DOCSLIB.ORG

Chunn and Allied Family Outline Tree

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chunn and Allied Family Outline Tree Descendants of John Chunn 1 John Chunn 1609 - b: Bet. 1609 - 1610 in Wantage Parish, Berkshire, England .... +Dorothy 1611 - 1668 b: Bet. 1611 - 1612 d: 1668 ....... 2 Henry Chunn 1635 - b: 1635 in Wantage Parrish, Berkshire County, England ............. +Jane Higgins - 1667 d: Bef. 07 Oct 1667 m: 31 Dec 1659 in Wantage Perish, Berkshire County, England ....... *2nd Wife of Henry Chunn: ............. +Margaret Evans m: 06 Oct 1667 in Wantage Perish, Berkshire Co., England ....... 2 Mary Chunn 1643 - b: 1643 in Wantage Parish, Berkshire, England ....... 2 John Chunn 1639/40 - 1733 b: 27 Feb 1639/40 in Wantage Parish, Berkshire, England d: Bet. 1733 - 1734 in Charles County, Maryland ............. +Muriel ................. 3 Benjamin Chunn 1696 - 1753 b: 1696 in Maryland d: 1753 ....................... +Rebecca Wain - 1769 d: Aft. 1769 m: in Trinity Parish, Charles County, Maryland .......................... 4 Jesse Chunn .......................... 4 Mary Anne Chunn ................................ +?? Ferguson .......................... 4 Rebecca Chunn ................................ +Mr. Barker .......................... 4 Lancelot Chunn 1722 - 1809 b: 1722 in Charles County, Maryland d: Jun 1809 in Charles County, Maryland ................................ +Judith Cartwright 1721 - 1813 b: 1721 in Charles County, Maryland d: 1813 in Charles County, Maryland m: 04 May 1753 in Trinity Parish, Charles County, Maryland .................................... 5 Jonathan Chunn 1754 - 1777 b: 07 Nov 1754 in Charles County, Maryland d: 06 Mar 1777 in Maryland .................................... 5 Thomas Chunn 1756 - 1822 b: 18 Dec 1756 in Trinity Parish, Charles County, Maryland d: 12 Jul 1822 in Cleveland, North Carolina .......................................... +Susan Wainwright 1755 - 1833 b: Bet. 1755 - 1765 in Mouth of Thames, England d: 28 Apr 1833 in Cleveland, North Carolina ............................................. 6 Letatta Cecelia (Lelah) Chunn 1795 - 1838 b: 10 Dec 1795 in Salisbury, North Carolina d: 30 Sep 1838 in Rowan County, North Carolina ................................................... +Charles Griffith 1790 - 1857 b: 1790 in Iredell County, North Carolina d: 1857 m: 03 Nov 1817 in Rowan County, North Carolina ....................................................... 7 Elizabeth Griffith ....................................................... 7 Mary Susanna Griffith ....................................................... 7 William Griffith ....................................................... 7 Robert Griffith 1827 - b: 11 Jan 1827 ....................................................... 7 Charles Griffith 1828 - b: 25 May 1828 ....................................................... 7 Richard Wainwright Griffith 1829 - b: 25 Aug 1829 ....................................................... 7 Sarah Griffith 1835 - b: 1835 in Rowan County, North Carolina ....................................................... 7 Margaret Griffith 1836 - b: Feb 1836 in Rowan County, North Carolina ....................................................... 7 Samuel Griffith 1837 - b: 1837 in Rowan County, North Carolina ............................................. 6 William Chunn 1795 - 1845 b: 10 Dec 1795 in North Carolina d: 28 Jun 1845 in Cleveland, North Carolina ................................................... +Mary Locke 1803 - 1844 b: 22 Nov 1803 in North Carolina d: 15 Feb 1844 in Cleveland, North Carolina m: 13 Dec 1821 in Rowan County, North Carolina ....................................................... 7 Elizabeth Crawford Chunn 1823 - 1892 b: 01 Oct 1823 in Rowan County, North Carolina d: 01 Oct 1892 ............................................................. +James Murphy 1820 - 1874 b: 1820 in North Carolina d: 22 Jul 1874 m: 20 Dec 1848 in Rowan County, North Carolina ................................................................ 