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7:30 P.M. Saturday, September 3, 2016 James Cassidy, conductor Devou Park Amphitheater Sarah Viola*, soprano Covington, Ky. Northern Kentucky Children’s Ensemble† Lauren Barnhill, director “Straussing Out” “Jockey Polka” Josef Strauss “Homage to Queen Victoria” Johann Strauss, Sr. “Pizzicato Polka” Johann, Sr., and Josef Strauss “Frühlingsstimme”* Johann Strauss, Jr. “Tritsch-Tratsch Polka”† ” ” ”. “Vilja” Franz Lehar Kat Aguiar, saw “Carmen Quadrille” Eduard Strauss “Wine, Women and Song” Johann Strauss, Jr. Intermission “Auf der Jagd” Johann, Jr. Die Fledermaus Overture ” ”. “Laughing Song” from Die Fledermaus* ” ”. “Champagne Polka” ” ”. “Perpetuum Mobile” ” ”. “Banditen Polka” ” ”. “On the Beautiful, Blue Danube”* ” ”. Lyrics by Steve Hinnenkamp “Radetsky March” Johann Strauss, Sr. Sarah Viola, soprano Ms. Viola has performed operatic and musical theater roles across America and Europe with such companies as Opera Santa Barbara, Eugene Opera, Stockton Opera, New York Lyric Opera, and Cincinnati Landmark Productions. A graduate of the San Francisco Conservatory of Music, highlights of the soprano’s career include her Germany debut as Pamina in Die Zauberflöte in Bavaria as well as originating the role of Giulietta in Romeo e Giulietta by Emily Wang in Italy. She was also a recipient of the Honorable Mention Award as a grand finalist in the Meistersinger Competition in Graz, Austria. As a member of the New York Choral Artists and Concert Chorale of New York, she has performed regularly at Carnegie Hall and Lincoln Center with the New York Philharmonic, Vienna Philharmonic, and San Francisco Symphony, among others. This winter, she looks forward to performing in the original production of The Nights Before Christmas at the Covedale Center for the Performing Arts and in The Music Man as Marian Paroo at The Carnegie. 2016 Summer Series Sponsor The KSO receives general operating & season funding from: Additional support comes from: Summer Program support: Summer Health Care Partner.

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Orquestra Sinfónica Do Porto Casa Da Música
Orquestra Sinfónica do Porto Casa da Música Takuo Yuasa direcção musical 3 Jan 2020 · 21:00 Sala Suggia MECENAS CICLO SOGRAPE A CASA DA MÚSICA É MEMBRO DE 1ª PARTE (C.30MIN) Jacques Offenbach Abertura da opereta La belle Hélène (1864) Barcarola da ópera Les contes d’Hoffmann (1881) Johann Strauss II Postillon d’amour, op. 317 (polca francesa) (1867) Annen ‑Polka, op. 117 (polca francesa) (1852) Josef Strauss Moulinet Polka, op. 57 (polca francesa) (1858) Amilcare Ponchielli Dança das horas, da ópera La Gioconda (1876) 2ª PARTE (C.35MIN) Johann Strauss II Wiener Blut, op. 354 (valsa) (1899) Franz Lehár Ouro e Prata (valsa) (1902) Eduard Strauss Bahn frei!, op. 45 (polca rápida) (1869) Johann Strauss II Comboio da diversão, op. 281 (polca rápida) (1864) Hans Christian Lumbye Galope do Comboio a Vapor de Copenhaga (1847) Johann Strauss II Im Krapfenwald’l, op. 336 (polca francesa) (1869) Hans Christian Lumbye Champagne (galope) (1845) Johann Strauss II No belo Danúbio azul, op. 314 (valsa) (1866) 3 A dinastia Strauss é já habitual convidada de conteúdos, o musical e o dramático, apresen‑ honra do Concerto de Ano Novo da Orques‑ tam um carácter mais leve. Originalmente, a tra Sinfónica, seduzindo ‑nos com as mais opereta assentaria as suas raízes nos géne‑ animadas valsas e polcas. Estas eram danças ros teatrais mais populares – como a comme‑ imensamente populares na Viena do século dia dell’arte em Itália durante os séculos XVI e XIX e ainda hoje animam os bailes da cidade XVIII, o vaudeville em França e a ballad opera e as históricas emissões televisivas de Ano no Reino Unido.
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University of Southampton Research Repository Eprints Soton
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Overture to Der Zigeunerbaron (The Gypsy Baron) Johann Strauss II
Viennese Favorites Johann Strauss II and Josef Strauss ohann Strauss II first made his mark as an tive repertoire even outside German-speak - J orchestra leader at the age of 19, and he ing lands. The three-act operetta Der quickly emerged as a rival to his more estab - Zigeunerbaron sports a complicated plot that lished father, Johann Strauss, Sr. Initial un - involves the love affair of a Hungarian lad and easiness over this situation was overcome, and a Gypsy lass set against a background of in - when the elder Strauss died, in 1848, the son ternational intrigue. The Overture to Der merged his late father’s orchestra into his own. Zigeunerbaron is infused with an exotic fla - From 1863 to 1871 he served as director of vor, employing evocative rhythms, unusual Viennese court balls, just as his father had, and harmonic references, and colorful touches of when he relinquished the position he merely orchestration — including jingling spurs — to handed the reins off to his brother Eduard. summon up the Hungarian-Danube world in This set of his works — and one by his brother which the action unrolls. But this being Jo - Josef — evoke the sophisticated frivolity of hann Strauss II the music cannot resist touch - those events. ing down on an ingratiating waltz before In addition to the almost 500 pieces of galloping off in its high-stepping conclusion. dance music he published, Johann Strauss II scored important successes as a composer of The second child of the family, Josef Strauss operetta and light opera. Die Fledermaus has disappointed his father by not entering the proved the most enduring, but Der Zigeuner - military.
