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Khachatur Abovian
KHACHATUR ABOVIAN ARMENIAN STATE PEDAGOGICAL UNIVERSITY KHACHATUR ABOVIAN ARMENIAN STATE PEDAGOGICAL UNIVERSITY KHACHATUR ABOVIAN ARMENIAN STATE PEDAGOGICAL UNIVERSITY Dedicated to the 90th anniversary of the foundation of the Pedagogical University “Mankavarzh” Publishing House Yerevan 2012 Concert of the Armenian State Chamber Orchestra at the diploma awarding ceremony at the Armenian Pedagogical University, graduation celebrations of 2011 À 283 Kh. Abovian Armenian State Pedagogical University. - Yerevan. Kh. Abovian ASPU, 2012, p. 108 Compiled by Aelita Dolukhanyan, Ara Yeremyan, Mher Karapetyan Editor of the original version (in Armenian) Artashes Martirosyan Translators and editors of the version in English Shushanik Yavuryan, Tigran Mikayelyan Artistic design and layout by Aram Urutyan The compilation comprises materials from the archives of the Museum of Kh. Abovian Armenian State Pedagogical University. ISBN 978-99941-69-31-3 © Kh. Abovian ASPU, 2012 CONTENTS President of the Republic of Armenia Serzh Sargsyan’s congratulation message on the 90th anniversary of the foundation of Khachatur Abovian Armenian State Pedagogical University . 6 Supreme Patriarch of the Armenian Apostolic Church, Catholicos H.H. Garegin II’s congratulation message on the 90th anniversary of the foundation of Khachatur Abovian Armenian State Pedagogical University . 9 Invention of the Armenian Alphabet. Foundation of Illustrious Schools and Monastic Universities in Armenia in Middle Ages . 13 Education from the end of the 19th to the beginning of the 20th century in the Eastern and Western Parts of Armenia . 25 Foundation of the Pedagogical University and the early activities developed (1922 1940) . 31 Participation of the Pedagogical University in the Great Patriotic War (1941 1945) . 47 Pedagogical University between the postwar period and the declaration of Independence (1945 1990) . -
Constructing Primordialism: Old Histories for New Nations
Constructing Primordialism: Old Histories for New Nations Ronald Grigor Suny The University of Chicago “Oi, mister! Indo-Aryans… it looks like I am Western after all! Maybe I should listen to Tina Turner, wear the itsy-bitsy leather skirts. Pah. It just goes to show,”said Alsana, revealing her English tongue, "“you go back and back and back and it’s still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe. Do you think anybody is English? Really English? It’s a fairy tale!”1 For Alsana, an immigrant from Bangladesh to the multicultural mosaic of London, there cannot be a real Bengali or Englishman in the hybrid, free-flowing, unpredictable world that she has experienced. She tries to tell her stubborn, traditionalist husband, Samad Iqbal, to live and let live, but he fears his family is losing its culture. To reverse the irreversible he makes a ferocious attempt to save his family, only to destroy it. What Alsana calls a fairy tale – the attainment or recovery of a fixed, pure, eternal identity -- is a powerful and durable reality for her husband – and like many other fairy tales it shapes the world in which we live. I met up with this kind of desperate loyalty to ethnicity and an unalterable sense of nation most dramatically in July 1997 at a conference at the American University of Armenia in Erevan. Returning to Armenia after a seven-year absence (a time in which Soviet Armenia became the independent Republic of Armenia), I entered a world I thought I knew but that had changed significantly. -
1 Cultual Analysis and Post-Tonal Music
Cambridge University Press 978-0-521-02843-1 - Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon Ellie M. Hisama Excerpt More information 1 CULTUAL ANALYSIS AND POST-TONAL MUSIC Given the vast, marvelous repertoire of feminist approaches to literary analysis introduced over the past two decades, a music theorist interested in bringing femi- nist thought to a project of analyzing music by women might do well to look first to literary theory. One potentially useful study is Sandra Gilbert and Susan Gubar’s landmark work The Madwoman in the Attic, which asserts that nineteenth-century writing by women constitutes a literary tradition separate and distinct from the writing of men and argues