DOCSLIB.ORG

Street Fighter 5 Game Guide Unofficial

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Street Fighter 5 Game Guide Unofficial Street Fighter 5 Game Guide Unofficial Copyright 2017 by Chala Dar Third Edition, License Notes Copyright Info: This ebook is licensed for your personal enjoyment only. This ebook may not be resold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return and purchase your own copy. Thank you for respecting the hard work of this author. Legal Info: This product is not associated, affiliated, endorsed, or sponsored by the Original Copyright Owner(s), nor have they been reviewed, tested or certified by either. This is an unofficial guide. This guide is to be used as a reference. This does not modify or alter the game in any way and is not a software program. Presented by HiddenStuffEntertainment.com Table of Contents Street Fighter 5 Game Guide Unofficial Preface Fighting Strategies In Game Mechanics The Motions Beginner Tips Conclusion Free Bonus for our Readers Fighting Strategies In Game Mechanics The Controls Since Street Fighter 5 will be arriving to PlayStation 3, a lot of players are forced to use controllers which are different to what they’re used to. Examples of those would be FightPads, Xbox controllers for PX, and Arcade Sticks. Therefore, this guide was designed to present a few conversions of basic controllers to the PSA4 pads. Here they are: Now, some people will advise you that sticks are all you need, with pads being extremely effective for this Street Fighter version. After all, the Street Fighter 4 EVO champ used PS1 pads to play. Therefore, comfort should be your top priority when playing this game. If you’re having problems with your controller, you may switch into a stick and pad if you wish. Blocking Blocking is a fighting game control often forgotten by many newbies when starting out. This is a necessary control to learn, especially in Street Fighter 4. This is done in the game, where blocking is done through holding yourself away from the opponent. A “Back” for a standing block and “Down and back diagonally” for a crouching block, are viable methods to prevent getting hit. Certain moves are slow to hit, and are therefore blocked best through crouching. Other moves can you break you from a crouch block, and thus you should take care. Always remember than during blocks, you should activate the V-reversal on opponents for an advantage, where the move is described below. Dashing This is a vital part of movement in Street Fighter games, and one that is often ignored by newcomers. Through a Double Tap of the stick forwards or backwards, you can allow your character to perform a quick dash in the selected direction. A back dash will many times allow you to evade an attack’s range, while a forward dash may allow you to come within range of someone for grabbing, or for close- range moves. Thus, you should learn to use move properly. Dashes vary from character to character in range. Thus, make sure you are familiar with the distance that your character can dash while training. EX Moves & the EX Meter The majority of the game’s special attacks have an “EX” mode available for them. The EX variant will cost a segment of 3 from your Super Meter, yet it is a stronger and more powerful variant of the actual special move. An example would be the “EX Hadouken”, with faster travel, double hit, knock downs, and additional damage. It is excellent for catching opponents off-guard. An example if presented below of the Hard Punch Fireball and its EX variant below: EX skills are performed through performing the normal special attack, while hitting more than a single attack button during the move’s end. An example would be the Hadouken which is a “Quarter Circle Forward + Punch”. The EX variant is done with a forward Quarter Circle, and 2 punch bottoms during the finish. If you allow a buildup of the EX meter to the end, you can utilize all 3 bars for a skills called a “Critical Art”. This is also known as Super Moves, which will be described in the skill trees of each character. V-Skills Street Fighter 5 does not have a single overall mechanic for fighting. Every character is provided with unique skills which can be utilized by pressing down both medium buttons at the same time. The skills being unique for each character forces you to practice and learn more about the character’s skillsets. V-Reversals This is a new implementation of Street Fighter 5, which is the reversal. This allows you to strike back at very aggressive opponents. After a forward tap out of a block, simply hit all of your punch buttons. This will cause a character reversing the attack, enabling a knockdown to be performed on them. Timing is crucial when you use a crucial. If you miss, then you will be in a position to be attacked by your opponent again. V-Triggers This system is a replacement of the Revenge Meter and the Ultra Moves. The more damage you take, the more this meter is filled. After the meter gets full, you are allowed to enter a power up state. The states re unique for each character, but they do add to the lethality and power of each. Throws Each character has the ability for throwing when they are close to an opponent. This is done through clicking LP & LK together. Click back when doing it and you may throw the opponent backwards, which will cause a reversal in the screen direction. There