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THE CORD WEEKLY January 22Nd, 1 January 22Nd, 1 Hawks Eke out Canadian Roundup Wuc with Barry Dickson Shovel It Says Judge
THE Evaluation needed if CUS to succeed THREE PRESIDENTS CRITICIZED The Canadian Union of Stud' is the main aim, then it is time volvement that Goodings wanted ents should re-examine its posi they spent less time runnig con a full-time job. ORD tion and determine its objectives tests and making travel arrange and it is time that the organizJ.oo ments for university studtmts to McLean further submitted · WEEKLY tion gave more than lip service visit Europe in the summer and that he did not think that the to long term planning if it is to more time pursuing that objec present efforts and accomplish Voi.IV-No. 12 Waterloo University College Wed,. Jan. 22 be successful. tive. ments of CUS substantiated the costs. December 12th, 1963 These were the words used by McLean continued his attack CUS attacked by Student Council President Archie by stating that when Stewart McLean as he outlined the reas Goodings succeeded Walter Mc He further accused the present WUC Student Council ons for his support of the with Lean as National President, the President, David Jenkins, of 1rndest drawal of Waterloo University objective of CUS was again again redefining the primary ob by Ed Neigh jective of CUS. MseLan pointed In a letter of resignation of WUC from Canadian College from the Canadian Union changer, as Goodin.gs stated in of Students. his final report that the student's out that Mr. Jenkins had said [nion of Students, Student Council president Archie Me that the primary purpose and y figured a way to catch lao lashed out at what seemed to be the inherent incom involvement in the university McLean stated that in the past community cannot be a half perhaps the only issue with so ah faked a heart at ,etence of the organization. -
An Interview with Fred Hellerman Part II May 26, 2016 in This Interview Fred Is Joined by His Wife, Susan Lardner. Ken Edgar
An Interview with Fred Hellerman Part II May 26, 2016 In this interview Fred is joined by his wife, Susan Lardner. Ken Edgar: We are now back in Fred Hellerman's living room and we're continuing our conversation with Fred. We are joined today by Susan Lardner, Fred’s wife, who herself has a very interesting background and career. Together they are going to help us remember their lives in Weston, starting in around 1970. Susan, welcome to the show. When we last left our story we had talked about your arrival in Weston and how Harold Leventhal, the Weaver's manager, had purchased a home near Cobb's Mill and was influential in bringing you up here. As a result, you became interested in Weston and eventually bought the house in which we are sitting today. Susan: I checked with one of Harold's daughters and found out that he had bought his house in 1968 and Fred bought this house in 1969. Although Fred had been up here before visiting other people, he had not been in the house purchasing business. Fred Hellerman: Yeah, coming up there for a weekend. I just fell in love with that immediately. It was a very important place for me. Ken: In the summer of 1970, you two were married right here on this property. Fred: From here, yeah, at this house. Susan: Under the tree, by Euclid Shook. [A Weston artist a justice of the peace. –ed.] Ken: The New York Times did a very interesting description of your wedding. -
Troubadours Folk and the Roots of American Music
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Troubadours Folk And The Roots Of American Music INFORMATION In the one hundred years that folk music has been recorded in the United States, the tradition has embraced ballads – mostly new, but some transplanted from Europe, political statements, personal introspection, and much more. Now the story is here from the 1920s to the 1970s and beyond in four exclusive 3-CD sets. Through this music, we feel it all from the isolation of early twen- tieth century Appalachia through the economic and political upheavals of the Depression, War, and Civil Rights eras to contem- porary west coast singer-songwriters looking within for inspiration. The story is here: original artists and original versions in stunning sound with detailed notes from folk scholar Dave Samuelson. The first set covers the period from the 1920s through to 1957. All the names you'd expect are here: the Carter Family, Woody Guthrie, Pete Seeger, the Weavers, Lead Belly, Cisco Houston, and many, many more. Here are the original versions of songs that have become classics and rallying cries: Wildwood Flower, Midnight Special, Rock Island Line, Wayfaring Stranger, So Long It's Been Good To Know You, This Land Is Your Land, 16 Tons, 900 Miles, Delia, and many, many more. The second set begins with the folk revival that started in the wake of the Kingston Trio's Tom Dooley and continues through the dawn of the singer-songwriter era. It includes early folk revival classics like Walk Right In, Michael, and Green, Green. -
