“… Birds Singing from the Branches of a Tree….” (Where I Seem to Be, and How I Might’Ve Gotten Here) (Selected Autobiographical Pieces--With Links)
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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Over 70 Acts Added! Dave, King Princess, Dillon Francis
OVER 70 ACTS ADDED! DAVE, KING PRINCESS, DILLON FRANCIS, MACHINE GUN KELLY, RODDY RICCH, PLUS MANY MORE JOIN HEADLINERS THE 1975, POST MALONE, TWENTY ONE PILOTS AND FOO FIGHTERS Æ MAK | AITCH | ANTEROS | ANTI UP | BAD CHILD BAKAR | BASEMENT | BELAKO | BLACK HONEY BLADE BROWN | BLOOD YOUTH | BOSTON MANOR | BRUNSWICK CEMETERY SUN | CLAIRO | COUNTERFEIT. | DANILEIGH | DAPPY DAVE | DENO DRIZ | DILLON FRANCIS | DIMENSION | DJ TARGET DREAM STATE | DREAMERS | EVERYONE YOU KNOW | THE FAIM FIDLAR | GEORGIA | GHOSTEMANE | HIGHER POWER HIMALAYAS | HOBO JOHNSON & THE LOVEMAKERS | HOT MILK JAGUAR SKILLS | JAMES ORGAN | JEREMY ZUCKER | JUST BANCO K-TRAP | KENNY ALLSTAR | KING PRINCESS | LOSKI MACHINE GUN KELLY | MALEEK BERRY | MASICKA MAYDAY PARADE | MELLA DEE | MILK TEETH | MINI MANSIONS MOONTOWER | MTRNICA | MUZZY | NIGHT RIOTS | OCEAN ALLEY OF MICE & MEN | PARIS | PATENT PENDING | PIP BLOM PRESS CLUB | PROSPA | PUP | PUPPY | RODDY RICCH | SAINT JHN SEA GIRLS | SMOKEASAC | THE SNUTS | SOPHIE AND THE GIANTS SPORTS TEAM | STAND ATLANTIC | SWMRS | TEDDY TIFFANY CALVER | TION WAYNE | TOMMY GENESIS | TRUEMENDOUS VALERAS | WHITE REAPER | ZUZU www.readingandleedsfestival.com Thursday 7th March 2019: Reading & Leeds Festival has today added over seventy more acts to the bill for this year’s event including Dave, King Princess, Dillon Francis, Machine Gun Kelly, and Roddy Ricch. They’ll be performing alongside already announced headliners The 1975, Post Malone, Twenty One Pilots and Foo Fighters at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (23 – 25 August). Tickets are available here. On the cusp of world domination, London-born rapper Dave will be headlining the BBC Radio One Stage. As one of the most promising talents to emerge on the UK rap scene in recent years, Dave will be captivating festival goers with tracks from his forthcoming highly anticipated debut album ‘Psychodrama’ - due for release 8 March. -
Experiences of Millennials' Usage of the Cassette Tape As Music Media
Play, Rewind, Play Again: Experiences of Millennials’ Usage of the Cassette Tape as Music Media Waleed Rashidi California State University, Fullerton This paper was presented at the 2018 International Summit of the Music & Entertainment Industry Educators Association March 22-24, 2018 https://doi.org/10.25101/18.23 This project was funded by a MEIEA research grant. Abstract Cassette tape purchases in the United States increased Introduction 35% from 2016 to 2017, with 174,000 units sold in 2017 In 2014, Hollywood Records released one of the most (Caulfield 2018). New titles from contemporary artists and popular cassette-based soundtrack albums within the past reissues of classic albums are currently being released on decade. The tape was a soundtrack for Guardians of the cassette, with teens and young adults as some of the recent Galaxy, a film which grossed approximately $773 million users of the analog technology. worldwide (Box Office Mojo, n.d.). Dubbed Awesome Mix This exploratory qualitative study’s purpose is to de- Vol. 1, the compilation included classic tracks by popular scribe and categorize the experiences of millennials’ recent artists of the 1970s and 1980s, including the Jackson 5, Da- purchases and playing of cassette tapes via a presentation vid Bowie, The Raspberries, The Runaways, and Marvin of themes derived from multiple in-depth interviews. The Gaye. Another cassette compilation from the film, Cosmic study offers insight on how some millennials purchase cas- Mix Vol. 1, was released less than a year later with music settes, where and how they play their cassettes, and the at- from artists of similar eras. -