are a few characters in-game with the ability to throw midair. Make sure to check the move lists of each for that. Breaking a throw can also be done through clicking LP & LK together when an opponent tries to toss you. Below are pictures which allow you to see a succeeded and a failed through, for timing illustration: Always remember than when an opponent is close to you, it is not likely that they’re doing so to throw you back! Quick Rises & Back Rises During any fight, errors are a possibility, where you may mess up and find yourself thrown to the ground. When doing so, you have 2 options. The first would be to remain on the floor, while waiting for your character to auto rise. The 2nd option would be to perform a quick rise, getting you off the floor quickly. Doing so can give you an advantage, or put you in danger, depending on your opponent’s distance and next move. There are 2 forms of quick rises: In Place (when hitting the ground: Two Punch Buttons OR Down) – Your character gets up in the area they fell in. Away (when hitting the ground: Two Kick Buttons OR Back) – Your character backs up from the area they landed in, before quick rising. There is only 1 instance where you can’t quick rise after getting hit. This is when you get hit with a critical art attack. Being thrown in a situation like that, you only have the ability to quick rise in the place you’re in. Understanding this fact allows you to prevent getting combed as you’re trying to get on your feet. Stuns & the Stun Meters Receiving a blow in the game isn’t just damaging to your health, it also causes a drop in your stun power. Even blocks can cause alterations to your stun bar, albeit at a much slower rate. When this meter gets full, you enter into a stunned mode where you lose power to react appropriately. In such a situation, your opponent can land in free blows on you. Stun Meters actually run out if you take no damage from enemies or are blocking attacks from them. If you are about to be stunned, then it is best to take a step back for a while, then waiting for the bar to exhaust. You’ve Just Finished your Free Sample Enjoyed the preview? Buy: http://www.ebooks2go.com .
Load more

Recommended publications
  • Street Fighter
    STREET FIGHTER by Luis Filipe Based on Capcom's videogame "Street Fighter II" Copyright © 2019 This is a fan script [email protected] OVER BLACK. All we hear is the excited CHEER of a crowd. Hundreds of voices roaring in unison, teasing something to come. Under those voices, there is also the rhythmic sound of TRAMPLES on the floor that sound like drums. CUT TO: INT. CORRIDOR - NIGHT A dirty, dimly lit corridor. A few meters ahead, a beam of light leaks through a door that gives access to another scenario. Standing in the corridor hidden in total shadow, a barefoot MAN attired in a white karate gi uniform tightens a black martial arts BELT. We do not see his face. The cheer continues, seeming to be coming from beyond that door in the hallway. After putting on the belt, the man takes a pair of RED GLOVES from his duffel bag, which is on a bench beside him. He wears them calmly. Finally, he also grabs a RED HEADBAND from the bag and ties it around his head. All this is almost ritualistic for him. When completed, the mysterious man walks toward the corridor door where comes the intense light. INT. STREET FIGHTER ARENA - NIGHT A large warehouse-like room. Wooden boxes surround the boundaries of the fighting area. And behind these boxes are the spectators, some sit in stands and others stand on feet. Our mysterious man comes in, revealing his face for the first time: RYU. A Japanese experienced martial artist. The audience goes wild to see him there.
    [Show full text]
  • Fighting Games, Performativity, and Social Game Play a Dissertation
    The Art of War: Fighting Games, Performativity, and Social Game Play A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Todd L. Harper November 2010 © 2010 Todd L. Harper. All Rights Reserved. This dissertation titled The Art of War: Fighting Games, Performativity, and Social Game Play by TODD L. HARPER has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Mia L. Consalvo Associate Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARPER, TODD L., Ph.D., November 2010, Mass Communications The Art of War: Fighting Games, Performativity, and Social Game Play (244 pp.) Director of Dissertation: Mia L. Consalvo This dissertation draws on feminist theory – specifically, performance and performativity – to explore how digital game players construct the game experience and social play. Scholarship in game studies has established the formal aspects of a game as being a combination of its rules and the fiction or narrative that contextualizes those rules. The question remains, how do the ways people play games influence what makes up a game, and how those players understand themselves as players and as social actors through the gaming experience? Taking a qualitative approach, this study explored players of fighting games: competitive games of one-on-one combat. Specifically, it combined observations at the Evolution fighting game tournament in July, 2009 and in-depth interviews with fighting game enthusiasts. In addition, three groups of college students with varying histories and experiences with games were observed playing both competitive and cooperative games together.
