09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
HIST7463: Collecting for the Nation: View Online Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning
[1]
Alain, S. 2013. The antiquarian culture of eighteenth-century Naples as a laboratory of new ideas. Rediscovering the ancient world on the Bay of Naples, 1710-1890. National Gallery of Art. 13–34.
[2]
Anglin, R. 2008. World Heritage List: Bridging the Cultural Property Nationalism-Internationalism Divide, The. Yale Journal of Law & the Humanities. 20, 2 (2008), 241–276.
[3]
Anico, Marta and Peralta, Elsa 2009. Introduction. Heritage and identity: engagement and demission in the contemporary world. Routledge. 1–11.
[4]
Bennett, T. 1995. The exhibitionary complex. The birth of the museum: history, theory, politics. Routledge.
[5]
Bennett, Tony 2013. The Birth of the Museum : History, Theory, Politics. Taylor and Francis.
[6]
1/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
Blix, G. The Antiquarian comes of Age. From Paris to Pompei. French Romanticism and the Cultural Politics of Archaeology. 29–47.
[7]
Blix, G.M. 2009. From Paris to Pompeii: French romanticism and the cultural politics of archaeology. University of Pennsylvania Press.
[8]
Blom, P. 2002. Mr Soane is not at home. To have and to hold: an intimate history of collectors and collecting. Overlook Press. 220–231.
[9]
Blom, P. 2002. To have and to hold: an intimate history of collectors and collecting. Overlook Press.
[10]
Boyan, P. 2002. The concept of cultural protection in times of armed conflict: from the crusades to the new millennium’. Illicit antiquities: the theft of culture and the extinction of archaeology. Routledge. 43–108.
[11]
Boylan, P.J. 2002. The Concept of Cultural Protection in Times of Armed Conflict: from the Crusades to the New Millennium. Illicit antiquities: the theft of culture and the extinction of archaeology. Routledge. 43–108.
[12]
Bradburne, J. 2000. The Poverty of Nations. Should Museums Create Identity. Heritage and museums: shaping national identity. Donhead. 379–393.
[13]
2/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
Brodie, N. 2006. Archaeology, cultural heritage, and the antiquities trade. University Press of Florida.
[14]
Brodie, N. 2006. The Plunder of Iraq’s Archaeological Heritage, 1991-2005, and the London Antiquities Trade. Archaeology, cultural heritage, and the antiquities trade. University Press of Florida. 206–222.
[15]
Brodie, N. and Neil, C. 2006. Conclusion. Archaeology, cultural heritage, and the antiquities trade. University Press of Florida. 303–317.
[16]
Brodie, N. and Tubb, K.W. 2002. Illicit antiquities: the theft of culture and the extinction of archaeology. Routledge.
[17]
Bryant, J. and Plessen, M.-L. von 2011. Art and design for all: the Victoria and Albert Museum. V&A Publishing.
[18]
Bryant, J. and Plessen, M.-L. von 2011. Art and design for all: the Victoria and Albert Museum. V&A Publishing.
[19]
Carman, J. 2002. Components of Heritage and Their Treatment. Archaeology and heritage: an introduction. Continuum. 31–57.
[20]
Carman, J. 2005. Illicit antiquities: where categories, value and property meet in
3/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
archaeology. Against cultural property: archaeology, heritage and ownership. Duckworth. 15–28.
[21]
Ceram, C.. 1994. Belzoni, Lepsius, and Mariette: Life in Ancient Egypt. Gods, graves & scholars: the story of archaeology. Wings Books. 117–135.
[22]
Ceram, C.W. 1994. Winckelmann: the birth of a science. Gods, graves & scholars: the story of archaeology. Wings Books. 10–15.
[23]
Challis, D. 2008. At the museum. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 40–54.
[24]
Challis, D. 2008. Introduction: Travel, Archaeology and the Ottoman Empire. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 1–22.
[25]
Challis, D. 2008. Introduction: Travel, Archaeology and the Ottoman Empire. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 1–22.
[26]
Challis, D. The Art in Lectures: Charles Thomas Newton, Mary Severn and sculptures from the Mausoleum of Halicarnassus.
