Park, Janet TITLE Read Around the Clock. 1994 New York State Summer Reading Program
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The Caldecott Medal 2021
Caldecott Medal Books oppl.org/kids-lists The Caldecott Medal is awarded annually by the Association for Library Service to Children. It is given to the illustrator of the most distinguished American picture book published the preceding year. The name of Randolph Caldecott, an English illustrator of books for children, was chosen for the medal because his work best represented the “joyousness of picture books as well as their beauty.” The horseman on the medal is taken from one of Caldecott’s illustrations for “The Diverting History of John Gilpin” (1878). The medal was originally donated by publisher Frederic G. Melcher (1879–1963), and is now donated by his son, Daniel. 1939 Mei Li Handforth 1972 One Fine Day Hogrogian 1940 Abraham Lincoln d’Aulaire 1973 The Funny Little Woman Lent 1941 They Were Strong and Good Lawson 1974 Duffy and the Devil Zemach 1942 Make Way for Ducklings McCloskey 1975 Arrow to the Sun McDermott 1943 The Little House Burton 1976 Why Mosquitoes Buzz in 1944 Many Moons Slobodkin People’s Ears Dillon 1945 Prayer for a Child Jones 1977 Ashanti to Zulu: 1946 The Rooster Crows Petersham African Traditions Dillon 1947 The Little Island Weisgard 1978 Noah’s Ark Spier 1948 White Snow, Bright Snow Duvoisin 1979 Girl Who Loved Wild Horses Goble 1949 The Big Snow Hader 1980 Ox-Cart Man Cooney 1950 Song of the Swallows Politi 1981 Fables Lobel 1951 The Egg Tree Milhous 1982 Jumanji Van Allsburg 1952 Finders Keepers Mordvinoff 1983 Shadow Brown 1953 The Biggest Bear Ward 1984 The Glorious Flight Provensen 1954 Madeline’s Rescue -
Caldecott Medal Winners
C A L D E C O T T 1951 The Egg Tree by Katherine Milhous 1943 The Little House by Virginia Lee Burton M EDAL 1942 Make Way for Ducklings by Robert INNERS 1950 Song of the Swallows by Leo Politi W McCloskey 1949 The Big Snow by Berta and Elmer Hader 1941 They Were Strong and Good by Robert Law- son The Caldecott Medal is awarded annually by the Association of Library Service to Children, a divi- 1948 White Snow, Bright Snow by Alvin Tres- 1940 Abraham Lincoln by Ingri Parin D’Aulaire sion of the American Library Association, to the illustrator of the most distinguished American pic- selt, ill by Roger Duvoisin 1939 Mei Li by Thomas Handforth ture book for children. The medal honors Randolph Caldecott, a famous English illustrator of children’s 1938 Animals of the Bible by Helen D. Fish, 1947 The Little Island by Golden MacDonald ill by Dorothy Lathrop 2011 A Sick Day for Amos McGee ill Erin Stead Ill by Leonard Weisgard 2010 The Lion and the Mouse by Jerry Pinkney 2009 The House in the Night by Susan Swanson 1946 Rooster Crows by Maud and Miska Peter- 2008 The Invention of Hugo Cabaret by Brian Sel- znik sham 2007 Flotsam by David Wiesner 2006 The Hello, Goodbye Window by Chris Raschka 2005 Kitten’s First Full Moon by Kevin Henkes 1945 Prayer for a Child by Rachel Field, 2004 The Man Who Walked between Two Towers by Mordicai Gerstein Ill by Elizabeth Orton Jones 2003 My Friend Rabbit by Eric Rohmann 2002 The Three Pigs by David Wiesner 2001 So You Want to Be President by Judith 1944 Many Moons by James Thruber, Ill by St.George 2000 Joseph Had A little Overcoat by Simms Tabak Louis Slobodkin 1999 Snowflake Bentley by Jacqueline Briggs Mar- tin 1998 Rapunzel by Paul O. -
Out of This World
TURANGALÎLA OPERA’S MESSIAEN’S ANTIHERO THE AGE OF ADÈS MASTERPIECE DON GIOVANNI’S DISCOVERING COMES TO NEW RELEVANCE BOLD NEW MUSICAL AUCKLAND I N 2019 HORIZONS SUMMER 2019 VOL.42 NO.1 your free copy OUT OF THIS WORLD APO CONCERTMASTER ANDREW BEER PREPARES TO PUSH THE LIMITS OF VIRTUOSITY We’re taking you behind the headlines Get the inside story from our journalists bringing you all the news that matters. Watch now at nzherald.co.nz/journalists apo.co.nz 3 UPFRONT WITH BARBARA GLASER 15 Bach and Beyond 4 APO NEWS Swedish conductor Sofi Jeannin talks about the demands of a unique Easter concert 7 Auckland Philharmonia