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Rome: a Pilgrim’S Guide to the Eternal City James L
Rome: A Pilgrim’s Guide to the Eternal City James L. Papandrea, Ph.D. Checklist of Things to See at the Sites Capitoline Museums Building 1 Pieces of the Colossal Statue of Constantine Statue of Mars Bronze She-wolf with Twins Romulus and Remus Bernini’s Head of Medusa Statue of the Emperor Commodus dressed as Hercules Marcus Aurelius Equestrian Statue Statue of Hercules Foundation of the Temple of Jupiter Optimus Maximus In the Tunnel Grave Markers, Some with Christian Symbols Tabularium Balconies with View of the Forum Building 2 Hall of the Philosophers Hall of the Emperors National Museum @ Baths of Diocletian (Therme) Early Roman Empire Wall Paintings Roman Mosaic Floors Statue of Augustus as Pontifex Maximus (main floor atrium) Ancient Coins and Jewelry (in the basement) Vatican Museums Christian Sarcophagi (Early Christian Room) Painting of the Battle at the Milvian Bridge (Constantine Room) Painting of Pope Leo meeting Attila the Hun (Raphael Rooms) Raphael’s School of Athens (Raphael Rooms) The painting Fire in the Borgo, showing old St. Peter’s (Fire Room) Sistine Chapel San Clemente In the Current Church Seams in the schola cantorum Where it was Cut to Fit the Smaller Basilica The Bishop’s Chair is Made from the Tomb Marker of a Martyr Apse Mosaic with “Tree of Life” Cross In the Scavi Fourth Century Basilica with Ninth/Tenth Century Frescos Mithraeum Alleyway between Warehouse and Public Building/Roman House Santa Croce in Gerusalemme Find the Original Fourth Century Columns (look for the seams in the bases) Altar Tomb: St. Caesarius of Arles, Presider at the Council of Orange, 529 Titulus Crucis Brick, Found in 1492 In the St. -
716A774f4a2b6625fc8ec763e06
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-5/W1, 2017 GEOMATICS & RESTORATION – Conservation of Cultural Heritage in the Digital Era, 22–24 May 2017, Florence, Italy USE OF 3D TECHNOLOGIES WITHIN THE CONSERVATION OF THE ANCIENT WINDOWS OF THE BASILICA OF S. SABINA IN ROME. CONSTRUCTION OF EXHIBITION STANDS IN CARBON COMPOSITE ON A MILLED STRUCTURE. A. Iaccarino Idelsona,*, S. Pannuzib, A. Brunettoc, G. Galantid, C. Giovannoneb, V. Massab, C. Serinoa, F. Vischettib a Equilibrarte srl, 00179 Rome, Via Centuripe 34, Italy - [email protected] b Istituto Superiore per la Conservazione e il Restauro, 00153 Rome, via di San Michele 25, Italy – (simona.pannuzi, carla.giovannone, valeria.massa, flavia.vischetti)@beniculturali.it c Restauri Brunetto, 36100 Vicenza, Italy - [email protected] d Fabrica Conservazione e Restauro scpl, 00138 Roma, Via Ludovico da Casoria 11, Italy - [email protected] KEY WORDS: 3-D milling, 3-D modeling, exhibition stands, carbon fiber composite, laser cleaning, fragmented artifact, counterforms, restoration. Abstract Rare and precious window elements from the Paleochristian Basilica of Saint Sabina in Rome, made of plaster gypsum with translucent selenite used as glass for light transmission, were discovered by Antonio Muñoz during the restoration of the building at the beginning of the 20th c. Originally standing within the stone window frame, were then mounted on wood planks with screws for holding together the scattered fragments. The surfaces were covered with grime and the selenite elements were blinded by the wooden supports. During the recent conservation treatment at ISCR, traces of Egyptian blue on the internal surfaces were detected. -
Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde. -
In the Liber Pontificalis
No. 9 (Spring 2017), 235-252 ISSN 2014-7023 INSIGHTS AND REMARKS ON THE BIOGRAPHY OF PASCHAL I (817-824) IN THE LIBER PONTIFICALIS Andrea Antonio Verardi Sapienza-Università di Roma/Pontificia Università Gregoriana e-mail: [email protected] Received: 23 Feb. 2017 | Revised: 29 March 2017 | Accepted: 26 April 2017 | Available online: 21 June 2017 | doi: 10.1344/Svmma2017.9.16 Resum Attraverso una rilettura delle principali fonti franche e romane utili per la ricostruzione delle vicende relative al pontificato di papa Pasquale I (817-824), l’autore propone l’ipotesi che la biografia presente nelLiber Pontificalis romano sia stata redatta sia per rispondere ad alcune accuse mosse dagli oppositori del papa in città e all’interno del mondo franco, sia che la costruzione della figura di Pasquale (monaco ma anche sovrano misericordioso) possa corrispondere alla caratterizzazione che negli stessi anni è usata anche per la rappresentazione dell’imperatore Ludovico il Pio, indicando quale spunto per il prosieguo della ricerca la possibilità di individuare analizzare puntualmente questi