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HUNG LIU: OFFERINGS January 23-March 17, 2013
PRESS RELEASE FOR IMMEDIATE RELEASE Contacts: December 12, 2012 Maysoun Wazwaz Mills College Art Museum, Program Manager 510.430.3340 or [email protected] Mills College Art Museum Announces HUNG LIU: OFFERINGS January 23-March 17, 2013 Oakland, CA—December 12, 2012. The Mills College Art Museum is pleased to present Hung Liu: Offerings a rare opportunity to experience two of the Oakland-based artist’s most significant large- scale installations: Jiu Jin Shan (Old Gold Mountain) (1994) and Tai Cang—Great Granary (2008). Hung Liu: Offerings will be on view from January 23 through March 17, 2013. The opening reception takes place on Wednesday, January 23, 2013 from 6:00–8:00 pm and free shuttle service will be provided from the MacArthur Bart station during the opening. Recognized as America's most important Chinese artist, Hung Liu’s installations have played a central role in her work throughout her career. In Jiu Jin Shan (Old Gold Mountain), over two hundred thousand fortune cookies create a symbolic gold mountain that engulfs a crossroads of railroad tracks running beneath. The junction where the tracks meet serves as both a crossroads and 1 terminus, a visual metaphor of the cultural intersection of East and West. Liu references not only the history of the Chinese laborers who built the railroads to support the West Coast Gold Rush, but also the hope shared among these migrant workers that they could find material prosperity in the new world. The Mills College Art Museum is excited to be the first venue outside of China to present Tai Cang— Great Granary. -
SOLO and TWO-PERSON EXHIBITIONS 2007 the Stone Age, CANADA, New York, NY Project: Rendition, Momenta Art, Brooklyn, NY
CARRIE MOYER [email protected] SOLO AND TWO-PERSON EXHIBITIONS 2007 The Stone Age, CANADA, New York, NY Project: Rendition, Momenta Art, Brooklyn, NY. Collaboration by JC2: Joy Episalla, Joy Garnett, Carrie Moyer, and Carrie Yamaoka Black Gold, rowlandcontemporary, Chicago, IL Black Gold, Hunt Gallery, Mary Baldwin College, Staunton, VA 2006 Carrie Moyer and Diana Puntar, Samson Projects, Boston, MA 2004 Two Women: Carrie Moyer and Sheila Pepe, Palm Beach ICA, Palm Beach, FL (catalog) Sister Resister, Diverseworks, Houston, TX Façade Project, Triple Candie, New York, NY 2003 Chromafesto, CANADA, New York, NY 2002 Hail Comrade!, Debs & Co., New York, NY The Bard Paintings, Gallery @ Green Street, Boston, MA Meat Cloud, Debs & Co., New York, NY Straight to Hell: 10 Years of Dyke Action Machine! Yerba Buena Center for the Arts, San Francisco, CA; Diverseworks, Houston, TX (traveling exhibition with catalog) 2000 God’s Army, Debs & Co., New York, NY GROUP EXHIBITIONS 2007 Don’t Let the Boys Win: Kinke Kooi, Carrie Moyer, and Lara Schnitger, Mills College Art Museum, Oakland, CA Late Liberties, John Connelly Presents, New York, NY. Curator: Augusto Abrizo Shared Women, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA. Curators: Eve Fowler, Emily Roysdon, A.L. Steiner Beauty Is In the Streets, Mason Gross School of the Arts Galleries, Rutgers University, New Brunswick, NJ Affinities: Painting in Abstraction, CCS Galleries, Hessel Museum, Bard College, Annandale-on-Hudson, NY. Curator: Kate McNamara Absolute Abstraction, Judy Ann Goldman Fine Arts, Boston, MA Hot and Cold: Abstract Prints from the Center Street Studio, Trustman Art Gallery, Simmons College, Boston, MA New Prints/Spring 2007, IPCNY/International Print Center New York, New York, NY. -