Redefining Nature Orchestra 16 PO Box 7083 The orchestra takes you up close Wellesley St to the Animal Kingdom Antihero for the Ages Auckland 1141 ‘The opera of all operas’ in 2019 Phone (09) 638 6266 APO Ticketing (09) 623 1052 [email protected] 18 apo.co.nz aporchestra Chauffeur to the Stars @aporchestra Tony Waring drives APO guests aporchestra in style Patrons Dame Kiri Te Kanawa, DBE, ONZ Dame Catherine Tizard, GCMG, GCVO, DBE, ONZ, QSO 8 19 Sir James Wallace, KNZM, ONZM Dame Rosanne Meo, DNZM The Nature of Love Vice Patron Sonic Riches Composer Ken Young discusses Dame Jenny Gibbs, DNZM, OBE A deep dive into Messiaen’s his new collaboration with Witi Auckland Philharmonia masterpiece Turangalîla Ihimaera Orchestra Board Geraint A. Martin (Chair) Symphony Leigh Auton DEVELOPMENT NEWS Richard Ebbett 20 Lope Ginnen CONTENTS Pare Keiha 11 21 CONNECTING NEWS Kieran Raftery QC Eric Renick Soloist on a High-Wire Julian Smith -
Classical Myth and Margaret Mahy’S Young Adult
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington 1 Classical Myth and Margaret Mahy’s Young Adult Fiction By Michael Pohl A thesis Submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2010 2 Contents Acknowledgements…………………………………………………………………...iii Abstract……………………………………………………………………………….iv Introduction……………………………………………………………………………1 I. Other-worlds and Under-worlds I: Dangerous Spaces …………..............11 II. Other-worlds and Under-worlds II: The Changeover ……………………20 III. Dionysian Imagery in The Tricksters …………………………………….33 IV. Myth, Fiction and Lying in The Catalogue of the Universe ……………..62 V. Heroes and Authors in The Other Side of Silence ………………………..74 Conclusion……………………………………………………………………………87 Works Cited…………………………………………………………………………..92 3 Acknowledgements First and foremost I would like to thank my supervisors, Geoff Miles and Kathryn Walls, without whose invaluable support and advice this thesis could never have been written. I would also like to thank other members of the English programme at Victoria University of Wellington for the help and support they have offered me, especially Heidi Thomson, whose tireless energy and enthusiasm never failed to re- ignite mine when I felt it flagging, and whose knowledge of the technical hoop- jumping required of thesis students helped me negotiate the Byzantine university bureaucracy. Among my friends I would especially like to thank Sylvia, who was kind enough to put in the time and effort to proofread the (nearly-)finished article for me, and innumerable other friends who commiserated with me or gave me a kick up the bum when I needed one. -
A History of Music Education in New Zealand State Primary and Intermediate Schools 1878-1989
CHRISTCHURCH COLLEGE OF EDUCATION LIBRARY A HISTORY OF MUSIC EDUCATION IN NEW ZEALAND STATE PRIMARY AND INTERMEDIATE SCHOOLS 1878-1989 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Susan P. Braatvedt B.A. (Natal), Dip.Arts (Auckland), B.A.Rons (Canterbury) VOLUME II University of Canterbury 2002 Chapter Five 1950-1968 266 The growth ofschool music Chapter Five 1950 -1968 The growth of school music "music is fmnly established as an integral part of the school curriculum."l 5.1 Introduction This 18-year period was dominated by the National Party except for one term when Labour was voted back into office from 1958? When the National Party took office in December 1949, they inherited an educational system in which school music had not been particularly well served. Robert Chapman comments: The underlying changes in the golden 1960s were social rather than political, technological rather than legislative, individual rather than public ....The tertiary education boom, television, and the contraceptive pill were transforming family and personal relationships as well as the method by which politics were perceived. Government expenditure underwrote the surging development of health and education ... 3 In chapter one section 1.2 it was pointed out that the influence of English music education endured for many years. It is in this period that we begin to see a development of a more innovative approach which was more eclectic in its character. 1 AE. Campbell, Director-General of Education, AJHR. E-1, 1966, p.17. 2 R Chapman, 'From Labour to National,' The Oxford History ofNew Zealand, W.H. -
