Futures of Technology in Africa

Total Page:16

File Type:pdf, Size:1020Kb

Futures of Technology in Africa FUTURES OF TECHNOLOGY IN AFRICA Jasper Grosskurth STT 75 About STT STT explores new trends and develops inspiring foresights on technology and society. For that purpose STT facilitates a free space in which enthusiastic stakeholders meet and construct creative views on the future. The results serve as starting points for new initiatives, such as applied research programmes or public-private cooperation. Project participants are the most important ambassadors of the results, which are also distributed through the media, lectures and workshops. The STT Netherlands Study Centre for Technology Trends was established in 1968 by The Netherlands Royal Instititute of Engineers (KIVI). STT is a non-profit organiza- tion funded by the Dutch government and business contributions. STT’s advisory board consists of almost 30 members who are selected among contributors and scientific institutions, all appointed on personal title. In addition, STT hosts two academic chairs on futures studies and research. While most regular updates on our activities are in Dutch, many of our reports are in English. Do take a look at current and past foresight projects and our recent publications on our website. Address: P.O. Box 30424 2500 GK The Hague the Netherlands Telephone: +31 70 302 98 30 E-mail: [email protected] Imprint Lead author: Jasper Grosskurth, STT, the Hague Proofreading: Sally Lansdell, EditExpert, Northolt, United Kingdom Production co-ordinator: Rosemarijke Otten, STT, the Hague Book and cover design: Roquefort Ontwerpers, Utrecht STT 75 Print: Deltahage, the Hague ISBN 978-90-809613-7-1 STT Publication no 75 FUTURES OF NUR 950 Keywords: Africa, technology, development, foresight © 2010 STT, The Hague, the Netherlands TECHNOLOGY Rights are reserved under a Creative Commons license (http://creativecommons.org/ licenses/by-nc-nd/3.0/) IN AFRICA You are free to copy, distribute and transmit the work under the following conditions: Jasper Grosskurth • You must attribute the work to “STT Netherlands Study Centre for Technology Trends / Jasper Grosskurth, http://www.stt.nl, 2010” • You may not use this work for commercial purposes. • You may not alter, transform, or build upon this work. • For any reuse or distribution, you must make clear to others the license terms of this work. Any of the above conditions can be waived if you get permission from the copy- right holder. Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. In no way are any of the following rights affected by the license: • Your fair dealing or fair use rights, or other applicable copyright exceptions and limitations. • The author’s moral rights. • Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. STT, Den Haag, Nederland 2010 TABLE OF CONTENTS Chapter 9: 114 Chapter 10: 124 Technology in context Learning from Africa Preface 6 With Sheila Ochugboju Introduction 8 Chapter 1: 16 Chapter 2: 24 Chapter 11: 132 A Kenyan Science Fiction story: 140 21st century Africa African futures studies A guide for the future The Last Infirmity Of Noble Minds Author: Geci Karuri-Sebina Author: Wambura Kimunyu Chapter 3: 32 Chapter 4: 38 References 146 Exploring technology futures Africa will be flat With contributions from Ben White and List of abbreviations 150 Gertjan van Stam Acknowledgements 152 STT publications 156 Chapter 5: 60 Chapter 6: 76 STT funders 160 Energizing Africa The road less paved With contributions from Birthe Paul and Janneke Brouwers Chapter 7: 88 Chapter 8: 98 Seeds of change Too many futures With contributions from Wambura Kimunyu, Njoroge Matathia, Tonee Ndungu and Sheila Ochugboju 4 5 Preface The STT Netherlands Study Centre for Barack Obama during his visit to Ghana in 2009: change global technology. These are big and com- invite you to join us in our renewed curiosity, of Technology Trends (STT) explores futures “The 21st century will be shaped by what happens plex questions and the STT foresight project, which which this book is a reflection. at the crossroads of technology and not just in Rome or Moscow or Washington, but by ends with this publication, is a contribution to this society. In 2007, STT decided to initiate what happens in Accra, as well.” This is not only discussion that is still in its infancy with respect to a foresight on ‘Technology in Develop- because the tools of knowledge economies and the Africa. CE ing Countries’. Since the founding of STT gadgets of consumer societies crucially rely on the in 1968, this was going to be the first continent’s rare metals. This book is only one result of the STT foresight on project with an explicit focus on devel- technology in Africa. Other tangible results include opment. The underlying question was Despite the change and the attention, many of the 1st Business Summit Netherlands–Africa in FA how new technology would affect the Africa’s problems are persistent and much of the November 2010 and