rapporti con per chiarire gli influssi e le implicazioni culturali e ecclesiologiche. Paraules clau: Ludovico Il Pio, Sacro Romano Impero, Papato Altomedievale, Fonti, Biografie storiche Abstract Through a reinterpretation of the main Frankish and Roman sources for the reconstruction of the events related to the pontificate of Pope Paschal I (817-824), the author puts forward the hypothesis that either his biography in the Liber Pontificalis was written to answer the accusations made by both his opponents in the city and in the Carolingian world, or that the construction of Paschal’s figure (a monk, but also a merciful sovereign) may correspond to the characterization that in those same years was also used to portray Emperor Louis the Pious. -
J a N -T E R M 2 0 2 1
HISTORY & CULTURE OF ROME J A N -T E R M 2 0 2 1 Jan Term in Rome, Italy! Course Specifics: Course Title: “History & Culture of Rome,” 3 credits (no prerequisites—all majors welcome!) Professors: Dr. Anthony E. Clark, Department of History (Professor of History) [email protected], 777-4368 Course Description: World-class museums, historic buildings, & ancient Roman monuments will be your classroom! HISTORY! Learn the historical foundations of ancient Rome, early Christianity, and the trends that brought Rome into the modern era. MATERIAL CULTURE! Learn about Italian painting, sculpture, and operatic performance. ARCHITECTURE! Explore the history of ancient Roman architecture to the early modern era; learn about the meaning and symbolism of Christian and secular buildings, with a special focus on Renaissance Christian monuments such as St. Peter’s Basilica. 1 Dates: Full Course: Month of January 2021 (Application deadline: March 1, 2020) Highlights: Students shall live in rooms near to the Vatican Museums, St. Peters Square, the Sistine Chapel, and Rome’s most famous sites. An additional overnight trip to Assisi, the home of St. Francis, is also planned. Other plans include: Capitoline hill and the Capitoline museum, Forum, Coliseum, and the Pantheon, Massimo Museum, Baths of Diocletian, Santa Maria degli Angeli St. John Lateran and its baptistery, San Clemente, Church of Santa Prassede and the Chapel of St. Zenone Church of St. Mary Majors, Santa Sabina, Santa Maria in Cosmedine, St. Giorgio in Velabro and St. Paul’s Outside the Walls, Farnese Palace (exterior), Cancelleria, Santo Spirito Church and the hospital courtyard, Via Giula, the Rooms Private of St. -
Altars Personified: the Cult of the Saints and the Chapel System in Pope Pascal I's S. Prassede (817-819) Judson J
Claremont Colleges Scholarship @ Claremont Pomona Faculty Publications and Research Pomona Faculty Scholarship 1-1-2005 Altars personified: the cult of the saints and the chapel system in Pope Pascal I's S. Prassede (817-819) Judson J. Emerick Pomona College Deborah Mauskopf Deliyannis Recommended Citation "Altars Personified: The ultC of the Saints and the Chapel System in Pope Pascal I's S. Prassede (817-819)" in Archaelogy in Architecture: Studies in Honor of Cecil L. Striker, ed. J. Emerick and D. Deliyannis (Mainz am Rhein: Philipp von Zabern, 2005), pp. 43-63. This Article is brought to you for free and open access by the Pomona Faculty Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Faculty Publications and Research by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Archaeology in Architecture: Studies in Honor of Cecil L. Striker Edited by Judson J. Em erick and Deborah M. Deliyannis VERLAG PHILIPP VON ZABERN . MAINZ AM RHEIN VII, 216 pages with 146 black and white illustrations and 19 color illustrations Published with the assistance of a grant from the James and Nan Farquhar History of An Fund at the University of Pennsylvania Bibliographic information published by Die Deutsche Bibliotbek Die Deutsche Bibliorhek lists this publication in the Deutsche NationalbibJ iographie; detailed bibliographic data is available on the Internet at dJttp://dnb.ddb.de> . © 2005 by Verlag Philipp von Zabern, Maim am Rhein ISBN- I0: 3-8053-3492-3 ISBN- 13: 978-3-8053-3492-1 Design: Ragnar Schon, Verlag Philipp von Zabern, Maim All rights reserved. -
The Translation of St Sylvester's Relics From
