Catwalks Paris Couture &Amp

Total Page：16

File Type：pdf, Size：1020Kb

Catwalks & Presentations Paris Couture & Haute couture Spring Summer 20 Fashion Week dates : January 20 - January 23 Temporary schedule MONDAY JANUARY 20 CATWALKS 10.00am SCHIAPARELLI See invitation 11.00am ULYANA SERGEENKO See invitation 12.00pm IRIS VAN HERPEN See invitation 1.00pm GEORGES HOBEIKA See invitation 2.30pm DIOR See invitation 4.00pm MAISON RABIH KAYROUZ See invitation 5.00pm RALPH & RUSSO See invitation 6.00pm ANTONIO GRIMALDI See invitation 7.30pm GIAMBATTISTA VALLI See invitation 8.30pm AZZARO COUTURE See invitation TUESDAY JANUARY 21 CATWALKS 10.00am CHANEL See invitation 12.00pm CHANEL See invitation 1.00pm ALEEM YUSUF See invitation 1.30pm ALEXIS MABILLE See invitation 2.30pm STÉPHANE ROLLAND See invitation 3.30pm JULIEN FOURNIÉ See invitation 4.30pm ALEXANDRE VAUTHIER See invitation 5.15pm LA MÉTAMORPHOSE See invitation followed by Tea Time 6.00pm RVDK RONALD VAN DER KEMP See invitation 7.00pm GIORGIO ARMANI PRIVÉ See invitation 8.00pm GIVENCHY See invitation TUESDAY JANUARY 21 PRESENTATIONS 11.00am -> BOWIE WONG See invitation 12.00pm WED. JANUARY 22 CATWALKS 10.00am MAISON MARGIELA See invitation 11.00am FRANCK SORBIER See invitation 12.30pm ELIE SAAB See invitation 1.30pm BOUCHRA JARRAR See invitation 2.30pm JULIE DE LIBRAN See invitation 2.30pm YANINA See invitation WED. JANUARY 22 CATWALKS 4.00pm VIKTOR & ROLF See invitation 5.00pm ZUHAIR MURAD See invitation 6.00pm VALENTINO See invitation 6.30pm ADELINE ZILIOX See invitation followed by Tea Time 7.00pm GUO PEI See invitation 8.30pm JEAN PAUL GAULTIER See invitation THURSDAY JANUARY 23 CATWALKS 10.30am AGANOVICH See invitation 12.00pm YUIMA NAKAZATO See invitation 1.00pm AELIS See invitation 2.00pm RAHUL MISHRA See invitation 4.00pm XUAN See invitation 5.00pm IMANE AYISSI See invitation THURSDAY JANUARY 23 PRESENTATIONS 10.00am -> CHANEL HAUTE JOAILLERIE See invitation 4.30pm (By Appointment) Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

The Effects of Globalization on the Fashion Industry– Maísa Benatti
ACKNOLEDGMENTS Thank you my dear parents for raising me in a way that I could travel the world and have experienced different cultures. My main motivation for this dissertation was my curiosity to understand personal and professional connections throughout the world and this curiosity was awakened because of your emotional and financial incentives on letting me live away from home since I was very young. Mae and Ingo, thank you for not measuring efforts for having me in Portugal. I know how hard it was but you´d never said no to anything I needed here. Having you both in my life makes everything so much easier. I love you more than I can ever explain. Pai, your time here in Portugal with me was very important for this masters, thank you so much for showing me that life is not a bed of roses and that I must put a lot of effort on the things to make them happen. I could sew my last collection because of you, your patience and your words saying “if it was easy, it wouldn´t be worth it”. Thank you to my family here in Portugal, Dona Teresinha, Sr. Eurico, Erica, Willian, Felipe, Daniel, Zuleica, Emanuel, Vitória and Artur, for understanding my absences in family gatherings because of the thesis and for always giving me support on anything I need. Dona Teresinha and Sr. Eurico, thank you a million times for helping me so much during this (not easy) year of my life. Thank you for receiving me at your house as if I were your child.
[Show full text]
Download PDF (100.9
index 36th Statistical Report on Internet ‘american dream’ 40, 324 Development in China 433 Analects 318 40 Kids Songs in Cartoon 279 anderson, benedict 28 5000 Years of Chinese Characters 254 anderson, Chris 46, 49 animation industry A Bite of China 248, 255, 256 and copycats 280 A Complaint Free World 316 control/censorship mechanisms across the taiwan strait and Hong 282–7, 289–90 kong film festival 487 domestic industry growth/challenges adorno, theodor 5, 17, 18, 20 277–8, 279–80, 282, 287–8, 290 Adventure Under the Sea 285 evolution of 278–80 advertising foreign animation culture 279–80, and commercialization of television 288 industry 361, 369–72 and ‘going global’ 136, 140–41, and cultural governance of mass 277–8, 287–8 media 192, 199, 200 ‘golden eras’ of 279 and digital publishing industry government policy/regulation 277–8, 388–9 280–87, 288, 289–90 and e-commerce 416–17 international industry growth 276–7, and genesis of cultural industries 5–6 279–80 and ‘going global’ 125, 131, 137, ‘managed creativity’ in 288–90 and industrialization of art 520, 522 recommendation and awards and mobile internet 402–5 systems 283–4 and online video platforms 347, 348, anti-culture process 17, 18 351–2, 355–6, 403 app-based distributors (digital and radio 5, 260, 262–3, 265, 267–8, publishing industry) 383–4 271, 272 Approval for Foreign Cultural and Advice on Further Strengthening and Artistic Performance Groups & Improving the Work of Exporting Individuals in Song & Dance 140 Cultural Products 129 apps 332, 367, 369, 382–4, 403–4, Aftershock
[Show full text]
Trend-Sandwich
Trend-sandwich Exploring new ways of joining inspiration, such as different kinds of trends, through processes of morphing and melding different trendy garments and materials, for new methods, garment types, materials and expressions. Daniel Bendzovski MA Fashion Design Thesis 2015 2015.6.01 CONTENT 0: Abstract 1: Keywords 2: Result 3: Background 4: Background to current design program and degree work 5: Design program 6: Fashion as commodity and trend 7: General trend theories 8: Trend forecasting methods 9: Commercial fashion and its inspiration 10: Joining of different inspirations 11: Computer softwares, 2D and 3D morphing 12: Aim 13: Method, general review 14: Development 15: Morphing silhouettes in adobe flash, general review 16: Development part one 17: Development part two 18: Methodological turnaround, material experiments 19: From material experiment to sketched line up 20: From sketched line up to physical material development 21: Development of physical garment shape in relation to body 22: Improvisational making of garment, meeting of material and shape in relation to body 23: Result 24: Thoughts on research 25: Context 26: Discussion 27: References 0: ABSTRACT The aim of this work is to explore the joining of inspiration, such as different garments and materials, in relation to commonly used methods in the fashion industry when it comes to joining of different trends and references such as clashing and collaging. The work proposes a new method and framework for join- ing inspiration which generates different results depending on what kind of inspiration that is put in to it. A garment can roughly be broken down to a silhouette and shape, materials and details.
[Show full text]
Spring Summer 2018
HAUTE COUTURE SPRING SUMMER 2018 ON AURA TOUT VU HYUN MI NIELSEN DIOR GUO PEI VIKTOR & ROLF GIAMBATTISTA VALLI GIVENCHY SUZANNE SYZ EXHIBITION FASHIONED ON NATURE TO VICTORIA & ALBERT MUSEUM OF LONDON CHANEL DIOR Avances, molestie, violenza. Parlarne è già una autentica rivoluzione. Dopo gli scandali sessuali partiti da Hollywood con il movimento #MeToo che ha contagiato il mondo intero in un’ ondata rosa di femminismo che ha coinvolto ogni immagine settore della nostra società, noi di UFASHON non possiamo certamente far finta di nulla e questo nuovo numero dedicato al top dell’Haute Couture mondiale vuole essere il nostro modo di esprimere tutto il nostro amore e la nostra solidarietà a tutte le donne, quelle meravigliose creature che da sempre sono le straordinarie muse del regno fatato dell’Alta Moda. Che alchimia perfetta tra un couturier e le sue donne. Dalle sue adorate premiere alle sublimi ricamatrici, dalle abili modelliste alle iconiche editoriale mannequin d’atelier, fino alle modelle che in passerella interpreteranno per lui, come se a ciascuna avesse affidato un ruolo speciale di un copione irripetibile, tutto ciò che con duro lavoro, sacrifico e passione ha sentito l’esigenza fortissima di raccontare. Ed eccole lì, in prima fila, le sue altre amatissime donne: dalle clienti di sempre a quelle nuove, le mitiche millennials, senza dimenticare le sue iconiche muse portafortuna, le splendide celebrities vestite con i suoi abiti, le famose fashion blogger, importanti italiano influencers e leggendarie giornaliste di settore. Quante donne arrivate da ogni parte del mondo solo per lui. Questo non è amore? Esiste davvero un rapporto speciale tra uno stilista e le sue donne.
[Show full text]
Stilettodaily03
Collections prêt-à-porter printemps-été 2016, Paris | Vendredi 2 octobre 2015 Français | English Stilettodaily03 dior dior #FallWinter2015 # Sebastian Mader #Stylist Vanessa Chow #itDior #Stiletto Éditorial n talon comme un glaçon couleur Haribo, Plexi rafraîchissant pour arpenter la heel like a candy-colored ice-cube and refreshing Plexiglas to roam the city and melt ville et fondre de bonheur en admirant les œuvres de Madame Vigée-Lebrun au while admiring the works of Madame Vigée-Lebrun at the Louvre, or of “Fragonard Louvre, de « Fragonard amoureux » au musée du Luxembourg. Des souliers aux in Love” at the musée du Luxembourg. From shoes to purses, addiction is leaning sacs, l’addiction prend des nuances très bonbon, on a envie de croquer dans le cuir more and more toward candy colors: leather as enticing as a cupcake of Sébastien Ucomme dans un mussipontain de Sébastien Gaudard, les pochettes rose barbe-à-papa et les Gaudard,A cotton-candy pink purses and soft hold-all pouches that we could stu full when young besaces aussi douces que les objets transitionnels de l’enfance, nous plongent dans un meilleur children. Here we go sliding into the best of hashtag worlds with virtual hearts and suns. What des mondes hashtaggé de cœurs et de soleils virtuels. Ce que l’hiver promettait en régressions winter promised in terms of teenage regression, the summer of will be magnifying still further adulescentes, l’été le magni e encore, dans une pléiade d’échappées belles, aux couleurs de with an array of beautiful adventures in the colors of ne pastries and sweet journeys.
[Show full text]
February 2015 L I F E . E X T R a O R D I N a R Y Tengku
LIFE. EXTRAORDINARY February 2015 DaviD beckham on life after football and coping with fame Love Royale Tengku DaTin PaDuka SeTia ZaTaShah and DaTo’ SeTia FEBRUARY 2015 RM15 aubry rahim menneSSon plus two other couples, www.malaysiatatler.com on love without borders PP6732/06/2013(032251) 164654-MT0215_Cover options_19-1.indd 3 1/19/15 4:02 PM QUEENS FOR A NIGHT From left, back row: It’s a romantic night of youthful Princess Lavinia exuberance and haute couture in the Boncompagni Ludovisi; Anna City of Light. Melissa Twigg goes Cleveland van to Paris for an insider’s view of one Ravenstein; Naomi Schroeder; of the world’s most glamorous events, Alexandra Louey; the annual Bal des Débutantes Elly Lam; Isabel Beatty; Ella Photography CRAZY ROUGE Mountbatten; and Emily Madrigal. Front row: Margot Massenet and Princess Larissa tepping ut Windisch-Graetz 2 hong kong tatler . march 2014 hong kong tatler . march 2014 3 The clock strikes midnight and the Eiffel Tower’s light show begins, ingredients for IN THEIR PRIME Clockwise from bottom left: Naomi Schroeder; Elly Lam and Alexandra Louey; Ginevra illuminating the interior of the Palais de success,” says Fontes Williams and Victor Belmondo; Isabel Beatty, Viola Jacobsen Mikkelsen and Ella Mountbatten; Chaillot. A waltz starts to play and Prince Renouard. “The Tommaso Crimi, Lodovico Gritti, Sixte de l’Espée, Emilion de Roquefeuil and Octave le Gouvello Charles-Emmanuel de Bourbon-Parme, a girls are beautiful direct descendant of Louis XIV, steps forward and look and feel to take the hand of his daughter, Princess like princesses for a referred to as the Crillon Ball), but it was Emily Madrigal, daughter of Vincent and Ann Elisabeth, to open the dancing for the night.
[Show full text]
The Demise and Transfiguration of Haute Couture
008-021_INDUMENTA_01 29/1/09 14:19 Página 8 The demise Pablo Pena González Doctor of Art History. Professor of Design History and transfiguration for the Region of Madrid [email protected] of Haute Couture ABSTRACT: Contrary to the prediction prêt-à-porter is an industry. This article of Yves Saint-Laurent, Haute Couture does not address the necessary, eternal has not died. After two decades of death and universal profession of tailoring, throes, breathing tubes still pump life but rather the Parisian institution that, through its veins to ensure that it contin- one day in its youth, looked in the mir- ues to lead luxury market advertising. ror and said, “I am haute.” And since Of course, this is not the state we fash- this article may be of interest to people ion professionals, whether designers or outside the industry, I will begin by ex- writers, would wish for, nor do we ap- plaining what “haute” means as applied prove of the postmodern direction that to couture. recent Haute Couture has taken, which a. “Haute” means “expensive.” Haute is progressively sullying rather than glo- literally means “high” and, if we analyse rifying the profession of fashion design- it semantically, couture cannot be high ers. This article offers numbers, state- any more than it could be fat. The epi- 1 As quoted by the journalist Corinne Jeammet. ments and reflections made by the thet “high” was appended in a Unless otherwise indicated, all quotes protagonists of Parisian couture, enough metaphorical sense, and I think this was appearing in the article are taken from the to certify the debacle of the last aristo- done to mask its gory significance: high cratic art in history.
[Show full text]
CP Résultats
LLeess FFrriiimmoouusssseess ddee CCrrééaatteeuurrss oonntt ccoolllllleeccttéé ppllluuss ddee 227700 000000 eeuurrooss ppoouurr llleess pprrooggrraammmmeess ddee lll’’’UUNNIIICCEEFF eenn ffaavveeuurr ddeess eennffaannttss dduu DDaarrffoouurr Paris, le 20 novembre 2009 - Les enchères Frimousses de Créateurs , qui se sont tenues hier à Drouot-Montaigne, sous le marteau de Maître Georges Delletrez, Président de Drouot Holding et de Maître Pierre Cornette de Saint-Cyr, en présence de nombreuses personnalités, dont Laeticia Hallyday, marraine de l’opération, Delphine Arnault-Gancia, Présidente du Comité d’honneur, Natalie Dessay qui a confectionné une poupée ou encore Alain Delon, ont permis de récolter plus de 270 000 euros. La totalité des fonds collectés ira directement soutenir les programmes de vaccination de l’UNICEF au Darfour. Pour cette 7 ème édition, l’UNICEF France a mobilisé près d’une centaine de créateurs, d’artistes et pour la première fois cette année des personnalités, qui ont mis leur imagination et leur savoir-faire au service des enfants du Darfour, en réalisant des poupées et des œuvres, toutes uniques. Parmi celles surenchéries qui ont remporté un grand succès, citons celles de Jeff Koons (26 000 euros), Damien Hirst (25 000 euros), Christian Dior (16 000 euros), Louis Vuitton (12 000 euros), Jean-Michel Othoniel (11 000 euros) ou encore celle de Cartier (10 000 euros). Pour mémoire, l’édition 2008 avait permis de collecter 219 130 euros. L’UNICEF tient à remercier chaleureusement les créateurs, les artistes et les personnalités, ayant participé à cette édition(*), ainsi que l’ensemble de ses partenaires (**) qui ont largement contribué au succès de cet événement et bien sûr ses généreux donateurs pour leur soutien.
[Show full text]
Dior Już W Łodzi. Projekty Światowego Wizjonera Mody Zobaczysz W CMW
Dior już w Łodzi. Projekty światowego 02-10-21 1/3 wizjonera mody zobaczysz w CMW Dior już w Łodzi. Projekty światowego wizjonera mody zobaczysz w CMW 20.04.2018 13:50 Marlena Kamińska / BPKSiT kategoria: Aktualności kulturalne Kreacje, biżuteria, buty, kapelusze marek: Dior, Coco Chanel, Yves Saint Laurent, Givenchy dotarły do Centralnego Muzeum Włókiennictwa w Łodzi. Wernisaż wystawy w czwartek, 26 kwietnia. Część wystawy poświęcona jest kreacjom spod znaku domu mody Dior , fot. Radosław Żydowicz / UMŁ Polska premiera ponad 300 eksponatów zaprojektowanych przez znanych na całym świecie projektantów mody odbędzie się 26 kwietnia o godz. 18. Jednak już dziś w łódzkim muzeum zaprezentowano osiem sylwetek z wystawy "Christian Dior i ikony paryskiej mody z kolekcji Adama Leja". Były oryginalne stroje, kapelusze, torebka z latarką oraz perfumy z 1947 roku w słynnym ﬂakonie przypominającym amforę. - Dlaczego akurat osiem manekinów? Otóż Christian Dior uwielbiał symbolikę i "8" jest taką jego szczęśliwą liczbą. Ósemka jest nieskończonością oraz przypomina sylwetkę kobiecą i do niej też nawiązuje styl "New Look"oraz prezentowane perfumy Miss Dior - podkreślał właściciel kolekcji Adam Leja, dzięki któremu Centralne Muzeum Włókiennictwa w Łodzi ma niezwykłą okazję przypomnieć dokonania Christiana Diora, a także powojennych paryskich mistrzów haute couture. Wystawa składa się z dwóch części. Pierwsza ma być poświęcona wyłącznie kreacjom spod znaku domu mody Dior. Prezentowane będą oryginalne stroje, ale także uzupełniające je akcesoria - kapelusze, buty, jak również biżuteria. Będzie to swoista podróż przez całą historię tego domu mody, ukazująca, jak interpretował on w swoich strojach tendencje pojawiające się w nieustannie zmieniającej się rzeczywistości kolejnych dziesięcioleci. Ciekawostką będzie oryginalny autograf Christiana Diora i pierwsze perfumy oraz projekty Diora.
[Show full text]
Exaggerated Proportions Kick Off Shows
Lifestyle FRIDAY, JANUARY 22, 2016 Exaggerated proportions kick off Paris menswear shows Models present creations by Valentino during men’s Fashion Week for the Fall/Winter 2016/2017 collection in Paris. —AP/AFP photos cy winds and empty seats defined the first day of the divert traffic to accommodate the Imenswear shows at Paris Fashion traveling circus of fashionistas that Week - with heightened security fol- try to see over 70 official shows. lowing November’s deadly attacks in the French capital. Some front- Raf Simons goes back to school row celebrities were no-shows but And then the designers really let It was a back to school with a they ended up missing out on top- VALENTINO their hair down in a tribal-bohemian dash of the 1980’s for Raf Simons, notch creativity for the fall-winter Designers Pierpaolo Piccioli and finale - which showcased perhaps who’s been making ripples since 2016-17 season - with exaggerated Maria Grazia Chiuri did away with too many looks. Ponchos rubbed October last year for resigning as proportions featuring in Valentino the military styles that have pep- shoulders with embroidered feather Christian Dior’s creative director. At and Raf Simons.Here are the high- pered the nascent menswear aes- motifs, and bold tectonic patterns his Wednesday night menswear lights of Wednesday’s catwalk col- thetic. Wednesday’s show - in the on coats had fashionistas pulling show, the Belgian designer showed lections. magnificent 18th-century Hotel out their smartphone cameras. that he has retained a sense of Salomon de Rothschild town house humor - at least for his eponymous - was all the better for moving French federation tightens label.
