Programmheft You’Re Entering a Immer*Wider* Feminist Danger Zone! Danke Rampen*Fiber Andrea, Bea, Chris- Toph, Hanna, Iris, Hier Sind Wir Also Wieder Wider

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Programmheft You’Re Entering a Immer*Wider* Feminist Danger Zone! Danke Rampen*Fiber Andrea, Bea, Chris- Toph, Hanna, Iris, Hier Sind Wir Also Wieder Wider 24.- 27. 09. 2009 Programmheft you’re entering a immer*wider* feminist danke rampen*fiber danger zone! Andrea, Bea, Chris- toph, Hanna, Iris, Judith, Katrin, Loki, Hier sind wir also wieder wider. Und das, obwohl wir schon mal da waren. Das klingt vielleicht widersinnig, Marisa, Patricia, ist es aber nicht: Drei Jahre nach rampenfiber06 haben schärfen und den Wunsch nach einer tollen Petra, Roli, Ulli, wir, das alte und neue rampenfiber-Kollektiv, uns wider Atmosphäre zur Angelegenheit aller zu und wieder dazu entschieden, erneut ein queer-femini- den T-shirt machen? Wie mit der fluc-internen und stisches Musikfestival zu wagen: rampenfiber09. Dabei Designer*innen, obligaten Security vor Ort umgehen, wie sind Wiederholungen immer riskant: Unausgesprochen sie in das Geschehen einbeziehen? So ha- allen Trailer steht im Raum, größer oder wenigsten interessanter zu ben wir uns im Vorfeld von rampenfiber09 Statist*innen, werden, einfach noch besser (das Angebot, die Stim- für eigene Schulungen mit den Securitys mung, die Ansprüche, ...). Dabei ist gar nichts einfach. Marea Alta, Medien- entschieden, um sie für unsere queeren, Selbstverständlich können wir auf die Erfahrungen von zentrum Wien, feministischen und antirassistischen rampenfiber06 zurückgreifen, sind noch immer beflügelt Anliegen zu sensibilisieren und sie zu verein Sprungbrett, von den tollen Rückmeldungen und durch die Erinnerung Ansprechpartner_innen für alle während badeschiff wien und an die unglaubliche Atmosphäre vor Ort. Wir konnten auf des Festivals zu machen. Aber auch die ein (in den verkaufstechnisch relevanten Kategorien wie allen Menschen, die räumliche Gestaltung, die unterschiedlichste Besucher_innenzahlen oder Pressefeedback) „erfolg- Vor ort helfen. Formen visueller Bespielung, öffentliche reiches“ Festival verweisen, was uns das Organisieren Debatten darüber sowie die vielen kleinen von Geldern und Spielorten wesentlich erleichtert hat Aktionen vor Ort sollen unsere raumgrei- – keine Frage. Aber gleichzeitig waren wir mit neuen, fenden Versuche und Experimente für alle bzw. in ihrer Intensität und Beharrlichkeit überraschend sicht- und verhandelbar machen. zeit- und nervenaufreibende Fragestellungen konfrontiert – vor allem die Auseinandersetzung um den Ort des Ge- Doch bei all dem darf das Wichtigste, nicht schehens. Sollte rampenfiber wieder das bewährte, aber aus den Augen geraten: rampenfiber ist nicht unumstrittene fluc bespielen? Oder doch lieber einen (und bleibt) ein queer-feministisches Mu- Ort, der uns „unkomplizierter“ erschien (soll heißen: sexi- sikfestival. Die Musik, ihre Interpret_innen, stischen wie rassistischen Übergriffen scheinbar weniger Produzent_innen, Akteur_innen, Kritiker_ ausgesetzt)? Doch die dringende Notwendigkeit, gerade innen und Rezipient_innen, die Perfor- Orte wie das fluc immer wieder und immer weiter feminis- mer_innen sowie die Zuhörer_innen, die tisch zu bespielen, legten (nach heftigen für und