Cartographic Perspectives Information Society 1
Number 53, Winterjournal 2006 of the Northcartographic American Cartographic perspectives Information Society 1 cartographic perspectives Number 53, Winter 2006 in this issue Letter from the Editor INTRODUCTION Art and Mapping: An Introduction 4 Denis Cosgrove Dear Members of NACIS, FEATURED ARTICLES Welcome to CP53, the first issue of Map Art 5 Cartographic Perspectives in 2006. I Denis Wood plan to be brief with my column as there is plenty to read on the fol- Interpreting Map Art with a Perspective Learned from 15 lowing pages. This is an important J.M. Blaut issue on Art and Cartography that Dalia Varanka was spearheaded about a year ago by Denis Wood and John Krygier. Art-Machines, Body-Ovens and Map-Recipes: Entries for a 24 It’s importance lies in the fact that Psychogeographic Dictionary nothing like this has ever been kanarinka published in an academic journal. Ever. To punctuate it’s importance, Jake Barton’s Performance Maps: An Essay 41 let me share a view of one of the John Krygier reviewers of this volume: CARTOGRAPHIC TECHNIQUES …publish these articles. Nothing Cartographic Design on Maine’s Appalachian Trail 51 more, nothing less. Publish them. Michael Hermann and Eugene Carpentier III They are exciting. They are interest- ing: they stimulate thought! …They CARTOGRAPHIC COLLECTIONS are the first essays I’ve read (other Illinois Historical Aerial Photography Digital Archive Keeps 56 than exhibition catalogs) that actu- Growing ally try — and succeed — to come to Arlyn Booth and Tom Huber terms with the intersections of maps and art, that replace the old formula REVIEWS of maps in/as art, art in/as maps by Historical Atlas of Central America 58 Reviewed by Mary L. -
Curriculum Vitae
H A I N E S G A L L E R Y DAVID SIMPSON b. 1928 Lives and works in Berkeley, CA EDUCATION 1956, BFA, California School of Fine Arts 1958, MA, San Francisco State College SELECTED SOLO EXHIBITIONS 2020 Interference, Haines Gallery, San Francisco, CA 2019 David Simpson: Impromptu, Charlotte Jackson Fine Art, Santa Fe 2018 David Simpson: Illumination, Charlotte Jackson Fine Art, Santa Fe, NM The War Room, Haines Gallery, San Francisco, CA Spotlight: David Simpson, solo presentation by Haines Gallery at Frieze New York, NY 2017 David Simpson: Heaven and Hell, Charlotte Jackson Fine Art, Santa Fe, NM David Simpson: Fifty Years of Painting, Modernism, San Francisco, CA 2016 Then and Now, Charlotte Jackson Fine Art, Santa Fe, CA Now & Then: The Work of David Simpson, Haines Gallery, San Francisco, CA David Simpson: True to Light, Geukens & De Vil, Knokke, Belgium David Simpson: Works from the 1980s, Studio La Citta, Verona, Italy 2015 David Simpson, Geukins & De Vil, Antwerp, Belgium 2013 David Simpson, Art Museum of University of Wyoming, Laramie, WY 2012 David Simpson, Gallery Sonja Roesch, Houston, TX David Simpson: Paintings, Modernism, San Francisco, CA 2011 Nonsense Poems, Haines Gallery, San Francisco, CA 2010 Interference Blues, Charlotte Jackson Fine Art, Santa Fe, NM 2009 Paintings & Works on Paper, Modernism, San Francisco, CA 2008 David Simpson, Studio La Citta, Verona, Italy 2007 David Simpson, Studio La Citta, Verona, Italy Light Wells, Charlotte Jackson Fine Art, Santa Fe, NM Light Wells, Haines Gallery, San Francisco, CA Interference -
HUNG LIU BORN: 1948 Changchun