the Discover the Lion workshop poorest societies rather than the richest, continent’s potential is still unused. Too many go series on technology-intensive industries in Africa, those with least access to technology hungry, too many are displaced or killed in con- both to be continued in the future by the Neth- rather than those surrounded by the flicts, too many get too little education, too many erlands–African Business Council (NABC). Dozens latest inventions. The most important die from easily preventable or curable diseases, too of organizations, including NGOs such as IICD, the reason for focusing the project on Africa many are corrupt. The wealth of natural resources 1% Club and AMREF Flying Doctors, businesses, was the perception that Africa might be could secure livelihoods for the long term, if put including TNO and several NABC members, aca- PRE close to a tipping point in its develop- to productive use. The land and the farmers could demic projects, such as the 3TU initiative on ethics, ment and growth, with technology as an important feed Africa and more, given appropriate farming technology and development, and governmental factor. Since then, the evidence has strengthened techniques and governance. The young popula- organizations, such as the Scientific Council for Dr Tini Hooymans that this is indeed the case. And this forms the tion could make Africa an economic powerhouse, Government Policy (WRR), the Social and Economic Chair of ‘The Future of Ir Wiebe Draijer backbone of this book. given the opportunity and skills. International and Council (SER) of the Netherlands and the Advisory Technology in Develop- Chair of the STT Nether- intercontinental trade could prosper, given the right Council for Science and Technology Policy (AWT), ing Countries’ Steering lands Study Centre for Since 2007, it has become evident to the world that infrastructure. have consulted the project to improve their own Committee Technology Trends Africa is changing fundamentally. Economically, activities and projects. most African countries have outgrown the world Technology holds many promises as a driver of economy for the last decade. Politically, the number positive changes, as a tool to address the problems Many other results are intangible. Several of the of conflicts is decreasing, while the number of and as an enabler to fulfil the potential. Economic interviewees on location now incorporate long- democratic changes of government is on the rise. development requires modern technology and term thinking in their professional lives; business Institutionally, issues standing in the way of de- technology plays an important role in most strate- partners met during project activities and initiated velopment, such as contested land rights, customs gies for alleviating hunger and poverty. Technology common projects; local programmers were moti- inefficiencies and red tape, are more and more be- can reduce transaction costs, save lives, facilitate vated by seeing their own activities placed in the ing addressed. Technologically, Africa has surprised education, strengthen entrepreneurship, provide bigger context of an African technology revolution; even the most optimistic market experts with the access to markets and help to deliver basic ser- arts students at the Royal Academy of Arts in the rise of the mobile phone. The more than 450 mil- vices, ranging from water and sanitation to public Hague were inspired to explore how shifts in per- lion units in use today might well be a prelude to administration. However, the same technology can ception and paradigms, such as the West’s redis- a fundamental ICT revolution in Africa. Culturally, also be destructive and a cause of problems. Some covery of Africa, can be captured with digital media; the continent is discovering its own capacities and technological developments can be facilitated or entrepreneurs questioned their own assumptions diversity in a globalizing world. managed, others happen and require an adequate and found new sources of information; journal- response. ists actively went to look for the Africa beyond the The rest of the world is beginning to notice the problems. change. Businesses from all continents are discov- It is this manifold interrelation of technology with ering the economic potential of Africa, ranging from its environment that makes exploring the future This STT foresight project has also changed our own serving consumers at the base of the pyramid to of technology so interesting and valuable. There is perception of Africa. We have been surprised by executing pan-African infrastructure projects, from a need to explore how technology in Africa will or the speed and diversity of change. We have been growing grains, fruits and vegetables to securing might evolve; to discuss the drivers and the obsta- disappointed by how little of the potential is being access to minerals. In an increasingly interconnect- cles, the issues technology might resolve and the used.