Hansen Gets an Upgrade Holiday Happenings School of Music Events
Football player reflects on Students map out new ways to a season to remember experience IWU SPORTS, P. 15 FEATURES, P. 10 www.iwu.edu/~theargus Volume 118 | Issue 11 December 2, 2011 Hansen gets an upgrade KRISTIN FIELDS come costly. The new system STAFF REPORTER will be cost-efficient and will Holiday happenings When not used as a casual also work toward Illinois Wes- study space, the Hansen Student leyan’s efforts to “go green.” Center is home to a number of The new lighting upgrades shows presented by student-run will largely benefit student or- bring organizations. With presenta- ganizations such as Dance Co- tions and performances to bring hesion and the Musical Theater With finals fast approach- to the student body, many groups Society, both of which hold an- ing, Illinois Wesleyan Uni- rely on lighting and sound nual performances in the build- versity student groups are equipment for their events. ing and rely on lighting technol- ogy for their respective shows. spreading some much-need- The current system is 10 years ed holiday spirit this week. old and in need of an update. “This technology allows us Y to produce somewhere in the On Tuesday, Nov. 29, IWU J Senior physics major Derrick Rohl, who works with light- neighborhood of 16 million student Jewish organization ing in the student center, noted colors with each fixture,” said Hillel held their annual Ha- the current fixtures are minimal Rohl, who has worked on the project alongside sophomore nukkah dinner in the Davis- in terms of technology. He be- don Room of the Memorial lieves an upgraded system is an theater design/technology major important step for the facility. -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
Eurovision Song Contest: Lena-Meyer Landrut Verpasst Mit „Taken by a Stranger“ Die Charts-Spitze
09.03.2011 http://www.derwesten.de/nachrichten/Lena-Meyer-Landrut-verpasst-mit-Taken-By-A-Stranger- die-Charts-Spitze-id4397104.html Eurovision Song Contest Lena-Meyer Landrut verpasst mit „Taken By A Stranger“ die Charts-Spitze Nachrichten, 09.03.2011, Ingmar Kreienbrink Lena Meyer-Landrut wird für Deutschland beim Eurovision Song Contest mit dem Song „Taken By A Stranger“ das Projekt Titelverteidigung angehen. (Foto: © Sandra Ludewig / Universal Music 2011) Essen. Die Bilanz ist auf den ersten Blick beeindruckend: Mit fünf Singles aus ihrem neuen Album landete Lena Meyer-Landrut gleichzeitig in den Deutschen Charts. Doch „Taken by a stranger“ - ihr Song für den Eurovision Song Contest - landet hinter „Grenade“ von Bruno Mars „nur“ auf Platz 2. Bei dem vorherigen Medienhype durch die ARD/ProSieben-Kooperations-Sendung „Unser Song für Deutschland“ ist das kleine Überraschung. Schließlich sprang ihr Sieger-Lied „Satellite“ vor einem Jahr ebenso von Null auf 1 wie zahlreiche andere Songs aus anderen Casting-Shows wie etwa „Deutschland sucht den Superstar“ (DSDS). „Mittleres Chart-Fiasko für Plattenfirma Universal“ Jetzt diskutieren die Fans über die Folgen und die Außenwirkung durch die „Schlappe“. Schließlich ist „Taken by a Stranger“ für den Eurovision Song Contest „Unser Song für Deutschland“. In einem Blog ist unter anderem von einem mittleren Chart-Fiasko für die Plattenfirma „Universal“ die Rede. Doch die Gründe für das Ergebnis scheinen wesentlich komplexer. So hat es offenbar in der Startwoche eine Verkaufssperre für den Titel bei wichtigen Downloadshops vom Media Markt, Saturn, MedionMusic und Jamba gegeben. „Download-Verkäufe machen rund 85 Prozent der offiziellen deutschen Single Charts aus“, erläutert Hans Schmucker von media control auf DerWesten-Anfrage. -