[27]
4/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
Challis, D. 2008. The Mausoleum and the Lions. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 136–188.
[28]
Challis, Debbie 2006. The Parthenon Sculptures: Emblems of British national identity. British Art Journal; Spring/Summer. 7, 1 (2006), 33–39.
[29]
Chambers, N. 2007. Antiquities and Expansion:1800-20. Joseph Banks and the British Museum: the world of collecting, 1770-1830. Pickering & Chatto. 95–121.
[30]
Chambers, N. 2007. Last Years and the Egyptian Controversy: To 1820 and After. Joseph Banks and the British Museum: the world of collecting, 1770-1830. Pickering & Chatto. 121–128.
[31]
Chhabra, D. 2010. Museums. Sustainable marketing of cultural and heritage tourism. Routledge. 80–105.
[32]
C. J. Wright 1997. Consort and cupola: Prince Albert, Panizzi and the reading room of the British Museum. The British Library Journal. 23, 2 (1997), 176–193.
[33]
Clair, W.S. 1998. The Firman. Lord Elgin and the Marbles. Oxford University Press. 86–97.
[34]
5/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
Clair, W.S. 1998. ‘The Last Poor Plunder from a Bleeding Land’. Lord Elgin and the Marbles. Oxford University Press. 98–118.
[35]
Clair, W.S. 1998. ‘The Last Poor Plunder from a Bleeding Land’. Lord Elgin and the Marbles. Oxford University Press. 98–118.
[36]
St. Clair, W. 1998. The Firman. Lord Elgin and the Marbles. Oxford University Press. 86–97.
[37]
St. Clair, W. 1998. The Last Poor Plunder. Lord Elgin and the Marbles. Oxford University Press.
[38]
St. Clair, W. 1998. The Last Poor Plunder. Lord Elgin and the Marbles. Oxford University Press. 98–118.
[39]
Cook, B.. 1998. British Archaeologists in the Aegean. The study of the past in the Victorian age. Oxbow. 139–154.
[40]
Cowell, B. 2008. Visiting the past in the nineteenth Century. The heritage obsession: the battle for England’s past. Tempus. 55–66.
[41]
Cuno, J. Epilogue. Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage on JSTOR.
6/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[42]
Cuno, J. Identity matters. Identity Matters from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. 121–145.
[43]
Cuno, J. Identity matters. Identity Matters from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. 121–145.
[44]
Cuno, J. Introduction: The Crux of the Matter from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. Who Owns Antiquity? Museums and the Battle over our Ancient Heritage. 1–20.
[45]
Cuno, J. Introduction: The Crux of the Matter from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. Who Owns Antiquity? Museums and the Battle over our Ancient Heritage.
[46]
Cuno, J. To Shape the Citizens of "That Great City, the World”. Whose Culture? : The Promise of Museums and the Debate over Antiquities. 38–54.
[47]
Cuno, J.B. 2009. Whose culture?: the promise of museums and the debate over antiquities. Princeton University Press.
[48]
Curti, E. 3AD. Pheidias: Athens, Modern Britain and the Politics of Culture. University College London.
7/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[49]
Dickie, J. 2007. The men who went to the East. The British consul: heir to a great tradition. Hurst. 57–80.
[50]
Dolan, B. 1999. Looking at Europe from different perspectives. Exploring European frontiers: British travellers in the age of enlightenment. Macmillan. 178–188.
[51]
Dolan, B. 2000. Southern Frontier: Greece and the Levant - The Archaeological Appropriation of the Historical Frontier. Exploring European frontiers: British travellers in the age of Enlightenment. Macmillan. 113–149.
[52]
Dolan, B. 2000. Southern Frontier: Greece and the Levant - The Archaeological Appropriation of the Historical Frontier. Exploring European frontiers: British travellers in the age of Enlightenment. Macmillan. 113–149.
[53]
Edward Miller 1979. Antonio Panizzi and the British Museum. The British Library Journal. 5, 1 (1979), 1–17.
[54]
Etienne, R. 1992. Chapters 3 and 4. The search for ancient Greece. Thames and Hudson. 31–61.