Recommended publications
  • KENYA POPULATION SITUATION ANALYSIS Kenya Population Situation Analysis
    REPUBLIC OF KENYA KENYA POPULATION SITUATION ANALYSIS Kenya Population Situation Analysis Published by the Government of Kenya supported by United Nations Population Fund (UNFPA) Kenya Country Oce National Council for Population and Development (NCPD) P.O. Box 48994 – 00100, Nairobi, Kenya Tel: +254-20-271-1600/01 Fax: +254-20-271-6058 Email: [email protected] Website: www.ncpd-ke.org United Nations Population Fund (UNFPA) Kenya Country Oce P.O. Box 30218 – 00100, Nairobi, Kenya Tel: +254-20-76244023/01/04 Fax: +254-20-7624422 Website: http://kenya.unfpa.org © NCPD July 2013 The views and opinions expressed in this report are those of the contributors. Any part of this document may be freely reviewed, quoted, reproduced or translated in full or in part, provided the source is acknowledged. It may not be sold or used inconjunction with commercial purposes or for prot. KENYA POPULATION SITUATION ANALYSIS JULY 2013 KENYA POPULATION SITUATION ANALYSIS i ii KENYA POPULATION SITUATION ANALYSIS TABLE OF CONTENTS LIST OF ACRONYMS AND ABBREVIATIONS ........................................................................................iv FOREWORD ..........................................................................................................................................ix ACKNOWLEDGEMENT ..........................................................................................................................x EXECUTIVE SUMMARY ........................................................................................................................xi
    [Show full text]
  • The 2010 Constitution and Electoral Governance in Kenya: Prospects for the Prevention of Electoral Violence………………………………………………………………62 Nzau Mumo and Stellah Kingoro
    Volume I, Number 1, 2013 ISSN N0 2309-1010 LAIKIPIA UNIVERSITY JOURNAL OF SOCIAL SCIENCES, EDUCATION AND HUMANITIES EDITORAL BOARD ______________________________________________________________________________ Editor in Chief Prof. Felicia Yieke Series Editor Dr. Jacinta Ndambuki Associate Editors Prof. James Ogola Dr. Musau Kithuka Dr. Isaac Ochieng Dr. Babere Chacha Technical Editors Mr. John Kingau Mr. Enrique Muthangya _____________________________________________________________________________ Advisory Board Prof. Francis K. Lelo Laikipia University, Kenya Prof. Ruth Wodak Lancaster University, United Kingdom Dr. Meredith Marra Victoria University of Wellington, New Zealand Prof. Emilia Ilieva Egerton University, Kenya Prof. Maurice Amutabi Catholic University of Eastern Africa (CUEA), Kenya Prof. Winnie V. Mitullah University of Nairobi, Kenya Prof. Adebayo Olukoshi Director, UN African Institute for Economic Development and Planning (IDEP), Dakar-Senegal ©Laikipia University, 2013 All rights reserved. No part of this journal may be reproduced transmitted in any form or by any means, electronic or mechanical, including photocopying or recording of any information, storage or retrieval system without permission from the publisher. Laikipia University Journal of Social Sciences, Education and Humanities (JSSEH), ISSN N0 2309-1010 is published by Laikipia University, P.O. Box 1100-20300, Nyahururu, Kenya Circulation and Sales Price Cover Price Per Unit Kenya Kshs 500 (US$10) Rest of Africa Kshs 700 (US$15) Other parts of the World Kshs 1000 (US$20) Preamble JSSEH is a scholarly and professional journal published once a year by the Department of Research, Extension and Consultancy (REC), Laikipia University. The journal is dedicated to scientific research in Social Sciences, Education and the Humanities. It provides a platform for multidisciplinary and policy related research.
