddy's Alphabet Adventure
Rochester Institute of Technology RIT Scholar Works Theses 11-2005 Buddy's Alphabet Adventure Jeremy Andrew Galante Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Galante, Jeremy Andrew, "Buddy's Alphabet Adventure" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Buddy's Alphabet Adventure By Jeremy Andrew Galante Submitted in Partial fulfillment of the Requirements for the Degree MASTER OF FINE ARTS MF A Imaging Arts/ Computer Animation SCHOOL OF FILM AND ANIMATION ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NEW YORK November 2005 Skip Battaglia Skip Battaglia, Chair Professor School of Film and Animation Charles T. Bandla Charles Bandla Visiting Assistant Professor School of Film and Animation Nancy Beiman Nancy Beiman Visiting Assistant Professor School of Film and Animation Johnny Robinson Johnny Robinson Assistant Professor School of Film and Animation 1 Table of Contents Title Page 1 Table of Contents 2 Permission Sheet 3 Thesis Report Introduction 4 Concept 4 Character Designs 6 Story 9 Sound 11 Animation 12 Backgrounds 14 Conclusion 16 Acknowledgments 17 Appendix A Initial Thesis Proposal A Appendix B Pre-Production Concept Artwork B Appendix C Production Stills C Permission Granted Title of Thesis: "Buddy's Alphabet Adventure" I, Jeremy Andrew Galante, hereby grant permission to the RJT Library of the Rochester Institute of Technology to reproduce my thesis in whole or in part. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
Graduate Education at RIT 1 Vidual Basis
Rochester Institute of Technology 2001-2002 Institute Calendar FALL QUARTER (20011) WINTER QUARTER (20012) SPRING QUARTER (20013) SUMMER QUARTER (20014) April 23-September 13 October 22-December 10 January 28-March 18 April 22-june 10 Fall Registration. Use telephone, Winter Registration. Use telephone, Student Spring Registration. Use telephone, Summer Registration. Use telephone, Student Information System, walk-in or Information System, walk-in or Student Information System, walk-in or Student Information System, walk-in or mail-in options. Students will be billed.* mail-in options. Students will be billed.* mail-in options. Students will be billed.* mail-in options. Students will be billed.* September 5 December 3 March 11 June 3 Evening classes begin Day and evening classes begin Day and evening classes begin Day and evening classes begin September 6 December 8 March 16 June 8 Day classes begin Saturday classes begin Saturday classes begin Saturday classes begin September 8 December 10 March 18 June 10 Saturday classes begin Last date to drop/add courses Last date to drop/add courses Last date to drop/add summer quarter courses September 13 December 22 April 19 Last date to drop/add courses Last day of classes before break Last date to withdraw with filly 4 a "W" grade Holiday (classes will be held) October 19 January 5 Last date to withdraw with Saturday classes resume May 17 July 12 a "W" grade Last day class Last date to withdraw with January 7 a "W" grade November 14 Day and evening classes resume May 18 Last day class Last Saturday -
2010 Program
FESTIVAL PASS $40 (DCAS members/seniors and students), $50 (general public) Note: A festival pass does not guarantee entry into a screening. Please arrive 15 minutes prior to a screening to ensure entry. PASSES & TICKETS SINGLE SCREENING ADMISSION The Dawson City International Short Film Festival is presented by the $6 (DCAS members/seniors & students), $7 (general public) KLONDIKE INSTITUTE OF ART AND CULTURE. We gratefully acknowledge the support of KIAC’s funding agencies and partners for making this possible. DCAS (Dawson City Arts Society) membership: $15 For further information on KIAC and its programs, All events take place at The Odd Fellows Hall, please visit our website at www.kiac.ca 2nd & Princess unless otherwise noted. www.dawsonfilmfest.com Festival Producer: Dan Sokolowski Programming: Dan Sokolowski, Kerry Barber, Tara Rudnickas Projectionists: Florian Boulais, Megan Graham, Aaron Burnie Executive Director: Karen DuBois Front of House Manager: Karen MacKay Programs Manager: Tara Rudnickas Concession Manager: Georgia Fraser Programs Coordinator: Jenna Roebuck Cover and Poster Artworks: Veronica Verkley Administrative Assistant: Kerry Barber Program Design: Dan Sokolowski Gallery Director: Lance Blomgren Festival Committee Klondike Institute of Art and Culture Lulu Keating: Chair, Florian Boulais, Gail Calder, Suzanne Crocker, Box 8000, Dawson City, Yukon Y0B 1G0 Canada Stephanie Davidson, Kit Hepburn, Bill Kendrick, Gord MacRae, tel: 867 993 5005 Daisyanne Maguire, John Overell, Evelyn Pollock, Meg Walker fax: 867 993 5838 [email protected] www.kiac.ca 2010 DAWSON CITY INTERNATIONAL SHORT FILM FESTIVAL 1 ALL SCREENINGS and EVENTS in the ODD FELLOWS HALL BALLROOM unless otherwise noted. Thursday, 7 pm — Thursday, 9:30 pm Feature film by artists in residence Stefan Popescu and Katherine Berger. -
MIAF13 88Pp V4:Layout 1
13TH MELBOURNE INTERNATIONAL ANIMATION FESTIVAL 1 DIRECTOR’S MESSAGE Malcolm TURNER DIRECTOR: Melbourne International Animation Festival I have a beautiful god-daughter, Alex. I’m lucky to know her. That her My embrace of the ‘new’ – the DCP – couldn’t have started more Mum and Dad would nominate me to play this kind of role in her life fittingly than with the conversion of the legendary Alex Stitt film, GRENDEL is both a privilege for me and, considering my more or less comprehen- GRENDEL GRENDEL. Through a Pozible crowdfunding campaign that sively spectacular lack of preparedness for the gig, something approaching was supported by many true lovers of Australian film we were able to a reckless dereliction of duty on their part. finance the transfer of an unused 35mm print to this digital format. When I am in Australia I am bogged down with the festival and, Meeting and getting to know Alex and Paddy Stitt has been one of the when I’m overseas, I’m getting ready to get bogged down with the festival great delights of this festival cycle. Being able to utilise MIAF as a vehicle – once off the plane, I quite literally hit the tarmac running. It’s a lifestyle to preserve a digital copy of Alex’s first animated feature is about as I love and it makes MIAF possible but skipping out on taking the good as it gets for a festival like MIAF. The openness, generosity and opportunity to be just a liiiiiittle bit more involved in her life is one of the forbearance they have shown throughout this little adventure is here small number of regrets I suspect will settle on me when life’s fog begins acknowledged and gratefully tributed. -
Terra Cotta Warrior
Rochester Institute of Technology RIT Scholar Works Theses 2-1-2012 Terra cotta warrior Bin Li Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Li, Bin, "Terra cotta warrior" (2012). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. TERRA COTTA WARRIOR Bin Li MFA Imaging Arts/Computer Animation SCHOOL OF FILM AND ANIMATION ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NEW YORK FEBURARY, 2012 ________________________ Skip Battaglia, Chair Professor School of Film and Animation ________________________ Stephanie Maxwell Professor School of Film and Animation ________________________ Geoffrey Alan Rhodes Assistant Professor Art Institute of Chicago PREFACE I am kind of worried when I set about writing this paper, since there are too much things to select in this process to talk about and share with you. Filmmaking process is amazing and exciting like magic, and everything needs to be created from nothing like a dove suddenly appears on illusionist’s hand. However behind this glaring magic, so many people work deliberately and so many wonderful stories are going on, which are even more dramatic than our film itself. So I even have more enthusiasm to share our story than the story in the film. I want to consider this paper like an interesting manual for the people who interest and research Terra Cotta Warrior than an obscure technical treatise. There are so many people involved this “story” including the members of my committee, schoolmates and friends. -
A Brief Education on Indigenous History