The Books That Are Caldecott Honors Winners Will Be Marked with a Spine Label
2013 “THIS IS NOT MY HAT” EASY K 2014 “LOCOMOTIVE” J 385.097 FLOCA 2015 “ADVENTURES OF BEEKLE” EASY S 2016 “FINDING WINNIE: THE TRUE STORY OF THE WORL’DS MOST FAMOUS BEAR” The books that are Caldecott medal winners will be marked with a spine label. The books that are Caldecott Honors winners will be marked with a spine label. Kingsport Public Library 400 Broad Street Kingsport, TN 37660 www.kingsportlibrary.org (423) 229-9366 Updated 4/22/2015 The Caldecott Medal was named in honor of nineteenth-century English 1962 “ONCE A MOUSE” EASY B 1990 “LON PO PO: A RED-RIDING illustrator Randolph Caldecott. It is 1963 “THE SNOWY DAY” EASY K HOOD STORY FROM CHINA” awarded annually by the Association 1964 “WHERE THE WILD THINGS ARE” EASY S J 398.2 Young for Library Service to Children, a 1991 “BLACK AND WHITE” EASY M division of the American Library 1965 “MAY I BRING A FRIEND” EASY D Association, to the artist of the most 1966 “ALWAYS ROOM FOR ONE MORE” 1992 “TUESDAY” EASY W distinguished American picture book EASY L 1993 “MIRETTE ON THE HIGH WIRE” for children. 1967 “SAM, BANGS & MOONSHINE” EASY M 1938 “ANIMALS OF THE BIBLE” 1968 “DRUMMER HOFF” EASY E 1994 “GRANDFATHER’S JOURNEY” J 220.8 Lathrop 1969 “THE FOOL OF THE WORLD & THE EASY S 1939 “MEI LI” Easy H FLYING SHIP” 1995 “SMOKY NIGHT” 1940 “ARAHAM LINCOLN” JB Lincoln 1970 “SYLVESTER AND THE MAGIC PEBBLE” 1996 “OFFICER BUCKLE AND 1941 “THEY WERE STRONG AND EASY A GLORIA” EASY R GOOD” J 920 LAWSON 1971 “A STORY-A STORY: AN AFRICAN TALE” 1997 “GOLEM” EASY W 1942 “MAKE WAY FOR DUCKLINGS” J 398.2 Haley EASY M 1972 “ONE FINE DAY” EASY H 1998 “RAPUNZEL” EASY Z 1943 “THE LITTLE HOUSE” 1973 “THE FUNNY LITTLE WOMAN” EASY M 1999 “SNOWFLAKE BENTLEY” 1944 “MANY MOONS” EASY T 1974 “DUFFY AND THE DEVIL” J 551.5784 MARTIN 1945 “PRAYER FOR A CHILD” 1975 “ARROW TO THE SUN” 2000 “JOSEPH HAD A LITTLE J 242.62 Field OVERCOAT” EASY T 1976 “WHY MOSQUITOES BUZZ IN PEOPLE’S 1946 “THE ROOSTER CROWS” EASY P 2001 “SO YOU WANT TO BE PRESI- EARS” EASY A DENT” J 973.099 St. -
Buddy's Alphabet Adventure
Rochester Institute of Technology RIT Scholar Works Theses 11-2005 Buddy's Alphabet Adventure Jeremy Andrew Galante Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Galante, Jeremy Andrew, "Buddy's Alphabet Adventure" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Buddy's Alphabet Adventure By Jeremy Andrew Galante Submitted in Partial fulfillment of the Requirements for the Degree MASTER OF FINE ARTS MF A Imaging Arts/ Computer Animation SCHOOL OF FILM AND ANIMATION ROCHESTER INSTITUTE OF TECHNOLOGY ROCHESTER, NEW YORK November 2005 Skip Battaglia Skip Battaglia, Chair Professor School of Film and Animation Charles T. Bandla Charles Bandla Visiting Assistant Professor School of Film and Animation Nancy Beiman Nancy Beiman Visiting Assistant Professor School of Film and Animation Johnny Robinson Johnny Robinson Assistant Professor School of Film and Animation 1 Table of Contents Title Page 1 Table of Contents 2 Permission Sheet 3 Thesis Report Introduction 4 Concept 4 Character Designs 6 Story 9 Sound 11 Animation 12 Backgrounds 14 Conclusion 16 Acknowledgments 17 Appendix A Initial Thesis Proposal A Appendix B Pre-Production Concept Artwork B Appendix C Production Stills C Permission Granted Title of Thesis: "Buddy's Alphabet Adventure" I, Jeremy Andrew Galante, hereby grant permission to the RJT Library of the Rochester Institute of Technology to reproduce my thesis in whole or in part. -
Graduate Education at RIT 1 Vidual Basis