HUNG LIU BORN: 1948 Changchun, China EDUCATION: 1986 MFA in Visual Arts, University of California, San Diego, La Jolla, California 1981 Graduate Student (MFA equivalent) Mural Painting, Central Academy of Fine Art, Beijing, China 1975 BFA in Education, Beijing Teachers College, Beijing, China ACADEMIC POSITIONS: 2020-present San Francisco Museum of Modern Art Artist Trustee, Board of Trustees 2014-present Professor Emeritus, Mills College, Oakland, California 2001-2014 Professor of Art, Mills College, Oakland, California 1995-2001 Associate Professor of Art, Mills College, Oakland, California 1990-1995 Assistant Professor of Art, Mills College, Oakland, California 1989-1990 Assistant Professor of Art, University of North Texas, Denton, Texas 1987 Adjunct Professor, Chinese Art History, University of Texas, Arlington, Texas 1981-1984 Professor of Art, Central Academy of Fine Art, Beijing, China SELECTED GRANTS, AWARDS AND PUBLIC PROJECTS: 2018 Inaugural Artist Awards, Berkeley Art Center, Berkeley, CA, 2018 2017 City of Berkeley Proclamation for Hung Liu, Berkeley City Hall, Berkeley, CA, 2017 2016 The Distinguished Women Artists, Fresno Art Museum, Fresno, California 2011 SGC International Award for Lifetime Achievement in Printmaking 2009 UCSD Alumni Association, 50th Anniversary 100 Influential Alumni 2008 Honor Award for Design, US General Services Administration for the San Francisco Federal Building 2008 Take Off, Public Commission for the International Terminal at San Francisco International Airport 2006 Going Away, Coming Home, Public Commission for Terminal 2 Window Project, Oakland International Airport, Oakland, California. Commission consists of a 160 foot glass panel with etched imagery along a terminal walkway. 2000 Outstanding Alumna Award, University of California, San Diego, La Jolla, California 1999 Joan and Robert Danforth Distinguished Professorship in the Arts Endowed Chair, Mills College, Oakland, Cailfornia 1998 The Joan Mitchell Foundation, Inc. -
Kathryn Spence
PRESS RELEASE FOR IMMEDIATE RELEASE Contacts: July 20, 2010 Lori Chinn Mills College Art Museum Program Manager 510.430.3340 or [email protected] Camila Perez Mills College Art Museum Publicity Assistant 510.430.2164 or [email protected] Mills College Art Museum Announces Exhibition of New Work By Bay Area Artist Kathryn Spence Oakland, CA— The Mills College Art Museum is pleased to present Kathryn Spence: Short sharp notes, rolling or churring whistles, clear phrases from August 21 through December 12, 2010. Featuring new work by the Bay Area artist, the exhibition will showcase large- scale sculptural installations and drawings inspired by the confluence of natural and urban environments. Kathryn Spence: Short sharp notes, rolling or churring whistles, clear phrases is curated by Stephanie Hanor. An opening reception with the artist will take place on August 25 from 5:30–7:30 pm. Spence’s sculptural objects are inspired by animals and nature but are composed from the discarded materials of the human world. Her work demonstrates an uncanny ability to capture the essence of animals without masking her found materials, applying a naturalist’s methods to urban detritus. Accumulated bits of fabric, thread, paper, and cardboard take on species-specific characteristics of songbirds, owls, and coyotes. Spence’s exhibition at the Mills College Art Museum will include new sculptural work that brings together many of the significant elements of her artistic practice. Spence collects humble, common materials--such as thread, old stuffed animals, fabric, images from birding field guides, and wire—that are carefully selected for their color, texture, and associations. -
