DOCSLIB.ORG

Grass Clippings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grass Clippings Desert Bluegrass Association GRASS CLIPPINGS Volume 14 Issue 10 October/November 2009 State of the Grass by President "Doc" Simpson dition to being an incredible clinics at the 17 th Street banjo player, Bill is also an Market. This included a excellent instructor and all- bass clinic in August (Evan around-great-guy. Dain) and “Learning to Play Banjo by Ear” with Bill The multi-talented Doc Breen in September. This Reifschneider continues to coming October 17 th , Mike State of the Grass lead exciting performances Purdy will be doing a man- on 4 th Ave. on Saturdays. dolin workshop at 17 th Street “Doc” Simpson During a recent perform- Market. And don’t forget October 2009 ance, a bicyclist was struck about the advanced jam by a car right in front of the every third Wednesday of band! Fortunately there the month, also at the mar- Greetings Bluegrass Aficio- were two physicians right ket. nados. We extend a hardy there: Doc R. was pick’n “Welcome Back!” to our and Jim Lohman was grin’n. “Pickn’ at the Peak Extrava- winter visitors and are ea- They took a break from the jamsa” continues every third ger to catch up on some performance to lend their Thursday of the month. much-missed pick’n and expert assistance. The story This has proven to be a great grin’n. Here’s the latest turns out well - the biker deal of fun for pickers and happenings. was not hurt and was able to grinners. walk away from the inci- Our Monday night Begin- dent. On October 3, members of ners Workshops continue the DBA will be doing a to have excellent atten- Rich Errico, mandolinist “Thank you” concert for dance. Our beloved Bill extraordinaire, has been Saddlebrooke residents for and Cindy Paul have come faithfully hosting jams on allowing us to use their thea- back to Tucson to stay. the Northwest side while tre and guild. The response One of the first things they Charlie Sides is out-of-town. has been so great that we’ve did was to accept an invita- “The Professor” - Marshall added a second concert ear- tion to teach at the Begin- Vest – continues to lead the lier in the day! ners’ Workshop during Sep- way on monthly instrument tember and October. In ad- PAGE 2 GRASS CLIPPINGS VOLUME 14 ISSUE 10 -OFFICERS- President: "Doc" Simpson (520) 298-9746 [email protected] Vice President: Charlie Sides (520)579-5918 [email protected] Secretary: Mike Headrick (520) 760-0745 [email protected] Treasurer: Barbara Van Hoesen (785) 979-6177 [email protected] -TRUSTEES- Shannon Dexter (520) 751-1856 [email protected] Al Eychner (520) 908-9270 [email protected] Geoff Fox (520) 731-3601 [email protected] Bonnie Lohman (520) 296-1231 [email protected] Ben Richardson (520) 886-8715 [email protected] Klyle Stall (520) 421-2596 [email protected] Bill Trapp (520) 825-5890 [email protected] How to Contact the DBA Newsletter Editor--Bonnie Lohman : For information concerning Letters to the Editor, Reviews, contributing newsletter articles, submitting Concert & Band Listing information Webmaster--Bill Trapp: For information concerning the DBA website www.DesertBluegrass.org contact the webmaster at [email protected] Membership Secretary--Fran Riggs : To join the DBA, renew a membership or submit an address change, contact Fran via phone at (520) 490-4560, email [email protected] or snaill mail 17247 E. Peach Tree Road, Mayer, Arizona 86333-4146 Publicity--Mike Headrick : Contact Mike at (520) 760-0745 or [email protected] Booking Bands--Bonnie Lohman : To book a DBA band for an event, phone 520-296-1231 or email [email protected] Advertising--Bonnie Lohman : To purchase advertising in our newsletter, contact by phone or email MEMBERSHIP DISPLAY ADS PRICES 1/4 PAGE--$25 PER ISSUE, $100 ANNUAL 1/2 PAGE--$40 PER