Animal Symbolism Pre‐Visit Lesson Plan Overview Animal symbolism is a rich part of the art and cultures of Himalayan Asia. This pre‐visit lesson explores this theme by comparing two different images of the elephant‐headed Hindu deity , and encouraging students to design their own animal symbol.

Goals— Students will be able to:  examine and decode Himalayan Hindu works of art  idenfy the similaries and differences between two different depicons of Ganesha  make connecons between these images and their own lives by designing a personal animal symbol Subject Areas Common Core Standards: ELA & History Visual Arts, English Language Arts, World History 1. College and Career Readiness Anchor Standards for

Speaking and Listening, including comprehension and Grades collaboraon, and presentaon of knowledge and ideas. Elementary School, Middle School, High School 2. College and Career Readiness Anchor Standards for Lan‐

guage, including convenons of standard English, Key Vocabulary knowledge of language, and vocabulary acquision and  Symbol: something that represents or stands for use. something else, usually by convenon or associaon Naonal Standards  Deity: god or goddess, celesal being, divine figure 1. Visual Arts: Choosing and Evaluang a Range of Subject  Obstacle: something that stands in the way of lit‐ Maer, Symbols, and Ideas eral or figurave progress 2. Visual Arts: Understanding the Visual Arts in Relaon to History and Cultures  : a complex compilaon of belief systems 3. English Language Arts: Communicaon Skills from India (as opposed to a codified religion), root‐ 4. English Language Arts: Mulcultural Understanding ed in sacred texts known as Vedas, that celebrates a 5. English Language Arts: Applying Language Skills mulplicity of deies New York State Standards Materials Needed Arts, Social Studies, Global History, and English as a Visit rmanyc.org/pre‐visit for downloadable lesson Second Language plans and class handouts. 1. Creang, Performing and Parcipang in the Arts 2. Knowing and Using Arts Materials and Resources  Handouts with map of Himalayan Asia (p. 6) and full‐ 3. Responding to Analyzing Works of Art page art images of Ganesha (p.7) and (p. 8) 4. Understanding the Cultural Dimensions and Contribu‐  Blank paper ons of the Arts  Pencils, colored pencils, or crayons

1 Animal Symbolism Pre‐Visit Lesson Plan

About Ganesha

Ganesha is the son of the Hindu god and his wife, the goddess Parva. He is one of most popular Hindu deies, and although he is recognizable by a range of symbols, his elephant head makes him parcularly easy to idenfy. Ganesha is widely revered as the Remover of Obstacles and more generally as Lord of Beginnings, patron of arts and sciences, and the god of intellect and wisdom.

These two sculptures of the deity were created at least 600 years apart in two completely different parts of Himala‐ yan Asia. In both images Ganesha wears a crown, the symbol of royal authority, and carries a range of symbolic arib‐ utes in his hands including an axe to cut away obstacles and a pile of ladu (round Indian sweets) to feed his abundant round belly. In the bronze Nepalese sculpture on the le, he has four arms, and also holds a string of japa beads, a tool used to keeping track of the repeons of mantras (divine words of power). His open hand makes a gesture of gi‐giving, and sits on the back of his animal mount, a rat. In the stone Indian sculpture on the right, he boasts a varie‐ ty of arms while dancing, including two which hold a snake over his head in triumph.

Because of Hinduism’s incredible geographic and cultural diversity, there are many versions of the story of how Gane‐ sha has his elephant head. One of the most common is that while Shiva was away, Parva grew lonely. She created her son Ganesha to keep her company, using clary and dirt to sculpt the figure of a boy, and then breathing on it to give it life. Parva and her new son were very happy together. However, when Shiva came home Ganesha would not let him through the doorway. In anger, Shiva beheaded the boy, not realizing who he was. When he realized his mis‐ take, Shiva replaced Ganesha's original head with that of an elephant.

Nepal; 17th century ‐ Copper alloy India; 11th century ‐ Sandstone 8.875" h. x 6.125" w. x 2.75" d. 49” h. x 27.5” w. x 10” d.