Kara Maria (Born: Binghamton, New York, 1968) Tel/Fax: 415-452-3089 • E-Mail: [email protected] • Website
SHARK’S INK. 550 BLUE MOUNTAIN ROAD LYONS CO 80540 303 823 9190 WWW.SHARKSINK.COM [email protected] Kara Maria (born: Binghamton, New York, 1968) tel/fax: 415-452-3089 • e-mail: [email protected] • website: www.karamaria.com Education 1998 MFA, Art Practice, University of California, Berkeley 1993 BA with honors, Art Practice, University of California, Berkeley Selected Solo and Two Person (*) Exhibitions 2012 • Kirk Hopper Fine Art, Amerwarpornica *, Dallas, TX 2011 • Virtuata, Cloud Nine, Milpitas, CA 2009 • b. sakata garo, Inviting the Storm, Sacramento, CA 2008 • Catharine Clark Gallery, Dystopia, San Francisco, CA 2007 • Nathan Larramendy Gallery, Paradise Lost, Ojai, CA 2006 • Arts Visalia, Zigzag, Visalia, CA 2005 • Smith Andersen Editions, Airborne, Palo Alto, CA 2004 • Miller/Block Gallery, Almost Paradise, Boston, MA 2002 • Catharine Clark Gallery, Fools Rush In, San Francisco, CA 2001 • Ampersand International Arts, Fabricator, San Francisco, CA • Babilonia 1808, Emerging Bay Area Artist Exhibition, Berkeley, CA • Catharine Clark Gallery, Plastic Picnic, San Francisco, CA 2000 • a.o.v., Plastic Dreams, San Francisco, CA 1999 • Cité Internationale des Arts, Doggie Doo Hop Scotch *, Paris, France 1998 • Patricia Sweetow Gallery, Introductions, San Francisco, CA Selected Group Exhibitions 2012 • Pratt Manhattan Gallery, Party Headquarters, New York, NY • Smith Andersen Editions, Gender Specific, Take it or Leave it, Palo Alto, CA • National Steinbeck Center, Banned & Recovered, Salinas, CA • SFMOMA Artists Gallery, Sin and -
VIETNAM Eyecontemporary Vietnamese
VIETNAM EYE Contemporary Vietnamese Art To India a lovely grand-daughter VIETNAM EYE Contemporary Vietnamese Art edited by Serenella Ciclitira Sponsored by Art director First published in Italy in 2016 Founder of Global Eye Programme We would like to thank the following Supported by Marcello Francone by Skira Editore S.p.A. David Ciclitira Vuong Duy Bien, Vice Minister, Palazzo Casati Stampa Design Ministry of Culture, Sports and Tourism, via Torino 61 Editor Luigi Fiore Socialist Republic of Vietnam 20123 Milano Serenella Ciclitira Editorial coordination Italy H. E. Cecilia Piccioni, Ambassador of Italy Eva Vanzella www.skira.net Curators to the Socialist Republic of Vietnam Copy editor © 2016 Parallel Serenella Ciclitira H. E. Giles Lever, Ambassador of the Ministry of Culture, Sports and Tourism Emanuela Di Lallo Contemporary Art Nigel Hurst United Kingdom to the Socialist Republic © 2016 Skira editore Layout Niru Ratnam of Vietnam Serena Parini All the staff at the Italian Embassy in Hanoi All rights reserved under Local Advisors international copyright Minh Do Tran Luong conventions. No part of this book may Vi Kien Thanh Special thanks to AIA Embassy of Italy, Hanoi be reproduced or utilized Event and Account Director in any form or by any means, Art Vietnam Gallery Belinda Laubi electronic or mechanical, Zoe Butt including photocopying, recording, or any information Project Coordinator & Artist Liaison CHON Gallery Hanoi storage and retrieval system, Kwok Shao Hui Craig Thomas Gallery without permission in writing Galerie Quynh Event Coordinator from the publisher. Judith Hughes Ngo Quang Minh Printed and bound in Italy. Mizuma Art Gallery, Tokyo First edition Authors of the Essays Thavibu Art Advisory Nguyen Quan ISBN: 978-88-572-3360-4 All collectors who have loaned works Niru Ratnam Distributed in USA, Canada, All the artists without whom this book Central & South America Vietnamese Partner would not have been possible by Rizzoli International Minh Do Publications, Inc., 300 Park All PCA staff Avenue South, New York, NY 10010, USA. -