The Jazz Musician's Business Handbook
The Jazz Musician’s Business Handbook Highlights from the 2017 JAZZ.FM91/Music Ontario Music Business Seminars 1 Table of Contents Introduction……………………………..2 Jaymz Bee: Introduction to Good Jazz Business…..4 Jae Gold: An Artist’s Guide to Finance…………….7 Ken Druker: 21st Century D.I.Y……………….....10 Robi Botos: A Musician’s Perspective……………12 Erin Kinghorn: Online Strategies……………….13 Panel: Tackling the Conference World…………….15 Panel: Know your funding & revenue sources……..17 2 Welcome to the first ever JAZZ.FM91 Music Business Handbook. For the past three years, JAZZ.FM91 has been presenting music business seminars, specially geared to workers in jazz. These events have been well attended and well received, because they fill a particular void in the realm of business education for artists; that of networking and strategizing around the precarious world of making a living in jazz music. In February and May of 2017, JAZZ.FM91 teamed up with TD Bank Group and Music Ontario to continue this much needed seminar tradition. This document is a compendium of just some of the ideas discussed at the two events. For a deeper look into the concepts touched on below, please visit the music business seminar page on the JAZZ.FM91 website here: http://jazz.fm/index.php/education-mainmenu-111/music-seminar For further information about JAZZ.FM91 in general, please go here: jazz.fm For more about Music Ontario, go here: music-ontario.ca For details on the many generous contributions TD Bank Group makes to Canadian music, go here: https://www.tdmusic.com/ 3 JAYMZ BEE, On-Air Host, Producer & Jazz Safari Tour Guide, JAZZ.FM91 Introduction to Good Jazz Business • Community is important! In our current world, artists need to support each other. -
Fidlar Self Titled Album Download FIDLAR Download (MP3) Fourteen Slices of Insanely Catchy and Aptly Titled Punk Rock Tunes
fidlar self titled album download FIDLAR Download (MP3) Fourteen slices of insanely catchy and aptly titled punk rock tunes. The debut album by FIDLAR, recorded and self-produced at the band’s home studio with mixing duties handled by Rob Schnapf (Elliot Smith, Beck, Guided By Voices) is fourteen slices of insanely catchy and aptly titled punk rock tunes. Track list: 1. Cheap Beer 2. Stoked And Broke 3. White On White 4. No Waves 5. Whore 6. Max Can't Surf 7. Black Out Stout 8. Wake Bake Skate 9. Gimme Something 10. 5 to 9 11, LDA 12. Paycheck 13. Wait For The Man 14. Cocaine 15. Awkward. * Praise for FIDLAR * "an electrifying, intensely fun album" 8/10 - NME. "With its Ramones-via-The Golden State garage punk, it's brilliantly noisy in all the best places ('White On White', 'Wait For The Man') and yet not afraid to tone down on occasion ('Gimme Something')." 9/10 - DIY. "The spirit of drunk adolescence, cramped kitchens and broken valuable endures on their frightfully fun debut." 4/5 - Q. Fidlar struggles to break free. “Almost Free” is the third studio album from Los Angeles punk band Fidlar; it released on Jan. 24. Band members Zac Carper, Elvis Kuehn, Max Kuehn and Brandon Schwartzel take some big risks to break free from their familiar punk identity. The band released its debut album in 2013, the self-titled “Fidlar.” It featured a raw, simplistic punk aesthetic inspired by bands like The Offspring, Black Lips and Dead Kennedys. Despite criticism that the record was lyrically and musically one dimensional, the band’s potential for writing a great punk song was clear, and people started to take notice. -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies. -