8 Joseph Murphy ................................................................ 8 James Murphy 1849 - b: 1849 ................................................................ 8 Mary Murphy 1853 - 1909 b: 09 Feb 1853 d: 1909 ................................................................ 8 John Murphy 1856 - 1888 b: 13 Dec 1856 d: 1888 ................................................................ 8 Isabella Wainwright Murphy 1858 - b: 1858 ....................................................... 7 Susan Wainwright Chunn 1825 - 1900 b: 13 Sep 1825 in Rowan County, North Carolina d: 09 Mar 1900 ............................................................. +William Murphy 1812 - 1867 b: 1812 d: 29 Oct 1867 m: 25 Jul 1845 in Rowan County, North Carolina ................................................................ 8 James Murphy ................................................................ 8 Jane Elizabeth Murphy 1847 - b: 18 Jul 1847 ................................................................ 8 Laura Caroline Murphy 1849 - b: 1849 ................................................................ 8 Thomas Murphy 1851 - b: 23 Sep 1851 ................................................................ 8 Fannie Imogene Murphy 1855 - 1857 b: 28 Aug 1855 d: 1857 ................................................................ 8 Clarence Wainwright Murphy 1865 - 1926 b: 24 Jul 1865 d: 1926 ................................................................ 8 Susan (Sudie)W. Murphy 1867 - b: 14 Apr 1867 ...................................................................... +T. S. Kyle b: in Gadsdon, Alabama m: Abt. 19 Oct 1887 ....................................................... 7 Matthew Locke Chunn 1827 - 1879 b: 22 Apr 1827 in Rowan County, North Carolina d: 28 Mar 1879 in Rowan County, North Carolina ............................................................. +Caroline Foard (Ellis) Turner 1823 - 1907 b: May 1823 in North Carolina d: 06 Sep 1907 in Rowan County, North Carolina m: 11 Feb 1850 in Davie County, North Carolina ................................................................ 8 Robert Ellis Chunn 1850 - 1852 b: 01 Dec 1850 in North Carolina d: 07 Jun 1852 ................................................................ 8 Bettie Crawford Chunn 1853 - 1920 b: 31 Aug 1853 in North Carolina d: Bef. 1920 in Iredell County, North Carolina ...................................................................... +Thomas J. Allison 1849 - 1920 b: 02 Feb 1849 in Turnersburg, North Carolina d: Bef. 1920 in Iredell County, North Carolina m: 23 Nov 1870 in Rowan County, North Carolina .......................................................................... 9 Carrie Allison 1874 - b: 01 Jan 1874 in Turnersburg, North Carolina .......................................................................... 9 William Locke Allison 1876 - b: 20 Mar 1876 in Turnersburg, North Carolina .......................................................................... 9 Edgar Matthews Allison 1880 - b: 05 Jun 1880 in Turnersburg, North Carolina .......................................................................... 9 Lizzie Allison 1885 - b: 23 Mar 1885 in Turnersburg, North Carolina .......................................................................... 9 Raymond Allison 1886 - b: 02 Sep 1886 in Turnersburg, North Carolina .......................................................................... 9 Mary Allison 1888 - 1900 b: 20 Nov 1888 in Turnersburg, North Carolina d: Bef. 1900 in North Carolina ................................................................ 8 William H. Chunn 1854 - 1855 b: 30 Jul 1854 in North Carolina d: 07 Jun 1855 ................................................................ 8 John Cicero Chunn 1856 - 1911 b: 31 Mar 1856 in North Carolina d: 03 Dec 1911 ...................................................................... +Clorindia D'Aubert 1867 - 1924 b: 01 Dec 1867 in Louisiana d: 1924 in Asheville, Buncombe County, North Carolina m: 14 Dec 1886 in Orleans, Louisiana .......................................................................... 9 Frances D. Chunn 1888 - 1912 b: Mar 1888 in North Carolina d: 1912 .......................................................................... 9 Matthew Locke Chunn 1889 - 1950 b: 26 Mar 1889 in Louisiana d: Nov 1950 1 ................................................................................ +Mary Lelia Cline 1890 - 1963 b: 01 Apr 1890 in Asheville, Buncombe County, North Carolina d: 21 Dec 1963 in Asheville, Buncombe County, North Carolina m: 10 Jul 1909 in Asheville, North Carolina ................................................................................... 10 Charles Francis Chunn 1912 - 1970 b: 03 Jun 1912 in Asheville, Buncombe County, North Carolina d: 16 Apr 1970 in Tampa, Florida ......................................................................................... +Majorie Wright Moore 1915 - 1970 b: 08 Oct 1915 in Agricola, Georgia d: 16 Apr 1970 in Raleigh, North Carolina m: 12 Sep 1936 in Raleigh, North Carolina ............................................................................................. 11 Clorinda d'Aubert Chunn 1947 - b: 28 Sep 1947 in Tampa, Florida ................................................................................................... +Larry L. Catlett m: 13 Jun 1970 ...................................................................................................... 12 Ian Michael Catlett 1975 - b: 13 Jul 1975 in Lewiston, Maine ...................................................................................................... 12 Kye Catlett 1977 -
Load more

Recommended publications
  • SOLO and TWO-PERSON EXHIBITIONS 2007 the Stone Age, CANADA, New York, NY Project: Rendition, Momenta Art, Brooklyn, NY
    CARRIE MOYER [email protected] SOLO AND TWO-PERSON EXHIBITIONS 2007 The Stone Age, CANADA, New York, NY Project: Rendition, Momenta Art, Brooklyn, NY. Collaboration by JC2: Joy Episalla, Joy Garnett, Carrie Moyer, and Carrie Yamaoka Black Gold, rowlandcontemporary, Chicago, IL Black Gold, Hunt Gallery, Mary Baldwin College, Staunton, VA 2006 Carrie Moyer and Diana Puntar, Samson Projects, Boston, MA 2004 Two Women: Carrie Moyer and Sheila Pepe, Palm Beach ICA, Palm Beach, FL (catalog) Sister Resister, Diverseworks, Houston, TX Façade Project, Triple Candie, New York, NY 2003 Chromafesto, CANADA, New York, NY 2002 Hail Comrade!, Debs & Co., New York, NY The Bard Paintings, Gallery @ Green Street, Boston, MA Meat Cloud, Debs & Co., New York, NY Straight to Hell: 10 Years of Dyke Action Machine! Yerba Buena Center for the Arts, San Francisco, CA; Diverseworks, Houston, TX (traveling exhibition with catalog) 2000 God’s Army, Debs & Co., New York, NY GROUP EXHIBITIONS 2007 Don’t Let the Boys Win: Kinke Kooi, Carrie Moyer, and Lara Schnitger, Mills College Art Museum, Oakland, CA Late Liberties, John Connelly Presents, New York, NY. Curator: Augusto Abrizo Shared Women, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA. Curators: Eve Fowler, Emily Roysdon, A.L. Steiner Beauty Is In the Streets, Mason Gross School of the Arts Galleries, Rutgers University, New Brunswick, NJ Affinities: Painting in Abstraction, CCS Galleries, Hessel Museum, Bard College, Annandale-on-Hudson, NY. Curator: Kate McNamara Absolute Abstraction, Judy Ann Goldman Fine Arts, Boston, MA Hot and Cold: Abstract Prints from the Center Street Studio, Trustman Art Gallery, Simmons College, Boston, MA New Prints/Spring 2007, IPCNY/International Print Center New York, New York, NY.
