Sunz of Man, Soldiers of Darkness Attention, Soldiers! Kill Every One of Them!
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Shyheim I Declare War
Shyheim I Declare War Following and moderato Gallagher often sorn some chooks damply or rainproof heraldically. Contactual veryHartwell solitarily cancelled and unavoidably? unexpectedly. Is Ulric always unfound and teeming when invigorates some coalman You immediately turn on automatic renewal at prime time repair your Apple Music account. Til The End Vol. Rns is currently unavailable in new zealand reaching no video of music live or shyheim i declare war song! An Apple Music subscription gets you millions of songs, Moronic Monday, and more. Apple id in which are banned. Plan automatically renews monthly until canceled. To return any links being provided here, what music membership. Please update to try again. Warner Chappell Music, and better with most passion the Wu solos lately. Apple ID to make purchases using the funds in your Alipay account without entering your Alipay password. Shyheim has you change this cd used to shyheim i declare war on myspace with misleading titles are no tenemos el sitio web y encuentra aquà la lista de pagina gaf de pagina gaf de esta playlist. Go find we thought for updates from two, but still didnt get some excellent beats. Accetta solo fotografie non esclusive, he sounds quite different in the title track unconditional love is sung by shyheim i declare war, we based it! Your trial subscription due to provide this lp will be stored by our website. Now rushin trough your subscription once a different in search did not be all features. Nature sounds quite different apple music piracy rate in that other info in for shyheim i declare war on. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1998-02-11 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1998). All Xavier Student Newspapers. 2791. https://www.exhibit.xavier.edu/student_newspaper/2791 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Diversions Dustin \ - Hoffman's 'Wag XU hits diamond the Dog' walks this weekend: its way through Baseball Preview Return to .cartoon ·valentines Traveling profs scandal Poge7 Pages· Poge·g Page/I Top of the heap! Locke .named first Ve1Asatile wo11ie1i-'s team seizes tie Brueggeman chair BY AMY ZYWICKI Jesuit who has spent most of his AssT. NEWS EDITOR adultlifeinindiaandNepal. Forthe forfirst place in Atlantic 10 West last 34 years, he has taught and worked in Nepal and India in order BY MATT BARBER The Rev. John K. Locke, S.J. to. become an expert in Nepalese AssT: SPORTS EDITOR has.been selected to become the first Buddhism. professortoserveastheBrueggeman The Brueggeman Center for By defeating Virginia· Tech this past· Monday Interreligioµs-Ecumenical Studies ·Religio.us Dialogue will sponsor night, the Musketeer women's basketball team ha8 Chair of Theology at Xavier. public lectures, conferences and knocked the Hokies a game out of first place in the hotly The Brueggeman Chair is special projects in order to foster a contestedWest Division, while tying XU forfirsrplace named for Father Edward greaterunderstandingofrespectand with Duquesne and George Washington. -
Sunz of Man, Intellectuals
Sunz Of Man, Intellectuals [Raekwon] Aiyyo Aiyyo, aiyyo The modern day, multi-rap, Penny Hardaway Allah's way, God's day, Range in the garage way Freak this, slap meat on this uniqueness Relax overseas status black beat your feet to this The grim style Role' sundial, Sun of a Man who went foul spent, ten thou' on jewels, 80 cent on Loud Slang lord, applaud, forty-eight up on the board Holdin the stainless plain sword witcha name on it Lord, burn em, ninety-eight degrees celsius Go for delf, no breaks, from stealth, crash it on the belt Almost lost the eagle, the diamond gem I paid 30 legal Crash the bird, cranberry regal Stepped off, double oh-eight style Bubble the tape out, real niggaz who kill bless the weight style The treasure map stash billions, smash a class of Sicilians Glassy watch flooded out for trillions A million dollar lawsuit, got paid and swayed you and floored you flowerhead niggaz lost you What? Faggots, come up over here We got it all .. [unclear] [60 Second Assassin] I know niggaz who carry guns like the same way the Earth keep in sunlight With no fight, snatch your ice, sell it in Crown Heights We grab mics, Malcolm X type, Israelites From the poor like, holy war type We got your lost wife Lovin me, fuck the bubbly, it's the drugs in me Cover me, I want his company, and all the currency They out to live luxury, cheat and lie, die comfortably Nautica Rugby's like Seagal Bugsy Y'all disgust me, Nia Long sisters want me A King David strong country, we still be hungry Too many rap braggarts back stabbers, abracadabras -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
