Vidhu Vinod Chopra: ‘Proving His Point’ in Hollywood
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Triumph for Teens 2
NEWS Contact: Linda O’Hanlon FOR IMMEDIATE RELEASE 818-386-1916 Phoenix House Event Raises $250,000 To Help Fight Teen Addiction “JOAN OF ARCADIA” AND LYNN PIKE HONORED AT PHOENIX HOUSE’S SECOND ANNUAL “TRIUMPH FOR TEENS” AWARDS GALA BEVERLY HILLS, CA, April 18, 2005—Phoenix House, California’s leading non-profit substance abuse services organization, raised $250,000 during its second annual “Triumph For Teens” Awards Gala. Held at the Four Seasons Hotel in Beverly Hills on April 18, more than 200 people gathered to honor this year’s recipients, the cast and creators of “Joan of Arcadia” and Lynn Pike, President of Bank of America California and the bank’s national Business Banking group. The cast and creators of “Joan of Arcadia” were honored for their sensitive and accurate portrayal of the difficult issues that teens face today. Executive Producer Stephen Nathan accepted the award on behalf of all those connected to this People’s Choice Award-winning and Emmy- nominated drama. Lynn Pike, President of Bank of America California and the bank’s national Business Banking group, received the 2005 Public Service Award for her professional accomplishments, philanthropic endeavors, and service in the community. “We are honored to present awards each year to those entertainment and business leaders who inspire young people to make positive life decisions as well as support treatment -more- 11600 Eldridge Avenue, Lake View Terrace, CA 91342 / (818) 896-1121 www.phoenixhouse.org Triumph For Teens Award Gala 2-2-2-2-2 programs to fight teen substance abuse,” says Winnie Wechsler, Executive Director of Phoenix Houses of California. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Fanboys-Production-Notes.Pdf
International Production Notes SYNOPSIS Set in 1998, the film, starring Jay Baruchel (KNOCKED UP, MILLION DOLLAR BABY), Tony Award Winner Dan Fogler (KUNG FU PANDA, “The 25th Annual Putnam County Spelling Bee”), Sam Huntington (SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE), Chris Marquette (THE GIRL NEXT DOOR, ANOTHER WORLD), and Kristen Bell (FORGETTING SARAH MARSHALL, PULSE) is a heart-warming comedy that follows a group of young, passionate STAR WARS fans on a cross-country quest to break into George Lucas’ Skywalker Ranch and watch STAR WARS: EPISODE 1- THE PHANTOM MENACE, before it’s released. FANBOYS is a production of Trigger Street Productions and Picture Machine. The film is directed by Kyle Newman and produced by Kevin Spacey, Dana Brunetti, Evan Astrowsky and Matthew Perniciaro. The screenplay is written by Adam F. Goldberg and Ernest Cline from a story by Ernest Cline and Dan Pulick. Kevin Mann served as executive producer. 2 CAST Eric SAM HUNTINGTON Linus CHRISTOPHER MARQUETTE Hutch DAN FOGLER Windows JAY BARUCHEL Zoe KRISTEN BELL FILMMAKERS Directed by KYLE NEWMAN Screenplay ERNEST CLINE and ADAM F. GOLDBERG Story by ERNEST CLINE and DAN PULICK Produced by DANA BRUNETTI KEVIN SPACEY MATTHEW PERNICIARO EVAN ASTROWSKY Executive Producer KEVIN MANN 3 FANBOYS About the Cast SAM HUNTINGTON / Eric Sam Huntington has appeared on screen, television and stage. His film credits include, SUPERMAN RETURNS, NOT ANOTHER TEEN MOVIE, DETROIT ROCK CITY and can be seen in the upcoming TUG. On television, he has appeared in featured roles on LAW & ORDER, CSI: Miami, CSI: NY, and VERONICA MARS. Huntington appears on stage with The Peterborough Players in “The Nerd,” “Waiting for Godot” and “To Kill A Mockingbird.” While with the Black Box Theatre Company he appeared in “The New Kid,” “Gifts,” “The Guest Speaker” and “Not The King.” CHRIS MARQUETTE / Linus Possessing the rare ability to thoroughly embody each character he portrays, Chris Marquette’s intensity on screen, good looks and charm warrants him as one of the most gifted actors of his generation. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
11-14 Master