more specifically that writings of women, including Austen, Shelley, and Dickinson, share common themes of alienation and enclo- sure.1 Some feminist theorists have claimed that a distinctive female tradition exists also in modernist literature; Jan Montefiore, for example, asserts that in autobio- graphical writings of the 1930s, male modernists tended to portray their experi- ences as universal in contrast to female modernists who tended to represent their experiences as marginal.2 But because of the singular nature of the modernist, post-tonal musical idiom, an analytical project intended to explore whether a distinctive female tradition indeed exists in music immediately runs aground. Unlike tonal compositions, which draw their structural principles from a more or less unified compositional language, post- tonal works are constructed according to highly individualized schemes whose meaning and coherence derive from their internal structure rather than from their relation to a body of works. -
Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery KAMRAN IMANOV * Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery
KAMRAN IMANOV Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery KAMRAN IMANOV * Tall Armenian Tales: a Guide to the “Art” of Heritage Thievery The book - “Tall Armenian Tales”, presented to the reader’s attention, consists of two thematic sections. Chapter I, entitled “I came, I saw, I... stole”, is about the misappropriation and armenization of intellectual property of the Azerbaijani people, intellectual plagiarism of the Azerbaijani folklore, dastans (epics) and other epic works, the desire to seize the Azerbaijani bayati (Azerbaijani folk poems), proverbs and sayings. The book also narrates about the “armenization” of tales, anecdotes, music and other samples of folk genre. What is the common of these various manifestations of Armenian plagiary shown in the chapter “I came, I saw, ..., I stole”? The fact is that, firstly, these “tales” do not have an Armenian origin, but only an Armenian presentation. These tales are alien to the Armenian people; in addition, these are the same “anecdotes” in allegorical meaning of this term in the form of absurdities - false statements shown in Chapter II - “The Theatre of Absurd.” PREFACE .............................................................................................. 6 CHAPTER I. “I came, I saw,.. .1 stole”: about the Armenian tradition of misappropriation of the Azerbaijani cultural heritage ............................................................... 8 §1. “I c a m e , w h i c h briefly tells about the mass settlement of the Armenians in the South Caucasus .............................. 9 2 TABLE OF CONTENTS §2. I s a w , w h i c h relates about what Armenians experienced in the South Caucasus .................................................................................... 14 §3. I stole”, which relates about the origins of the Armenian plagiarism ............................................................................................................. -
Publications 1427998433.Pdf
THE CHURCH OF ARMENIA HISTORIOGRAPHY THEOLOGY ECCLESIOLOGY HISTORY ETHNOGRAPHY By Father Zaven Arzoumanian, PhD Columbia University Publication of the Western Diocese of the Armenian Church 2014 Cover painting by Hakob Gasparian 2 During the Pontificate of HIS HOLINESS KAREKIN II Supreme Patriarch and Catholicos of All Armenians By the Order of His Eminence ARCHBISHOP HOVNAN DERDERIAN Primate of the Western Diocese Of the Armenian Church of North America 3 To The Mgrublians And The Arzoumanians With Gratitude This publication sponsored by funds from family and friends on the occasion of the author’s birthday Special thanks to Yeretsgin Joyce Arzoumanian for her valuable assistance 4 To Archpriest Fr. Dr. Zaven Arzoumanian A merited Armenian clergyman Beloved Der Hayr, Your selfless pastoral service has become a beacon in the life of the Armenian Apostolic Church. Blessed are you for your sacrificial spirit and enduring love that you have so willfully offered for the betterment of the faithful community. You have shared the sacred vision of our Church fathers through your masterful and captivating writings. Your newest book titled “The Church of Armenia” offers the reader a complete historiographical, theological, ecclesiological, historical and ethnographical overview of the Armenian Apostolic Church. We pray to the Almighty God to grant you a long and a healthy life in order that you may continue to enrich the lives of the flock of Christ with renewed zeal and dedication. Prayerfully, Archbishop Hovnan Derderian Primate March 5, 2014 Burbank 5 PREFACE Specialized and diversified studies are included in this book from historiography to theology, and from ecclesiology to ethno- graphy, most of them little known to the public. -
