Guide to the N W Ayer Advertising Agency Records

Total Page:16

File Type:pdf, Size:1020Kb

Guide to the N W Ayer Advertising Agency Records Guide to the N W Ayer Advertising Agency Records NMAH.AC.0059 Mimi Minnick 2002 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement................................................................................................................... 12 Scope and Contents........................................................................................................ 6 Names and Subjects .................................................................................................... 14 Container Listing ........................................................................................................... 15 Series 1: Earliest Scrapbooks of Client Advertisements, circa 1870-1885............. 15 Series 2: Proof Sheets, circa 1870-1930............................................................... 16 Series 3: Proof Sheets, circa 1920-1975............................................................. 232 Series 4: 2001 Addendum, circa 1976-2001........................................................ 366 Series 5: Billboards, circa 1952-1956.................................................................. 439 Series 6: Audiovisual Materials, 1945-1992......................................................... 442 Series 7: Radio and Television Materials, 1933-1993, undated........................... 454 Series 8: Chicago Office Print Advertisements, 1954-1989................................. 461 Series 9: Los Angeles Office Materials, circa 1950-1987 ................................... 486 Series 10: Foreign Print Advertisements, 1977-1991, undated............................ 487 Series 11: Cunningham & Walsh, Incorporated, Materials, 1915-1987 , undated .............................................................................................................................. 490 Series 12: Hixson & Jorgensen, 1953-1971, undated.......................................... 502 Series 13: Newell-Emmett, 1942-1957................................................................. 503 Series 14: House Advertisements, 1870-1991, undated...................................... 504 Series 15: Scrapbooks, 1872-1959...................................................................... 515 Series 16: Publications, 1849-2006..................................................................... 516 Series 17: Business Records, circa 1885-1990s................................................. 537 Series 18: Legal Records, circa 1911-1984......................................................... 545 Series 19: Employee Materials, circa 1889-2001, undated.................................. 550 Series 20: History and Background Information about the Company, 1817-1999, undated................................................................................................................. 563 Series 21: Materials Created by other Advertising Agencies, 1945-1978, undated................................................................................................................. 565 Series 22: Addendum of Print Advertisements, circa 1879-1990s, undated......... 566 Series 23: Microfilm of Print Advertisements, circa 1908-1985............................ 602 N W Ayer Advertising Agency Records NMAH.AC.0059 Collection Overview Repository: Archives Center, National Museum of American History Title: N W Ayer Advertising Agency Records Identifier: NMAH.AC.0059 Date: 1817-1851 1869-2006 Creator: Ayer (N W) Incorporated. Extent: 270 Cubic feet (1463 boxes, 33 map-folders, 7 films) Language: Collection is in English. Some print advertisements are in French. Summary: Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies. Digital Image(s): Like a Sweet Memory ... [color advertisement; tear sheet] Content: Image(s): N W Ayer Advertising Agency Records Administrative Information Acquisition Information The collection was donated by N W Ayer ABH International, April 15, 1975 and by Ayer & Partners, October 30, 1996. Provenance The proofsheet collection was stored in the agency's Philadelphia headquarters for nearly fifty years. After