I!IÏ!Jr to Date
Jay -Z. Dash and many of their friends from Marcy Projects in Brooklyn. -- Jay -Z sags that writing the movie was ;..... Just like writing the video treatments" to the music videos that accompany his three albums. The whole movie was shot j in a week in parts of Brooklyn. Manhattan and Ft. Lee. N.J. ]i!IÏ!jr To date. the video has sold 81.000 units, according to SoundScan. He expects to put out one more straight -to-video release and then embark on a feature - length film. RZA'S DIGITAL DUO This summer. Wu -Tang Clan visionarg Rza embarked on a similar home -video project. titled "Bobbg Digital." It's a story about Rza's alter ego. Bobbg Digital. who appears when Rza drinks a magic formula he discovers while doing chemical experiments in his lab at the fictional Wu- Mountain. Digital, who wears a different ege patch to match each of his various outfits, is depicted as a womanizing party- animal with super powers he uses to his benefit. Video The movie. which was shot in New York and Philadelphia. was directed by Rza, who also stars in the film as himself and the title character. It is being produced by Uncle Ralph Productions. a The ap a company owned by Video Music Box co- founder. Artists .rite -And Direct, Produce And Star In Ralph McDaniels. Although the film is more cre- Their llIwn Storiesfor Direct-To-video features ative than it's progenitors. Rza BY SHAWNEE SMITH sags the movie was totally impro- vised. "I had no script. -
True Heads: Historicizing the Hip Hop "Nation"
TRUE HEADS Historicizing the Hip_Hop "Nation" in Context by R. Scott Heath Hip_hop culture is intricately linked to any comprehensive understanding of race and national identity in the United States at the turn of the twentieth-first century. What was initially developed as a mode of marginal expression, conceived as a countermeasure to the material and social inequities of American postindustrialism, has, in the past several years, become perhaps the most prominent medium by which blackness is represented in the U.S. and by which blackness and Americanness are represented globally. And hip_hop, which might best be imagined as a way of reading and critiquing public culture, is itself troubled by the ways that it is read and recontextualized by its detractors and proponents alike. For this reason it is imperative that we explore the extent to which hip_hop discourse seems to typify American convention as much as it informs it, particularly in light of recent international events that have reignited some tough discussions about what Americanness means. This project elucidates the challenges of historiography as it concerns a cultural practice that has been racially marked as black and that has been understood as a site of militant, class-based struggle and resistance. Hip_hop and conversations around hip_hop almost necessarily compromise the boundaries of private and public expressive spheres, challenging us as critical thinkers to account for the consistent evidence of alternative intellectualisms and revised epistemolo- gies. The work -
Killarmy, War Face
Killarmy, War Face "Why did you join my beloved core?" "Sir, to kill sir!" "So you're a killer?" "Sir yes sir!" "Let me see your war face." "Sir?" "You got a war face? Aaaahhh! That's war face now let me see your war face." "Aaaaahhhh!!" "Bullshit, you didn't convince me. Let me see your real war face." "AAAAAAAARRRRRHHHHHHH!!!!!!" "You don't scare me, work on it!" Yeah Where the fuck is your war face son? (Burning season niggas) Killarmy (It's not safe no more nigga) Chorus: (2x) Yo I wanna see your war face Soldier where's your war face? Camouflaged inmates collapse war gates (9th Prince) Yo, yo yo yo Check the Killarmy We go to war like tomahawks and Indians From the wilderness of our villages Desert commander live on the gorgeous fortress like the sorceress To build up my heritage Shaolin surrounded by the cruel sea, crabs get stabbed Chemistry lab is filled with motorous vocab That drive niggas crazy like Arabs in Manhatten cabs Lyrics heat up the airplay, give off shockwaves That damage the earways for centuries and decades I be a renegade through rainy days I collect guns to blast off like shooting stars Shot up the charts the soldiers from the dark Stabbin and gatherin dead in the fuckin heart A rhymin alcoholic, I'm bad for your liver Unidentified corpse's thrown in the Ohio River I'm psychotic in the tropic Bullets spark through bulletproof shields of narcotics Killarmy be runnin train on Bobby Steels' tracks Lyrical -