    [Show full text]
  • EJOTMAS 28.Pmd
    EJOTMAS: EKPOMA JOURNAL OF THEATRE AND MEDIA ARTS 422 http://dx.doi.org/10.4314/ejotmas.v7i1-2.28 THE PRODUCER-ARTISTIC BUSINESS RELATIONSHIP: A MAJOR CONCERN FOR THE SURVIVAL OF THEATRE PRACTICE IN NIGERIA *Olatunji Samson SOTIMIRIN, Ph.D. Abstract This paper evaluates some of the perennial problems identified by scholars, writers and theatre practitioners as the bane of the growth and survival of theatre practice in Nigeria. These are inadequate funding, non-availability of befitting venues, economic and social insecurity, training and professionalism, orientation of the public sector, technological development, and so on. The central argument, however, is the issue of the business relationship between the producer and the professional theatre artiste. The paper contends that there are many issues concerning the artiste working and struggling to get paid, and artiste being exploited by producers without respectable reward. Consequently, in order to conquer these exploitative tendencies and lack of trust on the part of the producer, the paper submits that it is imperative that the artiste puts his/her professional relationship with the producer on a sound legal footing. This involves not only engaging the use of contracts constricted in agreement with good professional conventions, but also considering the need for the formation of recognized monitoring structures that will be responsible for guiding the actions and behaviour of practitioners. This ought to be done with a governmental support safeguarding the various theatre Associations and guilds as it is the case with other established Associations such as the Institute of Chartered Accountants, Society of Engineers, Nigerian Medical Association and so on.
    [Show full text]
  • The Strategic Effect of Automating Financial Systems in Devolved Governments Perfomance a Case of Nairobi County
    THE STRATEGIC EFFECT OF AUTOMATING FINANCIAL SYSTEMS IN DEVOLVED GOVERNMENTS PERFOMANCE A CASE OF NAIROBI COUNTY LYDIA NJERI MAINA A RESEARCH PROJECT PRESENTED INPARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION, SCHOOLOF BUSINESS, UNIVERSITY OF NAIROBI NOVEMBER, 2015 DECLARATION This research project is my original work and has not been presented for academic purposes in the University of Nairobi or any other university. Signed…………………………… Date…………………………… LYDIA NJERI MAINA D61/84311/2012 This research project will be submitted with my approval as the university supervisor. Signed…………………………… Date…………………………… PROF. BITANGE NDEMO SCHOOL OF BUSINESS UNIVERSITY OF NAIROBI ii DEDICATION I dedicate this research project to All Mighty God, my dear husband Mr. John Maina, my children Kelvin and Maree for their love, moral and support you extended to me during my study: As well as their encouragement throughout my research. I love you all. iii ACKNOWLEDGEMENTS From the initial stages to the final draft of this project and in partial fulfilment of the Master of Business Administration degree, I owe an immense debt of gratitude to my supervisor, Prof. Bitange Ndemo for his invaluable support towards the completion of this project. His constructive criticism, careful guidance and patience have been very instrumental to the completion of this project in time. I would also like to thank the Nairobi County Government for availing the data I so much needed to complete this project within the time allocated to me. Special thanks go to the proposal presentation panel and colleagues who were present during the presentation of this project proposal.
    [Show full text]
  • Ethnic Politics and Post-Election Violence of 2007/8 in Kenya
    Vol. 6(4), pp. 59-67, May 2014 DOI: 10.5897/AJHC2013.0146 African Journal of History and Culture ISSN 2141-6672 Copyright © 2014 Author(s) retain the copyright of this article http://www.academicjournals.org/AJHC Full Length Research Paper Ethnic politics and post-election violence of 2007/8 in Kenya Opondo P. A Moi University, Department of History and Political Science, P.O. Box 3900-Eldoret, Kenya. Received 28 February, 2013; Accepted 3 May, 2013 Based on primordial and essentialist theories of ethnicity, the paper critically interrogates the trajectory of politics since 1963 in Kenya. The objective was to explain the causes of ethnic politics in Kenya which led to the political assassination of the 1960s under Jomo Kenyatta, the ethnic clashes of Moi era and culminated into the 2007/8 post election violence of Kibaki presidency. Under Kenyatta (1963- 1978), Kenya experienced relative political and economic prosperity and stability but with an entrenched authoritarianism and ethnic favouritism. The Moi regime (1978-2002) and Kibaki Government (2003-2013) fared no better. This paper seeks to analyze the ethnic praxis to find out the nature, extent and impact of negative ethnicity in the country. It is argued by most post-2007 literature that the causes of violence included poverty, underdevelopment, political marginalization, ethnic exclusion, manipulated electoral process, lack of institutions to mediate in case of election malfeasance and the long held historical injustices over how land distribution was managed in the Kenyatta regime after the end of colonialism. Pursuing a historical methodology, we argue that to prevent political violence in future, the principle of constitutionalism must be upheld.