ISSUE, $160 ANNUAL FULL PAGE--$60 PER ISSUE $240 ANNUAL CLASSIFIED ADS $5 FOR 5 LINES OR LESS DBA members free space permitting The opinions expressed in the DBA newsletter are those of the writers and do not necessarily represent the views of the Desert Bluegrass Association, is staff or members. Reviews, concert listings, band announcements and advertising are for informational purposes only and do not constitute an endorsement by the Desert Bluegrass Association. In the event of an error, our liability is limited to printing a correction. Copyright 2009,. All Rights Reserved. VOLUME 14 ISSUE 10 GRASS CLIPPINGS PAGE 3 PRESIDENT'S MESSAGE CONTINUED Bluegrass Band. Our fea- the Volunteer Meeting on And, of course, we have our tured artists this year will be Thursday, October 8 at the 10 th Annual Tucson Blue- The Gibson Brothers and Udall Park Center. grass Festival this Oct. 23- Goldwing Express. Valerie 25. We will again be featur- Smith and Liberty Pike are Here is your invitation to ing a band contest on Friday back by popular demand. join us in the many exciting night, free and open to the New to our stage will be the things that the DBA is do- public. Seven hundred and Brombies from California. ing. fifty dollars in prize money is at stake with the winner Opportunities for volunteer- getting a slot to perform in ing at the festival are open “Doc” Simpson next years festival. Last to all members of the DBA. years winner was Headline We hope to see you all at PAGE 4 GRASS CLIPPINGS VOLUME 14 ISSUE 10 Great Websites Letters to the Editor GET WELL WISHES Check 'Em Out! Our best wishes to Bob Bluegrass Arizona Blog: Nible on a speedy www.bluegrassarizona. I love the newsletter now - recovery. Bob fell and blogspot.com it tells what's going on with broke a hip. He is all the friends - I feel recovering in Iowa. Banjo: www.banjohangout. connected to the events org though I am so far away. In the 90's here - I like it! / Fiddle: wwwlfiddlehangout. com Marilyn Hulbert SYMPATHY Dobro: www.reso-nation. org or Our sympathy to Heidi www.resohangout.com Schewel on the death Bass: www. Ed. Thanks! of her father. bluegrassbassplace.com Daily Dose of Bluegrass; www.bluegrassonthetube. WELCOME TO OUR NEWEST DBA MEMBERS Susan Anderson Green Valley Gary Haggerty Benson Susan Lundquist Tucson Bob Rozanski Tucson Sandy McClure Green Valley Robin Neilsen Tucson Stephen Reed Tucson Larry & Darlene Ganem Globe Andy MacLeod Tucson Connie Lane Superstition Mountain Sue & Bill Elsclager Tucson Al & Marcia Knebel Sahuarita John & Glenna Sheerin Tucson Norma James Tucson Gary Slaten Tucson Instruction Bill Breen Scruggs style banjo by ear. 520-544-2418 www.banjohangout.org/myhangout/music.asp Casey Harmonica instruction 520-887-2148 Corrine Cortese Fiddle lessons 520-235-3199 Rudy Cortese Banjo lessons 520-954-2103 Peter McLaughlin Flatpick & bluegrass guitar: Beginner & advanced 520-529-2992 Mike Purdy Guitar & mandolin 520-318-0659 J.P. Thom-Gronachan Banjo, guitar, mandolin, fiddle, theory 520-682-6201 Mike Wallner Banjo, Scruggs, melodic & clawhammer 520-327-8259 VOLUME 14 ISSUE 10 GRASS CLIPPINGS PAGE 5 Associations Jams Bands All DBA sponsored jams and Bear Canyon Ramblers performances are listed Marilyn 520-760-0479 Arizona Bluegrass Association separately on the enclosed [email protected] 7257 N. 50th Dr. calendar and the DBA website at www.bearcanyonramblers.com Glendale, AZ 85301 www.DesertBluegrass.org Rick Rhodes--Chair Cadillac Mountain 623-435-8406 Corrine 520-235-3199 Email: [email protected] Bluegrass In Casa Grande Crystal Ridge www.azbluegrass.org Traditional Accoustic Bluegrass Brian Davies 520-297-4225 Jam. www.musictucson.com International Bluegrass Music 1st Saturday of each month Association (IBMA) 6:30 - 9:30 Dusty River Boys 207 E. Second Street