Mariah Robertson
MARIAH ROBERTSON Press Pack 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM MARIAH ROBERTSON BORN 1975 Lives and works in Brooklyn, NY EDUCATION 2005 MFA | Yale University, New Haven, CT 1997 BA | UC Berkeley SOLO EXHIBITIONS 2015 Photography Lovers’ Peninsula, M+B, Los Angeles, CA 2014 Paris Photo Los Angeles, Los Angeles, CA 2013 Permanent Puberty, American Contemporary, New York, NY NADA Miami Beach, Miami, FL 2012 Museum of Modern Art, New York, NY (Performance) Kogod Courtyard, Washington, D.C. (Performance) Let’s Change, Grand Arts, Kansas City, MO 2011 Central Utah Art Center, Ephraim, UT BALTIC Centre for Contemporary Art, curated by Laurence Sillars, Gateshead, UK HOT TROPICAL RAIN JAM, Museum 52, New York, NY MoMA PS1, Long Island City, NY (Performance) 2010 ARTFORUM, Berlin, Germany 2009 Take Better Pictures, Museum 52, New York, NY I Am Passions, Marvelli Gallery, New York, NY Guild & Greyshkul, New York, NY (Performance) 2007 Nudes, Still Lives and Landscapes, Guild & Greshkul, New York, NY 2006 Please lie down and take a nap with me in my grave, Guild & Greyshkul, New York, NY 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM GROUP EXHIBITIONS 2015 Jessica Eaton, Mariah Robertson, Alison Rossiter, Cleveland Museum of Art’s Transformer Station, Cleveland, OH Picture/Thing, Ezra and Cecile Zilkha Gallery, Wesleyan University Center for the Arts, CT Color Fields, Sandra and David Bakalar Gallery, Massachusetts College of -
Leonardo Electronic Almanac VOLUME 9, NO
/ ____ / / /\ / /-- /__\ /______/____ / \ ============================================================= Leonardo Electronic Almanac VOLUME 9, NO. 2 2001 Roger Malina, LEA Executive Editor Michael Punt, LDR Editor-in-Chief Craig Harris, LEA Guest Editor Patrick Lambelet, LEA Managing Editor Editorial Advisory Board: Roy Ascott, Michael Naimark, Simon Penny, Greg Garvey, Joan Truckenbrod ISSN #1071-4391 ============================================================= ____________ | | | CONTENTS | |____________| ============================================================= INTRODUCTION < Leonardo Lawsuit Update > < Leonardo Auction > LEONARDO JOURNAL < Abstracts of Articles Forthcoming in Leonardo: Vol. 34, No. 2 (April 2001) > < Table of Contents for Leonardo Vol. 34, No. 3 (June 2001) > LEONARDO DIGITAL REVIEWS < This Month’s Reviews > Michael Punt < From Handel to Hendrix: The Composer in the Public Sphere > by Michael Chanan. Reviewed by Sean Cubitt. LEONARDO MUSIC JOURNAL < Ten Years of Leonardo Music Journal > Nicolas Collins < LMJ 10-Year Anniversary Event > ISAST NEWS < FluidArts: Leonardo/OLATS collaborate in new art and education venture > < Virtual Africa: The Spirit and Power of Water > ENDNOTE < The Genome and Art: Finding Potential in Unlikely Places > Ellen K. Levy 1 LEONARDOELECTRONICALMANAC VOL 9 NO 2 ISSN 1071-4391 ISBN 978-0-9833571-0-0 ANNOUNCEMENTS < Tout-Fait: The Marcel Duchamp Studies Online Journal > ===================================================================== ________________ | | | INTRODUCTION | |________________| -
Number 97 Color Resized 11X15.Indd