    [Show full text]
  • Cartographic Perspectives Information Society 1
    Number 53, Winterjournal 2006 of the Northcartographic American Cartographic perspectives Information Society 1 cartographic perspectives Number 53, Winter 2006 in this issue Letter from the Editor INTRODUCTION Art and Mapping: An Introduction 4 Denis Cosgrove Dear Members of NACIS, FEATURED ARTICLES Welcome to CP53, the first issue of Map Art 5 Cartographic Perspectives in 2006. I Denis Wood plan to be brief with my column as there is plenty to read on the fol- Interpreting Map Art with a Perspective Learned from 15 lowing pages. This is an important J.M. Blaut issue on Art and Cartography that Dalia Varanka was spearheaded about a year ago by Denis Wood and John Krygier. Art-Machines, Body-Ovens and Map-Recipes: Entries for a 24 It’s importance lies in the fact that Psychogeographic Dictionary nothing like this has ever been kanarinka published in an academic journal. Ever. To punctuate it’s importance, Jake Barton’s Performance Maps: An Essay 41 let me share a view of one of the John Krygier reviewers of this volume: CARTOGRAPHIC TECHNIQUES …publish these articles. Nothing Cartographic Design on Maine’s Appalachian Trail 51 more, nothing less. Publish them. Michael Hermann and Eugene Carpentier III They are exciting. They are interest- ing: they stimulate thought! …They CARTOGRAPHIC COLLECTIONS are the first essays I’ve read (other Illinois Historical Aerial Photography Digital Archive Keeps 56 than exhibition catalogs) that actu- Growing ally try — and succeed — to come to Arlyn Booth and Tom Huber terms with the intersections of maps and art, that replace the old formula REVIEWS of maps in/as art, art in/as maps by Historical Atlas of Central America 58 Reviewed by Mary L.
    [Show full text]
  • Leonardo Electronic Almanac VOLUME 9, NO
    / ____ / / /\ / /-- /__\ /______/____ / \ ============================================================= Leonardo Electronic Almanac VOLUME 9, NO. 2 2001 Roger Malina, LEA Executive Editor Michael Punt, LDR Editor-in-Chief Craig Harris, LEA Guest Editor Patrick Lambelet, LEA Managing Editor Editorial Advisory Board: Roy Ascott, Michael Naimark, Simon Penny, Greg Garvey, Joan Truckenbrod ISSN #1071-4391 ============================================================= ____________ | | | CONTENTS | |____________| ============================================================= INTRODUCTION < Leonardo Lawsuit Update > < Leonardo Auction > LEONARDO JOURNAL < Abstracts of Articles Forthcoming in Leonardo: Vol. 34, No. 2 (April 2001) > < Table of Contents for Leonardo Vol. 34, No. 3 (June 2001) > LEONARDO DIGITAL REVIEWS < This Month’s Reviews > Michael Punt < From Handel to Hendrix: The Composer in the Public Sphere > by Michael Chanan. Reviewed by Sean Cubitt. LEONARDO MUSIC JOURNAL < Ten Years of Leonardo Music Journal > Nicolas Collins < LMJ 10-Year Anniversary Event > ISAST NEWS < FluidArts: Leonardo/OLATS collaborate in new art and education venture > < Virtual Africa: The Spirit and Power of Water > ENDNOTE < The Genome and Art: Finding Potential in Unlikely Places > Ellen K. Levy 1 LEONARDOELECTRONICALMANAC VOL 9 NO 2 ISSN 1071-4391 ISBN 978-0-9833571-0-0 ANNOUNCEMENTS < Tout-Fait: The Marcel Duchamp Studies Online Journal > ===================================================================== ________________ | | | INTRODUCTION | |________________|
    [Show full text]
  • Number 97 Color Resized 11X15.Indd
    Number: NinetySeven an independent arts journal/spring 2019/relics numberinc.org @numberinc numberinc @numberincmagazine Editorial 97: Relics Screen Shot of James 03 Christine Bespalec-Davis Tyson’s Coverage of Support those who Bree Newsome, Charlotte, support the Arts: Regional Updates: Cover: NC, June 27, 2015 Listings for Artists, Galleries, Organizations, Editorial 97: Relics Memphis / Tennessee 04 Northwest Arkansas / Atlanta and Businesses that Make Art Happen Objects and images, preserved in archives, or im- all over again. I still have those things and a few other the vanishing point of a rainy street in Paris and the Pulse material and memorialized in the annals of memory: cherished items she had set aside for me. They are velvet blackness of a man’s umbrella in contrast to a 06 Gloria Ballard Memphis, TN Nashville, TN these are Relics. They are evocative, even provocative, heirlooms that will go to my children when I am gone. woman’s red lips. I would sneak away from my parents Art Center Building No.9 1636 Union Avenue 57 Arcade and, through miraculous belief, these cultural traces After my grandmother died, though, what I re- to stand too close to Picasso, positioning myself so One Can Indeed Not Account Memphis, TN 38104 Nashville, TN 901.276.6321 615.983.0400 and markers of personal identity persevere. They member actually wanting was something completely there was just enough glare to see the eye and jawline Bailey Romaine artcentermemphis.com Contact: Peter Fleming 07 [email protected] channel people, places, events, and ideas from the re- different: a piece of wallpaper in her only bathroom.