    [Show full text]
  • Street Fighter X Tekken Pc Download Street Fighter X Tekken
    street fighter x tekken pc download Street Fighter X Tekken. The long awaited dream match-up between the two leaders in the fighting genre becomes a reality. Street Fighter X Tekken delivers the ultimate tag team match up featuring iconic characters from each franchise, and one of the most robust character line ups in fighting game history. With the addition of new gameplay mechanics, the acclaimed fighting engine from Street Fighter IV has been refined to suit the needs of both Street Fighter and Tekken players alike. DREAM MATCH UP � Dozens of playable characters including Hugo, Ibuki, Poison, Dhalsim, Ryu, Ken, Guile, Abel, and Chun-Li from Street Fighter as well as Raven, Kuma, Yoshimitsu, Steve, Kazuya, Nina, King, Marduk, and Bob from Tekken. REAL-TIME TAG BATTLE � Fight as a team of two and switch between characters strategically. FAMILIAR CONTROLS � In Street Fighter X Tekken, controls will feel familiar for fans of both series. JUGGLE SYSTEM � Toss your foes into Tekken-style juggles with Street Fighter X Tekken�s universal air launching system. CROSS ASSAULT � By using the Cross Gauge, a player can activate Cross Assault and attack with both of their characters at the same time. SUPER ART � Using the Cross Gauge you can immediately unleash a Super Art. Ryu�s famed Shinku Hadoken, Kazuya�s Devil Beam as well as the Tekken characters all have original Super Art techniques. ROBUST ONLINE MODES � In addition to the online features from Super Street Fighter IV, Street Fighter X Tekken features totally upgraded online functionality and some new surprises. Game mode: single / multiplayer Multiplayer mode: Internet Player counter: 1-2.
    [Show full text]
  • 4. the Street Fighter Lady
    4. The Street Fighter Lady Invisibility and Gender in Game Composition Andy Lemon and Hillegonda C Rietveld Transactions of the Digital Games Research Association December 2019, Vol. 5 No. 1, pp. 107-133. ISSN 2328-9422 © The text of this work is licensed under a Creative Commons Attribution — NonCommercial –NonDerivative 4.0 License (http://creativecommons.org/licenses/by-nc- nd/ 2.5/). IMAGES: All images appearing in this work are property of the respective copyright owners, and are not released into the Creative Commons. The respective owners reserve all rights ABSTRACT The international success of Japanese game design provides an example of the invisibility of female game composers, as well as of gendered identification in game music production and sound design. Yoko Shimomura, the female composer who produced the iconic soundtrack for the 1991 arcade game, Street Fighter II (Capcom 1991), seems to have been invisible to game developers and music producers, which is partly due to the way in which the game is credited as a team effort. Regardless of their personal gender identity, game composers respond to themed briefs by 107 108 The Street Fighter Lady drawing on transnational musical ideas and gendered stereotypes that resonate with the Global Popular. Game music, as imagined as suitable for hyper-masculine game arcades, seems to draw on a masculinist aesthetic developed in Hollywood compositions. In turn, Street Fighter II’s music and the competitive game culture of arcade fighting games has been interwoven with masculinist music scenes of hip-hop and grime. The discussion of the music of Street Fighter II and the musical versions it inspired, nevertheless highlights that although seemingly simplified gendered stereotypes are reproduced within the game, gender identification itself can be complex within the context of game music composition.
    [Show full text]
  • Entertainment
    [email protected] Technique Entertainment Editor: Daniel Spiller 17 Friday, Assistant Entertainment Editor: March 6, 2009 Entertainment Jennifer Aldoretta Street Fighter !lm loses battle WATCHMEN with success FILM THE LEGENDARY GRAPHIC NOVEL COMES TO LIFE Street Fighter: The Legend of Chun-Li GENRE: Fighting, Action STARRING: Kristin Kreuk, Michael Clarke Duncan, Neal McDonough and Chris Klein DIRECTOR: Andrzej Bartkowiak RATING: PG-13 RELEASE DATE: Feb. 27, 2009 OUR TAKE: !"!!!! By Robert Solomon Contributing Writer “Your father is the milk of my organiza- tion… but all milk has an expiration date.” — M. Bison. Having not learned their lesson with the Jean-Claude Van Damme !lm based on their Street Fighter video game series, Capcom ap- parently thought that enough time had passed to give it another go. "is time it is focused on Chun-Li, the undercover Chinese agent (who has legs that are as thick as her pixilated head). Guile and Ryu are nowhere to be seen. It will take longer than 15 years to forget this wretched mess, a debacle of truly underwhelm- ing proportions. It is very di#cult to know where to begin, so let’s start with Chris Klein, who is most famous for his role in the American Pie movies. Having been largely delegated to the Images courtesy of Warner Bros. straight-to-video slums since that series petered out, Klein apparently thought the challenge of his !rst role as an action hero would be a good one to resuscitate his career. FILM are impotent with even the ing massive power, holding ther and uses the superhero "ere are bad performances, and then there Watchmen hottest babe until they acti- great in%uence over society, framework to tell us the are bad performances that make you howl in vate their kinkiness in leath- having women who adore darker aspects of the human disbelief.