[55]
Étienne, R. and Etienne, F. 1992. Chapter 5. The search for ancient Greece. Thames and Hudson. 63–84.
8/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[56]
Étienne, R.& F. 1992. The time of the Palikars. The search for ancient Greece. Thames and Hudson. 85–100.
[57]
Fehlmann, M. 2007. As Greek as it gets: British attempts to recreate the parthenon. Rethinking History. 11, 3 (Sep. 2007), 353–377. DOI:https://doi.org/10.1080/13642520701353256.
[58]
Feinberg, Millenson, S. 1987. Soane and His Collection. Sir John Soane’s Museum. UMI Research Press. 77–94.
[59]
Gertrud Seidmann 1996. Sir William Hamilton. RSA Journal. 144, 5470 (1996), 74–75.
[60]
Gillman, D. 2010. The Parthenon/Elgin Marbles. The idea of cultural heritage. Cambridge University Press. 22–30.
[61]
Gillman, D. 2010. Two Ways of Thinking. The idea of cultural heritage. Cambridge University Press. 41–62.
[62]
Glasgow, E. 2001. Panizzi and His Allies. Library History. 17, 2 (Jul. 2001), 133–142. DOI:https://doi.org/10.1179/lib.2001.17.2.133.
9/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[63]
Glasgow, Eric 2001. Sir Anthony Panizzi. Library Review. 50, 5/6 (2001), 251–254.
[64]
De Goey, F. 2014. Egypt: Henry Salt, antiquity, hunting and politics. Consuls and the institution of global capitalism, 1783-1914. Pichering and Chatto. 37–43.
[65]
Greenfield, J. 2007. British and other European Approaches/Practices, pp.91-112. The return of cultural treasures. Cambridge University Press. 97–115.
[66]
Greenfield, J. 2007. The Elgin Marbles Debate. The return of cultural treasures. Cambridge University Press. 41–96.
[67]
Gunning, L.P. 2009. A Radical Change. The British consular service in the Aegean and the collection of antiquities for the British Museum. Ashgate. 18–87.
[68]
Gunning, L.P. 2009. The British consular service in the Aegean and the collection of antiquities for the British Museum. Ashgate.
[69]
Gunning, L.P. 2009. The Consular District of Rhodes. The British consular service in the Aegean and the collection of antiquities for the British Museum. Ashgate. 148–196.
[70]
Gunning, L., Patrizio 2009. The British Consuls in the Aegean as Collectors of Antiquities for
10/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
the British Museum. The British consular service in the Aegean and the collection of antiquities for the British Museum. Ashgate. 137–188.
[71]
Gunning, P.. 2009. Introduction. The British consular service in the Aegean and the collection of antiquities for the British Museum. Ashgate. 1–18.
[72]
Hamilakis, Y. 2007. From Western to Indigenous Hellenism: Antiquity, Archaeology and the Invention of Modern Greece,. The nation and its ruins: antiquity, archaeology, and national imagination in Greece. Oxford University Press. 56–123.
[73]
Hamilakis, Y. 2007. From Western to Indigenous Hellenism: Antiquity, Archaeology and the Invention of Modern Greece,. The nation and its ruins: antiquity, archaeology, and national imagination in Greece. Oxford University Press. 56–123.
[74]
Helen Dorey 2010. Sir John Soane’s Casts as part of his Academy of Architecture at 13 Lincoln’s Inn Fields. Plaster casts: making, collecting and displaying from classical antiquity to the present. De Gruyter. 595–610.
[75]
Hobhouse, H. 2004. The Creation of a ‘Quartier Latin’ 1857-69. The Crystal Palace and the Great Exhibition: art, science, and productive industry : a history of the Royal Commission for the Exhibition of 1851. Continuum. 108–152.
[76]
Hobhouse, H. 2004. The Founding of the Royal Commission. The Crystal Palace and the Great Exhibition: art, science, and productive industry : a history of the Royal Commission for the Exhibition of 1851. Continuum. 1–39.
11/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[77]
Hobhouse, H. 2004. The Grand Design: The South Kensington Purchase 1852-57. The Crystal Palace and the Great Exhibition: art, science, and productive industry : a history of the Royal Commission for the Exhibition of 1851. Continuum. 81–107.