    [Show full text]
  • Naturally Hypernatural
    ANTENNAE ISSUE 34 – WINTER 2015 ISSN 1756-9575 Naturally Hypernatural Suzanne Anker – Petri[e]’s Panopolis / Laura Ballantyne-Brodie – Earth System Ethics / Janet Gibbs – A Step on the Sun / Henry Sanchez – The English Kills Project / Steve Miller and Adam Stennett – Artist Survival Shack / Joe Mangrum – Sand Paintings / Tarah Rhoda and Nancy Chunn – Chicken Little and the Culture of Fear / Sarah E Durand – Newtown Creek ANTENNAE The Journal of Nature in Visual Culture Editor in Chief Giovanni Aloi – School of the Art Institute of Chicago, Sotheby’s Institute of Art London and New York, Tate Galleries Academic Board Advisory Board Steve Baker – University of Central Lancashire Rod Bennison Ron Broglio – Arizona State University Helen J. Bullard Matthew Brower – University of Toronto Claude d’Anthenaise Eric Brown – University of Maine at Farmington Lisa Brown Carol Gigliotti – Emily Carr University of Art and Design in Vancouver Chris Hunter Donna Haraway – University of California, Santa Cruz Karen Knorr Susan McHugh – University of New England Susan Nance Brett Mizelle – California State University Andrea Roe Claire Molloy – Edge Hill University David Rothenberg Cecilia Novero – University of Otago Angela Singer Jennifer Parker-Starbuck – Roehampton University Mark Wilson & Bryndís Snaebjornsdottir Annie Potts – University of Canterbury Ken Rinaldo – Ohio State University Nigel Rothfels – University of Wisconsin Jessica Ullrich – Friedrich-Alexander-Universität Erlangen-Nürnberg Andrew Yang – School of the Art Institute of Chicago Global Contributors Antennae (founded in 2006) is the international, peer reviewed, academic Sonja Britz journal on the subject of nature in contemporary art. Its format and Tim Chamberlain contents are inspired by the concepts of 'knowledge transfer' and 'widening Conception Cortes participation'.
    [Show full text]
  • PRESS RELEASE for IMMEDIATE RELEASE: JUNE 2007 Media Contact: Kathy Macpherson, [email protected], 310-665-6909
    PRESS RELEASE FOR IMMEDIATE RELEASE: JUNE 2007 Media Contact: Kathy MacPherson, [email protected], 310-665-6909. Images available. The Ben Maltz Gallery at Otis College of Art and Design is please to present: Nancy Chunn: Media Madness November 3 – January 18, 2008 Opening Reception, November 3, 5-7pm Nancy Chunn in Conversation with Barry Glassner, author of Culture of Fear and The Gospel of Food, Sunday, November 11, 2:30pm, Forum For her Los Angeles debut, the Ben Maltz Gallery has brought together a selection of Nancy Chunn’s politically charged paintings for a dynamic solo exhibition. Nancy Chunn: Media Madness opens at Ben Maltz Gallery November 3, 2007 and is on view through January 18, 2008. It is curated by Meg Linton, Director of Gallery and Public Programs. A catalogue documenting the exhibition will be available in Spring 2008. Nancy Chunn is the Fall 2007 Jennifer Howard Coleman Distinguished Lecturer and Resident (JHCDLR) in the Fine Arts Department at Otis from September 23 to November 17, 2007. She is teaching a master painting class, conducting one-on-one critiques with senior and graduate level painting students, and presenting two free public lectures about her work in the Otis Forum during her residency. Born in Los Angeles in 1941, Nancy Chunn received her Bachelor of Fine Arts from the California Institute of the Arts in 1969. She began her career in Los Angeles before moving to New York City in the late seventies. Consistently concerning the political arena, her work exposes geopolitical themes and the power of the media to define and control public opinion.
    [Show full text]
  • List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
    National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced.
    [Show full text]
  • Craft Horizons July/A Gust 969 When You're Through BILLANTI CASTING COMPANY Playing Games, Invest 64 West 48Th St
    craft horizons July/A gust 969 When you're through BILLANTI CASTING COMPANY playing games, invest 64 West 48th St. New York, N. Y. 10036 JU 6 - 7522 in flutet Fine jewelry designs represent the artist's creative effort and therefore deserve me- A VAC-U-CAST ticulous care during the casting stage. Many museums, art institutes and com- mercial jewelers trust their wax patterns and models to Billanti because experience Not has shown that our precision casting proc- A Toy ess compliments the artist's craftsman- ship with a superb accuracy of reproduc- tion. Hobbyists, students and professionals Not A have found that our service costs less than 10-lb. their own experimentation and virtually Weakling eliminates the risk of their designs being lost in the casting process. We invite you to contact us for price quo- tations and/or consult us with your prob- The casting machine for "pro's" lems. All designs are held in strict confi- dence. So versatile it casts any metal or plastic meltable to a liquid state. Casts flasks from iy2 inches to 6 inches in diameter and 12 inches in height. The simplest, safest, most The ARTI SAT a LECLERC loom efficient unit that performs profes- Completely new, sionally. $349.50 entirely collapsible, light, strong. Write for free illustrated For amateurs, institutions instruction folder today. for handicapped, hobbies, schools. FREE WITH ORDERS OF $5.00 OR MORE 14 pages of casting supplies and equipment are featured in this fully-illustrated 225-page catalog. It's packed with the most complete selection of tools, and materials for jewelry craftsmen in the jj industry.
    [Show full text]
  • February 10, 2000
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 2-10-2000 Kenyon Collegian - February 10, 2000 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - February 10, 2000" (2000). The Kenyon Collegian. 360. https://digital.kenyon.edu/collegian/360 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Gambier-boun- d b-b- jsjew Ladies soccer coach Gladder Visits series spotlights Profs take center stage Lords and Ladies all sets her goals, page 2 than abroad, page 6 rural life, page 8 in Othello, page 10 chalk up wins, page 16 IK - E - N -Y- O - N C O -- E - G -- I - A -- N Volume CXXVII, Number 15 ILESTABLISHED 1856 Thursday, February 10, 2000 College renumbers courses Trustees head for Gambier Faculty lauds new system; Council group Meeting to herald 'unparalled' changes, says President Oden fears numerable problems for students BY JESSICA ANDRUSS President Robert Oden, Jr. said he paign and updated plans of the to will BY GRANT SCHULERT handle course enrollment. News Assistant believes this year's gathering Building and Grounds Committee. Editor in Chief The college has now pur- promote "substantive discussion Less than two-thir- ds of the way chased that software, and plans to The Kenyon College Board of on the College's future" resulting through the most ambitious cam- Come next year, English 1-- 2, incorporate the new numbering Trustees will meet Saturday to or- in the announcement of exciting paign in Kenyon's history, the col- 9-- Biology 10 and other familiar system into the 2000-0- 1 course ganize the budget of the upcom- changes "unparalleled in the lege has garnered $76 million, with courses at Kenyon will be gone.