The Undergraduate Magazine Vol. VI, No. 7 | November 14, 2005 Sportsaholics Anonymous Welcome Back Potter! One-Sided Rivalry Late for Class? Adam, Brian and Tim satisfy your Rob reviews “Harry Potter and the Joanne on Penn’s obsession with beating Adam runs down Locust Walk. How athletic appetite. Goblet of Fire”. Princeton. come you’re strolling? Page 4 Page 6 Page 11 Page 12 SOUND ADVICE MARIAN LEE NO CASH, JUST PLASTIC MY FAIR AMY The Body Worlds Exhibit Lunch with the President CHRISTINE CHEN | TEMPEST IN A TEAPOT ROB FORMAN | MY 13-INCH BOX I ASKED HIM a Franklin Institute Science Museum. The ON MONDAY, when she was Provost at Princeton Univer- question to which exhibition will be in Philadelphia until April November 4th, sity. She actually does care what we think. there was no right 23, 2006 and is $24.95 a ticket. I had never I had the privi- The first task of the session was to inform answer. And I did heard of it before, but apparently it’s “kind lege of spend- Penn students about her policy initiatives. To this knowingly, of a big deal.” Body Worlds is under a lot of ing an hour read more about these, in all their detailed but I couldn’t criticism and controversy. It has caught the with Penn glory, visit http://www.upenn.edu/president/ help myself. Some attention of anti-abortionists, waving their President Amy The only one of these new policies-slash- might say it was a pitchforks—I mean, picket signs—around, Gutmann. The goals that truly affects current undergradu- mean thing to do, but what else is new. -
Annual-Report-2014-2015-Ministry-Of-Information-And-Broadcasting-Of-India.Pdf
Annual Report 2014-15 ANNUAL PB REPORT An Overview 1 Published by the Publications Division Ministry of Information and Broadcasting, Government of India Printed at Niyogi offset Pvt. Ltd., New Delhi 20 ANNUAL 2 REPORT An Overview 3 Ministry of Information and Broadcasting Annual Report 2014-15 ANNUAL 2 REPORT An Overview 3 45th International Film Festival of India 2014 ANNUAL 4 REPORT An Overview 5 Contents Page No. Highlights of the Year 07 1 An Overview 15 2 Role and Functions of the Ministry 19 3 New Initiatives 23 4 Activities under Information Sector 27 5 Activities under Broadcasting Sector 85 6 Activities under Films Sector 207 7 International Co-operation 255 8 Reservation for Scheduled Castes, Scheduled Tribes and other Backward Classes 259 9 Representation of Physically Disabled Persons in Service 263 10 Use of Hindi as Official Language 267 11 Women Welfare Activities 269 12 Vigilance Related Matters 271 13 Citizens’ Charter & Grievance Redressal Mechanism 273 14 Right to Information Act, 2005 Related Matters 277 15 Accounting & Internal Audit 281 16 CAG Paras (Received From 01.01.2014 To 31.02.2015) 285 17 Implementation of the Judgements/Orders of CATs 287 18 Plan Outlay 289 19 Media Unit-wise Budget 301 20 Organizational Chart of Ministry of I&B 307 21 Results-Framework Document (RFD) for Ministry of Information and Broadcasting 315 2013-2014 ANNUAL 4 REPORT An Overview 5 ANNUAL 6 REPORT Highlights of the Year 7 Highlights of the Year INFORMATION WING advertisements. Consistent efforts are being made to ● In order to facilitate Ministries/Departments in promote and propagate Swachh Bharat Mission through registering their presence on Social media by utilizing Public and Private Broadcasters extensively. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Big Golden Horse Winner in Taiwan Chinese-French Film About Blind Masseurs the Film Had Been Nominated in Five Catego- and Chinese Actor and Director Chen Jian- Ries
LIFESTYLE MONDAY, NOVEMBER 24, 2014 Music38 & Movies ‘Blind Massage’ big Golden Horse winner in Taiwan Chinese-French film about blind masseurs The film had been nominated in five catego- and Chinese actor and director Chen Jian- ries. Hui said her win was a surprise and she bin scooped the most accolades at Taiwan’s would have preferred her actress, Tang Wei, to Ast 51 Golden Horse movie awards, considered the win in the best lead actress category. Instead, Chinese-language equivalent of the Oscars. “Blind the award went to a lesser known actress, Chen Massage” from Chinese director Lou Ye won six of Shiang-chyi, for “Exit.” “I feel like I have made it, to the seven categories it had been nominated in, be able to win this award for Taiwan. I love Taiwan including best feature film, best cinematography films and I dedicated this for Taiwan,” said Chen and best sound effects. The film, adapted from in her acceptance speech. Chinese director Diao a novel, centers on the lives of workers in a