DOCSLIB.ORG

Acquisitions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Acquisitions Acquisitions as of June 30, 2009 African Art and Indian Art of the Americas 2014.985 Santo Domingo; Santo Black and White Jar 1910/20 Ceramic and pigment Mrs. Leonard Florsheim Fund Domingo Pueblo, New Mexico, United States 2014.986 Colima; Colima, Mexico Vessel in the Form of a Squash with a.d. 1/200 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Parrot Supports Olin 2014.987 Colima; Colima, Mexico Vessel in the Form of a Seated 100 b.c./a.d. 250 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Hunchback Olin 2014.988 Colima; Colima, Mexico Seated Warrior with a Turtle 100 b.c./a.d. 250 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Headdress, Holding a Staff Olin 2014.989 Jalisco, Ameca style; Jalisco, Seated Maternity Figure 100 b.c./a.d. 300 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Mexico Olin 2014.990 Classic period Veracruz; Standing Warrior Figure with a.d. 700/1000 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Veracruz, Mexico Removable Mask and Headdress Olin 2014.991 Remojadas; Veracruz, Standing, Smiling Figure with a.d. 600/900 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Mexico Raised Arms Olin 2014.992 Colima; Colima, Mexico Seated Male Figure with One Arm a.d. 100/900 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Raised Olin 2014.993 Colima; Colima, Mexico Figure of a Seated Dog a.d. 1/300 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Olin 2014.994 Nayarit, Chinesco style; Polychrome Standing Figure with a.d. 1/300 Ceramic and pigment Bequest of Lester K. and Rosalyn W. Nayarit, Mexico Exaggerated Head and Hips Olin 2014.1182 Asante; Ghana Stool with Cocoa-Pod Harvester 20th century Wood and pigment Gift of Jane Stroud Wright 2015.4 Yavapai; Arizona, Basketry Jar Depicting Humans, Dogs, c. 1930 Willow and devil’s claw Curatorial Discretion and United States Horses, and Saguaro Cacti plant fibers Mrs. Leonard Florsheim funds American Art 2005.425 William Zorach (American, Summer (recto) 1913 (recto), Oil on canvas Gift of Jamee J. and Marshall Field born Russia [now Lithu- 1914 (verso) ania], 1889–1966) 2014.995 John Hull (American, born Wine Cup c. 1660 Silver Restricted gift of the Antiquarian England, 1627–1683), Society; Mary Swissler Oldberg Robert Sanderson Memorial Fund; restricted gifts of (American, born England, c. Samuel Mencoff and of Jamee J. 1608–1693); Boston, Mas- and Marshall Field; Mary Swissler sachusetts Oldberg Fund; restricted gifts of Marilynn Thoma, Mrs. Herbert A. Vance, Erica C. Meyer, National Society of The Colonial Dames of America in the State of Illinois, and Jan and Tom Pavlovic 2014.996 Albert Feinauer Coffee Set 1929/30 Silver plate and cane Mary Swissler Oldberg Fund (American, born Germany, 1886–1955), Barbour Silver Company, Division of the International Silver Com- pany; Meriden, Connecticut 2014.997 Designed by Peter L. Berg Pair of Covered Dishes 1912/16 Silver Restricted gift of Louise Ingersoll (American, born Norway, Tausché 1885–1959), Kalo Shop (American, 1900–1970); Park Ridge, Illinois 2014.998 Attributed to Jessie Preston Candelabrum c. 1905 Silver plate Gift of W. Scott Braznell (American, 1873–1962) 2014.999 Edgar Bartolucci Barwa Lounge Chair 1946 Aluminum and upholstery Gift of Marisa Bartolucci (American, 1918–2014), Jack Waldheim (American, 1920–2002) 2014.1 Robert Henri (American, La Madrilenita 1910 Oil on canvas Bequest of Barbara S. Danielson 1865–1929) 2014.1183 John and Joseph W. Meeks Table 1836/46 Mahogany, mahogany Gift of Jamee J. and Marshall Field (American, active 1836–59) veneer, and marble 2014.1184 Attributed to John Gaines Side Chair 1735/43 Maple Gift of Jamee J. and Marshall Field III (American, 1704–1743); Portsmouth, New Hampshire 2015.163 Philadelphia