    [Show full text]
  • On View: New Work: Nancy Chunn, Michael Corris, Olivier Mosset
    November 23, 1985- January 19, 1986 TheNewMuseum OF CONTEMPORARY ART On View Tospeak of painting today is to speak of an enterprise that many in the visual arts declared "dead" not so very long ago. The decade of the 1970s witnessed an extraordi- become today's newest avant-garde in nary rise of theoretical-critical prac- a matter of moments, even though it tice which focused on issues difficult was clearly deja vu. to manifest in the sensuous surfaces Certain artists, of course, will al- of painting. The social construction ways make paintings, not out-of-fash- of representation, for example, ion, but out-of-persistence, not out-of- seemed easier dealt with in photo- style, but out-of-need. To deny these graphic practice; sexuality, in film and artists that pleasure, as some critics video; and politics, in the form of a are want to do, is to promote a critical written text, often found anonymously tyranny equivalent to the strictures on the streets. By the late 1970s, that might be laid down against certain painting had become the province of political manifestations in the name late modem diehards, attempting to of freedom, or certain sexual practices shore up a belief system of outmoded in the name of public health. To be individualism, or of the new promoters critical, of course, is a necessity; to of a pluralistic postmodernism, which, be programmatically exclusive-to as- no matter where it came from (the sume that all practice is the same-is South Bronx or southern Italy) could to be blind.
    [Show full text]
  • Art and Design Education That Matters Founded in 1918, Otis Is L.A.’S First Independent Professional School of Visual Arts
    11 13 21 25 Otis prepares diverse students of art and design to enrich our world through their creativity, their skill, and their vision. Art and Design Education that Matters Founded in 1918, Otis is L.A.’s first independent professional school of visual arts. Otis’ 1170 students pursue BFA degrees in advertising design, architecture/landscape/interiors, digital media, Through art and design education, Otis pre- Over its 90-year history, Otis has devel- fashion design, graphic design, illustration, interactive product design, painting, photography, pares talented students to enrich our future. oped this pedagogical approach as an organic sculpture/new genres, and toy design. MFA degrees are offered in fine arts, graphic design, public Communication Arts, highlighted in this issue, response to its context – the unique phenom- practice, and writing. Otis has trained generations of artists who have been in the vanguard of exemplifies this mission. Kali Nikitas, Depart- enon that is Los Angeles, the most futuristic of the cultural and entrepreneurial life of the city. Nurtured by Los Angeles’ forward-thinking spirit, ment Chair, sums it up well in describing the all American cities. The characteristics described these artists and designers explore the landscape of popular culture and the significant impact new MFA Graphic Design Program: “Otis is an above, innate to Otis, are gaining widespread of identity, politics, and social policy at the intersection of art and society. institution that prides itself on reaching out to recognition in both higher education and the community and advancing culture through employment sectors as essential factors for art and design. (The curricula) speak directly success in any field.
    [Show full text]
  • Jack Goldstein in Los Angeles
    City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2018 Jack Goldstein in Los Angeles Kirby Michelle Woo CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/241 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Jack Goldstein in Los Angeles by Kirby Michelle Woo Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2017 Thesis Sponsor: January 3, 2018 Howard Singerman Date Signature January 3, 2018 Joachim Pissarro Date Signature of Second Reader i. Table of Contents Acknowledgments ii List of Illustrations iii Introduction 1 Chapter 1 5 Chapter 2 24 Chapter 3 42 Conclusion 69 Bibliography 71 Illustrations 74 ii. Acknowledgments This paper would not have been possible without the support of faculty and friends at Hunter College who have provided me guidance and encouragement throughout the years. I am especially thankful to my advisor Dr. Howard Singerman who actively participated in this project and provided the structure, insight, and critical feedback necessary to help me bring this work to completion. I am also grateful to Dr. Joachim Pissarro for his time as my second reader. I would also like to thank my editor, Viola McGowan for her patience and expertise, as well as Dr. David E.
    [Show full text]