Uketunes 80S Songbook, Edition 5
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Strawberry Switchblade Since Yesterday Mp3, Flac, Wma
Strawberry Switchblade Since Yesterday mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Since Yesterday Country: UK Released: 1984 Style: Synth-pop MP3 version RAR size: 1312 mb FLAC version RAR size: 1158 mb WMA version RAR size: 1218 mb Rating: 4.9 Votes: 467 Other Formats: ADX AHX WAV AIFF RA DXD RA Tracklist Hide Credits Since Yesterday A 2:57 Producer – David Motion By The Sea B 2:54 Producer – David Balfe Companies, etc. Published By – Zoo Music Publishing Published By – Warner Bros. Music Ltd. Phonographic Copyright (p) – WEA Records Ltd. Copyright (c) – WEA Records Distributed By – WEA Records Ltd. Lacquer Cut At – Musitech Pressed By – Damont Credits Lacquer Cut By – Rays* Written-By – Bryson*, McDowall* Notes This is an Damont pressing. There are two other paper label pressings with the same catalogue number: PRS pressing Strawberry Switchblade - Since Yesterday EMI pressing Strawberry Switchblade - Since Yesterday Silver injection label version Strawberry Switchblade - Since Yesterday Zoo Music/Warner Bros. Music Ltd. ℗ 1984 WEA Records Ltd. © 1984 A WEA Recording. Distributed by WEA Records Ltd. A Warner Communications Company. Barcode and Other Identifiers Matrix / Runout (Label Side A): KOW 38 A* Matrix / Runout (Label Side B): KOW 38 B* Matrix / Runout (Runout, A-side, stamped): KOW 38 - A DAMONT RAYS ✶MT✶ Matrix / Runout (Runout, B-side, stamped): KOW 38 - B1 DAMONT MT. Other versions Category Artist Title (Format) Label Category Country Year KOW 38T, Korova, KOW 38T, Strawberry Since Yesterday 249248-0, -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
Big Scottish Pop Quiz Questions
Rip It Up THE BIG SCOTTISH POP QUIZ ROUND 1: Same Letter Round All the answers start with the same letter – 2 points per correct answer 1 Which Scottish pop band’s biggest hits include ‘Let There Be Love’, ‘She’s a River’ and ‘Belfast Child’? 2 What is the only ABBA song which mentions Glasgow in the lyrics? 3 What was the name of the duo comprised of Jill Bryson and Rose McDowall who had a top ten hit in 1984 called ‘Since Yesterday’? 4 What was the name of the Glasgow venue on Jamaica Street which hosted club night ‘Optimo’ for most of its 13-year run through the 90s and 00s? 5 Which Scottish singer was listed by Time magazine in 2010 as the seventh most influential person in the world? ROUND 1: ANSWERS 1 Simple Minds 2 Super Trouper (1st line of 1st verse is “I was sick and tired of everything/ When I called you last night from Glasgow”) 3 Strawberry Switchblade 4 Sub Club (address is 22 Jamaica Street. After the fire in 1999, Optimo was temporarily based at Planet Peach and, for a while, Mas) 5 Susan Boyle (She was ranked 14 places above Barack Obama!) ROUND 6: Double or Bust 4 points per correct answer, but if you get one wrong, you get zero points for the round! 1 Which Scottish New Town was the birthplace of Indie band The Jesus and Mary Chain? a) East Kilbride b) Glenrothes c) Livingston 2 When Runrig singer Donnie Munro left the band to stand for Parliament in the late 1990s, what political party did he represent? a) Labour b) Liberal Democrat c) SNP 3 During which month of the year did T in the Park music festival usually take -
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