Toboggan Outside Row Jumping Horse (Carousel c. 1899 Basswood Gift of Larry and Gail Freels Company (American, Figure) 1903–1925); Germantown, Pennsylvania 2015.164 Daniel Muller (American, Lion (Carousel Figure) c. 1909 Basswood Gift of Larry and Gail Freels 1872–1951), Muller & Bro. Carousel Co. (American); Germantown, Pennsylvania 2015.165 Daniel Muller (American, Outside Row Standing Horse (Carousel c. 1924 Basswood Gift of Larry and Gail Freels 1872–1951) Figure) 2015.166 Designed and carved by Middle Row Jumping Horse (Carousel c. 1924 Basswood Gift of Larry and Gail Freels Daniel Muller (American, Figure) 1872–1951), made by Dentzel Carousel Co. (American, 1867–1928); Germantown, Pennsylvania 2015.167 Designed and carved by Chariot Side (Carousel Figure) c. 1924 Basswood Gift of Larry and Gail Freels Daniel Muller (American, 1872–1951), made by Dent- zel Carousel Co. (American, 1867–1928); Germantown, Pennsylvania 2015.168.1-2 Designed by Reuben Haley Pair of “Ruba Rombic” Sundae Dishes 1928/32 Glass Gift of Jane Siegel in honor of (American, 1872–1933), Elizabeth and Rebecca Siegel made by Consolidated Lamp and Glass Company (American, 1893–1932); Coraopolis, Pennsylvania Architecture and Design 2014.971 Written by Ellen Gallagher Ellen Gallagher: Murmur. Orbus 2005 Book with magnet Gift of Hauser & Wirth in collaboration with Edgar Cleijne, designed by Irma Boom (Dutch, born 1960), edited by Hauser & Wirth London/Fruitmarket Gal- lery Edinburgh, published by Scalo Publishers 2014.972 Written by Ellen Gallagher Ellen Gallagher: Murmur. Orbus 2005 Book with magnet Gift of Hauser & Wirth in collaboration with Edgar Cleijne, designed by Irma Boom (Dutch, born 1960), edited by Hauser & Wirth London/Fruitmarket Gal- lery Edinburgh, published by Scalo Publishers 2014.1001 Gaetano Pesce (Italian, born Up 5 Easy Chair 1969 Bayfit flexible cold-shaped Gift of Michael Pucker and 1939), manufactured by (fabricated 2000) polyurethane foam, jersey Gigi Pritzker Pucker B&B Italia fabric, and jute 2014.1002 Gaetano Pesce (Italian, born Up 6 Ottoman 1969 Bayfit flexible cold-shaped Gift of Michael Pucker and 1939), manufactured by (fabricated 2000) polyurethane foam, jersey Gigi Pritzker Pucker B&B Italia fabric, and jute 2014.1003 Studio Gang Architects Aqua Tower Model 2010 Paper Gift of Jeanne Gang (American, founded 1997), Jeanne Gang (American, born 1964) 2014.1004 Studio Gang Architects Aqua Tower Model 2010 Foam and cardboard Gift of Jeanne Gang (American, founded 1997), Jeanne Gang (American, born 1964) 2014.1005 Studio Gang Architects Aqua Tower Model 2010 Cardboard Gift of Jeanne Gang (American, founded 1997), Jeanne Gang (American, born 1964) 2014.1006 Studio Gang Architects Solar Carve Tower Site Model and Base 2012 Variable Gift of Jeanne Gang (American, founded 1997), Jeanne Gang (American, born 1964) 2014.1007 Studio Gang Architects Solar Carve Tower Models 2012 TBD Gift of Jeanne Gang (American, founded 1997), Jeanne Gang (American, born 1964) 2014.1008 Studio Gang Architects Northerly Island Model 2012 Plastic, cardboard, wood, Gift of Jeanne Gang (American, founded 1997), and aluminum Jeanne Gang (American, born 1964) 2014.1009 Studio Gang Architects Northerly Island Model 2012 Paper Gift of Jeanne Gang (American, founded 1997), Jeanne Gang (American, born 1964) 2014.1185 Ico (Italian, 1916–1996), Bookshelf c. 1950 Lacquered mahogany, Gift of Mr. and Mrs. Martin Bovill Luisa Parisi (Italian, walnut, and brass 1914–1990) 2014.1186 Edited by José Roca and Waterweavers: A Chronicle of Rivers 2014 Book Gift of Bard Graduate Center Alejandro Martin, designed Gallery in honor of Irma Boom by Irma Boom (Dutch, born 1960), published by Bard Graduate Center: Decora- tive Arts, Design History, Material Culture 2014.1187 Edited by José Roca and Waterweavers: A Chronicle of Rivers 2014 Book