relocating in New York, the agency decided to offer the proofsheets as a gift to the Smithsonian. They arrived at the National Museum of History and Technology (later the National Museum of American History) in March 1975, where they were in the care of the Museum's curator of mining, Dr. John Hoffman. Upon Hoffman's death in 1983, the collection was transferred to the Archives Center. In 1996 Ayer donated additional materials, including the 19th-century scrapbooks and business records. Related Materials Materials in the Archives Center Warshaw Collection of Business Americana (AC0060) Hills Bros. Coffee Incorporated Records (AC0395) Page 1 of 602 N W Ayer Advertising Agency Records NMAH.AC.0059 Processing Information Processed by Mimi Minnick, archivist, 2002; Kate Richards (intern), April, 2004; Anne Jones (volunteer), August 2010; Ramona Williamson (volunteer), September 2010; Rebecca Wolfe (volunteer), September 2010, supervised by Vanessa Broussard Simmons, archivist. Preferred Citation NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History Restrictions The collection is open for research use. Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes. Conditions Governing Use Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply. Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. All duplication requests must be reviewed and approved by Archives Center staff. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies. Accruals The Archives Center received more materials in 2001 and 2010. Biographical / Historical Founded in Philadelphia in 1869, NW Ayer & Son is one of the oldest and largest advertising agencies in America. For most of its history, it was the undisputed leader and innovator in the field of advertising. In 1876, NW Ayer & Son pioneered the "open contract", a revolutionary change in the method of billing for advertising which became the industry standard for the next hundred years. NW Ayer pioneered the use of fine art in advertising and established the industry's first art department. It was the first agency to use a full- time copywriter and the first to institute a copy department. The agency relocated to New York City in 1974. During its long history, the agency's clients included many "blue-chip" clients, including American Telephone & Telegraph, DeBeers Consolidated Diamond Mines, Ford Motor Company, Nabisco, R. J. Reynolds and United Airlines. However, in later years, the Ayer's inherent conservatism left the agency vulnerable to the creative revolution of the 1960s and 1970s, the advertising industry restructuring of the 1980s and the economic recession of the early 1990s. The agency was bought out by a Korean investor in 1993. In 1996, NW Ayer merged with another struggling top twenty United States advertising agency, Darcy, Masius, Benton & Bowles, under the umbrella of the McManus Group. Ayer continues to operate as a separate, full- service agency. Through a series of buyouts and mergers, Ayer traces its lineage to the first advertising agency founded in the United States, a Philadelphia agency begun by Volney Palmer in 1841. Palmer began his career in advertising as a newspaper agent, acting as middleman between newspaper publishers and advertisers Page 2 of 602 N W Ayer Advertising Agency Records NMAH.AC.0059 across the country. By 1849, Palmer had founded his own newspaper, V. B. Palmer's Register and Spirit of the Press, and had developed a complete system of advertising which included securing advertising space and placing ads in scores of commercial, political, religious, scientific and agricultural journals across the country. Palmer went one step further
Recommended publications
  • Consumer Superbrands 2019 Top 10 Consumer Superbrands Relevancy
