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1 MARCH 2021 / `50 www.openthemagazine.com CONTENTS 1 MARCH 2021 5 6 8 14 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK SOFT POWER The toolkit of dissent By Virendra Kapoor By Anil Dharker The rites of pilgrimage By S Prasannarajan By Makarand R Paranjape 16 18 20 22 OPINION THE RACHEL PAPERS WHISPERER OPEN ESSAY Fixing the narrative Magic mountains By Jayanta Ghosal The great betrayal By Minhaz Merchant Rachel Dwyer By Abdul Ghaffar Khan 30 30 MODI IN THE MARKETPLACE When Narendra Modi defended the private sector in Parliament, it signalled India’s readiness to embrace its wealth creators By PR Ramesh and Siddharth Singh 40 ACROSS THE FENCE Tunnels and drones from Pakistan along the international border in Jammu pose a new challenge to India’s security By Rahul Pandita 40 22 46 THE SURPRISE SUCCESSOR? BY Vijayendra, BS Yediyurappa’s son and the architect of unlikely bypoll victories, bides his time By V Shoba 46 50 OLD MONEY How Covid-19 changes are pushing businesses to target a largely ignored demography of the elderly By Lhendup G Bhutia 54 58 54 58 64 66 THE ARC OF LIVING THE TAMIL WAVE A MOVEABLE FEAST STARGAZER The natural Today tamil indie films can be The spice route By Kaveree Bamzai experimentations recognised for their diversity By Shylashri Shankar of Bhuri Bai both in content and treatment By Rosalyn D’Mello By Namrata Joshi Cover by Saurabh Singh 1 MARCH 2021 www.openthemagazine.com 3 OPEN MAIL [email protected] EDITOR S Prasannarajan LETTER OF THE WEEK MANAGING EDITOR PR Ramesh C EXECUTIVE EDITOR Ullekh NP In the popular Indian imagination post-1857, EDITOR-AT-LARGE Siddharth Singh DEPUTY EDITORS Madhavankutty Pillai violence and non-violence have come to be seen (Mumbai Bureau Chief), as contradictory strategies of resistance (‘The Last Rahul Pandita, Amita Shah, V Shoba (Bangalore), Nandini Nair Mutiny’ by Pramod Kapoor, February 22nd, 2021). CREATIVE DIRECTOR Rohit Chawla The British repression of the war by Indian sepoys ART DIRECTOR Jyoti K Singh SENIOR EDITORS Sudeep Paul, in the East India army was brutal. The colonial Lhendup Gyatso Bhutia (Mumbai), psyche was so scarred by the Indian rebellion that Moinak Mitra, Nikita Doval AssOCIATE EDITOR Vijay K Soni (Web) everything it did after the British Raj took over ASSISTANT EDITOR Vipul Vivek from the Company reflected that brutality. This is CHIEF OF GRAPHICS Saurabh Singh one of the most important psychological reasons SENIOR DESIGNERS Anup Banerjee, Veer Pal Singh why armed resistances have failed again and again PHOTO EDITOR Raul Irani both in the struggle for freedom and even after that DEPUTY PHOTO EDITOR Ashish Sharma against the state. That most Indians remain stuck NATIONAL HEAD-EVENTS AND INITIATIVES in hand-to-mouth lives has only made it worse make the most of the Amma- Arpita Sachin Ahuja AVP (ADVERTISING) for upper-class armed agitators, unlike in the US Sasikala relationship. Rashmi Lata Swarup where the revolutionaries were not constrained MR Jayanthi GENERAL MANAGERS (ADVERTISING) Uma Srinivasan (South) by ‘circumstances of existence’. This is something Gandhi understood acutely. And this is why the Sasikala’s return to Chennai NATIONAL HEAD-DISTRIBUTION AND SALES Ajay Gupta masses also understood Gandhi. Even today, when by road had all the signs of REGIONAL HEADS-CIRCULATION D Charles (South), Melvin George incomes have grown manifold, most Indians AIADMK’s plan to make her (West), Basab Ghosh (East) intuitively reject even the slightest hint of play a central role in Tamil HEAD-PRODUCTION Maneesh Tyagi aggression in any protest. Nadu politics very soon. SENIOR MANAGER (PRE-PRESS) Sharad Tailang Neeta Nair CKR Nathan MANAGER-MARKETING Priya Singh RIGHT TIME CHIEF DESIGNER-MARKETING Champak Bhattacharjee This is the right time to CFO & HEAD-IT Anil Bisht TALK TO EXPERTS experts on those issues for prove that ‘less government, CHIEF EXECUTIVE & PUBLISHER Let Indian farmers and policy solutions. Nothing more governance’ is not Neeraja Chawla governments talk to various more is needed. a mere slogan (‘The Rites All rights reserved throughout the world. Reproduction in any manner groups of agricultural experts Vasudeva Rao P of Liberation’ by Swapan is prohibited. until a satisfactory solution Dasgupta, February 15th, Editor: S Prasannarajan. Printed and published by Neeraja Chawla on behalf for long-term profitable AFTER AMMA 2021). This year’s Union of the owner, Open Media Network Pvt Ltd. Printed at Thomson Press India Ltd, production and marketing Rajinikanth’s absence has Budget finally discarded 18-35 Milestone, Delhi Mathura Road, Faridabad-121007, (Haryana). is reached (‘Punjab and made VK Sasikala’s return the outdated formula of Published at 4, DDA Commercial Protest’ by Nonica Datta, to politics after her prison wellbeing for the promise Complex, Panchsheel Park, New Delhi-110017. February 22nd, 2021). There sentence even more relevant of growth. This will liberate Ph: (011) 48500500; Fax: (011) 48500599 is no need to talk to the (‘AIADMK’s Sasikala in the most complete To subscribe, WhatsApp ‘openmag’ to 9999800012 or log on to general public. What does Reconciliation Problem’, way India’s creative and www.openthemagazine.com or call our Toll Free Number the public know about the February 22nd, 2021). While entrepreneurial energies. 