    [Show full text]
  • The Framing of Gender-Based Violence in the Print Media in Kenya
    THE FRAMING OF GENDER-BASED VIOLENCE IN THE PRINT MEDIA IN KENYA: A DISCOURSE ANALYSIS MERCY WANGU MWAI A PROJECT REPORT SUBMITTED TO THE INSTITUTE OF ANTHROPOLOGY, GENDER AND AFRICAN STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN GENDER AND DEVELOPMENT STUDIES OF THE UNIVERSITY OF NAIROBI 2016 DECLARATION This project is my own original work and has not been presented for an award of an academic degree in any other university or institution. Signature: …………………………………… Date: Mercy Wangu Mwai This project has been submitted for examination with my approval as a university supervisor. Signature: …………………………………… Date: DR. Stevie M. Nangendo i DEDICATION This project is dedicated to all family members and friends for their support and concern who enabled me complete the entire project successfully. ii ACKNOWLEDGEMENTS I wish to express my sincere gratitude, love and appreciation to the following people for their co- operation and assistance where necessary in writing and developing this project. First and foremost I would like to give thanks to the almighty God for his sufficient grace from the beginning until the end of the course. I would also like to express my gratitude to the University of Nairobi, especially my project supervisor Dr. Stevie M. Nangendo for his resourcefulness, dedication, patience and perseverance in supervision of this project. Many thanks to my employer Media Max Network Limited for giving me time off to embark on this research. Special thanks to family member‘s especially my husband Amon Kariuki and my parents for supporting me in my journey to further my studies.
    [Show full text]
  • UNDERLAYERS of CITIZENSHIP: Queer Objects, Intimate Exposures, and the Rescue Rush in Kenya
    CULTURAL ANTHROPOLOGY UNDERLAYERS OF CITIZENSHIP: Queer Objects, Intimate Exposures, and the Rescue Rush in Kenya GEORGE PAUL MEIU Harvard University https://orcid.org/0000-0003-2507-9483 In recent years in Kenya, some public figures have warned citizens of a new, less obvious sign of moral decay in the country: rising sales in adult diapers. In 2013, the Star, a national newspaper, announced that “those engaged in sodomy are said to be releasing waste uncontrollably, forcing them to use pampers whenever they walk” (Gari 2013). On August 20, at a political rally in the coastal town of Malindi, Joshua Nkanatha, a police commissioner, explained: “A survey we con- ducted shows that boys engaging in sexual activities with male tourists are buying pampers because they can no longer hold their stool” (Africa Now n.d.). Worrying about the proliferation of anal sex, Nkanatha urged people “to take up the respon- sibility of enlightening the youths about the health risks of engaging in the vice.” Or else, he warned, “prostitution . will lead to their death.” The Star blamed the trend on “the booming tourism of pedophiles and perverts,” including Europeans, Americans, and, of late, “our so-called business partners who come all the way from China.” With similar urgency, in May 2018, Ezekiel Mutua, the director of the Kenya Films and Classification Board, stated in a public speech that “mature men end up in diapers because they have been ‘destroyed’ by their fellow men” (Mburu 2018). Infamous for his anti-homosexual rants and for banning any media featuring same-sex intimacies, Mutua warned Kenyans: “It is high time we stopped CULTURAL ANTHROPOLOGY, Vol.