Gift of Bard Graduate Center Alejandro Martin, designed Gallery in honor of Irma Boom by Irma Boom (Dutch, born 1960), published by Bard Graduate Center: Decora- tive Arts, Design History, Material Culture 2014.1188 Souto Moura Arquitectos Municipal Stadium, Braga, Portugal 2003 Ink on paper Gift of Eduardo Souto de Moura SA, Eduardo Souto de in honor of Thomas and Margot Moura (Portuguese, born Pritzker 1952) 2014.1189 Scholten and Baijings Blocks 2014 Wool and nylon Gift of Maharam (Dutch, founded 2000), Stefan Scholten (Dutch, born 1972), Carole Baijings (Dutch, born 1973), manufactured by Maharam (American, founded 1902) 2014.1190 Scholten and Baijings Grid 2014 Wool and nylon Gift of Maharam (Dutch, founded 2000), Stefan Scholten (Dutch, born 1972), Carole Baijings (Dutch, born 1973), manufactured by Maharam (American, founded 1902) 2014.1191 Ryan Gann (American, Lakehub Renderings 2014 Digital files Gift of Ryan Gann born 1991) 2014.1192 Wolfgang Weingart Nr. 5 Typographie als Malerei Poster 1974 Offset lithograph on Gift of Philip C. Burton (German, born 1941), newsprint Philip Burton (American) 2015.6 Hella Jongerius (Dutch, Sphere Table 2013 Oak, acrylic, and powder- Funds provided by the born 1963), manufactured coated steel Architecture & Design Society by Vitra (Swiss, founded 1950) 2015.78 Fake Industries Architec- Rooms: No Vacancy Model 2014 Plexiglass and neon light Funds provided by the tural Agonism (Spanish, Architecture & Design Society based in New York City, Barcelona, and Sydney, founded 2005), Cristina Goberna (Spanish, born 1973), Urtzi Grau (Spanish, born 1976), with MAIO (Spanish, founded 2005) 2015.79 Bureau Spectacular Cave Painting VIII/White Noise from 2015 Ink and paint on plywood Funds provided by the (American, founded 2008), Another Past Architecture & Design Society Jimenez Lai (Taiwanese and Canadian, born Taiwan, 1979) 2015.80 Tom Dixon (English, born Pylon Chair designed 1992, Enameled
Load more

Recommended publications
  • Framing Ideas
    Columbia College Chicago FRAMING IDEAS The Photographers of the New Bauhaus: An Expanded Vision Ken Josephson, Chicago, 1961 Curriculum Guide Aimed at middle school, high school, and college students, this resource is aligned with Illinois Learning Standards for English Language Arts Incorporating the Common Core and contains information on the artists and artistic traditions featured, questions for looking and discussion, and classroom activities. A corresponding image set can be found here. The MoCP is a nonprofit, tax- exempt organization accredited by the American Alliance of Museums. The Museum is generously supported by Columbia College Chicago, the MoCP Advisory Committee, individuals, private and corporate foundations, and government agencies including the Illinois Arts Council, a state agency. The museum’s education work is additionally supported by After School Matters, the Llyod A. Fry Foundation, and the National Endowment for the Arts. Special funding for the development of this guide was provided by the Terra Foundation for American Art. Introduction: The New Bauhaus Nathan Lerner, Light Volume, Chicago, 1937 The New Bauhaus, later called the Institute of Design (ID) at what is now the Illinois Institute of Technology was one of the most important schools of design and photography in America during the twentieth century. Founded in Chicago in 1937 by Lászlo Moholy-Nagy, the New Bauhaus aimed to train “the perfect designer” through a modernist and multi-disciplinary curriculum that encouraged experimentation and broke down the hierarchy between fine and applied arts and industry. In the mid 20th century, when fewer art schools existed and photography was seldom taught as anything other than a trade, the photography department at the ID was at the forefront of innovative methods of art education.