    Consumer Superbrands 2019 Top 10 Consumer Superbrands BRAND CATEGORY LEGO 1 Child Products - Toys and Education Apple 2 Technology - General Gillette 3 Toiletries - Men's Grooming Rolex 4 Watches British Airways 5 Travel - Airlines Coca-Cola 6 Drinks - Non-Alcoholic - Carbonated Soft Drinks Andrex 7 Household - Kitchen Rolls, Toilet Roll and Tissues Mastercard 8 Financial - General Visa 9 Financial - General Dyson 10 Household & Personal Care Appliances Relevancy Index Top 20 BRAND CATEGORY Amazon 1 Retail - Entertainment & Gifts Aldi 2 Retail - Food & Drink Macmillan Cancer Support 3 Charities Netflix 4 Media - TV Google 5 Social, Search & Comparison Sites Lidl 6 Retail - Food & Drink PayPal 7 Financial - General LEGO 8 Child Products - Toys and Education Samsung 9 Technology - General YouTube 10 Social, Search & Comparison Sites Visa 11 Financial - General Heathrow 12 Travel - Airports Purplebricks 13 Real Estate Cancer Research UK 14 Charities Oral-B 15 Toiletries - Oral Care Apple 16 Technology - General Dyson 17 Household & Personal Care Appliances TripAdvisor 18 Travel - Agents & Tour Operators Nike 19 Sportswear & Equipment Disney 20 Child Products - Toys and Education continues... Consumer Superbrands 2019 Category Winners CATEGORY BRAND Automotive - Products Michelin Automotive - Services AA Automotive - Vehicle Manufacturer Mercedes-Benz Charities Cancer Research UK Child Products - Buggies, Seats and Cots Mamas & Papas Child Products - General JOHNSON'S Child Products - Toys and Education LEGO Drinks - Alcoholic - Beer, Ale
    [Show full text]
  • Tobacco Labelling -.:: GEOCITIES.Ws
    Council Directive 89/622/EC concerning the labelling of tobacco products, as amended TAR AND NICOTINE CONTENTS OF THE CIGARETTES SOLD ON THE EUROPEAN MARKET AUSTRIA Brand Tar Yield Nicotine Yield Mg. Mg. List 1 A3 14.0 0.8 A3 Filter 11.0 0.6 Belvedere 11.0 0.8 Camel Filters 14.0 1.1 Camel Filters 100 13.0 1.1 Camel Lights 8.0 0.7 Casablanca 6.0 0.6 Casablanca Ultra 2.0 0.2 Corso 4.0 0.4 Da Capo 9.0 0.4 Dames 9.0 0.6 Dames Filter Box 9.0 0.6 Ernte 23 13.0 0.8 Falk 5.0 0.4 Flirt 14.0 0.9 Flirt Filter 11.0 0.6 Golden Smart 12.0 0.8 HB 13.0 0.9 HB 100 14.0 1.0 Hobby 11.0 0.8 Hobby Box 11.0 0.8 Hobby Extra 11.0 0.8 Johnny Filter 11.0 0.9 Jonny 14.0 1.0 Kent 10.0 0.8 Kim 8.0 0.6 Kim Superlights 4.0 0.4 Lord Extra 8.0 0.6 Lucky Strike 13.0 1.0 Lucky Strike Lights 9.0 0.7 Marlboro 13.0 0.9 Marlboro 100 14.0 1.0 Marlboro Lights 7.0 0.6 Malboro Medium 9.0 0.7 Maverick 11.0 0.8 Memphis Classic 11.0 0.8 Memphis Blue 12.0 0.8 Memphis International 13.0 1.0 Memphis International 100 14.0 1.0 Memphis Lights 7.0 0.6 Memphis Lights 100 9.0 0.7 Memphis Medium 9.0 0.6 Memphis Menthol 7.0 0.5 Men 11.0 0.9 Men Light 5.0 0.5 Milde Sorte 8.0 0.5 Milde Sorte 1 1.0 0.1 Milde Sorte 100 9.0 0.5 Milde Sorte Super 6.0 0.3 Milde Sorte Ultra 4.0 0.4 Parisienne Mild 8.0 0.7 Parisienne Super 11.0 0.9 Peter Stuyvesant 12.0 0.8 Philip Morris Super Lights 4.0 0.4 Ronson 13.0 1.1 Smart Export 10.0 0.8 Treff 14.0 0.9 Trend 5.0 0.2 Trussardi Light 100 6.0 0.5 United E 12.0 0.9 Winston 13.0 0.9 York 9.0 0.7 List 2 Auslese de luxe 1.0 0.1 Benson & Hedges 12.0 1.0 Camel 15.0 1.0
    [Show full text]
  • Tobacco Sponsorship Is No Laughing Matter
    82 Tobacco Control 1999;8:82–84 AD WATCH Tob Control: first published as 10.1136/tc.8.1.82 on 1 March 1999. Downloaded from Tobacco sponsorship is no laughing matter Despite intense eVort by tobacco control water kayaking. These activities involve groups during the past decade, legislation to competitors who succeed because of their will- control tobacco promotions in Canada has ingness to take extreme risks. Promotions for been limited in its eVectiveness. The Tobacco these events appeal to the viewer’s desire for Products Control Act (TPCA) was legislated independence because the selected activities in 1988 and although it banned tobacco prod- are all individual sports.4 The Matinée Fashion uct advertising, sponsorship remained permis- Foundation was formed in 1992 and serves as sible with limitations. The full name of the a second example. Sponsorship of fashion manufacturer was required on promotional events allows tobacco products to be associated material as opposed to a tobacco brand name. with models who are typically thin. In response, all three Canadian tobacco Promotional messages for these events may companies hastily registered their various reinforce the idea that smoking suppresses brands as separate corporate entities as the appetite and is a means of controlling body TPCA took eVect. Imperial Tobacco Ltd, weight. Other Canadian tobacco-sponsored RJR-Macdonald Inc., and Rothmans, Benson activities or events include golf and tennis & Hedges Inc. formed “shell” companies for tournaments, auto races, fireworks displays, sponsorship