mas- Yinan’s “Black Coal, Thin Ice,” a detective thriller set sage parlor in China’s Nanjing city. in northern China that won the Berlin Internation- The other big winner on Saturday evening al Film Festival’s main Golden Bear prize this year, was Chen, 44, who won best lead actor and best won the award for best art direction. It had been new director for “A Fool” - a film about a Chinese nominated in eight categories. The Golden Horse farmer who meets a homeless man and takes film festival celebrates Chinese-language cinema, him home - as well as best supporting actor for and the awards are the most prestigious in the his role in Taiwanese military drama “Paradise in greater China region. -
Entertainment Studies Enroll at Uclaextension.Edu Or Call (800) 825-9971
88 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 (CBS), The District (CBS), Diagnosis Murder (CBS), Another World (NBC), and recurred on Without A Trace Sneak Preview (CBS) for the first 4 seasons. Visit entertainment.uclaextension.edu/sneak-preview ENTERTAINMENT for weekly movie information. Acting for the Camera I X 410.3 Theater 4 units Sneak Preview: Contemporary Films Participants learn to get comfortable in front of the and Filmmakers lens. Exercises begin with on-camera interviews so STUDIES 804.2 Film & Television 2 CEU that students can view their screen images in play- Join us for an exclusive preview of new movies before back. Instruction focuses on understanding technical their public release. Enjoy provocative commentary and and emotional adjustments required for working in 88 Sneak Preview in-depth discussions with invited guests after each front of the camera, in a relaxed and truthful way, and developing intimacy with the camera. Topics include 88 Acting screening. Recent films and speakers have included: Whiplash with director Damien Chazelle and actor Miles the difference between frame sizes and learning to hit 90 Cinematography Teller; Birdman with Fox Searchlight Pictures’ Claudia marks. Participants hone their acting techniques through scene-study guidelines and sensory and 91 Development Lewis; The Theory of Everything with actors Eddie Redmayne and Felicity Jones; The Imitation Game with moment-to-moment exercises, as well as monologue 91 Directing producers Ido Ostrowsky, Nina Grossman and Teddy work. Some exercises are performed on camera with emphasis on close-ups, simple scenes, and basic 93 Post-Production Schwarzman; Black and White with director Mike Binder and actor/producer Kevin Costner; Red Army with direc- camera moves. -
Race to Witch Mountain
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/RaceToWitchMountain Dr. Donald Harlan. GARRY MARSHALL WALT DISNEY PICTURES Tina. KIM RICHARDS Sheriff Antony . IAKE EISSINMANN CREDITS Presents Siphon . TOM WOODRUFF, JR. Siphon Stunt Double . PAUL DARNELL Frank . JOHN DUFF RACE TO Marty . BOB KOHERR Matt. KEVIN CHRISTY WITCH MOUNTAIN Lloyd . BOB CLENDENIN Imperial A Stormtrooper Ciardi . SAM WOLFSON GUNN FILMS Imperial Stormtrooper Gray. BRYAN FOGEL Production Dominick . ROBERT TORTI Chuck. JOHN KASSIR Stenftenagel . BETH KENNEDY Directed by . ANDY FICKMAN Gallagher . JONATHAN SLAVIN Screen Story by. MATT LOPEZ Analyst D. Pleasence. HARRY S. MURPHY Screenplay by . MATT LOPEZ Four-Star and MARK BOMBACK General V. Lewton . TED HARTLEY Based on the Book by . ALEXANDER KEY General E. Albert. JACK EASTLAND Produced by. ANDREW GUNN Natalie Gann . MEREDITH SALENGER Executive Producers . MARIO ISCOVICH Casey Taylor. ANDREW SHAIFER ANN MARIE SANDERLIN Gail Ross . SUZANNE KRULL Director of Photography . GREG GARDINER Oren Bergman . STEVE ROSENBAUM Production Designer. DAVID J. BOMBA Sunday. CHRISTINE LAKIN Edited by. DAVID RENNIE, A.C.E. Brokedown Cadillac . CORRI ENGLISH Costume Designer . GENEVIEVE TYRRELL RANDY DUNHAM Special Character Effects DON IAN Designed and Created by . ALEC GILLIS JEFF LEGORE and TOM WOODRUFF, JR. DANNY REULAND Music by. TREVOR RABIN Iscovich. DAVE ENGFER Music Supervisor . LISA BROWN Police Officer Hough . OMAR DORSEY Casting by. RANDI HILLER, C.S.A. Frankie Valet . JOSEPH LEO BWARIE and SARA FINN, C.S.A. Teddy Tentacles . PAUL NYGRO Hendricks. BRANDON MILLER Unit Production Manager . PAUL MOEN Repola. ANDREW T. JANEY First Assistant Director . GEOFF HANSEN Ray.