(See p. 6 and p. 7 for full‐page images of these sculptures.)

2 Animal Symbolism Pre‐Visit Lesson Plan

crown

axe

Elephant head

pile of ladu

Where are they? You’ll find these sculptures on the 2nd floor of the museum, in the exhibion, Gateway to Himalayan Art and in the Colonnade

3 Animal Symbolism Pre‐Visit Lesson Plan

Lesson Flow (40 minutes)

 Use map of Himalayan Asia (p. 6) to idenfy the countries and geography that make up this region.  Briefly introduce Hinduism, if appropriate.  Invite students to quietly examine the image of the bronze Nepelese Ganesha (p. 6) before engaging in a group discussion of the following quesons.

1. What details do you see in this sculpture that make you curious? 2. What kinds of animals do you see in this sculpture? 3. What do you noce about this figure’s face? How about its hands? 4. Look closely at the texture on the surface of this sculpture. How do you think the arst made it?

 Aer 5‐10 minutes of discussion, share some informaon about Ganesha with students, but save the story of his elephant head for later. Note his animal mount, the rat. Define the words obstacle and symbol.  Now, invite students to quietly examine the image of the stone Indian Ganesha (p. 7) before engaging in a group discussion of these quesons.

1. How does this sculpture of Ganesha compare to the first? 2. What details do you see in this sculpture that make you curious? 3. What kinds of animals do you see in this sculpture? 4. What do you noce about this figure’s face? How about its hands? 5. Look closely at the texture on the surface of this sculpture. How do you think the arst made it?

 Aer 5‐10 minutes of discussion, share the story of how Ganesha got his elephant head.  Ask students how they think Ganesha’s elephant head might help him with his task of removing obstacles.

Acvity Ask students to imagine their own personal animal helper to help them with an obstacle they live with today. What would it look like? Would it be one animal, or would it combine elements of two? How would it help? Ask students to draw their idea, using Ganesha as inspiraon. If students need some inspiraon, share the Animal Symbolism Ideas handout found on p.9. Get creave! Remember to refer back to these images of Ganesha when students share out their work.

Assessment  In what ways did students demonstrate familiarity with the Himalayan region?  What aspects of animal symbolism did students idenfy in discussions?  How did students use the animal symbolism in tradional Hindu sculpture in their own personal helpers?

4 owerfulAnimal Symbolism Protecon Pre‐Visit Lesson Plan

Online Resources for Further Learning www.rmanyc.org/schools School Programs at the Rubin Museum of Art Browse and learn about the different programs the museum has to offer for K–12 students and teachers www.rmanyc.org/masterworks Masterworks: Jewels of the Collecon Explore exhibion resources related to the museum’s permanent Masterworks exhibion www.rmanyc.org/gateway Gateway to Himalayan Art Explore exhibion resources related to the museum’s permanent Gateway exhibion www.exploreart.org Explore Art Journey behind works of Himalayan art on this site, learning about the stories, ideas and beliefs that inspired them. hp://interacve.rma2.org/ Educaonal Interacve Library Explore the museum’s in‐gallery interacve soware on this website. www.himalayanart.org Himalayan Art Resources Search a virtual museum of high‐resoluon images, essays, arcles, bibliographies, and acvies for children.

Reading Resources for Further Learning

 Blurton, T. Richard, Hindu Art. Cambridge: Harvard University Press, 1993

 Jansen, Eva Rudy. The Book of Hindu Imagery. The Netherlands: Binkey Kok Publicaons, Inc., 1993.

 Kapur, Kamla K. Ganesha goes to Lunch: Classics from Mysc India. San Rafael, CA: Mandala Publishing, 2009.

 Patel, Sanjay, The Lile Book of Hindu Deies. London: Penguin Books Ltd., 2006.

5 6 Ganesha

Nepal; 17th century ‐ Copper alloy ‐ 8.875" h. x 6.125" w. x 2.75" d.

7 Ganesha

India; 11th century ‐ Sandstone ‐ 49” h. x 27.5” w. x 10” d.

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Ideas

Symbolism

Animal

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