DOCSLIB.ORG

Memory and Diegesis in Fantasy Literature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

In Better Worlds Than These: Memory and Diegesis in Fantasy Literature by Daniel Creed A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Daniel Creed ii In Better Worlds Than These: Memory and Diegesis in Fantasy Literature by Daniel Creed This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Thomas Martin, Depa11ment of English, and has been approved by all members of the supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. SUPERVISORY COMMITTEE: Thomas Martin, Ph.D. Dissertation Advisor ----=~-- rd, Ph. Chair, Comparative Studi s Department ~4' Dean, Dorothy F. Schmidt College of Arts and Letters :;tZ4.,./__$~ A pri \ s, 'loiOf Khaled Sob han, Ph.D. Dat Interim Dean, Graduate College lll Acknowledgements The author would like to thank the staff at the Wimberly library at FAU for all of their assistance in locating resources both in the campus holdings and through ILL, the Comparative Studies program for their enduring support, the special collections archive at the University of Arizona for their wonderful web resources and scanning department, Dr. Aidan-Paul Canavan for hours of talks as I worked through these ideas, the membership of the International Association for the Fantastic in the Arts who provided excellent feedback on these ideas when presented as conference presentations, and his dissertation committee who have offered advice and expertise when needed. Most of all, the author would like to thank his wife, Skye, for hours of patience, love, and unending support. Without you, none of this would have been possible, and none of it would have mattered. iv Abstract Author: Daniel Creed Title: In Better Worlds Than These: Memory and Diegesis in Fantasy Literature Institution: Florida Atlantic University Dissertation Advisor: Dr. Thomas Martin Degree: Doctor of Philosophy Year: 2019 This study addresses the state of scholarship regarding fantasy literature and questions the position of scholars who have dismissed it as panegyric. This study notes that no accepted definition of fantasy exists, sets forth its own, and questions the value of fantasy literature. Moving from definition, this study notes that fantasy literature limits artistic freedom by supplementing the reality principle of minimal distance in mimetic fiction with penemaximal distance. Penemaximal distance affords fantasy a great remove from the actual world but adds the generic megatext as a frame of reference that defines reality. This allows fantasy literature to create semantic and episodic memory of diegetic worlds no longer limited by actual world foreknowledge and perception. Engaging narrative and cognitive theory, this study argues that authors utilize semantic memory to work within established truths of the genre, and readers hold authors to those rules unless authorial justification merits revision of generic epistemology. By v maintaining a link to semantic memory (truth), fantasy texts create belief in the diegesis through an acceptance of affective and cognitive significance. An examination of Charles Finney's The Circus of Dr. Lao notes the control of the reader's semantic memory in the catalogue presented following the text that forces a reconsideration of the assumptions made by the reader. This leads to a discussion of the reader's necessity regarding diegetic creation. Brandon Sanderson's The Emperor's Soul is engaged as a metacomment on writing fantasy and links the protagonist, Shai, to the author through plot and position regarding world-building and the creation of episodic memory that alters the reader in the actual world. Lastly, Steven Erikson's Malazan Book of the Fallen is positioned as fantasy that satirizes generic expectations and confronts reader assumptions in the diegesis, leading to episodic memory of a meritocratic world and actual world demystification. Gary Wolfe posits the idea of deeper belief, where experiences within the text become virtual analogues for actual world experiences, and this study argues this moment as the creation of episodic memory. This is one value of fantasy literature; the memory of experiencing worlds not limited by empirical perception. vi Dedication This manuscript is dedicated to my Uncle Jimmy, whose books were there when I needed them most. It is also dedicated to my grandmother, Ida Mae, who dreamed that her grandchildren could attend college. To my mom, who dreamed of having a doctor for a son, and who helped me get back into school when I needed her most. To Tessie, Jerry, Mika, Yogin, Toad, Finney, and Morte – for accepting that I missed walks and cuddles to finish this study, and for sometimes forgiving me for it. Lastly, to my wife, Skye – for talking me off the proverbial ledge, for listening to me talk about this for the last ten years, for believing in me always, for loving me for who I am, and for knowing just what I needed long before I knew it. In Better Worlds Than These: Memory and Diegesis in Fantasy Literature Chapter One: Definition and Memory in Fantasy Literature .............................................. 1 History, Genre Formation, Definition ............................................................................. 4 Definition ...................................................................................................................... 12 Memory as Catalog of Experience ................................................................................ 16 The Problem of Realism ................................................................................................ 28 Chapter Two: Review of Scholarship ............................................................................... 35 Chapter Three: Memory and Polemic ............................................................................... 73 Neuropsychological Studies of Memory ....................................................................... 73 Theories of Interconnected Memory ............................................................................. 77 Memory as Future Thinking .......................................................................................... 80 Philosophy and Memory in the Context of Literary Studies ......................................... 84 Literature and Memory.................................................................................................. 86 On Narrative Theory ..................................................................................................... 88 Narrative Theory and the Worlds of Fantasy ................................................................ 95 The Social Imagination ............................................................................................... 103 viii Moving Among Worlds .............................................................................................. 105 Chapter Four: Charles Finney’s The Circus of Dr. Lao, Authorial Memory, and Memory-Guided Perception and Reception.................................................................... 110 Flaubert, Rabelais, Finney, and the Chimera .............................................................. 116 The Sphinx, Finney, and the Solo Dance .................................................................... 126 Apollonius, an imperfect reflection ............................................................................. 133 Doctor Browne’s Sirens and Urns ............................................................................... 141 Reader Dynamic of Secondary Creation through Imagination ................................... 144 Cabinets of Curiosities ................................................................................................ 149 Chapter Five: Sanderson’s The Emperor’s Soul as Metacommentary ........................... 156 Coleridge on Fancy and Imagination .......................................................................... 157 Magic System as Metacomment ................................................................................. 164 The Megatext and Metacommentary on Fantasy ........................................................ 175 Authorial Creation and the Fancy/Imagination Paradigm........................................... 184 Forging a Soul as Creating Deeper Belief ................................................................... 187 Chapter Six: Steven Erikson’s Malazan and Episodic Memory ..................................... 192 Erikson, Jones, and Epic Fantasy Tropes .................................................................... 197 Erikson’s Critiques of the Actual World ..................................................................... 214 Barbarism, Civilization, and "Witness!" ..................................................................... 225 Chapter Seven – Conclusion ........................................................................................... 232 ix References ....................................................................................................................... 254 x Chapter One: Definition and Memory in Fantasy Literature In his 1983 The Impulse of Fantasy Literature, C.N. Manlove asserted that "Fantasy is fundamentally
Recommended publications
  • Acclaiming the Future