wider) Rampensäue und deren Fan_innen stehen unsere Entscheidung für das fluc fest. Klar, es gäbe in diesen vier Tagen im Mittelpunkt! War noch etliche andere Veranstaltungslokale, denen eine beim rampenfiber06 noch ungewiss, ob wir gründliche queer-feministische Spülung gut täte, aber das wirklich ein viertägiges Festival füllen kön- fluc erschien uns zudem geografisch wie architektonisch nen – dem Anspruch folgend, auch weniger perfekt geeignet für rampenfiber09, das ja nicht nur um bekannte Bands zu featuren und dabei ein ss Konzerte und Djing sondern auch Panels, Workshops und e Redaktion und Organisation: Claudia Binder, Elisabeth Falkensteiner, Carolina Frank, Conny Gantze, Jess möglichst vielfältiges Programm zusammen r Filmvorführungen inkludiert – in einem umfangreicheren fiber09 klar: p Gaspar, Judith Kabas, Stephanie Kiessling, Daniela Mäx Mareš, Isabelle Mariacher, Angela Tiefenthaler zu stellen – so ist mit rampen Ausmaß als beim letzten Mal. - m Die vier Tage sind vollgepackt mit grandi I Herausgabe und Verlag: nylon. Verein zur Förderung und Publikation feministischer Diskurse. osen Konzerten, fesselnden Performances, Die Frage also, wie öffentliche Orte feministisch zu Kontakt: fiber. werkstoff für feminismus und popkultur. Kirchengasse 10/Mailbox No. 234, 1070 Wien, heißen Diskobeats, anregenden Diskussi- markieren sind, welche Strategien der Raumgreifung nötig [email protected] oder [email protected] onen, spannenden Filmen, lehrreichen Work- und so realistisch-utopistisch wie möglich sind, hat die shops und Superlativen ohne Ende! Lektorat: Katrin Triebswetter Planung von rampenfiber09 maßgeblich bestimmt. Wie kön- rampenfiber-Logo: Natalie Dietrich nen wir einen Raum frei von Übergriffen gewährleisten, Gestaltung: Iris Borovčnik ohne dazu als kleine Polizist_innen durch das Festival Cover: Jess Gaspar und Angela Tiefenthaler zu patrouillieren? Wie Sensibilität und Wahrnehmung Druck: REMA print Druck- und Verlagsgesellschaft m.b.H, Neulerchenfelder Straße 35, 1160 Wien Poetry Slam mit Nadja Bucher aka Mademoiselle Bücher Workshops Fr, 25.09., 14:00–16:00, FRAUENCAFÉ „Wer schreit hier so laut durch Nacht und Wind – Wir sind’s mit und ohne Kind!“ Wie mensch seine*ihre Wut in einen text schreit, ob der auch geflüstert werden kann, oder doch besser im Handstand Princess of the Universe - vorgetragen sein sollte und wie Wut, Liebe, Freude, Verzweiflung überhaupt in welchen text reinkommt, soll in zweistündiger text- und Performancefindung ausprobiert werden. Wir beginnen den Workshop mit einer Nieten, Kneten, Knebeln Visuals kurzen erklärung zu Poetry Slam (na ur-fad), produzieren Sprachenprodukte (juhu!) und erfahren bei einem mit Julia Starsky Slam im kleinen Rahmen den „Livekick“ (jippie!!). Streber*innen, die schon Geschichten/Gedichte/Lautsamm- Bühnenoutfit-Bastelstunde lungen zuhause in der Schreibtischlade horten, sind herzlich-streng dazu eingeladen, diese mitzubringen und mit Sandy Fr, 25.09., 14:00–18:00, FLUC endlich einer Öffentlichkeit preiszugeben. Sa, 26.09., 14:00–18:00, FrauencaFÉ Von der Idee im Kopf zur visuellen NADJA BUCHER tritt monatlich bei der Lesebühne DOGMA CHRONIK ARSCHTRITT im Schikaneder Wien, gemeinsam mit Doris umsetzung an die Wand, in den Mitterbacher, Markus Köhle und Malte Borsdorf, auf. Als Mademoiselle Bucher bei der Satire