Phillipe & Jorge’s Cool, Cool World: Stuff of Legends: A brief education on Indigenous history Me Tarzan A local athlete you might not have heard of (outside his community) is Ellison Brown, born on the Narragansett Reservation in 1914. A mind-boggling distance runner, Brown was known publicly as “Tarzan,” although members of the tribe called him “Deerfoot.” Tarzan won the 1936 and 1939 Boston Marathons, and was on the historic 1936 US Olympic team that competed in Berlin, but was unable to race due to an injury. But to his credit, reports were that injury didn’t keep him from getting into a fight with some of Adolf Hitler’s Nazis at a local beer garden. A stonemason and shellfisherman, Brown ran distance races barefoot, and if you’re an avowed masochist, try that on for size. He would also disappear into the South County woods for days at a time, getting back to nature in his own way. He overcame a great deal of racism, and according to reports, once said he had to get his hair cut in New London because the barber in Westerly wouldn’t do it. Tarzan Brown has long been a legend in South County and deservedly so. And his duel with the Boston running star John Kelley in the 1936 Marathon, which Tarzan won, led to the christening of “Heartbreak Hill” toward the end of the 26+ miles. (see Fest at motifri.com/TarzanBrown) Mayflower P & J live in The Biggest Little by choice, which we hope is true of all residents. -
Mon Sept 27 | 8:30 Pm Jack H. Skirball Series $9 [Students $7, Calarts $5]
FILM AT REDCAT PRESENTS Mon Sept 27 | 8:30 pm Jack H. Skirball Series $9 [students $7, CalArts $5] THE BEST OF OTTAWA 2009 This selection of 12 outstanding films from the Ottawa International Animation Festival 2009, most of which are Los Angeles premieres, reflects the vitality of experimental animation today and includes work from Canada, England, Estonia, France, Germany, Poland, and the United States. Each filmmaker demonstrates a passion for telling stories, whether abstract or figurative, and the works showcase the rich possibilities of animation as personal art. Films include Eric Dyer’s mesmerizing The Bellow’s March, Diego Maclean’s haunting The Art of Drowning, and David OReilly’s sci-fi drama Please Say Something, as well as works by Jake Armstrong, Bastien Dubois, Julian Grey, Rao Heidmets, Stephen Irwin, Gary Leib, Ian Miller, Marv Newland, and Michal Socha. Two new films by American animators who continue to delight, disturb, and enlighten— Myth Labs by Martha Colburn and Presentation Theme by Jim Trainor—will also be screened. In person: Suzan Pitt, Ottawa International Animation Festival jury member “Martha Colburn’s animations charge the frame with such ferocity that it almost hurts to watch… Tacitly these unconscious imaginings give rise to strikingly clear associations, which is why the work is so illuminating—not just for its ideational and aesthetic lushness but for its approach.” – Dena Beard, Berkeley Art museum/Pacific Film Archive Program (TRT 81 min.) Julian Grey: OIAF 2009 Signal Film Head Gear Animation | Canada | 2009 | 0:45 The bouncing ball leads the audience to the 2009 edition of the Ottawa International Animation Festival. -
Three Stories Toward Creation by Rodrigo Gómez Claros
Three Stories Toward Creation By Rodrigo Gómez Claros Submitted in Partial Fulfillment of the Requirements for the Degree MASTER OF FINE ARTS MFA Imaging Arts/ Computer Animation SCHOOL OF FILM AND ANIMATION ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NEW YORK May, 2002 _______________________________________________ Skip Battaglia, Chair Professor School of Film and Animation _______________________________________________ Stephanie Maxwell Associate Professor School of Film and Animation _______________________________________________ Johnny Robinson Assistant Professor School of Film and Animation 1 Table of Contents ○○○○○○○○○○○○ Permission ○○○○○○○○○○○○○○○○ 3 I. Ackwnowledgments ○○○○○○○○○○○○○○○○○○○ 4 ○○○○○○○ II. Objectives of this Paper ○○○○○○○○○ 5 III. Objectives of the Animated Work ○○○○○○○○○○ 6 ○○○○ IV. Motivation ○○○○○○○○○○○○○○○○○○○○○ 8 V. Process of Creation ○○○○○○○○○○○○○○○○○○○ 11 ○○○○○○○○○○○○○○○ A. Bachué ○○○○○○○○ 11 ○○○○○○○○○○○○○○○ B. Broken Pot ○○○○○○ 14 C. Cross of Gold ○○○○○○○○○○○○○○○○○○○ 17 D. Form, Color and movement ○○○○○○○○○○ 19 VI. Technical Development ○○○○○○○○○○○○○○○○ 26 ○○○○○○○ VII. Challenges and Obstacles ○○○○○○○ 30 VIII. Goals Achieved with the Work ○○○○○○○○○○○○ 32 ○○○○○○○○○○○ IX. Future Goals ○○○○○○○○○○○○ 34 X. Conclusions ○○○○○○○○○○○○○○○○○○○○○○○○ 35 ○○○○○○○○ XI. Bibliography ○○○○○○○○○○○○○○○○ 36 ○○○○○○○○○ XII. Appendix ○○○○○○○○○○○○○○○○○ 36 A. Original Proposal B. Storyboards C. Still images 2 Permission Threee Stories Toward Creation I, Rodrigo Gómez Claros, hereby grant permission to the Wallace Memorial Library -