    Acclaiming the Future

    Name: Anouk van der Zee Student number: 3467449 Format: Bachelor thesis Supervisor: dr. Barnita Bagchi Acclaiming the Future A Critical Analysis of the Contemporary Value of High Fantasy Literature Foreword to this thesis I took the opportunity to write about a genre I feel passionate about for this thesis. As I started to look for secondary literature to support my analyses, what I found was almost completely based on related topics, not much on high fantasy itself. Especially on the subject of the fan- tastic, which is close but ultimately not relevant to my choice of genre. I’ve used one line from Todorov’s The Fantastic—almost the go-to work for literary critics interested in this area—in all, and it was a quote from another text to support the claim that the fantastic differs from the marvellous, on which high fantasy is built. As I started to worry about the sustainability of my own thesis, I realised that this is my topic. Consider everything that has been allowed to wear the tag of literature in the last few decades. Some of these definitely fall into the popular or cult category, yet are given serious considera- tion. Not high fantasy, as if the genre were already dead and buried with no other frontrunner than Tolkien. But when a genre—any genre—is still alive, turning out novels and having pu- blishers especially devoted to it (such as Tor Books), literary criticism cannot assume that no other literary work will be turned out. Therefore, its quiet refusal to pay serious attention to the genre is incomprehensible, even unreasonable, and has created a very dismissive atmos- phere—from the critics down to the mainstream reader public.
  • The Chimera of the Philosopher King