Case 2:21-cv-04806-RSWL-SK Document 1 Filed 06/14/21 Page 1 of 12 Page ID #:1 1 COHEN MUSIC LAW 2 Evan S. Cohen (SBN 119601) [email protected] 3 1180 South Beverly Drive. Suite 510 4 Los Angeles, CA 90035-1157 (310) 556-9800 5 6 BYRNES HIRSCH P.C. 7 Bridget B. HirsCh (SBN 257015) [email protected] 8 2272 Colorado Blvd., #1152 9 Los Angeles, CA 90041 (323) 387-3413 10 11 Attorneys for Plaintiffs 12 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 16 WESTERN DIVISION 17 18 JAMES REID, an individual, and Case No.: 2:21-cv-04806 WILLIAM REID, an individual, both 19 doing business as The Jesus and Mary 20 Chain, COMPLAINT FOR COPYRIGHT INFRINGMENT AND 21 Plaintiffs, DECLARATORY RELIEF 22 v. JURY TRIAL DEMANDED 23 WARNER MUSIC GROUP CORP., a 24 Delaware Corporation; and DOES 1 through 10, inClusive, 25 26 Defendants. 27 28 COMPLAINT FOR COPYRIGHT INFRINGEMENT AND DECLARATORY RELIEF - 1 - Case 2:21-cv-04806-RSWL-SK Document 1 Filed 06/14/21 Page 2 of 12 Page ID #:2 1 Plaintiffs JAMES REID and WILLIAM REID allege as follows: 2 3 I 4 NATURE OF THE ACTION 5 1. This is an aCtion brought by James Reid and William Reid, two of the 6 founding members of the successful and critically acclaimed alternative musical 7 group The Jesus and Mary Chain (“JAMC”), formed in their native Scotland in 1983, 8 along with Douglas Hart (“Hart”), against Warner Music Group Corp. (“WMG”), the 9 third-largest reCord company conglomerate in the world, for willful copyright 10 infringement and deClaratory relief. -
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I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup. -
A Passing Fancy
A Passing Fancy Patricia Walker A Passing Fancy 2 ArtAge supplies books, plays, and materials to older performers around the world. Directors and actors have come to rely on our 30+ years of experience in the field to help them find useful materials and information that makes their productions stimulating, fun, and entertaining. ArtAge’s unique program has been featured in Wall Street Journal, LA Times, Chicago Tribune, American Theatre, Time Magazine, Modern Maturity, on CNN, NBC, and in many other media sources. ArtAge is more than a catalog. We also supply information, news, and trends on our top-rated website, www.seniortheatre.com. We stay in touch with the field with our very popular e-newsletter, Senior Theatre Online. Our President, Bonnie Vorenberg, is asked to speak at conferences and present workshops that supplement her writing and consulting efforts. We’re here to help you be successful in Senior Theatre! We help older performers fulfill their theatrical dreams! ArtAge Publications Bonnie L. Vorenberg, President PO Box 19955 Portland OR 97280 503-246-3000 or 800-858-4998 [email protected] www.seniortheatre.com ArtAge Senior Theatre Resource Center, 800-858-4998, www.seniortheatre.com A Passing Fancy 3 NOTICE Copyright: This play is fully protected under the Copyright Laws of the United States of America, Canada, and all other countries of the Universal Copyright Convention. The laws are specific regarding the piracy of copyrighted materials. Sharing the material with other organizations or persons is prohibited. Unlawful use of a playwright’s work deprives the creator of his or her rightful income. -
Songs for Waiters: a Lyrical Play in Two Acts
SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio. -
Track Listing:
Track Listing: - DISC ONE - POP / DANCE 1 Arrow - "Hot Hot Hot" 2 Communards - "Dont Leave Me This Way" 3 Patrick Hernandez - "Born To Be Alive" 4 The Jacksons - "Blame It On The Boogie" 5 Kool & The Gang - "Celebration" 6 Madonna - "Like A Virgin" 7 New Order - "Blue Monday" 8 Billy Ocean - "Love Really Hurts Without You" 9 Shamen - "Ebeneezer Goode" 10 Soft Cell - "Tainted Love/Where Did Our Love Go" 11 UB40 - "Red Red Wine" 12 Yazz & The Plastic Population - "The Only Way Is Up" DISC TWO - PARTY 1 Bad Manners - "Can Can" 2 Jeff Beck - "Hi Ho Silver Lining" 3 Black Lace - "Megamix 12"" 4 Brendon - "Gimme Some 12"" 5 Contours - "Do You Love Me" 6 Damian - "Timewarp 12"" 7 Charlie Daniels Band - "Devil Went Down To Georgia" 8 Dexy's Midnight Runners - "Come On Eileen" 9 Dooleys - "Wanted" 10 Four Seasons - "December '63 (Oh What A Night) (Ben Liebrand Remix)" 11 Gap Band - "Oops Upside Your Head" 12 Kaoma - "Lambada" 13 Little Eva - "Locomotion" 14 Los Lobos - "La Bamba" 15 Lulu & The Luvvers - "Shout" 16 Nolans - "I'm In The Mood For Dancing" 17 Piranhas - "Tom Hark" 18 Pogues & The Dubliners - "Irish Rover" 19 Vic Reeves And The Wonder Stuff - "Dizzy" 20 Toy Dolls - "Nellie The Elephant" 21 Traditional - "Stripper" DISC THREE - ALTERNATIVE 1 Carter U.S.M. - "Sheriff Fatman" 2 Clash - "Should I Stay Or Should I Go" 3 Cult - "She Sells Sanctuary" 4 Cure - "Love Cats" 5 Deacon Blue - "Real Gone Kid" 6 Emf - "Unbelievable" 7 Happy Mondays - "Step On" 8 Billy Idol - "White Wedding" 9 Inxs - "Need You Tonight" 10 Jam - "A Town Called Malice" 11 James - "Sit Down" 12 Lenny Kravitz - "Are You Gonna Go My Way?" 13 Martha & The Muffins - "Echo Beach" 14 Nirvana - "Smells Like Teen Spirit" 15 R.E.M. -
GIANT ° the Book of Pride STEPS a New 7"And 12" Si Rig Le Reini X By,Phi Ha Rcli Ng MECOVC
Di flipped by the more twittery 123 )/sbpm Blaze POP DANCE Club Mix and thumping but disruptively pausing 123 /14 -0- I23Vsbpm Blaze Dub. MADONNA 'Express Yourself (Non-Stop Express Mix)' •(Sire W2948T), her album's Martha & The Vandellas-ish best dancer now emptied and stretched out in a bumpily loping 1151/21ipm Shep Pettibone remix with twittering stuttery details making SIMON HARRIS featuring Lonnie up for the loss of momentum (marathon 1152/4-T15/12 1tpm Stop + Go Dubs flip); PAULA ABDUL 'Forever Your Girl (12" Gordon Version)' (Siren SRNT 112), Keith Cohen remixed perky shrill smacking jiggly 0/120bpm US pop chart-topper, much brighter '(I've Got Your) Pleasure Control than the lost one (of which a ¡aunty 1123/5-0bpm 'Straight Up (Kevin Saunderson Club Mix)' is on the flip), this being the for (Club Mix)' (ffrr FX 106) better commercial 12 inch version as for some reason it has only been promoed in a virtually instrumental 120bpm Ben Grosse Very commercial brightly forceful lurching (0- & Kevin Saunderson remixed percussively wriggling jittery 'Forever Your Girl (Sciunderson — Grosse House Of Love Mix)' )121 3/sbpm remake of the originally Marshall (Siren SRNX 112), more electro than techno, with an alternative sqeakily vocal jerkily striding 0-120bpm Yo! Greg Dub Version Jefferson produced On The House oldie, angli- flip — o big mistake, methinks; RAIANA PAIGE 'Open Your Heart (12" Dance 1)' (Sleeping Bag Records SBUK 10T, via cised with a thumping beefy beat and volume Demix/Rough Trade), archetypal US aimed squeaky small voiced -
The Jesus and Mary Chain Sometimes Always Mp3, Flac, Wma
The Jesus And Mary Chain Sometimes Always mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Sometimes Always Country: Australia Released: 1994 Style: Alternative Rock MP3 version RAR size: 1798 mb FLAC version RAR size: 1507 mb WMA version RAR size: 1284 mb Rating: 4.7 Votes: 372 Other Formats: AHX AIFF VOC DXD MP2 MIDI AC3 Tracklist Hide Credits Sometimes Always 1 2:32 Vocals – Hope Sandoval 2 The Perfect Crime 1:32 3 Little Stars 3:29 4 Drop-Re-Recorded 1:50 Credits Producer – Jim Reid, William Reid Written-By – Jim Reid (tracks: 2), William Reid (tracks: 1, 3, 4) Notes Australian release in cardboard slipcase Barcode and Other Identifiers Barcode: 745099692728 Other versions Category Artist Title (Format) Label Category Country Year The Jesus Sometimes NEG70TE, Blanco Y Negro, NEG70TE, & Mary Always (10", UK 1994 4509-96927-0 Blanco Y Negro 4509-96927-0 Chain* Single, Ltd, Num) The Jesus Sometimes NEG70CD, Blanco Y Negro, NEG70CD, UK & & Mary Always (CD, 1994 4509-96927-2 Blanco Y Negro 4509-96927-2 Europe Chain* Single) Sometimes The Jesus Always (CD, American PRO-CD-6981 And Mary PRO-CD-6981 US 1994 Single, Promo, Recordings Chain Car) The Jesus Sometimes NEG 70 TE & Mary Always (10", Blanco Y Negro NEG 70 TE UK 1994 Chain* Promo) Sometimes The Jesus Blanco Y Negro, NEG70, NEG 70, Always (7", NEG70, NEG 70, & Mary Blanco Y Negro, UK 1994 4509-96926-7 Single, Ltd, Num, 4509-96926-7 Chain* Blanco Y Negro Red) Related Music albums to Sometimes Always by The Jesus And Mary Chain 1.