[78]
Hooper-Greenhill, E. 1992. The Disciplinary Museum. Museums and the shaping of knowledge. Routledge. 167–190.
[79]
Hooper-Grennhill, E. 1992. The Disciplinary Museum. Museums and the shaping of knowledge. Routledge. 167–190.
[80]
Hume, I. 2011. Confrontation in the Consulate. Belzoni: the giant archaeologists love to hate. University of Virginia Press. 169–163.
[81]
Hume, I. 2011. Enter the Consul-General. Belzoni: the giant archaeologists love to hate. University of Virginia Press. 43–53.
[82]
Hume, I. 2011. Hard Times. Belzoni: the giant archaeologists love to hate. University of Virginia Press. 220–226.
[83]
Hume, I. 2011. Significant Others. Belzoni: the giant archaeologists love to hate. University of Virginia Press. 264–254.
[84]
12/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
Jasanoff, M. 2005. Removals. Edge of Empire: conquest and collecting in the East, 1750-1850. Fourth Estate. 241–306.
[85]
Jelavich, B. 1983. Greece under King Othon. History of the Balkans. Cambridge University Press. 254–264.
[86]
Jelavich, B. 1983. The Greek revolution. History of the Balkans. Cambridge University Press. 214–234.
[87]
Jenkins, I. 1992. The Triumph of Excellence. Archaeologists & aesthetes: in the Sculpture Galleries of the British Museum 1800-1939. Published for the Trustees of the British Museum by the British Museum Press. 13–29.
[88]
Jenkins, I. and British Museum 1992. Charles Thomas Newton and the Sculptures from Asia Minor. Archaeologists & aesthetes: in the Sculpture Galleries of the British Museum 1800-1939. Published for the Trustees of the British Museum by the British Museum Press. 168–195.
[89]
Jonathan Scotte 2003. Lord Elgin and the marbles. The pleasures of antiquity: British collectors of Greece and Rome. Yale University Press for the Paul Mellon Centre for Studies in British Art. 219–230.
[90]
Kersel, M.M. 2006. From the Ground to the Buyer’. Archaeology, cultural heritage, and the antiquities trade. University Press of Florida. 188–200.
13/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[91]
Knox, T. 2009. An Introduction to the Museum. Sir John Soane’s Museum, London. Merrell. 12–42.
[92]
Kriegel, L. 2007. Commodification and Its Discontents. Labor, print culture and industrial art at the Great Exhibition of 1851. Grand Designs, Labour, Empire and the Museum in Victorian Culture. Duke University Press. 86–125.
[93]
Kriegel, L. 2007. Cultural locations. South Kensington, Bethnal Green and the Working Man 1857-1872. Grand Designs, labour, Empire and the museum in Victorian Culture. Duke University Press. 161–190.
[94]
Lunden, S. 2016. Chapter 7: The British Museum Rationale for Retention 1: The Foundation of the British Museum. Displaying loot. The Benin objects and the British Museum. Göteborgs Universitet. 225–256.
[95]
Lunden, S. 2016. Chapter 8: The British Museum Rationale for Retention 2: The History of the British Museum. Displaying loot. The Benin objects and the British Museum. Göteborgs Universitet. 257–279.
[96]
MacGregor, A. 1998. Antiquities Inventoried:Museums and ‘National Antiquities’ in the Mid Nineteenth Century,. The study of the past in the Victorian age. Oxbow. 125–137.
[97]
McClellan, A. 1999. Introduction. Inventing the Louvre: art, politics, and the origins of the modern museum in eighteenth-century Paris. University of California Press. 1–12.
14/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[98]
McClellan, A. 1999. The Revolutionary Louvre. Inventing the Louvre: art, politics, and the origins of the modern museum in eighteenth-century Paris. University of California Press. 91–123.
[99]
De Montebello, P. 2009. And What Do You Propose Should Be Done with These Objects? Whose culture?: the promise of museums and the debate over antiquities. Princeton University Press. 55–70.
[100]
Nancy H. Ramage 1990. Sir William Hamilton as Collector, Exporter, and Dealer: The Acquisition and Dispersal of His Collections. American Journal of Archaeology. 94, 3 (1990), 469–480.