    [Show full text]
  • HADOUKEN: NETTSI C++ Project Development Environment
    HADOUKEN: NETTSI C++ Project Development Environment (codename: HADOUKEN) Table of contents HADOUKEN: NETTSI C++ Project Development Environment Table of contents Preface Author Getting started Installing hadouken to a project Public domain Nettsi employees Hadouken script commands Updating hadouken Hadouken user's manual Development environment container Installing project-specific tools to development environment container Method 1: Using .hadouken.bootstrap.sh Method 2: Using .hadouken.docker-compose.extend.yml Hey, wait a second, what about git? Tool integration modules ClangFormat ClangTidy CppCheck GCov/LCov An example lcov unit test coverage scenario: GoogleTest/GoogleMock IncludeWhatYouUse (IWYU) LinkWhatYouUse (LWYU) CCache Core modules MakeCompilationUnit MakeTarget TYPE (required) EXECUTABLE STATIC SHARED UNIT_TEST INTERFACE BENCHMARK LINK (optional) COMPILE_OPTIONS (optional) COMPILE_DEFINITIONS (optional) DEPENDS (optional) NAME (optional) OUTPUT_NAME (optional) PREFIX (optional) SUFFIX (optional) INCLUDES (optional) PARTOF (optional) SOURCES (optional) HEADERS (optional) ARGUMENTS (optional) WITH_COVERAGE (optional) WITH_INSTALL (optional) COVERAGE_TARGETS (optional) COVERAGE_LCOV_FILTER_PATTERN (optional) COVERAGE_GCOVR_FILTER_PATTERN (optional) EXPOSE_PROJECT_METADATA (optional) PROJECT_METADATA_PREFIX (optional) NO_AUTO_COMPILATION_UNIT (optional) WORKING_DIRECTORY (optional) TargetProperties hdk_print_target_properties(<target_name>) EnvironmentUtilities hdk_read_environment_file(<env_filename> <prefix> [optional] <suffix>
    [Show full text]
  • Animation of a High-Definition 2D Fighting Game Character
    Tuula Rantala ANIMATION OF A HIGH-DEFINITION 2D FIGHTING GAME CHARACTER Thesis Kajaani University of Applied Sciences School of Business Business Information Technology Spring 2013 OPINNÄYTETYÖ TIIVISTELMÄ Koulutusala Koulutusohjelma Luonnontieteiden ala Tietojenkäsittely Tekijä(t) Tuula Rantala Työn nimi Teräväpiirtoisen 2d-taistelupelihahmon animointi Vaihtoehtoisetvaihtoehtiset ammattiopinnot Ohjaaja(t) Peligrafiikka Nick Sweetman Toimeksiantaja - Aika Sivumäärä ja liitteet Kevät 2013 56 Tämä opinnäytetyö pyrkii erittelemään hyvän pelihahmoanimaation periaatteita ja tarkastelee eri lähestymistapoja 2d-animaation luomiseen. Perinteisen animaation periaatteet, kuten ajoitus ja liikkeen välistys, pätevät pelianimaa- tiossa samalla tavalla kuin elokuva-animaatiossakin. Pelien tekniset rajoitukset ja interaktiivisuus asettavat kuiten- kin lisähaasteita animaatioiden toteuttamiseen tavalla, joka sekä tukee pelimekaniikkaa että on visuaalisesti kiin- nostava. Vetoava hahmoanimaatio on erityisen tärkeää taistelupeligenressä. Varhaiset taistelupelit 1990–luvun alusta käyt- tivät matalaresoluutioista bittikarttagrafiikkaa ja niissä oli alhainen määrä animaatiokehyksiä, mutta nykyään pelien standardit grafiikan ja animaation suhteen ovat korkealla. Viime vuosina monet pelinkehittäjät ovat siirtyneet käyttämään 2d-grafiikan sijasta 3d-grafiikkaa, koska 3d-animaation tuottaminen on monella tavalla joustavampaa. Perinteiselle 2d-grafiikalle on kuitenkin edelleen kysyntää, sillä käsin piirretyn animaation ainutlaatuista ulkoasua ei voi täysin korvata
    [Show full text]
  • Street Fighter Ii