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Vínartónleikar fimmtudagur 05.01.12 föstudagur 06.01.12 laugardagur 07.01.12 Vinsamlegast hafið slökkt á farsímum meðan á tónleikum stendur. Tónleikarnir eru hljóðritaðir og verða sendir út á Rás 1 sunnudaginn 8. janúar. Tónleikarnir á laugardag eru teknir upp fyrir Sjónvarpið og verða sendir út síðar í mánuðinum. vínartónleikar TónleikaR í eldboRg 5., 6. og 7. janúaR 2012 Willy Büchler hljómsveitarstjóri Sigrún Hjálmtýsdóttir einsöngvari Johann Strauss yngri Leðurblakan, forleikur Josef Strauss Moulinet, polka française Johann Strauss yngri Mein Herr Marquis, úr Leðurblökunni Johann Strauss yngri Vergnügungszug (Gleðilestin), polka schnell Johann Strauss yngri Wo die Zitronen blüh’n (Þar sem sítrónutrén blómstra), vals Franz Léhar Einer wird kommen, úr Der Zarewitsch Josef Strauss Ohne Sorgen! (Áhyggjulaust!), polka schnell Hlé Johann Strauss yngri Wiener Blut (Vínarblóð), vals Carl M. Ziehrer Liebe schöne alte Donaustadt, úr Der Fremdenführer Josef Strauss Thalia, polka-mazurka Johann Strauss yngri So ängstlich sind wir nicht! (Svo skelkuð erum við ekki!), polka schnell Johann Strauss yngri Klänge der Heimat, úr Leðurblökunni Eduard Strauss Mit Extrapost (Með hraðpósti), polka schnell Johann Strauss yngri An der schönen blauen Donau (Dónárvalsinn) 3 Willy Büchler hljómsveitarstjóri Willy büchler er aðalgestastjórnandi Strauss-hátíðarhljómsveitarinnar í Vínarborg og hefur í yfir tvo áratugi heillað tónleikagesti með fjörugum flutningi á tónlist Strauss-fjölskyldunnar og fleiri meistara Vínartónlistarinnar. büchler fæddist í Vínarborg og lærði fiðluleik hjá josef Sivo og Michael Frischenschlager við tónlistarháskóla borgarinnar. aðeins tvítugur að aldri var hann skipaður prófessor í fiðluleik við landeskonservatorium Vorarlberg, en sneri síðar aftur til heimaborgar sinnar til að gerast aðstoðarkonsertmeistari útvarpshljómsveitarinnar í Vínarborg. Hann kenndi einnig fiðluleik við Tónlistarháskóla Vínarborgar.
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THE COMPLETE ORCHESTRAL EDITION Contents 3 Contents
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“Celebri Valzer, Polke E Marce Della Famiglia Strauss”
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ELISABETH SCHWARZKOPF, Soprano DETROIT SYMPHONY ORCHESTRA WILLI BOSKOVSKY, Guest Conductor
1962 Eighty-fourth Season 1963 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Special Concert Complete Series 3392 ELISABETH SCHWARZKOPF, Soprano DETROIT SYMPHONY ORCHESTRA WILLI BOSKOVSKY, Guest Conductor SUNDAY EVENING, JULY 14, 1963, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to Die Flede1'1naus . JOHANN STRAUSS, JR. The spectacular Johann Strauss famil y dominated a large segment of Viennese musical and entertainment life during the nineteenth century. The elder Johann Strauss (1804-1849) began his musical career playing in dance orchestras and soon formed his own band in 1826. By 1835 he was in charge of the court balls of Vienna. His three so ns, Johann Jr., Joseph, and Eduard, wo n musical recog nition and built a waltz kingdom which ex tended even to the United States where Johann Jr. co nducted in 1872 . Mr. Boskovsky tonight directs the or chestra while occasionally leading on violin as Johann did. Die Fledermaus is one of the most successful of his sixteen operettas. The pop ular Overture emhodies the very spirit of gaiety and romance which flows throughout the entire story of The Bat. Delirium Waltzes, Op. 212 JOSEPH STRAUSS Jockey Galop, Op. 278 } Joseph Strauss composed nearly three hundred works. The Delirien Valzer are among his best. The Jockey Galop was written for a kind of round dance. Waltz Song from Wiener Blut J OHANN STRAUSS, JR. In this, his final work for the stage , Wiener Blut (literally Vienna Blood, hut usually translated as "Life") has come to be one of Strauss' most familiar set of waltzes and fully exhibits his love for Vienna, the city of the waltz.
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Strauss- Das Wien Des Walzerkönigs Spazieren Sie Durch Wien Auf Den Spuren Des Weltberühmten „Walzerkönigs“ Johann Strauss (25.10.1825 – 3.6.1899, Wien)
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