Info: Klyle Stall (520) 421-2596 Mary Ann McCracken 520-977- Owensboro, KY 42303 8113 502-926-7891 Flint Hill Special So. Arizona Old Time Fiddlers Southern AZ Old Time Fiddlers Glen Wilbourn 928-634-8411 Association Assn. 3020 W. Avenida Cresta Southwest Community Center Gold Rush Tucson, AZ 85745 Cardinal Ave, Tucson, AZ Jan or Mike 480-982-4938 Info: Wilbur 520-743-7086 Tuesday 7 PM Info: Wilbur 520-743-7086 Headline Bluegrass Band Tucson Friends of Traditional Bill Cox 480-208-5217 Music www.myspace.com/ Info: 520-408-6181 Tradition Acoustic Bluegrass headlinebluegrass www.tftm.org Jam Sessions Tempe, AZ Los Hombres Tucson Harmonica Club Wednesday 7-10 PM Kenny Erickson 520-235-7473 Info: 520-887-2148 Please call for confirmation of dates Peter Mc Laughlin Tucson Kitchen Musicians Info: Howard or Susan 520-529-2992 Association 480-897-7425 PO Box 26531 Salt Creek Tucson, AZ 85726 Roland 520-803-0078 www.tkma.org Mike 520-378-4977 Catalina Mountain Chapter of Tucson Old Time Music Circle the AZ Old Time Fiddlers Association Special Blend [email protected] Ray or Marilyn Sealing Brad 520-818-0260 3rd Monday at 7 PM Info: Laura 520-743-9491 928-300-6810 www.totmc.org [email protected] The Bost Family Tradition Jeff Bost 520-432-5053 [email protected] EVENTS The Busted Cowboy Band Jim Koweek 520-455-5387 Titan Valley Warheads The Bluegrass Radio Show with Titan Valley Warheads Ed Davenport 520-622-3699 Li'l Abner's Steakhouse Milo 8501 N Silverbell Road, Saturday 10 am - 12 noon Way Out West KXCI 91.3 FM Tucson Emmy Creigh 520-323-0704 520-622-5924 requests Sundays 6:30-9:30 PM Info: Ed 520-622-3699 PAGE 6 GRASS CLIPPINGS VOLUME 14 ISSUE 10 VOLUNTEER MEETING Hi folks, Our 10 th annual Tucson Bluegrass Festival is just around the corner - October 23 rd , 24th & 25 th . As always we have a great line-up of bands, the band contest, workshops, vendors and jamming planned.
Load more

Recommended publications
  • THE CORD WEEKLY January 22Nd, 1 January 22Nd, 1 Hawks Eke out Canadian Roundup Wuc with Barry Dickson Shovel It Says Judge
    THE Evaluation needed if CUS to succeed THREE PRESIDENTS CRITICIZED The Canadian Union of Stud'­ is the main aim, then it is time volvement that Goodings wanted ents should re-examine its posi­ they spent less time runnig con­ a full-time job. ORD tion and determine its objectives tests and making travel arrange­ and it is time that the organizJ.oo ments for university studtmts to McLean further submitted · WEEKLY tion gave more than lip service visit Europe in the summer and that he did not think that the to long term planning if it is to more time pursuing that objec­ present efforts and accomplish­ Voi.IV-No. 12 Waterloo University College Wed,. Jan. 22 be successful. tive. ments of CUS substantiated the costs. December 12th, 1963 These were the words used by McLean continued his attack CUS attacked by Student Council President Archie by stating that when Stewart McLean as he outlined the reas­ Goodings succeeded Walter Mc­ He further accused the present WUC Student Council ons for his support of the with­ Lean as National President, the President, David Jenkins, of 1rndest drawal of Waterloo University objective of CUS was again again redefining the primary ob­ by Ed Neigh jective of CUS. MseLan pointed In a letter of resignation of WUC from Canadian College from the Canadian Union changer, as Goodin.gs stated in of Students. his final report that the student's out that Mr. Jenkins had said [nion of Students, Student Council president Archie Me­ that the primary purpose and y figured a way to catch lao lashed out at what seemed to be the inherent incom­ involvement in the university McLean stated that in the past community cannot be a half­ perhaps the only issue with so ah faked a heart at­ ,etence of the organization.