    [Show full text]
  • Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
    Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan)
    [Show full text]
  • An Analysis of Alcohol and Cigarette Prices in Maseru, Gaborone, and Neighboring South African Towns
    : TRADE A GLOBAL REVIEW OF COUNTRY EXPERIENCES BOTSWANA, LESOTHO, AND SOUTH AFRICA: AN ANALYSIS OF ALCOHOL AND CIGARETTE PRICES IN MASERU, GABORONE, AND NEIGHBORING SOUTH AFRICAN TOWNS TECHNICAL REPORT OF THE WORLD BANK GROUP GLOBAL TOBACCO CONTROL PROGRAM. CONFRONTING EDITOR: SHEILA DUTTA ILLICIT TOBACCO BOTSWANA, LESOTHO, AND SOUTH AFRICA 19 BOTSWANA, LESOTHO, AND SOUTH AFRICA An Analysis of Alcohol and Cigarette Prices in Maseru, Gaborone, and Neighboring South African Towns Kirsten van der Zee and Corné van Walbeek1 Chapter Summary The government of Lesotho plans to implement a levy on tobacco and alcohol products. The proposed measure is similar to levies that have been implemented in Botswana in recent years. A concern is the possibility that Lesotho’s new levy may stimulate a significant increase in bootlegging between Lesotho and South Africa. This chapter investigates the presence and possibility of bootlegging between South Africa and Botswana, and South Africa and Lesotho, by describing the differences in cigarette and alcohol prices between Gaborone, Botswana, and the nearby South African towns of Mafikeng and Zeerust, as well as between Maseru, Lesotho, and nearby Ladybrand, South Africa. 1 Economics of Tobacco Control Project, University of Cape Town, South Africa. 551 551 Confronting Illicit Tobacco Trade: A Global Review of Country Experiences An analysis of comparative cigarette price data indicated the following: Gaborone and Mafikeng/Zeerust. Overall, average cigarette prices are significantly higher in Gaborone than in nearby South African towns. The cheapest pack price found in Gaborone was nearly five times the cheapest price identified in South Africa. Maseru and Ladybrand. Cigarette prices differ between Maseru and Ladybrand, but much less than between Gaborone and Mafikeng/Zeerust.
    [Show full text]
  • The Field Guide to Sponsored Films
    THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House.
    [Show full text]
  • Volume 8, Number 1
    POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State
    [Show full text]
  • The Foreign Service Journal, January 2003
    SPEAKING FOR THE U.S. RECALLING LARRY FOLEY TUNISIAN MEMORIES $3.50 / JANUARY 2003 OREIGN ERVICE FJ O U R N A L STHE MAGAZINE FOR FOREIGN AFFAIRS PROFESSIONALS EXPORTING TO THE WORLD The U.S. & Foreign Commercial Service CONTENTS January 2003 I Volume 80, No. 1 F OCUS ON FCS LEE BOAM: THE FOREIGN COMMERCIAL SERVICE IN ACTION / 51 21 / THE BUSINESS OF AMERICA IS EXPORTS The Commercial Office at Embassy Beijing is the Overall, prospects for the Commercial Service look good. largest in the world. Meet the FSO who runs it. But a number of short-term and long-term By Shawn Dorman factors could threaten its work. By Bob Guldin U.S.-CHINA TRADE: AN ECONOMIC SECTION VIEW / 54 29 / PIANO PLAYERS IN A MARCHING BAND: The Sino-American economic relationship requires close FCS OFFICERS cooperation between the commercial section and the AFSA’s FCS Vice President counts the ways that FCS rest of Embassy Beijing. Here is the economic officers are different from their Foreign Service, section’s perspective. Civil Service and private-sector colleagues. By Robert Wang By Peter Frederick 34/ GOING GLOBAL WITH THE F EATURE U.S. COMMERCIAL SERVICE APPRECIATION / 61 The U.S. Commercial Service helps Laurence M. Foley, 1942-2002 U.S. businesses, particularly small and medium-size ones, sell their C OLUMNS EPARTMENTS products and services globally. D Here’s how. PRESIDENT’S VIEWS / 5 LETTERS / 7 By Maria Cino Telling Our Story CYBERNOTES / 12 By John K. Naland BOOKS / 64 Page 21 39 / TWO DECADES ON NDEX O THE ROAD LESS TRAVELED SPEAKING OUT / 15 I T The creation of FCS was far from painless, but over the The Courage of ADVERTISERS / 70 past 22 years the agency has made substantial progress.