The Translation of St Sylvester’s Relics from Rome to Nonantola: Itineraries of corpora sacra at the Crossroads between Devotion and Identity in Eighth-Tenth-Century Italy Edoardo Manarini* Pope Sylvester I (314-335) became an important figure in the political history of early medieval Italy. His legendary relationship with Constantine I (306-337), the first Christian emperor, played a significant role in establishing his ideological prominence. Declared a saint of the early Roman Church, Sylvester’s relics did not gain much attention until the middle of the eighth century, when they became a source of competition. On the one hand, Roman popes venerated his body in the monastery of St Stephen and St Sylvester, founded by Pope Paul I around 760 inside the Eternal City; on the other hand, the Lombard king Aistulf and his brother-in-law, Abbot Anselm, claimed to have brought Sylvester’s relics north, in order to have them buried in Anselm’s newly founded monastery of Nonantola in the Po Valley. Scholars would appear to have overlooked this major issue when investigating the relation- ship between Lombard elite society and Roman popes in the eighth century. This article will therefore consider the dates, forms, and narratives of the translatio of St Sylvester in order to evaluate Nonantola’s political and ideological involvement in this »holy« movement. The main argument is that through the »journey« of Sylvester’s relics within the Lombard kingdom, King Aistulf was able to increase his prestige and political influence. For its part, Nonantola rewrote the history of its origins by centring it on the relics of the Constantinian pontiff and those of Pope Hadrian I, in order to claim political and spiritual primacy through- out the medieval period. -
Romanit〠a Roma
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Custom Citation Kinney, Dale. "Romanità a Roma: Le Basiliche del XII Secolo Fra Tradizioni e Innovazioni." In La Cattedrale Cosmatesca di Civita Castellana: Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010). ed. Luca Creti. Roma: L'Erma di Bretschneider, 2012. 53-76. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/64 For more information, please contact [email protected]. LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA ATTI DEL CONVEGNO INTERNAZIONALE DI STUDI (Civita Castellana, 18-19 settembre 2010) a cura di Luca Creti «L’ERMA» di BRETSCHNEIDER LA CATTEDRALE COSMATESCA DI CIVITA CASTELLANA Atti del Convegno Internazionale di Studi (Civita Castellana, 18-19 settembre 2010) a cura di LUCA CRETI Copyright 2012 © «L’ERMA» di BRETSCHNEIDER Via Cassiodoro, 11 – 00193 Roma http://www.lerma.it Progetto grafico: «L’ERMA» di BRETSCHNEIDER Tutti i diritti riservati. È vietata la riproduzione di testi e illustrazioni senza il permesso scritto dell’Editore ISBN 978-88-8265-761-1 Con l’Alto Patrocinio del Presidente della Repubblica della Presidenza del Consiglio dei Ministri della Segreteria di Stato della Santa Sede e della Conferenza Episcopale Italiana REGIONE LAZIO PROVINCIA DI VITERBO MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI SOPRINTENDENZA PER I BENI ARCHITETTONICI SOPRINTENDENZA PER I BENI ARTISTICI ED ETNOANTROPOLOGICI UNIVERSITà “LA SAPIENZA” ROMA UNIVERSITÀ DELLA TUSCIA VITERBO UNIVERSITÀ DI SIENA UNIVERSITà “G. -
22 — November 28, 2020 Thanksgiving Blessings to All!
Interfaith Airport Chapels of Chicago Chicago Midway and O’Hare International Airports P.O. Box 66353 ●Chicago, Illinois 60666-0353 ●(773) 686-AMEN (2636) ●www.airportchapels.org Week of November 22 — November 28, 2020 Thanksgiving Blessings to All! WELCOME TO THE INTERFAITH AIRPORT CHAPELS OF CHICAGO! The O’Hare Airport Chapel and Midway Airport Chapel are HAPPY THANKSGIVING! We pray that God will bless and pro- each a peaceful oasis in a busy venue. A place to bow your tect airport employees, visitors, and all travelers during this head in prayer while lifting up your heart and spirit! Prayer busy week, and that you will all enjoy a healthy, safe and happy books and rugs, rosaries, and worship materials are available, holiday with family and friends. Regularly scheduled Catholic as are chaplains for spiritual counsel. You are welcome to at- Mass will be conducted at 11:30 a.m. on Thanksgiving Day, tend Mass or Worship services and to come to the chapels Thursday, Nov. 26 at O’Hare Chapel. (open 24/7) to pray or meditate. We have implemented a modified schedule of Catholic Mass and Protestant Worship Our Lord Jesus Christ, King of the Universe—November 22, 2020 Services. Everyone, of course, must wear a mask or face covering and keep six feet of social distance. The Chapel chairs will be clearly marked for “I was hungry and you gave me food, I was thirsty and you gave me drink.” social distance. — Matthew 25:35 O'Hare: Catholic Mass: Saturdays - 4:00 & 6:00 p.m. THE SHEPHERD KING Sundays - 9:00 & 11:00 a.m. -
Medieval Rome and Its Monuments