    [Show full text]
  • Discovering the Contemporary
    of formalist distance upon which modernists had relied for understanding the world. Critics increasingly pointed to a correspondence between the formal properties of 1960s art and the nature of the radically changing world that sur- rounded them. In fact formalism, the commitment to prior- itizing formal qualities of a work of art over its content, was being transformed in these years into a means of discovering content. Leo Steinberg described Rauschenberg’s work as “flat- bed painting,” one of the lasting critical metaphors invented 1 in response to the art of the immediate post-World War II Discovering the Contemporary period.5 The collisions across the surface of Rosenquist’s painting and the collection of materials on Rauschenberg’s surfaces were being viewed as models for a new form of realism, one that captured the relationships between people and things in the world outside the studio. The lesson that formal analysis could lead back into, rather than away from, content, often with very specific social significance, would be central to the creation and reception of late-twentieth- century art. 1.2 Roy Lichtenstein, Golf Ball, 1962. Oil on canvas, 32 32" (81.3 1.1 James Rosenquist, F-111, 1964–65. Oil on canvas with aluminum, 10 86' (3.04 26.21 m). The Museum of Modern Art, New York. 81.3 cm). Courtesy The Estate of Roy Lichtenstein. New Movements and New Metaphors Purchase Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). Acc. n.: 473.1996.a-w. Artists all over the world shared U.S.
    [Show full text]
  • Antagonism and Relational Aesthetics Author(S): Claire Bishop Source: October, Vol
    Antagonism and Relational Aesthetics Author(s): Claire Bishop Source: October, Vol. 110 (Autumn, 2004), pp. 51-79 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/3397557 Accessed: 19/10/2010 19:54 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October. http://www.jstor.org Antagonism and Relational Aesthetics CLAIRE BISHOP The Palais de Tokyo On the occasion of its opening in 2002, the Palais de Tokyo immediately struck the visitor as different from other contemporary art venues that had recently opened in Europe.
    [Show full text]
  • Press Release
    Contact: Mark Linga 617.452.3586 [email protected] N E W S R E L E A S E The Media Test Wall Presents Video Trajectories (Redux): Selections from the MIT List Visual Arts Center New Media Collection featuring works by Bruce Nauman, Dara Birnbaum, Bill Viola, Nam June Paik and Gary Hill Viewing Hours: Daily 24 Hours Cambridge, MA – September 2008. The MIT List Visual Arts Center’s Media Test Wall presents Video Trajectories (Redux): Selections from the MIT List Visual Arts Center New Media Collection. This five-part exhibition series features selections from the List Center’s exhibition Video Trajectories (October 12-December 30, 2007) which was originally organized by MIT Professor Caroline A. Jones. The five selections in Video Trajectories (Redux), considered masterworks from video art history were acquired to become part of the MIT List Center’s New Media Collection. This exhibition re-introduces these works to a broader public: September 12-October 10 Bruce Nauman Slow Angle Walk (Beckett Walk), 1968 Video, black-and-white, sound, 60 minutes © 2008 Bruce Nauman/Artists Rights Society (ARS), New York, NY For Bruce Nauman, the video camera is an indispensable studio tool and witness. Barely edited, a characteristic Nauman tape from the late '60s shows the artist laconically following some absurd set of directions for an extended amount of time within the vague purview of a video camera mounted at a seemingly random angle in relation to the action. Slow Angle Walk is a classic of the genre, reflecting the artist's interest in Irish playwright Samuel Beckett, whose characters announce, "Let's go!" while the stage directions read, "No one moves." October 13-November 14 Dara Birnbaum Technology/Transformation: Wonder Woman, 1978-79 Video, color, sound, 5 minutes 50 seconds Courtesy of Electronic Arts Intermix Trained in architecture and painting, Birnbaum early on understood the estranging power of repetition.