    [Show full text]
  • Week on Our Hot Snacks’ Page 32 »
    29.05.2015 RN ON THE ROAD Test purchases, illicit alcohol: a day in the life of trading standards INVESTIGATION Page 28 » Constructing an opportunity ‘Local builders spend £500 a week on our hot snacks’ Page 32 » NEWS l CONVENIENCE l PROFIT www.betterretailing.com l £2.20 ‘We’ll prove £40m deal’s a win-win’ PAYPOINT l Booker to meet with Londis and Budgens retailers to answer questions and address concerns following merger. Facebook l Premier and Family Shopper stores promised better frenzy premium and fresh & chilled infrastructure. Page 5 » unites TOBACCO retailers Director Andrew High court Goddard to visit group founder after challenge 1,400 members over plain join in a week. packaging Page 5 » JTI, Philip Morris RETAIL CRIME and BAT file lawsuits against government. ‘My terror Page 4 » at the REGIONAL tillpoint’ Knifepoint attack Sinkhole is the harsh reality nightmare of handling high- Sales down 70% as cash services like retailer trades from PayPoint, says his car. Page 12 » retailer. Page 14 » Vol 126 No 22 Raspberry Vipul FOR TRADE USE ONLY The Wharf in Ebley Stroud has become Take a Break PoS push the first Mace store to open an ice cream parlour. With 18 22 planned for 17,000 flavours for customers to try, owner Vipul Panchmatia independent stores is hoping to sell 40 to 50 tubs a week. In its first three Page 7 days the parlour pulled in £400 in sales. » IRRESISTIBLY TASTY PROFITS New baked Cracker Crisps from Jacob’s, the market leader in savoury biscuits. Available in 3 top selling flavours.
    [Show full text]
  • "/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
    {"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated.
    [Show full text]
  • The Birth of Haptic Cinema
    The Birth of Haptic Cinema An Interactive Qualifying Project Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science by Panhavuth Lau Jordan Stoessel Date: May 21, 2020 Advisor: Brian Moriarty IMGD Professor of Practice Abstract This project examines the history of The Tingler (1959), the first motion picture to incorporate haptic (tactile) sensations. It surveys the career of its director, William Castle, a legendary Hollywood huckster famous for his use of gimmicks to attract audiences to his low- budget horror films. Our particular focus is Percepto!, the simple but effective gimmick created for The Tingler to deliver physical “shocks” to viewers. The operation, deployment and promotion of Percepto! are explored in detail, based on recently-discovered documents provided to exhibitors by Columbia Pictures, the film’s distributor. We conclude with a proposal for a method of recreating Percepto! for contemporary audiences using Web technologies and smartphones. i Contents Abstract .......................................................................................................................................... i Contents ........................................................................................................................................ ii 1. Introduction .............................................................................................................................. 1 2. William Castle ..........................................................................................................................
    [Show full text]
  • Disclaimer Notes to the Annual Report and Accounts This PDF
    Disclaimer Notes to the Annual Report and Accounts This PDF version of the Unilever Annual Report and Accounts 2005 is an exact copy of the document provided to Unilever’s shareholders. Certain sections of the Unilever Annual Report and Accounts 2005 have been audited. Sections that have been audited are set out on pages 78 to 151, 157 to 172 and 174 to 177. The auditable part of the report of the Remuneration Committee as set out on page 69 has also been audited. The maintenance and integrity of the Unilever website is the responsibility of the Directors; the work carried out by the auditors does not involve consideration of these matters. Accordingly, the auditors accept no responsibility for any changes that may have occurred to the financial statements since they were initially placed on the website. Legislation in the United Kingdom and the Netherlands governing the preparation and dissemination of financial statements may differ from legislation in other jurisdictions. Disclaimer Except where you are a shareholder, this material is provided for information purposes only and is not, in particular, intended to confer any legal rights on you. This Annual Report and Accounts does not constitute an invitation to invest in Unilever shares. Any decisions you make in reliance on this information are solely your responsibility. The information is given as of the dates specified, is not updated, and any forward-looking statements are made subject to the reservations specified on page 4 of the Report. Unilever accepts no responsibility for any information on other websites that may be accessed from this site by hyperlinks.
    [Show full text]