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Cannes Dimanche 21 Avril 2019 Hôtel Martinez DIMANCHE 21 AVRIL 2019 HÔTEL MARTINEZ - CANNES CANNES AUCTION MAISON DE VENTES AUX ENCHERES MASQUE DE DANSE « MWANA PO» «MWANA DEDANSE MASQUE CATALOGUES : VISIBLES SUR WWW.CANNESAUCTION.COM - SUR DEMANDE : 04 93 992260 -SURDEMANDE:04 93 : VISIBLESSURWWW.CANNESAUCTION.COM CATALOGUES MONTRE IWC SQUELETTE IWC MONTRE BERNARD BUFFET MAISON DE VENTES AUX ENCHERES AUX DE VENTES MAISON CANNES AUCTION CANNES VENTES AUX ENCHÈRES VENTES AUX CANNES HÔTEL MARTINEZ CANNES HÔTEL MONTRES MODERNES&DECOLLECTION PIÈCES D’OR SIGNÉSETD’ARTISTES BIJOUX DIAMANTS IMPORTANTS À13H30: 22AVRIL LUNDI MODERNES &ARTCONTEMPORAIN TABLEAUX NOIRE ART TRIBALD’AFRIQUE À14H30 : DIMANCHE 21AVRIL RARES &ALCOOLS VINS PRESTIGIEUX À10H30ET13H30 : 20AVRIL SAMEDI RARES &ALCOOLS VINS PRESTIGIEUX À13H30 : VENDREDI 19AVRIL 12 CHÂTEAU HAUT-BRION 1989 HAUT-BRION CHÂTEAU 12 CARTIER PARIS CARTIER ROMANÉE CONTI 2004 CONTI ROMANÉE L’ALCOOL EST DANGEREUX POUR LA SANTÉ, À CONSOMMER AVEC MODÉRATION. SVV BESCH CANNES AUCTION 2002-034 CANNES AUCTION MAISON DE VENTES AUX ENCHERES DIMANCHE DE PÂQUES 21 AVRIL 2019 À 14H30 DANS LES SALONS DE L'HÔTEL MARTINEZ 73, Boulevard de la Croisette - 06400 Cannes Tableaux Modernes Art Contemporain Art Tribal d'Afrique Noire Maître Jean-Pierre Besch, commissaire-priseur judiciaire et habilité svv Besch Cannes Auction n° 2002-034 45, Boulevard de la Croisette, 06400 Cannes Tél : 33 (0) 4 93 99 22 60 - 33 (0) 4 93 99 33 49 Fax : 33 (0) 4 93 99 30 03 [email protected] - www.cannesauction.com EXPOSITIONS PUBLIQUES Cannes - Hôtel MARTINEZ 73, Boulevard de la Croisette - 06400 Cannes Vendredi 19 Avril de 16h à 19h Samedi 20 Avril de 10h à 19h Dimanche 21 Avril de 10h à 12h30 VENTE AUX ENCHÈRES EN SIMULTANÉ EN SALLE ET SUR INTERNET drouotlive.com interencheres-live.com TÉLÉPHONES DURANT LES EXPOSITIONS ET LES VENTES 33 (0) 4 93 99 22 60 - 33 (0) 4 93 99 33 49 • 1 INDEX ALPHABÉTIQUE A GODCHAUX 130 P ADRION 155 GOERG 143 bis PAILLET 66 ALDINE 223 GOETZ 233 PALIZZI 75 119 ALEXANDRE GRAU-SALA 110 PASQUA 213 AMBROGIANI 61-88 GROMAIRE 43 PASTOUR 264 ARAKI 215 162-163 GUILLAUMIN PESKE 124 ARMAN 95-96-98-99 GUILLEMINET 92 PETIT-JEAN 251 B H BANDO 144 PICART-LEDOUX 133 HAMBOURG 85-87 BEN 101 PLANSON 255 HILAIRE 174 BERTRAM 158 POLIAKOFF 218 HODGKINS 256 BIEGAS 235 PONTOY 91 HUART 115 BISMOUTH 229 I PRAX 183-184 BOISROND 175-248 40 PRIKING 83-260 BORSI 68 IVANOVSKY PRINS 58 BOUDIN 76-154 J PRUNA 122 BOURAINE 60 JANSEM 185 à 191 BOUVARD 226-227 JONGKIND 151 Q BRAINWASH 118 K QUIN 62 BRAYER 93-94 KOUPETZIAN 38 QUIZET 257 BRIANCHON 177 L QUOST 123 BUFFET 45 à 56-166-168-171 LABOUREUR 149 R 71 BUTTURA LACROIX 37 RENAUDIN 81 C LANSKOY 140-231 RICHIER 194 CALDER 179-181 141 LATAPIE RINALDI 74 CALLOT 72 LATOUR 249 169-176 RODO 237 CAMOIN LEBASQUE 150-193 CARDENAS 241 S LEBOURG 73 CARDINAUX 63 SCHAPOSCHNIKOV 230 LECOMTE 57 CAVAILLES 147 SCHLOSSER 214 LEDOU 262 CHABAUD 84 SENKIN 39-41 LEGROS 42 CHALE 238 SEYSSAUD 82 LHOTE 114 CHAPELAIN-MIDY 90 79 SIEFF 243 CLERGUE 100 LOBEL-RICHE SIEFFERT 59 COCTEAU 236 LOMBARD 253 SPARK 212 CONTINI 