    [Show full text]
  • Object/Poems: Alison Knowles's Feminist Archite(X)
    JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] Nicole L. Woods Some visits later I arrived at his door with eleven color swatches…[Duchamp] chose one and set it aside on the buffet. After lunch, his wife Teeny picked up Object/Poems: the swatch and said, “Oh Marcel, when did you do this?” He smiled, took a pen- Alison Knowles’s cil and signed the swatch. The following year Marcel died. Arturo Schwarz wrote Feminist me suggesting I had the last readymade. Teeny and Richard Hamilton assured me Archite(x)ture that I did not, but that I had a piece of interesting memorabilia.4 You see you have to get right into it, as This brief experience with one of the most you do with any good book, and you must prolific and influential artists of the twen- become involved and experience it your- tieth century was but one of many chance self. Then you will know something and encounters that would characterize Knowles’s feel something. Let us say that it provides artistic practice for more than four decades. a milieu for your experience but what you The experience of seeing the readymade pro- bring to it is the biggest ingredient, far cess up close served to reaffirm her sense of more important than what is there. the exquisite possibilities of unintentional —Alison Knowles 1 choices, artistic and otherwise. Indeed, Knowles’s chance-derived practice throughout the 1960s and 1970s consistently sought to The world of objects is a kind of book, in frame a collection of sensorial data in vari- which each thing speaks metaphorically ous manifestations: from language-based of all others…and is read with the whole notational scores and performances to objet body, in and through the movements and trouvé experiments within her lived spaces, displacements which define the space of computer-generated poems, and large-scale objects as much as they are defined by it.
    [Show full text]
  • Alvar Aalto. Ken Adam. Ai Weiwei. Doug Aitken. Lawrence Alma-Tadema. Robert Altman
    ALVAR AALTO. KEN ADAM. AI WEIWEI. DOUG AITKEN. LAWRENCE ALMA-TADEMA. ROBERT ALTMAN. MARTIN AMIS. MICHELANGELO ANTONIONI.DIANE ARBUS . AUNTIE MAME. ADAM BARTOS.SAUL BASS. FRANCIS BACON. BILLY BALDWIN. MATTHEW BARNEY. BAUHAUS. AUBREY BEARDSLEY. CECIL BEATON. NORMAN BEL GEDDES.WILLIAM BLAKE.RICARDO BOFILL. HIERONYMOUS BOSCH.ETIENNE LOUIS BOULLEE. GUY BOURDIN. DAVID BOWIE. ROBERT.F. BOYLE. JOHN BOX . ISAMBARD KINGDOM BRUNEL.HENRY BUMSTEAD.ANTHONY BURGESS. EDWARD BURTYNSKY . JOHN LE CARRE.FRANCOIS CATROUX.NICK CAVE.DAVID CHIPPERFIELD. LYNNE COHEN. JOHN CONSTABLE.BENJAMIN CONSTANT.GREGORY CREWDSON. JACQUES LOUIS-DAVID.EUGENE DELACROIX .THOMAS DEMAND .GUSTAVE DORE .EDMUND DULAC.TONY DUQUETTE. WILLIAM EGGLESTON.OLAFUR ELIASSON. DANTE FERRETTI. IAN FLEMING . FLUX.LUCIEN FREUD.FUTURE SYSTEMS. THEODORE GERICAULT .ALEXANDER GIRARD .NAN GOLDIN.ERNO GOLDFINGER . ANDY GOLDSWORTHY . PETER GREENAWAY. NICHOLAS GRIMSHAW.WALTER GROPIUS .ANDREAS GURSKY. FRANS HALS.ROBERT PARKER HARRISON.HAROLD AND MAUDE.THOMAS HEATHERWICK.DAVID HICKS.TODD HIDO.ALFRED HITCHCOCK . CANDIDA HOFER. WILLIAM HOGARTH. HUNDERTWASSER . AXEL HUTTE. IRATA ISOZAKI. TOYO ITO. ALEJANDRO JADOROWSKY. JEAN –PIERRE JEUNET and MARC CARO. A.QUINCY JONES. LOUIS KHAN.REM KOOLHAAS . STANLEY KUBRICK.KENGO KUMA. HENRI LABROUSTE. MORRIS LAPIDUS .DENYS LASDUN. CLAUDE NICOLAS LEDOUX. MING CHO LEE.SERGIO LEONE. IVAN LEONIDOV .RICHARD LESTER .JEAN –JACQUES LEQUEU .EDWIN LONGSDON LONG.BERTHOLD LUBETKIN..EDWIN LUTYENS.DAVID LYNCH. KAZIMIR MALEVICH .ROB MALLET-STEVENS. THE MAN WHO FELL TO EARTH.ANTHONY MASTERS.SYD MEAD.WILLIAM CAMERON MENZIES.RICHARD MISRACH. DON McCULLIN . MORPHOSIS. VLADEMIR NABAKOV.ODD NERDRUM.PIER LUIGI NERVI.OSCAR NIEMEYER.ANDRE LE NOTRE. MIKE NICHOLS. IRWIN OLAF. ONE FROM THE HEART.GABRIEL OROZCO.BILL OWENS. MARTIN PARR.JOHN PAWSON.CHRISTOPHER PAYNE .PIRANESI.ROBERT POLIDORI.GIO PONTI .