[101]
Nichols, K. 2015. A New Audience for Greece and Rome. Greece and Rome at the Crystal Palace. Oxford University Press. 19–52.
[102]
Pearce, S.M. 1995. Classic Modernist Collecting. On collecting: an investigation into collecting in the European tradition. Routledge. 122–139.
[103]
Pemble, J. 2009. Culture. The Mediterranean passion: Victorians and Edwardians in the South. Faber and Faber. 60–84.
[104]
Pemble, J. 2009. Introduction. The Mediterranean passion: Victorians and Edwardians in the South. Faber and Faber. 1–14.
15/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[105]
Pierce, S.M. 1995. Early Modernist Collectors. On collecting: an investigation into collecting in the European tradition. Routledge. 109–121.
[106]
Platt, D.C.M. 1971. The Levant Service. The Cinderella Service: British consuls since 1825. Longman. 125–179.
[107]
Prats, L. 2009. Heritage according to scale. Heritage and identity: engagement and demission in the contemporary world. Routledge. 76–89.
[108]
Preziosi, D. 2006. Philosophy and the Ends of the Museum’. Museum philosophy for the twenty-first century. Altamira Press. 69–78.
[109]
Ruth Hoberman 2002. Women in the British Museum Reading Room during the Late-Nineteenth and Early-Twentieth Centuries: From Quasi- to Counterpublic. Feminist Studies. 28, 3 (2002), 489–512.
[110]
Said, E. 2003. Projects. Orientalism. Penguin. 73–92.
[111]
Siegel, J. 2008. Introduction. The emergence of the modern museum: an anthology of nineteenth-century sources. Oxford University Press. 3–10.
16/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[112]
Siegel, J. 2008. Natural History and the British Museum. The emergence of the modern museum: an anthology of nineteenth-century sources. Oxford University Press. 213–243.
[113]
Siegel, J. 2008. Pedagogy: South Kensington and the Provinces. The emergence of the modern museum: an anthology of nineteenth-century sources. Oxford University Press. 244–276.
[114]
Siegel, J. 2008. Toward a Public Art Collection. The emergence of the modern museum: an anthology of nineteenth-century sources. Oxford University Press. 37–78.
[115]
Trench, L. 2010. A people’s palace. V&A: the Victoria and Albert Museum. V&A Pub. 7–18.
[116]
Watkin, D. 2000. Sir John Soane’s grand tour: its impact on its architecture and his collections. The impact of Italy: the Grand Tour and beyond. British School at Rome. 101–119.
[117]
Weil, S.E. 1995. Introduction. A cabinet of curiosities: inquiries into museums and their prospects. Smithsonian Institution Press. xiii–xxii.
[118]
Wilson, D.M. 1989. A Museum for all Nations. The British Museum: purpose and politics. British Museum Publications. 106–117.
17/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[119]
Wilson, D.M. 1989. A Museum for all the Nation. The British Museum: purpose and politics. British Museum Publications. 106–117.
[120]
Wilson, D.M. 1989. That Noble Cabinet. The British Museum: purpose and politics. British Museum Publications. 13–22.
[121]
Wilson, K. 1995. The good, the bad, and the impotent. Imperialism and the politics of identity Georgian England. The consumption of culture, 1600-1800: image, object, text. Routledge. 237–262.
[122]
Bibliography.
[123]
Course description.
[124]
General Bibliography.
[125]
Introduction - and - British Consuls before 1825. The Cinderella Service: British consuls since 1825. 1–15.
[126]
2004. Preserving the Classical Past: Sir William and Lady Emma Hamilton. Visual Resources. 20, 4 (Dec. 2004), 259–273.
18/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
DOI:https://doi.org/10.1080/0197376042000249682.
[127]
Seminar Bibliography.
[128]
Seminar Bibliography.
[129]
Seminar bibliography.
[130]
Seminar Bibliography.
[131]
Seminar Bibliography.
[132]
Seminar Bibliography.
[133]
Seminar bibliography.
[134]
Seminar bibliography.
19/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London
[135]
Seminar Bibliography .
20/20