The Reporter, May 15, 1963
City University of New York (CUNY) CUNY Academic Works The Reporter Archives 1963 The Reporter, May 15, 1963 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_arch_reporter/363 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] OUR FORTIETH ANNIVERSARY YEAR THE Berna rd M. Baruch Editor's School of Business and '30' Column ee Page 2 Public Administration Reporter -�-34$ By Subscription Only Vol. LX I - o. 24 WED1 ESDAY, MAY 15, 1963 BULLETIN! Over 3500 to Attend Sullllller Session;; The tate Department has ju t announced that Dr. Ruth C. Wright has been appointed New Registration Procedure Scheduled as Director of the Bi- ational Center in Vientanne, Lao . Dr. By Joseph Edell Wright, who retired from her When summer session classes begin on Monday, June 17, an estimated 3500-4000 students will be in attendance position as Dean of Students :ifter having- g-one through a newly instituted registration procedure. Summer Registration will run from June 11-13. at the Baruch School this semester, will proceed to Tuesday, June 11, has been set aside for all graduate, upper matric, and AAS students; Wednesday, June 12, is for Washington, D. C. on June 10 lower matric, AAS, Qua!. Non-matric and Non-matric; Thursday, June 13 is for visiting- students. There will be no regis- where she will be briefed on ---------------------------.,•tration on Friday, June 14. Late«•>------------- her new as ignment. -
Grass Clippings
Desert Bluegrass Association GRASS CLIPPINGS Volume 14 Issue 10 October/November 2009 State of the Grass by President "Doc" Simpson dition to being an incredible clinics at the 17 th Street banjo player, Bill is also an Market. This included a excellent instructor and all- bass clinic in August (Evan around-great-guy. Dain) and “Learning to Play Banjo by Ear” with Bill The multi-talented Doc Breen in September. This Reifschneider continues to coming October 17 th , Mike State of the Grass lead exciting performances Purdy will be doing a man- on 4 th Ave. on Saturdays. dolin workshop at 17 th Street “Doc” Simpson During a recent perform- Market. And don’t forget October 2009 ance, a bicyclist was struck about the advanced jam by a car right in front of the every third Wednesday of band! Fortunately there the month, also at the mar- Greetings Bluegrass Aficio- were two physicians right ket. nados. We extend a hardy there: Doc R. was pick’n “Welcome Back!” to our and Jim Lohman was grin’n. “Pickn’ at the Peak Extrava- winter visitors and are ea- They took a break from the jamsa” continues every third ger to catch up on some performance to lend their Thursday of the month. much-missed pick’n and expert assistance. The story This has proven to be a great grin’n. Here’s the latest turns out well - the biker deal of fun for pickers and happenings. was not hurt and was able to grinners. walk away from the inci- Our Monday night Begin- dent. -
Insidellewyndavis.Pdf
he Greenwich Village of Llewyn Davis is not the thriving folk scene that produced Pe- ter, Paul and Mary and changed the world when Bob Dylan went electric. It is the folk scene in the dark ages before the hit records and big money arrived, when a small coterie Tof true believers traded old songs like a secret language. Most of them were kids who had grown up on the streets of New York or the prefab suburbs of Long Island and New Jersey, trying to escape the dullness and conformity of the Eisenhower 1950s. Some were college students living at home with their parents, others shared apartments in what was still the old, immigrant New York of Little Italy and the Lower East Side, where a two-person hole-in-the-wall could be had for twenty-five or thirty dollars a month. Some details of Llewyn seem like nods to familiar figures—his Welsh name recalls Dylan, and like Phil Ochs he crashes on the couch of a singing couple named Jim and Jean. But the film catches him in the moment before Dylan and Ochs arrived in New York, when no one could have imagined the Village scene becoming the center of a folk music boom that would produce international superstars and change the course of popular music. This moment of transition— before the arrival of the 60s as we know them—was captured by one of the central figures on that scene, Dave Van Ronk, in his memoir The Mayor of MacDougal Street, which the Coen Brothers mined for local color and a few scenes. -
The Cultural Politics of the North American Folk Music Revival in Washington, D.C