Alan Hovhaness: Exile Symphony Armenian Rhapsodies No
ALAN HOVHANESS: EXILE SYMPHONY ARMENIAN RHAPSODIES NO. 1-3 | SONG OF THE SEA | CONCERTO FOR SOPRANO SaXOPHONE AND STRINGS [1] ARMENIAN RHAPSODY NO. 1, Op. 45 (1944) 5:35 SONG OF THE SEA (1933) ALAN HOVHANESS (1911–2000) John McDonald, piano ARMENIAN RHAPSODIES NO. 1-3 [2] I. Moderato espressivo 3:39 [3] II. Adagio espressivo 2:47 SONG OF THE SEA [4] ARMENIAN RHAPSODY NO. 2, Op. 51 (1944) 8:56 CONCERTO FOR SOPRANO SaXOPHONE CONCERTO FOR SOPRANO SaXOPHONE AND STRINGS, Op. 344 (1980) AND STRINGS Kenneth Radnofsky, soprano saxophone [5] I. Andante; Fuga 5:55 SYMPHONY NO. 1, EXILE [6] II. Adagio espressivo; Allegro 4:55 [7] III. Let the Living and the Celestial Sing 6:23 JOHN McDONALD piano [8] ARMENIAN RHAPSODY NO. 3, Op. 189 (1944) 6:40 KENNETH RADNOFSKY soprano saxophone SYMPHONY NO. 1, EXILE, Op. 17, No. 2 (1936) [9] I. Andante espressivo; Allegro 9:08 BOSTON MODERN ORCHESTRA PROJECT [10] II. Grazioso 3:31 GIL ROSE, CONDUCTOR [11] III. Finale: Andante; Presto 10:06 TOTAL 67:39 RETROSPECTIVE them. But I’ll print some music of my own as I get a little money and help out because I really don’t care; I’m very happy when a thing is performed and performed well. And I don’t know, I live very simply. I have certain very strong feelings which I think many people have Alan Hovhaness wrote music that was both unusual and communicative. In his work, the about what we’re doing and what we’re doing wrong. archaic and the avant-garde are merged, always with melody as the primary focus. -
Armenian Printers
The Armenian Weekly WWW.ARMENIANWEEKLY.COM SEPTEMBER 1, 2012 The Armenian Weekly SEPTEMBER 1, 2012 CONTENTS Contributors Armenian medieval Armenian Printing in 2 13 Historians in Print: 25America (1857–1912) 500 Years: A Celebration Three Centuries of —By Teotig, 3 of Ink and Paper and Glue Scholarship across Translated and Edited —By Chris Bohjalian Three Continents by Vartan Matiossian —By Ara Sanjian Talk to Me A World History 5 —By Kristi Rendahl Celebrating 500 Years 28of Armenian Printers of Armenian Printing —By Artsvi “Wings on Their Feet and 22 —By Lilly Torosyan Bakhchinyan 7 on their Heads: Reflections on Port Armenians and The First Historian of Five Centuries of Global 24Armenian Printing Armenian Print Culture” —By Vartan Matiossian —By Sebouh D. Aslanian Editor: Khatchig Mouradian The Armenian Weekly Copy-editor: Nayiri Arzoumanian CONTRIBUTORS Art Director: Gina Poirier Sebouh David Aslanian was born in Ethiopia and Born in Montevideo (Uruguay) and long-time resi- received his Ph.D. (with distinction) from Columbia dent of Buenos Aires (Argentina), Dr. Vartan University in 2007. He holds the Richard Hovannisian Matiossian is a historian, literary scholar, translator Endowed Chair of Modern Armenian history at the and educator living in New Jersey. He has published department of history at UCLA. His recently published six books on Armenian history and literature. He is From the Indian Ocean to the Mediterranean: The currently the executive director of the Armenian Global Trade Networks of Armenian Merchants from New Julfa National Education Committee in New York and book review editor (Berkeley: University of California Press, 2011) was the recipient of of Armenian Review. -
The Armenians from Kings and Priests to Merchants and Commissars