Rochester Institute of Technology 2001-2002 Institute Calendar FALL QUARTER (20011) WINTER QUARTER (20012) SPRING QUARTER (20013) SUMMER QUARTER (20014) April 23-September 13 October 22-December 10 January 28-March 18 April 22-june 10 Fall Registration. Use telephone, Winter Registration. Use telephone, Student Spring Registration. Use telephone, Summer Registration. Use telephone, Student Information System, walk-in or Information System, walk-in or Student Information System, walk-in or Student Information System, walk-in or mail-in options. Students will be billed.* mail-in options. Students will be billed.* mail-in options. Students will be billed.* mail-in options. Students will be billed.* September 5 December 3 March 11 June 3 Evening classes begin Day and evening classes begin Day and evening classes begin Day and evening classes begin September 6 December 8 March 16 June 8 Day classes begin Saturday classes begin Saturday classes begin Saturday classes begin September 8 December 10 March 18 June 10 Saturday classes begin Last date to drop/add courses Last date to drop/add courses Last date to drop/add summer quarter courses September 13 December 22 April 19 Last date to drop/add courses Last day of classes before break Last date to withdraw with filly 4 a "W" grade Holiday (classes will be held) October 19 January 5 Last date to withdraw with Saturday classes resume May 17 July 12 a "W" grade Last day class Last date to withdraw with January 7 a "W" grade November 14 Day and evening classes resume May 18 Last day class Last Saturday -
Peter Cullen and Frank Welker Are More Than Meets the Eye
Peter Cullen and Frank Welker Are More Than Meets the Eye Few cartoons and actions figures are as iconic, popular and recognizable as Transformers. Whether you grew up with the ’80s TV series, the original 1988 film or even the current blockbuster franchise, you most likely know the difference between an Autobot and a Decepticon. The original voices behind the eternal foes Optimus Prime and Megatron, Peter Cullen and Frank Welker, each have been doing voice work for over 50 years, and I was excited to talk with them in advance of their appearance at RI Comic Con. Rob Duguay (Motif): When you were approached to do the voices for the Transformers cartoon in the ’80s, what was your reaction? Peter Cullen: I remember being very curious about it. It was so new, so different from anything I had ever done or seen before. That is because there were no cute funny characters of all sorts of voice ranges, but simply an assortment of metal robots that fought for good or evil. It was more real life than cartoons. I was asked to read a few characters including Prime, and that opportunity proved to be a once in a lifetime. The words were perfect, some advice from my brother Larry — who is also a personal hero of mine — and the rest is history. Frank Welker: I was not familiar with the franchise at all, but loved the characters and the art. They were different than anything I was working on at the time. It was fun to play so many characters and of course I had the opportunity to be the big bad boy and I loved doing him and still do. -
MIAF13 88Pp V4:Layout 1
13TH MELBOURNE INTERNATIONAL ANIMATION FESTIVAL 1 DIRECTOR’S MESSAGE Malcolm TURNER DIRECTOR: Melbourne International Animation Festival I have a beautiful god-daughter, Alex. I’m lucky to know her. That her My embrace of the ‘new’ – the DCP – couldn’t have started more Mum and Dad would nominate me to play this kind of role in her life fittingly than with the conversion of the legendary Alex Stitt film, GRENDEL is both a privilege for me and, considering my more or less comprehen- GRENDEL GRENDEL. Through a Pozible crowdfunding campaign that sively spectacular lack of preparedness for the gig, something approaching was supported by many true lovers of Australian film we were able to a reckless dereliction of duty on their part. finance the transfer of an unused 35mm print to this digital format. When I am in Australia I am bogged down with the festival and, Meeting and getting to know Alex and Paddy Stitt has been one of the when I’m overseas, I’m getting ready to get bogged down with the festival great delights of this festival cycle. Being able to utilise MIAF as a vehicle – once off the plane, I quite literally hit the tarmac running. It’s a lifestyle to preserve a digital copy of Alex’s first animated feature is about as I love and it makes MIAF possible but skipping out on taking the good as it gets for a festival like MIAF. The openness, generosity and opportunity to be just a liiiiiittle bit more involved in her life is one of the forbearance they have shown throughout this little adventure is here small number of regrets I suspect will settle on me when life’s fog begins acknowledged and gratefully tributed. -