Dr. Max Grossman Art History 5390 UTEP/John Cabot University Summer II, 2014 Tiber Campus, room 1.3 CRN# 34255 [email protected] MW 9:00am-1:00pm Medieval Rome and its Monuments Dr. Grossman earned his B.A. in Art History and English at the University of California- Berkeley, and his M.A., M.Phil. and Ph.D. in Art History at Columbia University. After seven years of residence in Tuscany, he completed his dissertation on the civic architecture, urbanism and iconography of the Sienese Republic in the Middle Ages and Early Renaissance. He served on the faculty of the School of Art and Design at San Jose State University in 2006-2009, taught art history for Stanford University in 2007-2009, and joined the Department of Art at the University of Texas at El Paso as Assistant Professor of Art History in 2009. During summers he is Coordinator of the UTEP Department of Art in Rome program and Adjunct Assistant Professor of Art History at John Cabot University. He has presented papers and chaired sessions at conferences throughout the United States, including at the annual meeting of the Renaissance Society of America, and in Europe, at the annual meetings of the European Architectural History Network. In April 2012 in Detroit he chaired a session at the 65th Annual Meeting of the Society of Architectural Historians: “Medieval Structures in Early Modern Palaces;” and in the following June he chaired a session at the 2nd International Meeting of the European Architectural History Network in Brussels: “Architecture and Territoriality in Medieval Europe,” which was published in the conference proceedings. -
The Spolia Churches of Rome
fabricius maria hansen ISBNisbn 978-87-7124-210-2 978-87-7124-210-2 A tour around the Rome of old maria fabricius hansen The church-builders of the Middle 1 The Lateran Baptistery Piazza di San Giovanni in Laterano Ages treated the architecture of 2 Sant’Agnese fuori le Mura Via Nomentana 349 ancient Rome like a quarry full of pre- 3 San Clemente Piazza di San Clemente fabricated building materials. This 4 Santa Costanza Via Nomentana 349 THE 9 788771 242102 resulted in some very eclectically 5 San Giorgio in Velabro Via del Velabro 3 and ingeniously constructed churches. THE SPOLIA 6 San Lorenzo fuori le Mura Piazzale del Verano 3 Søndergaard In The Spolia Churches of Rome we SPOLIA 7 Santa Maria in Cosmedin Piazza Bocca della Verità Trine learn of the principles for the distri- 8 Santa Maria in Trastevere Piazza di Santa Maria in Trastevere Photo: bution of these antique architectural elements and the significance of CHURCHES 9 San Nicola in Carcere Via del Teatro di Marcello 35 About the author breaking down and building on the past. 10 Santa Sabina Piazza Pietro d’Illiria Maria Fabricius Hansen is Also presented here is a selection of 11 Santo Stefano Rotondo Via di Santo Stefano Rotondo 6 eleven particularly beautiful churches an art historian and associate CHURCHES featuring a wide variety of spolia. OF ROME professor at the University of 1 Sant’ Adriano Foro Romano This book contains maps and other Copenhagen. She has written 2 San Bartolomeo all’Isola Piazza di San Bartolomeo all’Isola practical information which make it books and articles on the 3 San Benedetto in Piscinula Piazza in Piscinula the ideal companion when seeking out legacy and presence of antiquity 4 Santa Bibiana Via Giolitti 150 the past in modern-day Rome. -
127-San Pietro in Vaticano.Pages
Saint Peter’s Basilica Vatican City The Papal Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as the Basilica Papale di San Pietro in Vaticano and commonly known as Saint Peter's Basilica, is located within the Vatican City. Saint Peter's Basilica has the largest interior of any Christian church in the world, holding 60,000 people. It is the symbolic "Mother church" of the Catholic Church and is regarded as one of the holiest Christian sites. It has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom". In Catholic tradition, it is the burial site of its namesake Saint Peter, who was one of the twelve apostles of Jesus and, according to tradition, first Bishop of Rome and therefore first in the line of the papal succession. Tradition and some historical evidence hold that Saint Peter's tomb is directly below the altar of the basilica. For this reason, many Popes have been interred at St Peter's since the Early Christian period. There has been a church on this site since the 4th century. Construction of the present basilica, over the old Constantinian basilica, began on April 18, 1506 and was completed on November 18, 1626. Saint Peter's is famous as a place of pilgrimage, for its liturgical functions and for its historical associations. It is associated with the papacy, with the Counter-reformation and with numerous artists, most significantly Michelangelo. As a work of architecture, it is regarded as the greatest building of its age.