    [Show full text]
  • Bluegrass Outlet Banjo Tab List Sale
    ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On
    [Show full text]
  • Shin Akimoto Alan Bibey Sharon Gilchrist
    Class list is preliminary- subject to change Shin Akimoto Monroe Style (I) Rhythm Playing (AB) Bluegrass in Japan (All) Alan Bibey No, you backup (AB-I) Playing fills and how to play behind a vocalist Classic Bluegrass Mandolin breaks (I-A) Road to improv (I-A) Classic Monroe licks (AB-I) Spice Up your playing with triplets (I-A) Sharon Gilchrist Closed Position Fingering for Playing Melodies in All 12-Keys: (AB-I) Learn a couple of easy patterns on the fretboard that allow you to play melodies in all 12 keys easily. This is what a lot of mandolin players are using all the time and it's easy! Closed Position means using no open strings. Basic Double Stop Series: (AB-I) Double stops are one of the mandolin's signature sounds. In this class, we will learn a basic double stop series that moves up and down the neck for both major and minor chords. Freeing Up the Right Hand (B-I) This class is geared towards folks who have learned a number of fiddle tunes and have gotten pretty comfortable playing those melodies but are wondering how to speed them up a bit or breathe a little more life into them now. It is also for folks who might have been playing for a while but still struggle with speed and flow in performance of their tunes. Backing Up a Singer: (I-A) Using double stops and licks to create back up that allows the lead vocal to remain front and center while enhancing the story of the song.
    [Show full text]
  • 282 Newsletter
    NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
    [Show full text]
  • An Interview with Fred Hellerman Part II May 26, 2016 in This Interview Fred Is Joined by His Wife, Susan Lardner. Ken Edgar
    An Interview with Fred Hellerman Part II May 26, 2016 In this interview Fred is joined by his wife, Susan Lardner. Ken Edgar: We are now back in Fred Hellerman's living room and we're continuing our conversation with Fred. We are joined today by Susan Lardner, Fred’s wife, who herself has a very interesting background and career. Together they are going to help us remember their lives in Weston, starting in around 1970. Susan, welcome to the show. When we last left our story we had talked about your arrival in Weston and how Harold Leventhal, the Weaver's manager, had purchased a home near Cobb's Mill and was influential in bringing you up here. As a result, you became interested in Weston and eventually bought the house in which we are sitting today. Susan: I checked with one of Harold's daughters and found out that he had bought his house in 1968 and Fred bought this house in 1969. Although Fred had been up here before visiting other people, he had not been in the house purchasing business. Fred Hellerman: Yeah, coming up there for a weekend. I just fell in love with that immediately. It was a very important place for me. Ken: In the summer of 1970, you two were married right here on this property. Fred: From here, yeah, at this house. Susan: Under the tree, by Euclid Shook. [A Weston artist a justice of the peace. –ed.] Ken: The New York Times did a very interesting description of your wedding.
    [Show full text]
  • Robert Glasper's In
    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • MON-MN22-DVD.Pdf
    DVDTWO A DETAILED ANALYSIS taught by SAM BUSH 90 minutes Music and tab enclosed Sam Bush is a world-renowned This companion lesson to "The Mandolin of Bill Monroe: multi-instrumentalist whose ear­ One-On-One with the Master" is a hands-on teaching tool liest influence was the mandolin produced especially for the developing mandolin player playing of Bill Monroe. He first who wants to Ieam the inbicacies of BiD Monroe's powerful came to prominence with his innovative band New G rass style and technique. Veteran mandolinist Sam Bush dissects Revival. and he has since graced eighteen of the pieces as played on Bilrs grourd>reaking les­ countless albums and concert son, taking them apart in note-for-note detail. Split-screens stages with his powerful instru­ and close-ups, as well as replays of Monroe's demonstrations, mental technique. An engaging aid the teaching process and make this the method for leam­ and energetic adler, Sam brings ing Monroe-style bluegrass mandolin. his years of playing experience to You'D detailed for alHime favorite Bill the task of communicating musi­ get instruction Monroe cal ideas to the learning mand0- songs and instrumentals, including: linist As a long-time Homespun • Sweet Blue-Eyed Dar/in' - Blue Grass Breakdown instructor, his DVD, video a1d CD • Frog On A Uly Pad • Memories of mandolin lessons have been among - Dusty Miller Mother and Dad our most popular products. - Sally Goodin -Rawhide Made possible by • generous -KatyHiIf - Tennessee Blues grant to the Smithsonian I~ - Back to the Old Home tution from Kaman Music Corp.