70 LUCE 86-121-152-153-178 COSSON 254-259-265 LUDO 210 SURVAGE 196 à 198 CRESPEL 246 LURÇAT 134-135-204 T D M TAKIS 239 DE BERROETA 232 MAIRE 220-221-224-225 TOBIASSE 182 DELAHOGUE 250 MAMET-PATIN 266 TOFFOLI 143 DERAIN 67-69-159-160 MANAGO 222 TOZZI 245 DOMERGUE 102 à 108 MANSSOUROFF 217 TROUILLEBERT 77 DYF 80 MESSAC 117 U E METZINGER 125 165 36 UTRILLO ERNST MIDAVAINE 132 d'ESPAGNAT 111-112 V MINTCHINE 142 F VALADON 167 MISS TIC 211 FERAUD 97 VALTAT 126-131-161 MONTEZIN 113-128-129 FRIESZ 146-170 VAN DONGEN 199 à 201 157-164 FROMENT 216 VAN HOEYDONCK 120 G MORTENSEN 219 145 VASARELY 208 GALIEN-LAOUE 148 MOSSA VENARD 172-203 GENIN 261-263 N VENET 44 GEN-PAUL 137 à 139-202 - 205 à 207 NARDUS 228 180 GERSENFELD 234 NOUVEAU 242 VIALLAT GHARBAOUI 209 O VUILLARD 192 GILLOT 252 ORLOFF 240 Z GISCLARD 116-244-247 OUDOT 89 ZINGG 127-156 2 • Serge REYNES 06 23 68 16 95 1 2 3 1 - MASQUE DE DANSE 2 - MASQUE DE DANSE 3 - MASQUE DE DANSE à coiffe trilobée, le regard accentué présentant un visage à l’expression présentant un visage, le front et par les yeux mi-clos. juvénile surmonté d’une coiffe les tempes ornés de scarifications Bois léger avec restes de kaolin localisés avec imposant chignon central en damier et les yeux mi-clos, et de pigments ocre rouge. à deux nattes latérales. lui conférant un regard perçant. Anciennes marques d’usage. Bois léger. Ancienne patine brune. Bois léger, pigments ocre rouge et Punu, Gabon. Première moitié Restes de Kaolin. kaolin. Ancienne patine d’usage brune. du XXème siècle. Marques d’usage internes. Punu, Gabon. Première moitié H. 23 cm. Punu, Gabon. Première moitié du XXème siècle. ème Provenance : du XX siècle. 24,5 x 15,5 cm. Galerie Vérité, 1981 (une expertise par H. 35 cm. Provenance : Galerie Vérité, Paris Claude Vérité réalisée le 12 janvier 1981 Provenance : acquis à la Galerie Vérité, (un certificat de M. Pierre Vérité en sera remise à l’acquéreur). Paris (un certificat de M. Claude Vérité date du 29 décembre 1977 sera remis en date du 8 février 1989 sera remis à l’acquéreur). e à l’acquéreur). 1500 / 2500 1200 / 1800 e 1000 / 1500 e 4 - SUPERBE MASQUE DE DANSE « MWANA PO ». Il présente un visage féminin à l’expression intense accentuée par les yeux en grains de café mi-clos. Sa bouche est dessinée avec soin et équilibre et le haut des joues est orné de scarifications évoquant symboliquement des larmes sculptées en relief. Le front est dégagé et présente un symbole caractéristique à cette ethnie. Cette œuvre a conservé sa coiffe constituée d’anciennes fibres végétales tressées et nouées, maintenant une multitude de coquilles de noix de cola. Bois. Ancienne patine d’usage légèrement rougeâtre et brune. Belles traces de portage internes. Tchokwé, République démocratique du Congo, Angola. Fin XIXème / Début XXème. H. 23 cm. Provenance : Ancienne collection d’un peintre allemand, galerie Beno, Zurich, 1973. Vente Hôtel Martinez Cannes du 28 décembre 2001, reproduit en couverture du catalogue. Exposition : « Ils collectionnent… les arts de l’Afrique, d’Océanie et d’Amérique dans 4 les collections privées marseillaises. », Musée de la Veille Charité, Marseille, 6 juin au 30 septembre 1995. Reproduit dans le catalogue d’exposition, fig. n° 38. 