Cosmopolitan Folk: The Cultural Politics of the North American Folk Music Revival in Washington, D.C. by Stephen Fox Lorenz B.A. in English, May 1990, Washington College M.A. in American Studies, May 2003, The George Washington University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 18th, 2014 Dissertation directed by Joseph Kip Kosek Associate Professor of American Studies and John Vlach Professor Emeritus of American Studies and of Anthropology The Columbian College of Arts and Sciences of The George Washington University certifies that Stephen Fox Lorenz has passed the Final Examination for the degree of Doctor of Philosophy as of March 20th, 2014. This is the final approved form of the dissertation. Cosmopolitan Folk: The Cultural Politics of the North American Folk Music Revival in Washington, D.C. Stephen Fox Lorenz Dissertation Research Committee: Joseph Kip Kosek, Associate Professor of American Studies, Dissertation Co-Director John Vlach, Professor Emeritus of American Studies and of Anthropology, Dissertation Co-Director Michael Taft, Head of the Archive of Folk Culture at The American Folklife Center (Retired), Committee Member Suleiman Osman, Associate Professor of American Studies, Department Reader ii © Copyright 2014 by Stephen Fox Lorenz All rights reserved iii Dedication The author wishes to dedicate this work to his father Jack Lorenz. Who knew all those trips as a kid to hear bluegrass at the Birchmere would lead here? iv Acknowledgements The author wishes to acknowledge and thank the individuals who gave interviews, special advice, and support for this dissertation. -
Woody Guthrie
ROCK AND ROLL 1 H A l I OF F A M E Woody Guthrie OODY GUTHRIE WAS A STUBBORN, MOODY, IRRESPONSIBLE AND monica and jew s-harp, H e was a fair pointer and an excellent cartoonist But just plain ornery soul; a hard-drinking egomaniac who ''bor words were Woody’s great strength and consuming passion. For most of his rowed^ nearly all of the melodies of his many songs; an irregular life, words poured out of him in songs, poems, letters, books, articles and news source of support to his wives and children; and one of the paper columns. A voracious reader, he combined his natural gifts as a storytell world’s worst house guests. er and lyricist with a wry delivery and impeccable timing. Woody Guthrie was also one of America’s greatest folk poets Woody never cared much about money and would do almost anything, and the author o f literally thousands o f songs, including "Pastures o f Plenty,” from sign painting to street singing, to avoid the tedium of a regular job. He "Reuben James,” "Grand Coulee Dam,” "Do Re Mi,” "So Long, It’s Been spent the first twenty-odd years of his life hanging around Okemah or in Good to Know You” and "This Land Is Your Land.” Woody Guthrie was Pampa, Texas, where the family later moved. H e made his first semiprofes the original source of an image as familiar to us, now as that of Marilyn sional music with the Corncob Trio, playing old-time country songs by the Monroe or Elvis Presley: the working-class singer-songwriter, rambling Carter Family and Jimmie Rogers. -
Bop Girl Goes Calypso: Containing Race and Youth Culture in Cold War America Michael S
Anthurium: A Caribbean Studies Journal Volume 3 Issue 2 Calypso and the Caribbean Literary Article 2 Imagination: A Special Issue December 2005 Bop Girl Goes Calypso: Containing Race and Youth Culture in Cold War America Michael S. Eldridge [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Eldridge, Michael S. (2005) "Bop Girl Goes Calypso: Containing Race and Youth Culture in Cold War America," Anthurium: A Caribbean Studies Journal: Vol. 3 : Iss. 2 , Article 2. Available at: http://scholarlyrepository.miami.edu/anthurium/vol3/iss2/2 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Eldridge: Bop Girl Goes Calypso: Containing Race and Youth Culture in... In early July 1957, United Artists rushed into wide release its latest contribution to the burgeoning “teen-pic” genre. The film’s improbable plot revolves around a dour psychology grad student (played by a thirty-eight-year-old Bobby Troup) whose empirical data on mass hysteria show incontrovertibly that rock and roll is about to be supplanted by calypso—much to the dismay of his bald, bespectacled, rock-loving thesis advisor. The professor’s club-owner chum, Barney—a crass, cigar-chomping lunkhead who has bet his business’s future on rock and roll—belligerently dismisses young Bob’s findings. But Professor Winthrop, who ruefully understands that “you can’t argue with science,” contrives to save his skeptical friend from ruin by persuading the club’s main attraction, perky ingenue Jo Thomas (Judy Tyler, who would costar that same year with Elvis Presley in Jailhouse Rock), to study under his own star pupil behind her boss’s back. -
The Chart Book – Billboard the Best Sellers in Stores 1940- 1958