1800 102 7510 intricacies of agriculture, the Dravida Munnetra So, many years after or email at: [email protected] economics, production and Kazhagam might be feeling Independence, we are only For alliances, email [email protected] agri-marketing? Not every assured after an alliance now beginning to break our For advertising, email voting citizen is an expert. with its old friends, Kamal chains. Our aggregate stock [email protected] For any other queries/observations, Even an expert in a single Haasan and MK Alagiri are of assets, infrastructure and email [email protected] domain does not know about going to divide the voter capital is one of the largest other domains related to this base that all these players in the world. Yet, what has Disclaimer ‘Open Avenues’ are advertiser-driven marketing problem. Civil society is not commonly rely on. A day been missing all these years initiatives and Open assumes no responsibility for content and the consequences of using the right platform for every after Sasikala left jail, the after 1991’s faltering steps products or services advertised in the magazine deliberation. This is not a residence of Jayalalithaa was is our individual capability Volume 13 Issue 8 problem that can be solved converted into a memorial to convert this stock into For the week 23 February- through media debates. The by the state government. productive resources. This is 1 March 2021 Total No. of pages 68 aggrieved constituencies The All India Anna Dravida our true inflection point. should be discussing with Munnetra Kazhagam is set to Chanchal Nandy 4 1 MARCH 2021 LOCOMOTIF By S PRASANNARAJAN THE TOOLKIT OF DISSENT HEN DISSENT IS what we are talking “one that predetermines all the others, is simply an attempt about, and when governments are generally to create and support the independent life of society as an paranoid about being subjected to a show articulated expression of living within the truth.” Dissent is trial, mainly on social media nowadays, I’m an anti-ideological rejoinder. The dissident serves the truth. tempted to return to the essay ‘The Power The dissident is an active member of the “parallel polis” that Wof the Powerless’ by Václav Havel. It was written more than forms an alternative to the ideological model. Havel, even as he 40 years ago as a hasty manifesto for dissidents living under changed the world, remained modest about the power of the communism, or what Havel calls post-totalitarianism. I dissident. But not about the power of truth. would say it’s still mandatory reading for anyone interested Havel’s dissident doesn’t look dated even as we read his essay in knowing the moral responsibility that comes with the act in a post-ideological world. In a cruel irony, the Eastern Europe of standing up to power. Havel wrote the essay at a time when of 2021 has no tolerance for the romance of 1989. It is home to the “secularised religion” of communism, with its “hypnotic some of the most domineering populist demagogues—among charm”, offered “wandering humankind” a “low-rent home”. them frontline fighters of 1989 against the Lie—who borrow The resident of this home consigns “reason and conscience to liberally from the discarded book of ideology. Havel’s essay could a higher authority.” In this home, everyone is a variation of the be a guide for dissidents in Poland or Hungary, for the lie has greengrocer who displays a slogan among his wares: “Workers staged a remarkable comeback. It’s not just the old communist of the world, unite!” Why? He doesn’t think too much about who offers a “low-rent home” to people trapped in structured this exhibition of loyalty. It’s a sign of “indifferent conviction”. worlds of simulated happiness. The post-ideological demagogue For him, “ideology is a specious way of relating to the world. too is a retailer of happiness—as long as you are as loyal as the It offers humanity the illusion of an identity, of dignity, and of greengrocer with the mandatory slogan displayed in his window. morality while making it easier for them to part with them.” We may not have heard about a new Havel from those places. The greengrocer is trapped inside an illusion. The slogan is a The courage—and symbolism—of an Alexei Navalny is the story talisman for the victim who wants to belong. that brings out the power of the powerless today. It’s the story of What happens when the greengrocer, suddenly one day, truth’s determination to outlive the potentate’s poison.
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  • Responses to 100 Best Acts Post-2009-10-11 (For Reference)

    Responses to 100 Best Acts Post-2009-10-11 (For Reference)

    Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions.