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HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: a History of Museum Formation: Lucia Gunning | University College London 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London HIST7463: Collecting for the Nation: View Online Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning [1] Alain, S. 2013. The antiquarian culture of eighteenth-century Naples as a laboratory of new ideas. Rediscovering the ancient world on the Bay of Naples, 1710-1890. National Gallery of Art. 13–34. [2] Anglin, R. 2008. World Heritage List: Bridging the Cultural Property Nationalism-Internationalism Divide, The. Yale Journal of Law & the Humanities. 20, 2 (2008), 241–276. [3] Anico, Marta and Peralta, Elsa 2009. Introduction. Heritage and identity: engagement and demission in the contemporary world. Routledge. 1–11. [4] Bennett, T. 1995. 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Belzoni, Lepsius, and Mariette: Life in Ancient Egypt. Gods, graves & scholars: the story of archaeology. Wings Books. 117–135. [22] Ceram, C.W. 1994. Winckelmann: the birth of a science. Gods, graves & scholars: the story of archaeology. Wings Books. 10–15. [23] Challis, D. 2008. At the museum. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 40–54. [24] Challis, D. 2008. Introduction: Travel, Archaeology and the Ottoman Empire. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 1–22. [25] Challis, D. 2008. Introduction: Travel, Archaeology and the Ottoman Empire. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 1–22. [26] Challis, D. The Art in Lectures: Charles Thomas Newton, Mary Severn and sculptures from the Mausoleum of Halicarnassus. [27] 4/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London Challis, D. 2008. The Mausoleum and the Lions. From the Harpy Tomb to the wonders of Ephesus: British archaeologists in the Ottoman Empire, 1840-1880. Duckworth. 136–188. [28] Challis, Debbie 2006. The Parthenon Sculptures: Emblems of British national identity. British Art Journal; Spring/Summer. 7, 1 (2006), 33–39. [29] Chambers, N. 2007. Antiquities and Expansion:1800-20. Joseph Banks and the British Museum: the world of collecting, 1770-1830. Pickering & Chatto. 95–121. [30] Chambers, N. 2007. Last Years and the Egyptian Controversy: To 1820 and After. Joseph Banks and the British Museum: the world of collecting, 1770-1830. Pickering & Chatto. 121–128. [31] Chhabra, D. 2010. Museums. Sustainable marketing of cultural and heritage tourism. Routledge. 80–105. [32] C. J. Wright 1997. Consort and cupola: Prince Albert, Panizzi and the reading room of the British Museum. The British Library Journal. 23, 2 (1997), 176–193. [33] Clair, W.S. 1998. The Firman. Lord Elgin and the Marbles. Oxford University Press. 86–97. [34] 5/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London Clair, W.S. 1998. ‘The Last Poor Plunder from a Bleeding Land’. Lord Elgin and the Marbles. Oxford University Press. 98–118. [35] Clair, W.S. 1998. ‘The Last Poor Plunder from a Bleeding Land’. Lord Elgin and the Marbles. Oxford University Press. 98–118. [36] St. Clair, W. 1998. The Firman. Lord Elgin and the Marbles. Oxford University Press. 86–97. [37] St. Clair, W. 1998. The Last Poor Plunder. Lord Elgin and the Marbles. Oxford University Press. [38] St. Clair, W. 1998. The Last Poor Plunder. Lord Elgin and the Marbles. Oxford University Press. 98–118. [39] Cook, B.. 1998. British Archaeologists in the Aegean. The study of the past in the Victorian age. Oxbow. 139–154. [40] Cowell, B. 2008. Visiting the past in the nineteenth Century. The heritage obsession: the battle for England’s past. Tempus. 55–66. [41] Cuno, J. Epilogue. Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage on JSTOR. 6/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London [42] Cuno, J. Identity matters. Identity Matters from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. 121–145. [43] Cuno, J. Identity matters. Identity Matters from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. 121–145. [44] Cuno, J. Introduction: The Crux of the Matter from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. Who Owns Antiquity? Museums and the Battle over our Ancient Heritage. 1–20. [45] Cuno, J. Introduction: The Crux of the Matter from Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage. Who Owns Antiquity? Museums and the Battle over our Ancient Heritage. [46] Cuno, J. To Shape the Citizens of "That Great City, the World”. Whose Culture? : The Promise of Museums and the Debate over Antiquities. 38–54. [47] Cuno, J.B. 2009. Whose culture?: the promise of museums and the debate over antiquities. Princeton University Press. [48] Curti, E. 3AD. Pheidias: Athens, Modern Britain and the Politics of Culture. University College London. 7/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London [49] Dickie, J. 2007. The men who went to the East. The British consul: heir to a great tradition. Hurst. 57–80. [50] Dolan, B. 1999. Looking at Europe from different perspectives. Exploring European frontiers: British travellers in the age of enlightenment. Macmillan. 178–188. [51] Dolan, B. 2000. Southern Frontier: Greece and the Levant - The Archaeological Appropriation of the Historical Frontier. Exploring European frontiers: British travellers in the age of Enlightenment. Macmillan. 113–149. [52] Dolan, B. 2000. Southern Frontier: Greece and the Levant - The Archaeological Appropriation of the Historical Frontier. Exploring European frontiers: British travellers in the age of Enlightenment. Macmillan. 113–149. [53] Edward Miller 1979. Antonio Panizzi and the British Museum. The British Library Journal. 5, 1 (1979), 1–17. [54] Etienne, R. 1992. Chapters 3 and 4. The search for ancient Greece. Thames and Hudson. 31–61. [55] Étienne, R. and Etienne, F. 1992. Chapter 5. The search for ancient Greece. Thames and Hudson. 63–84. 8/20 09/24/21 HIST7463: Collecting for the Nation: Amateurs, Collectors and Diplomats: A History of Museum Formation: Lucia Gunning | University College London [56] Étienne, R.& F. 1992. The time of the Palikars. The search for ancient Greece. Thames and Hudson. 85–100. [57] Fehlmann, M. 2007. As Greek as it gets: British attempts to recreate the parthenon. Rethinking History. 11, 3 (Sep. 2007), 353–377. DOI:https://doi.org/10.1080/13642520701353256. [58] Feinberg, Millenson, S. 1987. Soane and His Collection. Sir John Soane’s Museum. UMI Research Press. 77–94. [59] Gertrud Seidmann 1996. Sir William Hamilton. RSA Journal. 144, 5470 (1996), 74–75. [60] Gillman, D. 2010. The Parthenon/Elgin Marbles. The idea of cultural heritage.
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