Number: NinetySeven an independent arts journal/spring 2019/relics numberinc.org @numberinc numberinc @numberincmagazine Editorial 97: Relics Screen Shot of James 03 Christine Bespalec-Davis Tyson’s Coverage of Support those who Bree Newsome, Charlotte, support the Arts: Regional Updates: Cover: NC, June 27, 2015 Listings for Artists, Galleries, Organizations, Editorial 97: Relics Memphis / Tennessee 04 Northwest Arkansas / Atlanta and Businesses that Make Art Happen Objects and images, preserved in archives, or im- all over again. I still have those things and a few other the vanishing point of a rainy street in Paris and the Pulse material and memorialized in the annals of memory: cherished items she had set aside for me. They are velvet blackness of a man’s umbrella in contrast to a 06 Gloria Ballard Memphis, TN Nashville, TN these are Relics. They are evocative, even provocative, heirlooms that will go to my children when I am gone. woman’s red lips. I would sneak away from my parents Art Center Building No.9 1636 Union Avenue 57 Arcade and, through miraculous belief, these cultural traces After my grandmother died, though, what I re- to stand too close to Picasso, positioning myself so One Can Indeed Not Account Memphis, TN 38104 Nashville, TN 901.276.6321 615.983.0400 and markers of personal identity persevere. They member actually wanting was something completely there was just enough glare to see the eye and jawline Bailey Romaine artcentermemphis.com Contact: Peter Fleming 07 [email protected] channel people, places, events, and ideas from the re- different: a piece of wallpaper in her only bathroom. -
Internationally Recognized Photographer Uta Barth Is Spring 2012 Fotofocus Lecturer and Visiting Artist the Lightborne Lecture
For Immediate Release January 24, 2012 MEDIA CONTACT: Judith Turner–Yamamoto [email protected] 703.851.0380 INTERNATIONALLY RECOGNIZED PHOTOGRAPHER UTA BARTH IS SPRING 2012 FOTOFOCUS LECTURER AND VISITING ARTIST THE LIGHTBORNE LECTURE AND VISITING ARTIST SERIES RELAUNCHES AS THE FOTOFOCUS LECTURE AND VISITING ARTIST SERIES, SPONSORED BY LIGHTBORNE, INC. Uta Barth Presents her Work in a Free Public Lecture Wednesday, February 22, at 7:00 PM, Fath Auditorium, Cincinnati Art Museum Cincinnati, OH—FOTOFOCUS, a nonprofit organization championing photography, announces the re-launch of the Lightborne Lecture and Visiting Artist Series as the FOTOFOCUS Lecture and Visiting Artist Series, sponsored by Lightborne, Inc. Wednesday, February 22, at 7:00 PM, FOTOFOCUS presents acclaimed photographer Uta Barth, the spring 2012 FOTOFOCUS Lecturer and Visiting Artist, speaking about her work in a free lecture at Fath Auditorium, Cincinnati Art Museum. Reservations are not required, but early arrival is recommended. The parking fee is $4. Free parking is available for Cincinnati Art Museum members. A public reception will follow the lecture in the Cincinnati Art Museum’s Great Hall. FOTOFOCUS Director, Mary Ellen Goeke announced, “As we approach our first FOTOFOCUS biennial in October, Uta Barth’s visit to Cincinnati affirms the collaborative relationships we have built between the academic community, cultural institutions, and our public. Inaugurated in 1996, as the Lightborne lecture series we now welcome Uta Barth as the 31st artist to participate in this important program celebrating its 16th year. Our synergistic programming reinforces FOTOFOCUS and photography’s presence in the public eye.” James Crump, Cincinnati Art Museum Chief Curator and Curator of Photography, and FOTOFOCUS Co-Chair added, “Uta Barth is an artist that epitomizes how photographic practice has been folded into the larger field of art production with a particular conceptual bias.