The Armenians From Kings and Priests to Merchants and Commissars RAZMIK PANOSSIAN HURST & COMPANY, LONDON THE ARMENIANS To my parents Stephan and Sona Panossian RAZMIK PANOSSIAN The Armenians From Kings and Priests to Merchants and Commissars HURST & COMPANY,LONDON First published in the United Kingdom by C. Hurst & Co. (Publishers) Ltd, 41 Great Russell Street, London WC1B 3PL Copyright © by Razmik Panossian, 2006 All rights reserved. Printed in India The right of Razmik Panossian to be identified as the author of this volume has been asserted by him in accordance with the Copyight, Designs and Patents Act, 1988. A catalogue record for this volume is available from the British Library. ISBNs 1-85065-644-4 casebound 1-85065-788-2 paperback ‘The life of a nation is a sea, and those who look at it from the shore cannot know its depths.’—Armenian proverb ‘The man who finds his homeland sweet is still a tender beginner; he to whom every soil is as his native one is already strong; but he is perfect to whom the entire world is as a foreign land. The tender soul has fixed his love on one spot in the world; the strong man has extended his love to all places; the perfect man has extinguished his.’—Hugo of St Victor (monk from Saxony,12th century) The proverb is from Mary Matossian, The Impact of Soviet Policies in Armenia. Hugo of St Victor is cited in Edward Said, ‘Reflections on Exile’, Granta, no. 13. CONTENTS Preface and Acknowledgements page xi 1. Introduction 1 THEORETICAL CONSIDERATIONS AND DEFINITIONS 5 A brief overview: going beyond dichotomies 6 Questionable assumptions: homogenisation and the role of the state 10 The Armenian view 12 Defining the nation 18 — The importance of subjectivity 20 — The importance of modernity 24 — The characteristics of nations 28 2. -
Actor's Actor Charles Aznavour to Be Honored in NYC By
APRIL 2, 2011 MirTHE rARoMENr IAN -Spe ctator Volume LXXXI, NO. 38, Issue 4182 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Azeris Launch Attacks STEPANAKERT (PanARMENIAN.Net) — Between Charles Aznavour to Be March 20 and 26, Azerbaijan violated the ceasefire regime at the Karabagh conflict zone. According to updated data of the Nagorno Karabagh Honored in NYC by FAR Defense Army, Azerbaijan violated the ceasefire 250 times during the week, firing 1,800 shots. The NKR Army press service stressed that in French ambassador-at large to Armenia. addition to typical weapons, the Azerbaijani forces By Florence Avakian The gala tribute will take place at New used AGA grenade launchers against the Karabagh York’s elegant Cipriani Wall Street venue, positions in Martuni on March 24 and 25. with a reception starting at 7 p.m., and din - NEW YORK — Mark Friday, May 20 on ner with a special program at 8 p.m. your calendars. The date marks an event Introducing Aznavour will be singer Liza Davutoglu: 2015 Will sponsored by the Fund for Armenian Minnelli, and master of ceremonies will be Relief (FAR) that celebrates both the actor Eric Bogosian, both of whom are on Be Dedicated to 20th anniversary of Armenia’s indepen - the “Honorary Committee of Tribute to ‘Armenian Issue’ dence, as well as one of the world’s great - Aznavour.” Other known personalities on est singers, showmen, songwriters and the committee include Sir Elton John, LONDON (Arminfo) — The year of 2015 will be ded - philanthropists, Charles Aznavour. -
Schools Eligible to Receive Opportunity Scholarship Students In
Schools Eligible to Receive Opportunity Scholarship Students in the 2015-16 School Year For additional details about any of the schools listed, please refer to the contact information provided. Additional information about the Opportunity Scholarship Tax Credit Program can be found on the Pennsylvania Department of Community and Economic Development's website at www.newpa.com/ostc. Designation (Public/ County School Name Contact Address Phone Number Email Address Tuition and Fees for the 2014-15 School Year Nonpublic) Adams County Christian Norma Coates, 1865 Biglerville Rd., Elementary school tuition - $4,680 (K-6); High school Adams Academy Nonpublic Secretary Gettysburg, PA 17325 717-334-6793 [email protected] tuition - $4,992 (7-12) Registration fee- $150 Mrs. Patricia Foltz, 316 North St., Tuition - $3,125 (Catholic); $4,200 (Non-Catholic); Adams Annunciation B.V.M. Nonpublic Principal McSherrytown, PA 17344 717-637-3135 [email protected] Registration fee - $75 140 S Oxford Ave., Maureen C. Thiec, McSherrystown, PA Adams Delone Catholic High School Nonpublic Ed.D., Principal 17344 717-637-5969 [email protected] Tuition - $5,400 (Catholic); $7,080 (Non-Catholic) Karen L. Trout, 3185 York