    FAZENDO HISTÓRIA: ENTREVISTAMOS FABIO SANTANA, DA CAPCOM REVISTA www.playreplay.com.br O PAU VAI COMER COM STREET FIGHTER II PARA RECORDAR: NO CALOR DA ESTAÇÃO, TROUXEMOS JOGOS DE VERÃO A CASA JAN/FEV15 DO COGUMELO: TOP 5 1/2 MELHORES #01 JOGOS DO NINTENDO 64 EDITORIAL BATERAM UM CONTRA primeira ida ao fliperama a NESTA EDIÇÃO: gente nunca esquece, não é A verdade? A minha foi no co- mecinho da década de 90, beiran- EDITOR-CHEFE do meus 6 anos de idade. Na época, RODRIGO ESTEVAM precisava subir em caixotes pra po- der enxergar a tela inteira! EDITOR / ARTE / REDAÇÃO Duas décadas depois, quem diria, EIDY TASAKA aqui estou eu prestando homena- REVISÃO gens a Street Fighter II, com a mes- PAULA TRAVANCAS ma excitação de uma criança. O tem- po voa, não é verdade? Essa edição da Revista PlayReplay tam- bém celebra o verão e o calor, ao re- cordar os bons tempos de California NOSSO PARCEIRO Games. Além disso, conseguimos uma NESTA EDIÇÃO: baita de uma entrevista com o Fabão Santana, cara rodado nas principais re- vistas de games do Brasil. Tiro meu cha- péu pra ele, principalmente pelo seu trabalho hercúleo nas páginas da revista Gamers! Pra fechar bem, nossos camaradas do A Casa do Cogumelo também entraram na vibe retrô e trouxeram um Top 5 1/2 A CASA DO de jogos que marcaram a trajetória do COGUMELO grandioso Nintendo 64. Essa edição está flamejante! EIDY TASAKA EDITOR E RETRÔ-GAMER COM MUITOS SHORYUKEN NA MENTE 2 SUMÁRIO RETRO-PARADE STREET FIGHTER: BRAZILIAN 04 16 TRIBUTE 05 REVISITAMOS CALIFORNIA GAMES CAPA: ESPECIAL STREET FIGHTER II FAZENDO HISTÓRIA ENTREVISTAMOS FABIO 31 SANTANA, EX-OLD! GAMER, GAMERS, EDGE BRASIL..
    [Show full text]
  • CAPCOM INTEGRATED REPORT 2019 Code Number: 9697
    CAPCOM CO., LTD. INTEGRATED REPORT 2019 Captivating a Connected World CAPCOM INTEGRATED REPORT 2019 Code Number: 9697 Code Number: 9697 Advancing Our Global Brand Further Monster Hunter World: Iceborne Released in January 2018, Monster Hunter: World (MH:W, below), succeeded on two key elements of our growth strategy, namely globalization and shifting to digital. This propelled it to over 12.4 million units shipped worldwide, making it Capcom’s biggest hit ever. We aim to grow the fanbase even further by continuing to advance these two elements on Monster Hunter World: Iceborne (MHW:I, below), which is scheduled for release during the fiscal year ending March 2020. For details, see p. 35 of the Integrated Report 2018. Globalization Increasing global users by supporting 12 languages 1 and launching titles simultaneously worldwide The two key MH : W raised the Monster Hunter series to global Overseas Approximately 25% elements to brand status by increasing the overseas sales ratio to our success roughly 60%, compared to its historical 25%. We plan to solidify our global user base with MHW:I Overseas by releasing it simultaneously around the globe and Approximately offering the game in 12 languages. 75% 01 CAPCOM INTEGRATED REPORT 2019 Digital Shift 2 Taking our main sales and marketing channels online We expect the bulk of MHW:I sales to be digital. While we maximize revenue using the digital marketing data Trial version we have accumulated up to this point, we will analyze Feedback Capcom user purchasing trends to utilize in digital sales
    [Show full text]
  • The World Warriors Version 0.6
    Street Fighter The World Warriors Version 0.6 A Thrash Sourcebook By Ewen “Blackbird” Cluney Chapter 1: Introduction shortage, and if you feel my interpretations are incorrect, let me know what and why, and it will be fixed. Street Fighter: The World Warriors is a Thrash adaptation of the best-known fighting game series, none Sources of Street Fighter other than Capcom’s Street Fighter. It also includes rules The Street Fighter series includes a whole lot of for converting characters from Street Fighter: The games (currently about 16, including the EX series but not Storytelling Game into the Thrash system, maneuvers and the Marvel crossovers). There are also a number of all. manga, a live action movie (ugh), anime movie, anime Although probably the single most schizophrenic series, and plenty of other stuff besides. The list below is series of fighting games, it is also the spark that created in chronological order for storyline purposes rather than this genre that we so much enjoy. Long ago (it seems the order of release. that way anyhow) out of the arcades emerged a game Street Fighter called "Street Fighter II." Each machine overflowed with Street Fighter Alpha quarters. And then came more and more versions of it. Street Fighter Alpha 2 And then came a prequel. And then a prequel to the Street Fighter Alpha 2 Gold sequel, and we began to wonder if the person coming up Street Fighter Alpha 3 with the titles only has two fingers to count on, and finally Street Fighter II the sequel to the original came, alongside spin-offs and Street Fighter II Championship Edition crossovers.