    The Chimera of the Philosopher King

    Roberto R. Aramayo The Chimera of the Philosopher King Around the Kantian Distinction between Moral Politician and Political Moralist: The Dilemmas of Power, or the Frustrated Love Affair between Ethics and Politics Dialectica Kantiana Hermeneutica Kantiana CTK E-Books Digital Library of Kantian Studies (DLKS) Biblioteca Digital de Estudios Kantianos (BDEK) Series Translatio Kantiana (TK) Quaestiones Kantianae (QK) Hermeneutica Kantiana (HK) Dialectica Kantiana (DK) Esta biblioteca digital se integra en la revista Con-Textos Kantianos International Journal of Philosophy (CKT-IJP) ISSN: 2386-7655 Diseño del logo de la colección CTK E-Books: Armando Menéndez e-mail: [email protected] Página web: www.con-textoskantianos.net © Roberto Rodríguez Aramayo, 2019 © De la traducción, Damián Bravo Zamora, 2019 © CTK E-Books, Ediciones Alamanda, Madrid, 2019 Diseño y maquetación: Nuria Roca ISBN: 978-84-949436-3-8 La edición electrónica de este libro es de acceso abierto y se distribuye bajo los términos de una licencia de uso y distribución Creative Common Attribution (CC BY-NC-ND International 4.0) que permite la descarga de la obra y compartirla con otras personas, siempre que el autor y la fuente sean debidamente citados, pero no se autoriza su uso comercial ni se puede cambiar de ninguna manera. Ediciones Alamanda General Zabala, 5 E-28002 Madrid CTK E-Books▐ Serie Hermeneutica Kantiana Roberto R. Aramayo The Chimera of the Philosopher King Around the Kantian Distinction between Moral Politician and Political Moralist: The Dilemmas of Power, or the Frustrated Love Affair between Ethics and Politics Traducción de Damián Bravo Zamora Índice PREAMBLE .................................................................................. 11 I. THE GYGES SYNDROME ........................................................
  • Eucatastrophe and Co-Inherence in the Urban Utopian Vision of Charles Williams Bradley Wells

    Eucatastrophe and Co-Inherence in the Urban Utopian Vision of Charles Williams Bradley Wells

    Eucatastrophe and Co-inherence in the Urban Utopian Vision of Charles Williams Bradley Wells Charles Williams is perhaps best known for his association with the Oxford writing group formed in the early twentieth century known as ‘The Inklings’. While the members of this group had much in common, including a shared Christian faith, their creative visions differed in both form and content. In particular, Williams differed from his better known colleagues, C.S. Lewis and J.R.R. Tolkien, in the presentation of a unique utopic vision of the ur- ban world. Both Lewis’s Narnia and Tolkien’s Middle Earth are essentially fantasy worlds to which the reader escapes, be it immediately and inherently in Tolkien, or transitionally and allegorically in Lewis. Williams’s novels and plays differ in that they are more immediate and accessible, being set in a particular location and time in our familiar world. Rather than transporting the reader to a distant imaginary world, Williams expands our understand- ing of the everyday empirical one in order to accommodate his social and spiritual vision. That is not to say that Lewis and Tolkien have nothing to say about the world they inhabit, but rather that their attitude towards it is more ambivalent. Flora Leinard demonstrates this in her recent study that contrasts Tolkien’s anti-industrial and anti-urban 'green' vision, and the 1 more optimistic and embracing urban view of Williams. In this context, natural utopic idylls represented in the Shire, Rivendell, Ents and Silmarils COLLOQUY text theory critique 21 (2011). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue021/wells.pdf 102 Bradley Wells ░ of Middle Earth are not to be found in Williams, except in the form of a mere adolescent pre-urban phase.
  • Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake

    Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake

    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2005 Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Modern Literature Commons Recommended Citation Westlake, David Michael, "Fantasy and Imagination: Discovering the Threshold of Meaning" (2005). Electronic Theses and Dissertations. 477. http://digitalcommons.library.umaine.edu/etd/477 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING BY David Michael Westlake B.A. University of Maine, 1997 A MASTER PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) The Graduate School The University of Maine May, 2005 Advisory Committee: Kristina Passman, Associate Professor of Classical Language and Literature, Advisor Jay Bregrnan, Professor of History Nancy Ogle, Professor of Music FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING By David Michael Westlake Thesis Advisor: Dr. Kristina Passman An Abstract of the Master Project Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) May, 2005 This thesis addresses the ultimate question of western humanity; how does one find meaning in the present era? It offers the reader one powerful way for this to happen, and that is through the stories found in the pages of Fantasy literature. It begins with Frederick Nietzsche's declaration that, "God is dead." This describes the situation of men and women in his time and today.
  • The Argonautica, Book 1;

    The Argonautica, Book 1;

    '^THE ARGONAUTICA OF GAIUS VALERIUS FLACCUS (SETINUS BALBUS BOOK I TRANSLATED INTO ENGLISH PROSE WITH INTRODUCTION AND NOTES BY H. G. BLOMFIELD, M.A., I.C.S. LATE SCHOLAR OF EXETER COLLEGE, OXFORD OXFORD B. H. BLACKWELL, BROAD STREET 1916 NEW YORK LONGMANS GREEN & CO. FOURTH AVENUE AND 30TH STREET TO MY WIFE h2 ; ; ; — CANDIDO LECTORI Reader, I'll spin you, if you please, A tough yarn of the good ship Argo, And how she carried o'er the seas Her somewhat miscellaneous cargo; And how one Jason did with ease (Spite of the Colchian King's embargo) Contrive to bone the fleecy prize That by the dragon fierce was guarded, Closing its soporific eyes By spells with honey interlarded How, spite of favouring winds and skies, His homeward voyage was retarded And how the Princess, by whose aid Her father's purpose had been thwarted, With the Greek stranger in the glade Of Ares secretly consorted, And how his converse with the maid Is generally thus reported : ' Medea, the premature decease Of my respected parent causes A vacancy in Northern Greece, And no one's claim 's as good as yours is To fill the blank : come, take the lease. Conditioned by the following clauses : You'll have to do a midnight bunk With me aboard the S.S. Argo But there 's no earthly need to funk, Or think the crew cannot so far go : They're not invariably drunk, And you can act as supercargo. — CANDIDO LECTORI • Nor should you very greatly care If sometimes you're a little sea-sick; There's no escape from mal-de-mer, Why, storms have actually made me sick : Take a Pope-Roach, and don't despair ; The best thing simply is to be sick.' H.
  • JRR Tolkien's Sub-Creations of Evil

    JRR Tolkien's Sub-Creations of Evil

    Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R.
  • The Symbolism of the Dragon

    The Symbolism of the Dragon

    1 THE SYMBOLISM OF THE DRAGON Chinese flying dragon (courtesy of dreamstime.com Ensiferrum 7071168) THE PRIMORDIAL SEVEN, THE FIRST SEVEN BREATHS OF THE DRAGON OF WISDOM, PRODUCE IN THEIR TURN FROM THEIR HOLY CIRCUMGYRATING BREATHS THE FIERY WHIRLWIND. The Stanzas of Dzyan Out of the whirlwind spoke the voice that ignites, that sounds like no voice ever heard. It is, instead, a flame that swirls down out of yawning darkness and scorches the flanks of the trembling world. Amongst the clouds gathered in storm, its fiery curves are sometimes glimpsed and the scraping of its taloned feet echo up the blackened caverns leading to the bowels of the earth. These are aspects of its voice . extensions of its flaming breath. They shine like glittering scales spiralling through the atmosphere. They project forth in the wake of that thunderous tone which issues from the depths of the very source of sound, from the primordial throat which opens out to another world. Thus it is that dragons float at the edge of the universe and near the apertures leading to unknown but frightening realms. Their fiery breath resounds and their reptilian form expands and contracts into myriad shapes described in thousands of stories the world over. But their exact nature remains a mystery and, despite their legendary reputation, for many persons they have never existed. It has been held that the dragon, "while sacred and to be worshipped, has within himself something still more of the divine nature of which it is better to remain in ignorance". Something double-edged is suggested here, and the question of the existence of the dragon deepens to become one of how to approach the Divine without being incinerated by its lower emanations.
  • Narrowing the Gap Between Imaginary and Real Artifacts: a Process for Making and Filming Diegetic Prototypes