    [Show full text]
  • Rotten Taters Is a Snapshot of Some of the Material Mike Has Begun to Do in His Solo Endeavors
    MIKE COMPTON “This recording is pure gold, through and through.” - Glen Herbert, KDHX Rotten Taters is a snapshot of some of the material Mike has begun to do in his solo endeavors. It’s a project which for the first time lets us see something that we’ve only glimpsed in the past Compton playing by himself, unaccompanied and undirected. And it’s simply stellar. For Compton, it’s all about rhythm, with the mandolin serving principally as a rhythmic instrument rather than a melodic one. These days, for this style of playing, he is the player that all others are compared to; if you play old-time or traditional bluegrass mandolin, you want to play like Mike Compton. Here, for the first time, is pure, unadorned Compton. Of the fifteen songs and tunes here, six are from Compton’s own pen. Tracks like “How Do you Want Your Rollin’ Done” and “I’ll Tell you About the Women” seem, in a sense, like portraits of Compton himself, his effervescence and humor laid bare. Of note, the cut “Forever Has Come to and End” is stark and longing, excellently accompanied only by mandolin chords and cross-picking, bringing out the desperation of the lyric. “Jenny Lynn” is a tribute to Monroe, staying close to Monroe’s style, as is the original piece “Wood Butcher’s Walkabout”, which is like a master class in the slides that are a hallmark of Compton’s playing. “Mike has taken a passel of influences -- “old Instruments Used on This Recording: time fiddle tunes, rock salt and nails Paul Duff F5 Mandolin, 2011.
    [Show full text]
  • The Crooked Road's 4TH Annual Mountains of Music Homecoming
    FOR IMMEDIATE RELEASE: April 18, 2018 Contact: Jack Hinshelwood, Executive Director The Crooked Road & Mountains of Music Homecoming (276) 492-2402 O, (540) 239-2110 M [email protected] Karen Tessier, Public Relations Mountains of Music Homecoming (828) 398-5250 O, (828) 231-6268 M [email protected] The Crooked Road’s 4TH Annual Mountains of Music Homecoming Abingdon, VA: Organizers throughout Southwest Virginia are gearing up for the 4th Annual Mountains of Music Homecoming, an extraordinary nine-day celebration of traditional music and culture taking place June 8 - 16, 2018, in over forty communities throughout the Crooked Road region of Southwest Virginia. The Crooked Road, Virginia’s Heritage Music Trail, connects nine major music venues and over 50 affiliated venues and festivals presenting traditional music 365 days a year. Residents and visitors can expect an extraordinary menu of Appalachian food, authentic culture, local arts and crafts, history, outdoor adventure, and a remarkable schedule of bluegrass, old time, blues, gospel, folk and traditional music concerts performed all along the more than 300 miles of The Crooked Road. The 2018 Homecoming will feature Doyle Lawson & Quicksilver, Lonesome River Band, Del McCoury Band, blues legends Jimmy Duck Holmes and Phil Wiggins, a unique Stanley Brothers All-Star Band, a showcase of the Best All Around Performers from the Galax Old Doyle Lawson & Quicksilver Fiddler’s Convention and dozens more. “You can hear music from The Crooked Road region worldwide, but experiencing it in the place it comes from is a totally different thing,” said Crooked Road executive director Jack Hinshelwood. “It’s like the difference between someone describing ice cream to you and actually tasting it yourself.