The Chart Book – Billboard The Best Sellers In Stores 1940- 1958 Compiled by Lonnie Readioff Contents Introduction Introduction .............................................................................................. 2 On November 1st 1884 Billboard Advertising began publication, focusing on advertising and Chart Milestones ....................................................................................... 3 bill posting - hence the name, which dropped the ‘Advertising’ part in 1897 and in 1900 the magazine went weekly. Moving with the times Billboard added sections for outdoor The Artist Section ...................................................................................... 5 entertainment such as fairs, carnivals, circuses, vaudeville, and burlesque shows, together Analysis Section......................................................................................... 141 with a Routes Ahead section tracking the location of entertainers. Billboards music sections Most Weeks On Chart By Artist ........................................................... 142 began in 1899 when they began to cover coin-operated entertainment machines, creating a Most Weeks On Chart By Year ............................................................. 147 dedicated section for them called "Amusement Machines" in March 1932. Most Weeks On Chart By Record ......................................................... 154 Billboard published the first music hit parade on January 4, 1936 and introduced a "Record The Number 1’s ........................................................................................ -
Woody Guthrie and Bob Dylan Hit Manhattan by Sean Wilentz, Princeton University
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 1 Fall 2012 Woody Guthrie and Bob Dylan Hit Manhattan By Sean Wilentz, Princeton University Editors Note: This paper was delivered as the keynote address for the Woody Guthrie Centennial Conference held at Brooklyn College on 22 September, 2012. On February 16, 1940, a freezing blizzardy day, Woody Guthrie—short, intense, and aged twenty-seven—ended a long hitchhiking journey East and debarked in Manhattan, where he would quickly make a name for himself as a per- former and recording artist. Nearly twenty-one years later, on or about January 24, 1961, a cold and post-blizzardy day, Bob Dylan—short, intense, and aged nineteen—ended a briefer auto journey East and debarked in Manhattan, where he would quickly make a name for himself as a performer and recording artist—not as quickly as Guthrie had, but quickly. Dylan had turned himself into what he later described as “a Woody Guthrie jukebox,” and had come to New York in search of his idol. Guthrie had come to look up his friends the actors Will Geer and Herta Ware, who had introduced him to influential left-wing political and artistic circles out in Los Angeles and would do the same in Manhattan. Two different stories, obviously, of two very different young men a generation apart—yet, more than he might have realized, Dylan partly replayed his hero’s entrance to the city where both men would become legends. -
Folklife Center News, Volume 11 Numbers 1-2 (Winter/Spring 2011
Folklife Center News AMERICAN FOLKLIFE CENTER BEEF, BELLES, BABIES, NEW PUBLICATIONS PICKOW-RITCHIE BOARD OF TRUSTEES AND BLUES COLLECTION Congressional Appointees: C. Kurt Dewhurst, Chair, Michigan Patricia A. Atkinson, Nevada Jean Dorton, Kentucky Joanna Hess, New Mexico William L. Kinney, Jr., South Carolina Margaret Robson, New Mexico Charlie Seemann, Nevada Kay Kaufman Shelemay, Massachusetts Presidential Appointees: Tammy Duckworth, U.S. Department of Veterans Aff airs Jodi Gillette, U.S. Department of the Interior Susan Hildreth, Institute of Museum and Library Famous tunes from the Books, CDs, and LPs from The lifework of Jean Ritchie Services 3 AFC Archive 15 AFC collections 20 and George Pickow comes Robert G. Stanton, U.S. Department of the Interior to AFC Librarian Appointees: Maribel Alvarez, Arizona Tom Rankin, North Carolina Donald Scott, Nevada AMERICAN FOLKLIFE CENTER Ex Offi cio Members Gage Averill, President, Society for Th e American Folklife Center was created in 1976 by the U.S. Congress to “preserve Ethnomusicology and present American folklife” through programs of research, documentation, archival James H. Billington, Librarian of Congress preservation, reference service, live performance, exhibition, publication, and training. Th e Peggy A. Bulger, Director, American Folklife Center Center incorporates an archive, which was established in the Music Division of the Library of G. Wayne Clough, Secretary of the Smithsonian Institution Congress in 1928 and is now one of the largest collections of ethnographic material from the Rocco Landesman, Chairman, National United States and around the world. Endowment for the Arts Elaine Lawless, President, American Folklore Folklife Center News publishes articles on the programs and activities of the American Folklife Society Center, as well as other articles on traditional expressive culture.