'How WE Can Improve Maywood'
Chatman Lewis Flaggs Group SURVEY ANAYSIS REPORT CLFC AND EGI ALL RIGHTS RESERVED 2017© Information contained in this report is intended to provide analysis of the Village of Maywood and the alignment of research with the peoples input relative to the village needs. The data was sampled throughout the four zones (1-4) in Maywood, IL. Further, Maywood residents ‘How WE can improve Maywood’volunteered to go door to door to make contact with residents and conduct phone interviews. The information was carefully gathered, analyzed and tabulated by a third party, ‘How WE can improve University of Illinois Urbana Champaign department of Maywood’ statistics. This report should not be used in place of any professional advice. CLFC and COMMUNITY SURVEY RESULTS EGI accepts no responsibility for any loss arising from any action taken by anyone using this material. The information contained herein this report is copy written and may not be used without express written permission of said owner CLFC or the EGI. All rights reserved© CommunityChatman and Economic Lewis Flaggs Development | Business StrategySurvey |for Advisory The Economic | Research | Feasibility Study | Business Turnaround Growth Initiative-EGI Publish date March 26, 2017 Community and Economic Growth Survey- Sampled October 2016 Published March 2017 Contents Disclaimer 1. Foreword 2. Background pages 4-6 3. Risk management analysis and implications pages 7-8 4. Demographic Summation pages 9-14 5. Resident information pages 15-19 6. Analysis and evidence pages 20-32 7. Conclusion Key Findings page 33 1 Community and Economic Growth Survey- Sampled October 2016 Published March 2017 Foreword CLFC research has found the Village of This report depicts how businesses could be Maywood, Illinois to be one of tremendous properly supported by the village population opportunity in terms of economic prosperity of 24, 100 persons and the immediate as well as socio-economic growth. -
Legenden David Bowie Släpper Ny Singel Och Samling
2014-09-09 15:49 CEST LEGENDEN DAVID BOWIE SLÄPPER NY SINGEL OCH SAMLING Nya Deluxe samlingen ”Nothing Has Changed” som släpps den 17 november via Parlophone innehåller den nya singeln ”Sue (Or In A Season Of Crime)”. ALBUM: 3CD, 2CD, DUBBEL VINYL OCH DIGITAL DOWNLOAD SINGEL: LIMITERAD UPPLAGA OM 10" vinyl och digital download Femtio år efter sin första inspelning fortsätter David Bowie att vara i spetsen för samtida kultur som musiker, konstnär och ikon. ”Nothing Has Changed” samlar för första gången all Bowie’s musik från åren 1964-2014. Albumet (uppkallat efter en text från öppningsspåret "Sunday" från albumet "Heathen”) samlar låtarna från varje period av Bowies karriär – allt från hans tidigaste inkarnationer som "Liza Jane" och "Can’t Help Thinking About Me” enda fram till James Murphys "Hello Steve Reich Mix" av "Love Is Lost" från förra året. Albumet innehåller Bowies första nya musik sedan han släppte det kritikerrosade albumet ”The Next Day" förra året. Den nya singeln "SUE (Or In A Season Of Crime) spelades in särskilt för ”Nothing Has Changed” tillsammans med långtida samarbetspartnern Tony Visconti och kommer att släppas i en begränsad upplaga (10" singel och digital nedladdning) samma dag som albumet. Vid sidan av det helt nya spåret innehåller albumet den tidigare outgivna låten "Let Me Sleep Beside You" som togs fram från inspelningarna till mytomspunna albumet "TOY" som aldrig släpptes, låten "Your Turn To Drive" som gör debut på CD samt den fantastiska 2001 nyinspelningen av låten "Shadow Man" från år 1971. DAVID BOWIE