Interview with Gary Leib # VRK-A-L-2010-044 Interview # 1: October 5, 2010 Interviewer: Mark Depue
Interview with Gary Leib # VRK-A-L-2010-044 Interview # 1: October 5, 2010 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. DePue: Today is Tuesday, October 5, 2010. My name is Mark DePue, Director of Oral History with the Abraham Lincoln Presidential Library, and today I have the honor to be with Gary Leib. Good afternoon, Gary. Leib: Good afternoon, sir. DePue: We are in Gary’s home in Winchester, Illinois, and we’re going to be talking about your experiences, Gary, during the Korean War. But fortunately for me, it’s not an Army perspective; it’s the Navy perspective, and I haven’t had the opportunity to do too many of those. -
RIT Scholar Works Rm2072
Rochester Institute of Technology RIT Scholar Works Theses 11-1-2001 Rm2072 Po-Chun Lin Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Lin, Po-Chun, "Rm2072" (2001). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rm2072 BY Po-Chun Lin Submitted in Partial Fulfillment ofthe Requirements for the Degree Master ofFine Arts MFA Imaging Arts / Computer Animation SCHOOL OF FILM AND ANIMATION ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NEW YORK November, 2001/11/1 Marla Schweppe, Chair Professor School ofFilm and Animation Skip Battaglia Professor School ofFilm and Animation Howard Lester Professor School ofFilm and Animation TITLE OF THESIS: I, Po-Chun Lin, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Signature (I / I I;>-v (? ! Contents Thesis Report 1 Story Development 2 Character Development 3 Modeling and Texturing 4 Animation 6 Set and Lighting 7 Conclusion 8 Appendix A -Thesis Proposal 10 Treatment 11 Budget 12 Time Line 13 Marketing Plan 13 Appendix B 14 Original Storyboard Appendix C 20 Color Stills Thesis Report Rm2072 Story Development After I Out," finished my first 3D animation "Render I quickly began developing the story of my thesis movie, which I also submitted as a treatment for my Winter movie. -
9629 Filmfest Program.Indd
FILM IN SYRACUSE 1 FILM IN SYRACUSE Special Letter From The Artistic Director, Owen Shapiro PEACE AND SOCIAL JUSTICE is the focus of this year’s Syracuse International Film Festival. In 2009 Le Moyne College initiated a festival showcase of films dealing with the theme of Peace and Social Justice, and since that time has sponsored and hosted this showcase. In 2012 this theme takes on even greater significance in light of the death of Bassel Shahade, a Graduate student in Syracuse University’s College of Visual and Performing Arts’ Film Program. Bassel was killed while training citizen journalists in his home country of Syria to document with video what was happening there. Bassel’s love for his people and desire to help them fight for political, social, and economic freedom led to his decision to take a leave from his studies in Syracuse. Bassel’s honesty, personal integrity, and love for peace and opportunity were acutely felt by all who knew him. He was a model fighter for peace and social justice. Peace and Social Justice when seen in terms of the individual’s right to equal opportunity and respect regardless of economic class, race, gender, sexual orientation, nationality or religion also must include a person’s physical and/or mental abilities or disabilities. In this sense, peace and social justice includes another long-standing feature of our festival - Imaging Disability in Film, a program created by the School of Education at Syracuse University. Peace and Social Justice is about equality, fairness, and equal opportunity, basic values of all major religions and of all democratic societies.