    Narrowing the Gap Between Imaginary and Real Artifacts: a Process for Making and Filming Diegetic Prototypes

    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Narrowing the Gap Between Imaginary and Real Artifacts: A Process for Making and Filming Diegetic Prototypes Al Hussein Wanas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Art and Design Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3142 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Al Hussein Wanas 2013 All Rights Reserved 2 Approval certificate for Al Hussein Wanas for the thesis project entitled Narrowing The Gap Between Imaginary And Real Artifacts: A Process For Making And Filming Diegetic Prototypes. Submitted to the faculty of the Master of Fine Arts in Design Studies of Virginia Commonwealth University in Qatar in partial fulfillment for the degree, Master of Fine Arts in Design Studies. Al Hussein Wanas, BFA In Graphic Design, Virginia Commonwealth University in Qatar, Doha Qatar, May 2011. Virginia Commonwealth University in Qatar, Doha Qatar, May 2013 Diane Derr ______________________ Primary Advisor, Assistant Professor Master of Fine Arts in Design Studies Patty Paine ______________________ Secondary Advisor, Reader, Assistant Professor Liberal Arts and Science Levi Hammett ______________________ Secondary
  • The Living FAQ

    The Living FAQ

    Edition 3.5 The Living FAQ Version 2007.02.16.1 This FAQ is compiled from Answer's gained from Rackham either through this Forum or the French Forum, or through official Rackham publications. It will be revised and published as new information is gained. Rules questions not found through general discussion in the Third Edition Rules area should be posted in the Rackham English Language Rules Questions forum. This area should only be used where a clear answer cannot be gained from the rule book, and when not attained from normal discussion. It is only for questions concerning the rules and cards published by Rackham. Please search old questions asked before posting to avoid duplicating a question already asked. The latest revision of the pdf of this FAQ can be found by following this link. This pdf file should be updated within 12 hours of forum updates. Legend: Red entries are new rulings added to the FAQ within the current month. Brown entries are rulings that have been revised within the current month. Blue entries are rulings that were added or revised in the previous month. Purple entries are rulings that originated within the official Rackham Confrontation 3 FAQ and the errata that were published in Dogs of War. The Living FAQ – Confrontation 3.5 1/33 Table of Contents General Rules ............................. 3 General Theme ..........................18 Contact ......................................... 3 Specific cases per army.............18 Measures ...................................... 3 Alchemists of Dirz....................... 18 Strategic Phase ............................ 3 The Griffins of Akkylannie........... 19 Activation ..................................... 4 The Limbo of Acheron ................. 20 Movement..................................... 4 Dwarves of Mid-Nor ...................
  • The Class That Made It Big Brandon Sanderson Leading Edge Success Stories 35, M 8 December 2011 Former Editor Chen’S Noodle Shop, Orem, UT Future Professor

    The Class That Made It Big Brandon Sanderson Leading Edge Success Stories 35, M 8 December 2011 Former Editor Chen’S Noodle Shop, Orem, UT Future Professor