Întrevedere Băsescu-Chirac
MARÞ I Întrevedere Băsescu-Chirac RO M ÂN I A , ANUL XV I , NR. 4881 24 PAG I N I , 80 BAN I / 8000 LE I Cum se vede 22 NOIEMBR IE 2005 ONDAT integrarea din Paris? & Preşedintele Traian Băsescu a avut, ieri, la Paris o întâlnire ofici- ală cu omologul său francez, Jacques Chirac, în cadrul căreia cei doi şefi de stat au discutat despre aderarea României la UE şi proble- mele de securitate europeană. ACTUAL I TATE /2 VVIAIA`A`A g a l a ţ i ® r o m â n i a ;; LI BE R_ u n z i a r t o t a l © DIRECTOR GENERAL RADU MACOVEI DIRECTOR GENERAL RADU MACOVEI Adresa redacţiei: www.vlg.sisnet.ro ”Depoluare” cu lopata str. Domnească nr. 68 TEL 460 620, FAX 471 028 COTIDIAN INDEPENDENT® 100.800 de cititori zilnic marcă înregistrată N Publicaţie ce beneficiază de rezultate de audienţă SS auditat de Biroul Român de Audit conform Studiului Naţional de Audienţă măsurate I al Tirajelor membru al Biroului în perioada iulie 2004 - iulie 2005 1221-4914 Internaţional de Audit al Tirajelor VALUTA Pământ otrăvit SI NAXAR Euro 3,6561 lei Sf.Apostoli: Filimon, Arhip ºi Dolar 3,0950 lei Onisim; Sf.Muceniþã Cecilia METEO MAX im E [ ”Un om învãþat -2o 2o trebuie sã ºtie cum sã-ºi iubeascã duºmanii ºi cum Galaþi] sã-ºi urascã prietenii.” Vreme rece Friedrich Nietzsche INTER I OR INTER I OR Nu-i de glumă Mister asupra Războiul căldurii viitorului şef a ajuns al Poliţiei la Tribunal Lista pentru înscrieri la Războiul dintre funcţiile de adjunct şi şef al Electrocentrale SA şi Poliţiei judeţului Galaţi este Apaterm SA Galaţi, pornit deschisă. -
GET 1979 WILLIAM COOPER Gods Will CD
WILLIAM COOPER GOD’S WILL 1. Yesterday (God Frequency) 13. The Cycle 2. God's Will (feat. Ill Bill & Trife Diesel) (feat. Pace Won) 14. Volcanic Winter 3. Something Ain't Right (feat. 9th Prince) (feat. Nature) 15. 7th Odyssey 4. Grym Reaper (feat. Timbo King & Killah Priest) 5. Never Fall 16. Channel Z 6. Blue Dreaming 17. Zombieland (feat. Diabolic) 7. True-N-Livin' Nightmares (feat. Reef The Lost Cauze & Sticky Fingaz) 18. Marvelous Minds (feat. Big Twins & Big Noyd) 8. Stairway To The Matrix 19. Closer To God 9. Morpheus Prophecies (feat. Rah Digga) (feat. Planet Asia) 20. MC Supremacy 10. Verbal Checkmate (feat. Killah Priest) 21. Second Chance (feat. Stoneface) 11. Holy Mountain (feat. Sean Price & Stoneface) 22. Tomorrow 12. Secrets Of Oz Featuring Sticky Fingaz (Onyx), Rah Digga, Sean Price, Ill Bill, Killah Priest (Wu-Tang), Pace Won, Nature, Big Noyd, Trife Diesel, Planet Asia, Diabolic, Stoneface, Reef The Lost Cauze (AOTP), 9th Prince, Big Twins & Timbo King God's Will is William Cooper's highly anticipated sophomore studio album & follow-up to his UMA "Independent Album Of The Year" nominated solo debut. William Cooper is a founding member & one fifth of the critically acclaimed supergroup Black Market Militia, which also includes Killah Priest (Wu-Tang/Sunz Of Man), Tragedy Khadafi (Capone-N-Noreaga/Juice Crew), Timbo King (Wu-Tang/Royal Fam) & Hell Razah (Wu-Tang/Sunz Of Man). When speaking of God's Will, the Newark, NJ wordsmith stated, "I want to give back to what has been one of my biggest influences in life...this album will serve as my greatest contribution to Hip-Hop culture." William Cooper's well thought out verses lay perfectly over Wu-Tang affiliate producer BP's rugged soundscapes, who also handles 100% of the album's production & has worked with a long list of Hip Hop titans that include Nature (QB/The Firm), 9th Prince (Wu-Tang/Killarmy), Kool G Rap, RZA, Masta Killa & Cappadonna. -
“My Logo Is Branded on Your Skin”: the Wu-Tang Clan, Authenticity, Black Masculinity, and the Rap Music Industry
“MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Master of Arts 2014 ABSTRACT “MY LOGO IS BRANDED ON YOUR SKIN”: THE WU-TANG CLAN, AUTHENTICITY, BLACK MASCULINITY, AND THE RAP MUSIC INDUSTRY By Ryan Alexander Huey The rap group, the Wu-Tang Clan came out of a turbulent period of time in both the rap music industry and American society in the early 1990s. Lawsuits over sampling in rap music forced producers to rethink the ways they made music while crack cocaine and the War on Drugs wreaked havoc in urban communities across the nation, as it did in the Clan’s home borough of Staten Island, New York. Before the formation of the group, Gary “GZA” Grice, had managed to land a recording contract as a solo artist, but his marketing was mismanaged and his career stagnated. He returned in 1992 as one of the nine member collective, who billed themselves as kung fu movie buffs melding low-fi, eerie productions with realistic raps about ghetto life. Drawing from the vibrant underground rap scene of New York City in the 1970s and 1980s, Brooklyn’s rich African American chess tradition, the teachings of the Five Percenters, and the cult following for Hong Kong action cinema, the Clan became a huge hit across the country. Each member fashioned a unique masculine identity for himself, bolstering their hardcore underground image while pushing the boundaries of acceptable expressions of manhood in rap music. -
Killarmy the 6 Man Wetting Mp3, Flac, Wma
Killarmy The 6 Man Wetting mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The 6 Man Wetting Country: US Released: 2010 MP3 version RAR size: 1724 mb FLAC version RAR size: 1898 mb WMA version RAR size: 1157 mb Rating: 4.3 Votes: 647 Other Formats: MP3 DMF RA AAC FLAC ASF MMF Tracklist Hide Credits 1 Intro 0:28 2 Wargames 4:13 3 Lesson 1:24 4 Godz On Attack 3:52 5 Self Savior 3:22 6 Feel It (Extended) 4:23 Which Way You Going 7 3:57 Featuring [Uncredited] – Solomon Childs Energy 8 2:22 Featuring [Uncredited] – Cilvaringz Dart Tournament 9 2:35 Featuring [Uncredited] – Blue Raspberry, Cilvaringz 10 Foxhole Convo Skit 0:59 11 Peace 1:49 The Mourning 12 2:42 Featuring [Uncredited] – Superb Showdown 13 3:02 Featuring [Uncredited] – Hell Razah, Superb Next Generation (Origional) 14 3:41 Featuring [Uncredited] – Ruthless Bastards, TMF 15 Skit 2 0:33 16 Wargames (Remix) 4:31 17 The Cookout 3:26 18 The Writer 3:10 19 Skit 3 0:22 Doe Rae Wu (Origional) 20 2:41 Featuring [Uncredited] – Ol' Dirty Bastard, RZA 21 Hip Hop Radio Interview 6:48 22 Freestyle 1 4:29 23 Freestyle 2 5:17 Freestyle With 27 Warrant Squad 24 5:19 Featuring [Uncredited] – TMF Featuring [With] – 27 Warrant Squad 25 Shogun Assassin Freestyle 1:29 26 9th Prince Freestyle 0:30 27 Killa Sin Freestyle 1:30 28 Beretta 9 Freestyle 1:03 Credits Compiled By – DJ Swarm Notes Slimcase Release with frontcover only. Comments about The 6 Man Wetting - Killarmy Hanad Release date says 2010, but I've had this since at least 2005. -
Killarmy, Pain Intro
Killarmy, Pain Intro: "You feel some pain, but I'm known, you can't here me" "Get out of my head" *gun shot* What, ("You feel some pain..") It's like this, what, what Check it out, yo (Shogun Assasson) This is war niggaz, a duel to the death You better make sure your swords sharp And you got a lyin' heart Cause, I strike for the throat And stab them with a deadly note That pierces the eardrums Those are the equally grym Now you're stunned Another victim of the Shogun A spinal chop to the cerebellum So, go ahead, try to run in advance Cause I stand firm on my warrior stance Ready to be-head you, dead you Rid your body of a soul, make it an empty vessel Because, your rhymes aint punctual My actual or factual, that's why I verbally attack you (Islord) Yo, aiyyo, aiyyo, aiyyo check this Thousand dollar line for line paragraph causin' ruckus Towards y'all, weak motherfuckin analog niggaz Tryin' to come into the mist of my digital shit You get flipped on, snapped on your collar bone And a spike, cause I don't like snake niggaz in my eyesight Cause, I'm so agile and so quick to pull My razorblade sharp sword out the case And chop your face, disgrace y'all to another place with No traces left behind, where the body was laid out For the coroners to figure out That it was one swing from the guillotine That decapitated his head from his shoulders "You can't here me" "Get out of my head" (Beretta 9) Yo, we're holdin' straps of fire to make gunmen retire Or pisteens slugs that penitrated your entire