    [Show full text]
  • Roland White Band
    The Roland White Band Roland White Bluegrass mandolin master Roland White has played in some of the most influential and popular groups in the music's history, and has played a notable part in creating that history. Springing from a large family of musicians, Roland and his younger brothers Eric and Clarence first played together as youngsters in their native Maine. Moving to southern California in 1955, The Country Boys (later to become The Kentucky Colonels) won talent contests, appeared on local television shows and even landed appearances on The Andy Griffith Show. They toured the country during the folk music boom of the early 60's, creating a sensation among coffeehouse, festival and college audiences with their instrumental virtuosity, traditional brother vocal harmonies and rhythmic innovations. The Kentucky Colonels' influence far exceeded the band's short tenure as an active band. Their "Appalachian Swing" album remains one of the most important albums of that era, a landmark in the history of bluegrass. Moving from The Kentucky Colonels into a position as guitarist for Bill Monroe in the late 60's, Roland absorbed the traditional feel and repertoire from his mentor, the Father Of Bluegrass, which remains a strong element in his music today. From Monroe's band, Roland joined that of another bluegrass pioneer, Lester Flatt, playing mandolin and recording several albums as a member of The Nashville Grass from 1969-1973. In 1973 a short-lived reunion of The White Brothers was brought to an untimely end due to Clarence White's tragic death. Of this brief reunion came two concert recordings that capture the excitement of the White Brothers' sound fully matured, after Clarence's excursions in country rock with the Byrds and Roland's studies with the Monroe and Flatt.
    [Show full text]
  • The Christmas Revels Program Book
    The 48th annual production With David Coffin Merja Soria The Kalevala Chorus The Solstånd Children Infrared listening devices and The Briljant String Band large print programs are available The Northern Lights Dancers at the Sanders Theatre Box Office. The Midnight Sun Mummers The Pinewoods Morris Men for Please visit our lobby table Karin’s Sisters Revels recordings, books, cards Cambridge Symphonic Brass Ensemble and more. Our new CD, The Gifts of Odin: A Nordic Christmas Revels, features much of the music from Lynda A. Johnson, Production Manager this year’s show! Jeremy Barnett, Set Design Jeff Adelberg, Lighting Design Heidi Hermiller, Costume Design Bill Winn, Sound Design Ari Herzig, Projection Design Thanks to our generous Corporate Partners With support and Media Sponsors: from: TM www.cambridgetrust.com CONTENTS Introduction Please join us in “All Sings” on pages 5, 10, 12, 14 and 16! Welcome to the 48th annual Christmas Revels! Sven is a dreamer and his father’s patience is wearing THE PROGRAM page 4 thin. It is Christmas and the big house is bustling with preparations for a party that will bring together ministers PARTICIPANTS page 17 and dignitaries from all the Scandinavian countries to meet the new Ambassador of Finland. The seasonal festivities do little to reduce Sven’s moodiness that FEATURED ARTISTS page 22 seems to be tied to the loss of his favorite uncle. Change comes in the guise of three unusual Christmas presents. They usher Sven into an alternative universe populated by witches, A NOTE ON THE KALEVALA snakes and superheroes, where he is reunited with his late uncle Finland Finds Its National Identity page 35 in a series of life-changing adventures.
    [Show full text]
  • Mandolin Camp North Class Descriptions
    Class list is preliminary- subject to change Guide to “Skill Levels” Skill Levels: N: Novice ​ B: Beginner ​ AB: Advancing Beginner ​ I: Intermediate ​ A: Advanced ​ These abbreviations are often combined. N-B means Novice to Beginner; AB-I means Advancing Beginner to Intermediate; etc. Below is a description of each skill level. Please keep in mind that there’s some overlap between levels. During registration on Friday, you may want to attend "Find Your Level" where instructors advise campers, one-on-one, on their level. Novices (N) are absolute beginners, just starting out. They may have only recently acquired an instrument, ​​ ​ don’t know how to tune and have yet to learn any technique. Beginners (B) are able to tune and have learned a few basic techniques, a couple chords, maybe a ​​ ​ rudimentary picking method. They may know a few songs but still don’t pick out tunes on their own or have much experience playing with other people. Advancing Beginners (AB) have been practicing for some months, perhaps a year. They’re comfortable ​​ ​ tuning and have command of fundamental techniques. They’ve been learning to play simple melodies and can play along with a number of tunes and may even have started jamming. Intermediates (I) have likely been jamming on a regular basis. They’re familiar with a sizeable repertoire, ​​ ​ recognize chord changes and play solos routinely. They may not yet play up to speed and may still need to work on their timing and tone as well as their understanding of music theory. Many read tab but could use help arranging tunes on their own and more experience improvising.
    [Show full text]