    The Class that Made It Big Brandon Sanderson Leading Edge Success Stories 35, M 8 December 2011 Former Editor Chen’s Noodle Shop, Orem, UT Future Professor Dan Wells Peter Ahlstrom Karen Ahlstrom 34, M 35, M 34, F Former Editor Former Editor First LE Webmaster Stranger Stranger Stranger Personal Data: Brandon Sanderson is the bestselling author of the Mistborn series, and is finishing Robert Jordan’s Wheel of Time epic. He also teaches Engl 318R (How to Write Science Fiction and Fantasy) at BYU every winter semester. Dan Wells is the bestselling author of the I Am Not a Serial Killer trilogy. Peter Ahlstrom is Brandon’s personal assistant, and Karen is Peter’s wife. All four of them worked on Leading Edge at the same time. Special thanks to Emily Sanderson, Brandon’s wife, who watched the Ahlstrom daughters so that both Karen and Peter could attend this interview. Social Data: The trick to getting people to do things for you in the real world is to take them out to lunch. We met together at Chen’s Noodle House, a Chinese restaurant in Orem, UT (the place was Dan Wells’ idea). There is an authentic Chinese theme in the restaurant, right down to statues, chopsticks, and Chinese ambiance music. There were other customers in the restaurant at the time (though not too many), as well as wait staff &c. Cultural Data: “TLE” is this generation’s acronym for The Leading Edge, as it was called at that time. Quark Xpress is an older design layout program that has since been replaced in the university curriculum by Adobe InDesign.
  • Teen Tech Week Book List

    Teen Tech Week Book List

    Leviathan by Scott Westerfeld YA FIC Westerfeld In an alternate 1914 Europe, fifteen-year- old Austrian Prince Alek, on the run from the Clanker Powers who are attempting to take over the globe using mechanical ma- chinery, forms an uneasy alliance with Deryn who, disguised as a boy to join the British Air Service, is learning to fly genet- ically-engineered beasts. (1st in Leviathan Series) Teen Tech Find us, like us, follow us! Week Book List Malverne Public STEAMPUNK Behemoth by Scott Westerfeld Library Youth Service YA FIC Westerfeld Continues the story of Austrian Prince Alek who, in an alternate 1914 Europe, eludes the Germans by traveling in the Leviathan to Constantinople, where he faces a @MalvernePL whole new kind of genetically-engineered warships. (2nd in Leviathan Series) Goliath by Scott Westerfeld YA FIC Westerfeld Malverne Public Library Alek and Deryn encounter obstacles on 61 St. Thomas Place February 2014 the last leg of their round-the-world quest Malverne, NY 11565 to end World War I, reclaim Alek's throne (516) 599-0750 as prince of Austria, and finally fall in love. Malvernelibrary.org (3rd in Leviathan Series) The Unnaturalists by Tiffany Trent YA FIC Trent Steampunk! An Anthology of Fantastically Vespa Nyx wants nothing more than to spend Rich and Strange Stories edited by Kelly Link and Gavin J. Grant the rest of her life cataloging Unnatural crea- YA SS Steampunk tures in her father's museum, but as she gets A collection of fourteen fantasy stories by older, the requirement to become a lady and well-known authors, set in the age of steam find a husband is looming large over her.
  • The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene

    The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene

    Loyola University Chicago Loyola eCommons Psychology: Faculty Publications and Other Works Faculty Publications 6-2017 The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene Elizabeth M. Wakefield Loyola University Chicago, [email protected] Siu-Lan Tan Kalamazoo College Matthew P. Spackman Brigham Young University Follow this and additional works at: https://ecommons.luc.edu/psychology_facpubs Part of the Musicology Commons, and the Psychology Commons Recommended Citation Wakefield, Elizabeth M.; an,T Siu-Lan; and Spackman, Matthew P.. The Effects of Diegetic and Nondiegetic Music on Viewers’ Interpretations of a Film Scene. Music Perception: An Interdisciplinary Journal, 34, 5: 605-623, 2017. Retrieved from Loyola eCommons, Psychology: Faculty Publications and Other Works, http://dx.doi.org/10.1525/mp.2017.34.5.605 This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in Psychology: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © The Regents of the University of California 2017 Effects of Diegetic and Nondiegetic Music 605 THE EFFECTS OF DIEGETIC AND NONDIEGETIC MUSIC ON VIEWERS’ INTERPRETATIONS OF A FILM SCENE SIU-LAN TAN supposed or proposed by the film’s fiction’’ (Souriau, Kalamazoo College as cited by Gorbman, 1987, p. 21). Film music is often described with respect to its relation to this fictional MATTHEW P. S PACKMAN universe. Diegetic music is ‘‘produced within the implied Brigham Young University world of the film’’ (Kassabian, 2001, p.