[Show full text]
Fall 2019 Rizzoli Fall 2019
I SBN 978-0-8478-6740-0 9 780847 867400 FALL 2019 RIZZOLI FALL 2019 Smith Street Books FA19 cover INSIDE LEFT_FULL SIZE_REV Yeezy.qxp_Layout 1 2/27/19 3:25 PM Page 1 TABLE OF CONTENTS RIZZOLI Marie-Hélène de Taillac . .48 5D . .65 100 Dream Cars . .31 Minä Perhonen . .61 Achille Salvagni . .55 Missoni . .49 Adrian: Hollywood Designer . .37 Morphosis . .52 Aēsop . .39 Musings on Fashion & Style . .35 Alexander Ponomarev . .68 The New Elegance . .47 America’s Great Mountain Trails . .24 No Place Like Home . .21 Arakawa: Diagrams for the Imagination . .58 Nyoman Masriadi . .69 The Art of the Host . .17 On Style . .7 Ashley Longshore . .43 Parfums Schiaparelli . .36 Asian Bohemian Chic . .66 Pecans . .40 Bejeweled . .50 Persona . .22 The Bisazza Foundation . .64 Phoenix . .42 A Book Lover’s Guide to New York . .101 Pierre Yovanovitch . .53 Bricks and Brownstone . .20 Portraits of a Master’s Heart For a Silent Dreamland . .69 Broken Nature . .88 Renewing Tradition . .46 Bvlgari . .70 Richard Diebenkorn . .14 California Romantica . .20 Rick Owens Fashion . .8 Climbing Rock . .30 Rooms with a History . .16 Craig McDean: Manual . .18 Sailing America . .25 David Yarrow Photography . .5 Shio Kusaka . .59 Def Jam . .101 Skrebneski Documented . .36 The Dior Sessions . .50 Southern Hospitality at Home . .28 DJ Khaled . .9 The Style of Movement . .23 Eataly: All About Dolci . .40 Team Penske . .60 Eden Revisited . .56 Together Forever . .32 Elemental: The Interior Designs of Fiona Barratt Campbell .26 Travel with Me Forever . .38 English Gardens . .13 Ultimate Cars . .71 English House Style from the Archives of Country Life .
[Show full text]
Haute-Couture-Fall-Winter
1 GAULTIER PARIS 2 3 FRANCESCO SCOGNAMIGLIO 4 5 JEWELRY SUZANNE SYZ ART JEWELS 7 ON AURA TOUT VU 8 9 GAULTIER PARIS 10 11 ELIE SAAB 12 13 ARTISANAL INTELLIGENCE “GRAND TOUR” PH:ANDREA BUCCELLA MARIA SOLE FERRAGAMO 14 15 CHANEL Mai come in questi ultimi tempi il mondo dell’alta moda ha deciso di spalancare le sue porte al pubblico mondiale diventando, in quest’epoca così social, quasi virale attraverso la pubblicazione online e la messa in onda televisiva di centinaia e centinaia di video e conte- nuti dedicati al suo affascinante savoir faire. L’alta moda si svela e alza il sipario sul making of, ossia su tutto ciò che accade prima che favolosi abiti e accessori deluxe sfilino in pas- serella incantando pubblico e addetti ai lavori con la loro meravigliosa bellezza. Un trend consacrato quest’anno dalla sfilata fall/winter 2016-17 di Chanel che ha dedicato la sua collezione ai suoi atelier Haute Couture, celebrando così il talento delle persone che dietro le quinte lavorano alla realizzazione di autentici capolavori. Durante la sfilata gli ospiti sono stati come proiettati nell’ambientazione intima, e un tempo off limits, degli atelier di Rue Cambon, ricreati per l’occasione sotto il soffitto di vetro del Grand Palais con tavoli, macchine da cucire, spilli, scampoli di stoffa, manichini sartoriali, specchi: la quotidianità dei quattro atelier della Maison è stata così svelata in tutto il suo efficiente splendore e stra- ordinario heritage. Perchè è questa la realtà. È qui che tutto ha inizio e le idee dello stilista e i suoi bozzetti prendono vita.
[Show full text]