Curriculum Theory As Cultural Studies. Toby Allan Daspit Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 Subterranean Echoes: Curriculum Theory as Cultural Studies. Toby Allan Daspit Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Daspit, Toby Allan, "Subterranean Echoes: Curriculum Theory as Cultural Studies." (1998). LSU Historical Dissertations and Theses. 6820. https://digitalcommons.lsu.edu/gradschool_disstheses/6820 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Brinsley Schwarz Last Updated: 10 August 2007
This document is a snapshot of content from a discontinued BBC website, originally published between 2002-2011. It has been made available for archival & research purposes only. Please see the foot of this document for Archive Terms of Use. 8 May 2012 Accessibility help Text only BBC Homepage Wales Home Brinsley Schwarz Last updated: 10 August 2007 Ian Gomm was once described as the "best rhythm more from this section guitarist in Britain" (NME BBC Local 1971). In those days, he was My Story a member of cult group A Week in Westminster Mid Wales Abigail's Orang-utans Brinsley Shwarz. Things to do Back into the big bad world... Bah! Humbug! People & Places Beard and Booze Nature & Outdoors Ian now lives in Llanfair Caereinon in Powys and writes here Belonging History about his days as a rock star. He sent us his story after Brinsley Schwarz Religion & Ethics visiting the BBC Wales Bus in Llanfair Caereinion in 2003. Calendar Girl Class of '53 Arts & Culture Don't cry for me Aberaeron Music God Bless the Cambrian News! TV & Radio "I was born in downtown Chiswick and grew up in London History Hunter Internet Innovators Local BBC Sites and cut my teeth on 'The Ventures', 'The Everly Brothers' Jim's Story News and 'The Beatles'. As a youngster, I followed a 5-year Keeping Butterflies Sport apprenticeship in mechanical and electronic engineering with Learner of the Year EMI Ltd. at Hayes in London where The Beatles' first records Led Zeppelin Weather Leila's Long Walk Travel were manufactured. Llanidloes Fancy Dress Martin's Memories Neighbouring Sites I sang and played lead/rhythm guitar in semi-professional Memories from Bont North East Wales groups in my spare time through the late sixties, and Motherhood - My View North West Wales performed around the West London R&B circuit in clubs and My West Side Story South East Wales Observations of a Sea-Side Town. -
A"Boy"Named"Cindy" " Thesis"" " Presented
A"Boy"Named"Cindy" " Thesis"" " Presented"in"partial"fulfillment"of"the"requirements"for"the"degree"Master"of"Fine" Arts"in"Creative"Writing"–"Nonfiction"in"the"Graduate"School"of"The"Ohio"State" University." " " By" " Cindy"Gaillard,"B.S." Graduate"Program"in"English" " The"Ohio"State"University" 2015" " Thesis"Committee:" Lee"Martin,"Advisor" Erin"McGraw" " " ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright!by! ! Cindy!Gaillard! ! 2015! Abstract! ! ! This!work!is!a!partial!memoir!about!a!journey!I!took!at!twelve!years!of!age!in!1973! encompassing!the!states!of!New!Mexico,!Arizona,!Utah,!Wyoming!and!Colorado.!!It!is! a!personal!story!of!both!spiritual!and!sexual!awakening.!!Set!in!a!time!when! homosexuality!was!condemned,!it!traces!the!personal!obstacles!of!selfJidentity!as!a! young!lesbian!who!struggles!with!her!love!of!God.! ! ii! Dedication! ! ! ! ! For!the!GLBT!community,!both!young!and!old;!! God!made!you!beautiful.! ! iii! Acknowledgments! ! ! ! Many!thanks!to!Andrew!Hudgins!for!kicking!me!in!the!ass!to!complete!my!thesis! while!plying!me!with!single!malt!scotch;!Erin!McGraw!who!taught!me!how!to!craft! scenes!with!the!patience!of!an!impatient!saint;!to!Lee!Martin!for!never!giving!up!on! me!and!sharing!a!love!of!music!on!and!off!the!page;!to!Susanne!Jaffe!who!told!me!to! stop!writing!crap!and!embrace!what!I!love;!to!Janet!McAdams!for!our!Saturday! morning!writing!sessions!and!pushing!to!write!down!the!river!story,!full!of!legend! and!oh,!so!many!truths.! Thanks!to!Mary!Coleman!for!guiding!so!many!students,!this!one!included,!to! embrace!their!purpose.!!