    [Show full text]
  • Marian Macken
    The Book as Site: Alternative Modes of Representing and Documenting Architecture Marian Macken Doctor of Philosophy [By Thesis and Creative Work] 2012 Sydney College of the Arts University of Sydney Statement Th is volume is presented as a record of the work undertaken for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney. Table of Contents Acknowledgements iv List of Illustrations v Abstract xvii Introduction Binding Architecture 1 Chapter 1 Artists’ Books: History / Character / Architectural Site 18 Chapter 2 Artists’ Books: Time, Place and Memory 47 Chapter 3 Th e Line Within Architecture: Drawing in the Book 65 Chapter 4 Inside the Book: Th e Interiority of Architectural Representation 89 Chapter 5 Th e Representation of Reproduction: Documenting Translation 115 Conclusion Cover, Page, Cover: Reading Architecture 143 Bibliography 151 Catalogue of Work Presented for Exhibition 167 List of Images 174 Acknowledgements I would like to acknowledge and give thanks to: My supervisors, Emeritus Professor Richard Dunn and Professor Sandra Kaji-O’Grady, for their unwavering faith in the substance of this work, which seemed to me at times to be reckless and foolish behaviour on their part; For assistance in research in Sydney and Tokyo: Dr Andrew Barrie, Professor Tom Heneghan, and staff at Sydney College of the Arts and other University of Sydney libraries; For assistance in the production, exhibition and photography of studio work: Anthony Jones, FBE Design Lab, University of NSW; Dr Sydney Shep, Wai-te-ata
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]
  • The Collecting, Dealing and Patronage Practices of Gaspare Roomer
    ART AND BUSINESS IN SEVENTEENTH-CENTURY NAPLES: THE COLLECTING, DEALING AND PATRONAGE PRACTICES OF GASPARE ROOMER by Chantelle Lepine-Cercone A thesis submitted to the Department of Art History In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada (November, 2014) Copyright ©Chantelle Lepine-Cercone, 2014 Abstract This thesis examines the cultural influence of the seventeenth-century Flemish merchant Gaspare Roomer, who lived in Naples from 1616 until 1674. Specifically, it explores his art dealing, collecting and patronage activities, which exerted a notable influence on Neapolitan society. Using bank documents, letters, artist biographies and guidebooks, Roomer’s practices as an art dealer are studied and his importance as a major figure in the artistic exchange between Northern and Sourthern Europe is elucidated. His collection is primarily reconstructed using inventories, wills and artist biographies. Through this examination, Roomer emerges as one of Naples’ most prominent collectors of landscapes, still lifes and battle scenes, in addition to being a sophisticated collector of history paintings. The merchant’s relationship to the Spanish viceregal government of Naples is also discussed, as are his contributions to charity. Giving paintings to notable individuals and large donations to religious institutions were another way in which Roomer exacted influence. This study of Roomer’s cultural importance is comprehensive, exploring both Northern and Southern European sources. Through extensive use of primary source material, the full extent of Roomer’s art dealing, collecting and patronage practices are thoroughly examined. ii Acknowledgements I am deeply thankful to my thesis supervisor, Dr. Sebastian Schütze.