Rd., Adams Freedom Christian Schools Nonpublic Principal Gettysburg, PA 17325 717-624-3884 [email protected] $3,240 Gettysburg Seventh-Day Marian E. Baker, 1493 Biglerville Rd., Adams Adventist Church School Nonpublic Principal Gettysburg, PA 17325 717-338-1031 [email protected] Tuition for kindergarten - $3,800; Registration fee - $325 Donna Hoffman, 101 N Peter St., New Adams Immaculate Conception Nonpublic Principal Oxford, PA 17350 717-624-2061 [email protected] Tuition - $2,900 (Catholic); $4,700 (Non-Catholic) Crystal Noel, 55 Basicila Rd., Hanover, Adams Sacred Heart Nonpublic Principal PA 17331 717-632-8715 [email protected] Tuition - $2,875 (Catholic); $3,950 (Non-Catholic) Rebecca Sieg, 465 Table Rock Rd., Adams St. -
Annual Meeting Shining the Light on Collaboration
2019 ANNUAL MEETING SHINING THE LIGHT ON COLLABORATION SPRINGFIELD COUNTRY CLUB MAY 8, 2019 Please Join s in Welcoming ANNUAL Guy Gilpin With history dating back to 1968, the MEETING PAISBOA Health Benefit Trust continues Executive Director to support PAISBOA member schools SHINING THE LIGHT of the PAISBOA by providing: ON COLLABORATION Health Benefit Trust SPRINGFIELD COUNTRY CLUB • high quality health plans at MAY 8, 2019 affordable rates • protection from volatility and high cost claims 8:00 am REGISTRATION/CHECK-IN • robust wellness programs BREAKFAST 9:00 am ANNUAL BUSINESS MEETING OF PAISBOA • superior customer service support AND PAISBOA SERVICES CORPORATION Call to Order Approval of Minutes Treasurer’s Report Approval of 2018-19 Board & Slate 9:30 am VENDOR SHOWCASE 10:30 am ROUNDTABLE DISCUSSIONS 12:00 noon AWARD PRESENTATION 12:30 pm ADJOURN Contact: Guy Gilpin 484-580-8844 guygilpinphbtrustorg 1 FisherPhillips_PAISBOA 2017_ad 4/9/2018 10:22 AM Page 1 CARROLL CONSULTANTS | CAFARO GREENLEAF Administrative & Investment Advisory Consulting Peace of mind navigating the waters of retirement plans Specialties Include: • 403(b), 401(k), Profit Sharing and Defined Benefit • Plan Document Consulting • Investment Advisory & Fiduciary Services • Investment Provider Benchmarking Carroll Consultants | • Open Architecture Investment Cafaro Greenleaf Platform is an independent • Fiduciary Education for Committee employee benefit Members Got a home cleanup project? consulting firm with • Regulatory Guidance special focus on 403(b) • Retirement -
Return of Organization Exempt from Income Tax 0MB No
** PUBLIC DISCLOSURE COPY ** EXTENDED TO MAY 15, 2018 Return of Organization Exempt From Income Tax 0MB No. 1545-0047 Form 990 Under section 501(c), 527, or 4947(a)(1) of the Internal Revenue Code (except private foundations) Deportment of the Treasury ~ Do not enter social security numbers on this form as it may be made public. tntom•I Aovonua service Information about Form 990 and its Instructions is at www./,s, ov!form990. A For the 2016 calendar year, or tax year beginning JUL l , 2016 and ending JUN 3 0 , 201 7 8 Check If C Name of organization D Employer identification number applicable: BUSINESS LEADERSHIP ORGANIZED FOR D~dressc anga CATHOLIC SCHOOLS oName chango Doin!l business as BLOCS 23-2125843 olnitiol return Number and street (or P.0. box if mail is not delivered to street address) IRoom/suite E Telephone number DFlnal return/ 555 CROTON ROAD 310 484-704-2306 termin~ atoad City or town, state or province, country, and ZIP or foreign postal code G Gross ,ecolpts $ 45,729,824. DAmendad return KING OF PRUSSIA, PA 19406 H(a) ls this a group return DM"''""·lion F Name and address ofprlncipal officer:WILLIAM O'BRIEN for subordinates? Dves No pending 00 SAME AS C ABOVE H{b) ho all subordlnalas lncl~~~~~Dves D No I Tax-exempt status: LXJ 501(c)(3) L _J 501(c) ( )111 (insert no.) l J 4947(a}(1)or l J 527 If "No," attach a list. {see instructions) J Website: ... WWW. BLOCS. ORG H[c) Group exemption number ~ K Form of organization: I X I Corporation I I Trust I I Association I l Other~ I L Year offormation: 2 0 011 M State at !eaal domicile: PA I Part II Summary C1) 1 Briefly describe the organization's mission or most significant activities: BLOCS BRIDGES THE BUSINESS 0 C COMMUNITY AND CATHOLIC SCHOOLS TO ESTABLISH FINANCIAL ASSISTANCE TO (U 2 Check this box ~ D if the organization discontinued its operations or disposed of more than 25% of its net assets.