Show DIENSTAG NACH VOR- Musik, Glitter und Rock’n’Roll. Das Bühnenoutfit der Zukunft ist Raum, auf die tanzende Menge! SCHRIFT im Theater Forum Schwechat tätig. Liest, poetry-slamt und arbeitet auch anderswo und an Dramatischem. Veröf- queer-feministisch und für alle. Wir nähen, sprayen, tackern, Raumgestaltung, Raumnahme – Bilder fentlichungen in Anthologien und Zeitschriften. schneiden, streicheln, schrauben, tanzen und (k)leben. Dabei projizieren. Wie geht was mit welchen kommen uns Nähmaschinen, Heißklebepistolen und deinerseits Mitteln? Hier bekommst du tatkräftige beliebig erweiterbare Körper und Prothesen zur Hilfe. Wir verän- unterstützung, um feministische Raum- dern, transformieren und tunen deine alten Klamotten innerhalb praktiken und Strategien in die Realität von vier Stunden zur geschmacklosesten Abendgarderobe. We zu „beamen“ und vor Ort ihre Wirksamkeit are all Princesses! zu überprüfen! Videodokumentation Workshop-Aufbau: Video lecture (offen für alle) mit Lisa-Marie Voranmeldung unter [email protected] erbeten mit erfahrungen, tipps & tricks zur weiblichen* Breakdance Voraussetzungen: Alles möglich(e)! Durchsetzungskraft in einem männlich* dominierten mit Bgirl Pons Smith umfeld. Anschließend werden wir ganz praktisch: Anhand I: Fr. 25.09., 16:00–24:00, FLUC SANDY lebt und arbeitet in Wien. des Aufbaus für den Abend wird die technik erklärt und II: SA, 26.09., 12:00–20:00, MeDIeNZeNtRuM SA, 26.09., uND/ODeR SO, 27.09. erworbenes Wissen live ausprobiert! Be your own VJ! JeWeILS 15:00–16:30, VBKÖ Live vom Festival berichten: Der rampenfiber DJing um Anmeldung unter [email protected] mit Angabe von Doku-Workshop taucht ein ins Geschehen. Die Bgirls reisen viel um die Welt, lernen neue Menschen, mit djane mithras evtl. Vorkenntnissen wird für den „technisch-praktischen“ teil des Redakteur_innen filmen den Abend aus ihrem Kulturen und Sitten kennen, und somit auch neue Moves. Workshops gebeten. Blickwinkel, interviewen Künstler_innen und pro- Ich bin tänzerin aus Österreich und repräsentiere duzieren daraus eine eigene Doku. Der zweitägige meine Crew „Soulladies Worldwide“ rund um die uhr mit I: FR, 25.09., 13:00–16:00 JULIA STARSKY ist unter mehreren Pseu- Workshop findet in Kooperation mit dem Medi- meinem Herz und allem was ich habe. Zusammen und II: SA, 26.09., 13:00–17:00, FLuC donymen in der Welt der Projektionen be- enzentrum statt und richtet sich an junge Frauen auch alleine nehmen wir an nationalen und internatio- kannt: Vorwiegend als >starsky< aber auch von 16-22 Jahren. Am Freitag gibt es eine kurze nalen Battles teil und haben auch schon viele erfolge Rollentausch gefällig? Willst du endlich mal hinter den DJ-Decks als >x-radz< oder >niemand< ist sie seit einführung in das technische Know-How einer geteilt. stehen und selber agieren, statt immer davor und nur zuzuschauen? Anfang der 1990er als Visualistin aktiv. Sie Videoproduktion, anschließend wird vor Ort gefilmt. In den beiden Workshops bei rampenfiber lernt ihr, wie In den sieben Kursstunden – verteilt auf zwei Blocks/Nachmittage ist Mitbegründerin von >poool< und >equa- Am Samstag geht’s in die Post-Produktion: es wird es ist als Mädchen in der Breakdance Szene, man lernt – vermittelt /djane mithras/ einen einblick ins Handling der equip-
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