12 000 / 18 000 e • 3 6 5 5 - MATERNITÉ 6 - ENSEMBLE : tenant son enfant sur les cuisses, Un éléphant votif. le visage dirigé vers le ciel H. 4 cm. symboliquement. Bois dur. Marques d’usage. Un pendentif en forme De style Yombé, République de croissant de lune. démocratique du Congo. H. 7 cm. H. 28 cm. Quinze pendentifs, poids à peser la poudre d’or et objets divers. ème ème Provenance : acquis auprès de Ashanti, Ghana et Afrique de l’Ouest. XIX / Début XX . Claude Vérité, Paris le 18 août 1981. 300 / 500 e 300 / 500 e 7 8 10 7 - PENDENTIF TALISMANIQUE représentant une queue d’éléphant stylisé sur la partie basse, symbole 8 - CAVALIER 10 - CAVALIER de force et de sagesse. Laiton. Ancienne fonte à la cire perdue. tenant une lance dans une de ses mains. Bronze. Ancienne fonte à la cire perdue. Afrique de l’Ouest. XXème siècle. Bronze. Réalisé par l’ancienne technique Ashanti, Ghana. XIXème siècle. H. 8 cm. de la fonte à la cire perdue. H. 8,8 cm. Senufo, République de Côte-d’Ivoire. Provenance : ème Provenance : acquis auprès de Claude acquis à la Galerie Vérité, Paris. XX siècle. Vérité, Paris (un certificat de celui-ci en H. 12,5 cm. date du 24 novembre 1990 sera remis 80 / 120 e Provenance : à l’acquéreur). acquis à la Galerie Vérité, Paris. 100 / 200 e. 120 / 180 e 9 - BAGUE DE DIGNITAIRE 11 - POIDS présentant un cavalier sur sa monture, utilisé pour peser la poudre d’or. tenant les rennes avec fierté. Il présente un homme barbu sur Laiton. Ancienne fonte à la cire perdue. un piédestal rectangulaire. Dogon, Mali. Fin XIXème / Début XXème. Bronze ou laiton. H. 8 cm. Ancienne fonte à la cire perdue. ème ème Provenance : une expertise de M. Ashanti, Ghana. Fin XIX / Début XX . Pierre Vérité, Paris en date du 9 mars H. 7 cm. 1976 sera remis à l’acquéreur. Provenance : acquis auprès de Claude Vérité, Paris (un certificat 120 / 180 e 11 de Pierre Vérité en date du 30 août 1989 sera remis à l’acquéreur). 9 100 / 150 e. 4 • 12 13 13 - ENSEMBLE DE DEUX POIDS utilisés pour peser la poudre d’or. Ils présentent pour l’un, une panthère, la queue recourbée prête à bondir sur sa proie et pour l’autre, une panthère dévorant un animal. Bronze ou laiton. Ancienne fonte à la cire perdue. Ashanti, Ghana. Fin XIXème / Début XXème siècle. Provenance : acquis auprès de Claude Vérité, Paris 12 - ENSEMBLE DE DEUX STATUETTES (un certificat de celui-ci en date du 9 novembre 1982 l’une présentant une femme assise sur un trône, tenant sera remis à l’acquéreur). une bassine et son enfant. L’autre présente un homme debout en costume de cérémonie. 100 / 150 e. Bronze ou laiton. Ancienne fonte à la cire perdue. Ashanti, Ghana. Début du XXème siècle. H. 8 et 10, 5 cm. Provenance : Une expertise de M. Claude Vérité, Paris sera remise à l’acquéreur. 200 / 300 e 14 15 14 - ENSEMBLE DE DEUX POIDS 15 - POIDS À PESER LA POUDRE D’OR utilisés pour peser la poudre d’or présentant présentant deux crocodiles s’entrecroisant des antilopes aux belles formes naturalistes.
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