    [Show full text]
  • T He H Untington L Ibrary, a Rt C Ollections, and B Otanical G Ardens
    Non-Profit Org. U.S. Postage May/June 2016 PAID Industry, CA 1151 Oxford Road | San Marino, California 91108 Permit No. 4278 huntington.org May/June 2016 n Two new exhibitions celebrate the centennial of the National Park Service n “An Evening Among the Roses” returns June 3 n Members’ Summer Evenings begin June 26 n A new wing of the American art galleries is set to open this fall The Huntington ArtLibrary, Collections, and Botanical Gardens CALENDAR CALENDAR General Information TELEPHONE: 626-405-2100 WEBSITE: huntington.org ADMISSION: Members: Free. Non-Members adult rates: Weekdays $23. Weekends $25. Geographies of Wonder (See website for dis counted senior, group, and children’s rates.) Admission is free to all Two new Huntington exhibitions mark the centennial of the National Park Service visitors on the first Thursday of each month with advance tickets. n a wide-ranging examination of the role of the HOURS: Mon., Wed., Thurs., and Fri.: noon– national parks in American life, The Huntington 4:30 p.m. Sat. and Sun.: 10:30 a.m.–4:30 p.m. is commemorating the centennial of the U.S. Monday holidays: 10:30 a.m.–4:30 p.m. INational Park Service with a pair of exhibitions SUMMER HOURS: (June–August) ive Dad a day to remember on Father’s Day weekend by enjoy - that run consecutively from May through next 10:30 a.m.–4:30 p.m. daily, excluding Tues - days. Closed Tuesdays and major holidays. ing an afternoon at The Huntington. To help you celebrate, February in the West Hall of the Library.
    [Show full text]
  • Cultura, Vol. 21 | 2005 Poder De Convencimento E Narração Imagética Na Pintura Portuguesa Da Contra-R
    Cultura Revista de História e Teoria das Ideias vol. 21 | 2005 Livro e Iconografia Poder de convencimento e narração imagética na pintura portuguesa da contra-reforma A influência de um gravado segundo Seghers numa tela do Convento dos Paulistas de Portel The power of persuasion and images narrative in counter-reformation Portuguese painting: the influente of an engraving following Seghers in a canvas of the Paulistas Monastery at Portel Vítor Serrão Edição electrónica URL: http://journals.openedition.org/cultura/2951 DOI: 10.4000/cultura.2951 ISSN: 2183-2021 Editora Centro de História da Cultura Edição impressa Data de publição: 1 Janeiro 2005 Paginação: 65-76 ISSN: 0870-4546 Refêrencia eletrónica Vítor Serrão, « Poder de convencimento e narração imagética na pintura portuguesa da contra- reforma », Cultura [Online], vol. 21 | 2005, posto online no dia 26 maio 2016, consultado a 21 abril 2019. URL : http://journals.openedition.org/cultura/2951 ; DOI : 10.4000/cultura.2951 Este documento foi criado de forma automática no dia 21 Abril 2019. © CHAM — Centro de Humanidades / Centre for the Humanities Poder de convencimento e narração imagética na pintura portuguesa da contra-r... 1 Poder de convencimento e narração imagética na pintura portuguesa da contra-reforma A influência de um gravado segundo Seghers numa tela do Convento dos Paulistas de Portel The power of persuasion and images narrative in counter-reformation Portuguese painting: the influente of an engraving following Seghers in a canvas of the Paulistas Monastery at Portel Vítor Serrão 1. A História da Arte reconhece hoje o papel muito destacado que foi assumido pela imagem gravada nos sucessivos processos de evolução artística.
    [Show full text]
  • Julius S. Held Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt.
    [Show full text]