    [Show full text]
  • Street Fighter: Anniversary Collection
    CONTENTS SAFETY INFORMATION Game Selection ............2 ABOUT PHOTOSENSITIVE SEIZURES Xbox Live™ ................2 A very small percentage of people may experience a seizure when exposed to certain visual images, ® including flashing lights or patterns that may appear in video games. Even people who have no history of STREET FIGHTER III: 3RD STRIKE seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic Default Game Controls ......6 seizures” while watching video games. GameScreen ..............7 These seizures may have a variety of symptoms including: lightheadedness, altered vision, eye or face Option Mode ...............8 twitching, jerking or shaking of arms or legs, disorientation, confusion, or momentary loss of awareness. Characters ................9 Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. HYPER STREET FIGHTER® II: THE ANNIVERSARY EDITION Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should Starting the Game .........14 watch for or ask their children about the above symptoms—children and teenagers are more likely than Option Mode .............15 adults to experience these seizures. Game Rules ..............15 The risk of photosensitive epileptic seizures may be reduced by sitting farther from the television screen, Default Game Controls .....16 using a smaller television screen, playing in a well-lit room, and not playing when you are drowsy Basic Moves ..............17 or fatigued. GameScreen .............18 If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. Player Type System ........19 Super Combo System ......20 Other Important Health and Safety Information.
    [Show full text]
  • Street Fighter Series
    © 2017 MARVEL © MOTO KIKAKU. © CAPCOM UNIVERSAL EXCITEMENT The Latest Development Report 2017 choice of incorporating “world” into the title, as we had the concept of expressing the world of Monster Hunter MONSTER HUNTER: WORLD using cutting-edge technology while delivering Monster Taking the World by Storm: A New Challenge for Monster Hunter Hunter to fans around the world. As “World” Would Suggest, We’re Ready to Take on the Globe The setting for this title is a new continent featuring a diverse set of ecosystems. Players arrive on the “Monster Hunter is coming to consoles!” continent as members of a research team tasked with “An early 2018 worldwide release! This is what we studying and hunting unknown monsters. As the have been waiting for!” Japanese tagline says, “A place of new life. Hunt with This, along with an eruption of applause, is what we your instincts!” heard from our overseas fans at E3 2017 in Los Angeles While the game makes the most of the performance (one of the world’s largest video game conferences), capabilities of the PlayStation®4, Xbox One*1 and PC*2 after officially announcing Monster Hunter: World, the in order to push the series forward, the core concepts latest title in the Monster Hunter series. Being the that have been in place since the inception of the series producer in charge of the franchise however, I couldn’t remain unchanged. One of these is making the game a be complacent with this. We were only just beginning. living, breathing ecosystem. The concept of playing However, it did renew my sense of determination to inside this big circle of life is unique to Monster Hunter.
    [Show full text]