    [Show full text]
  • Can Democratic Principles Protect High Courts from Partisan Backlash? Public Reactions to the Kenyan Supreme Court’S Role in the 2017 Election Crisis
    Can Democratic Principles Protect High Courts from Partisan Backlash? Public Reactions to the Kenyan Supreme Court’s Role in the 2017 Election Crisis Short title for running header: Democratic Principles, High Courts, and Partisan Backlash Keywords: public support for judicial power; Kenya Supreme Court; democratic principles; partisan backlash; election crisis; democracy and authoritarianism; courts and public opinion Brandon L. Bartels Professor of Political Science Department of Political Science George Washington University 2115 G St. NW, Suite 440 Washington, DC 20052 [email protected] Jeremy Horowitz Assistant Professor of Government Department of Government Dartmouth College 211 Silsby Hall, HB 6108 Hanover, NH 03755 [email protected] Eric Kramon Associate Professor of Political Science and International Affairs Department of Political Science and Elliott School of International Affairs George Washington University 2115 G St. NW, Suite 440 Washington, DC 20052 [email protected] We are grateful to the National Science Foundation for the RAPID research grant, SES #1801207 (“Building Judicial Legitimacy or Inviting Institutional Backlash?”), that funded the panel survey at the center of this article. We also thank former GW Elliott School Dean Reuben Brigety and former department chair Bruce Dickson for invaluable funding assistance. GW Arts and Sciences Dean Paul Wahlbeck provided indispensable logistical assistance that helped move our project forward. For valuable feedback and comments on our paper, we thank Anne Meng, Michael Wahman, participants at the 2018 African Studies Association and 2019 APSA Annual Meetings, participants at the Cornell Institute for African Development Conference on Democratic Erosion, and the three anonymous reviewers. Can Democratic Principles Protect High Courts from Partisan Backlash? Public Reactions to the Kenyan Supreme Court’s Role in the 2017 Election Crisis Abstract Public support is central to the emergence of judicial power.
    [Show full text]
  • Book of Proceedings
    Book of Proceedings: the 6th Academic Conference of Hummingbird Publications and Research International on Paving Way for Africa Unique Opportunities for Sustainable Development in the 21st Century Vol.6 No.1 on 30th September, 2015- University of Ibadan Conference Centre,U.I, Ibadan, Oyo State, Nigeria DIRECTORIAL CONCEPTS AND TECHNIQUES ON THE NIGERIAN STAGE IN THE 21ST CENTURY OGUNGBESAN, OLUSEYI ABIODUN Department of Performing Arts, Olabisi Onabanjo University, Ago-Iwoye, Ogun State, Nigeria Abstract The Nigerian stage is an arena where human beings are presented in a cosmic totality, acting and reacting to forces around them and within them perceiving and being preceded by those interacting with them and by those in the audience who experience the enigma that is the common lot of humanity. It is not an ideal situation which is a very rare occurrence in the theatre where representations of what life should be is re-enacted. Since this ideal situations are not possible, the position of the director then becomes prerogative especially when his directorial styles and techniques are put into recognition for sustainable development on the Nigerian Stage in the 21st Century. As the Nigerian stage is inseparable from the Nigerian theatre so is there no stage without theatre. As play scripts differ, so also the concepts and techniques of each director. It is based on all these that this paper reviews the directorial concepts and techniques of directors on the Nigerian stage especially in the 21st century with the aim of comparing and analyzing their directorial skills and approaches. For the expression of the relationship between man, society and nature, the Nigerian theatre arose out of fundamental human needs in the dawn of human civilization and has continued to express those needs ever since, which is to say Nigerian theatre and drama originated with Nigerians themselves.
    [Show full text]
  • The London School of Economics and Political Science Negotiating
    The London School of Economics and Political Science Negotiating Governance: Kenyan contestation, cooperation, passivity toward the Chinese. Maddalena Procopio A thesis submitted to the Department of International Relations at the London School of Economics and Political Science for the degree of Doctor of Philosophy, London, January 2016. Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 97,903 words. 2 Abstract The scholarship on Sino-African relations has been too pre-occupied with China’s behaviour and impact on Africa and paid little attention to the role played by African actors, contexts and processes of governance. This thesis addresses this deficiency through an examination of the interaction between Kenyan state and non-state actors in the relationship with China. In doing so, it focuses on how such interactive relation is mobilised and negotiated through Kenyan ‘agency’, and how it constitutes a means of building national capacity in domestic as well as foreign policy, paving the way for a less dependent and more sustainable developmental nation.
    [Show full text]
  • Orisa-Shakespeare: a Study of Shakespeare Adaptations Inspired by the Yoruba Tradition
    Orisa-Shakespeare: A study of Shakespeare Adaptations Inspired by the Yoruba Tradition By Olalekan Is’haq Balogun (PhD with creative component) A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Theatre Victoria University of Wellington (2017) Abstract This thesis combines creative practice with critical analysis to intervene in the field of post-colonial Shakespeare where, for over a generation, the process of adaptation has been presented as one of the main strategies by which Shakespeare’s ambiguous legacy in successor cultures can be both confronted and manipulated. Scholars often use the term “writing back” to designate a set of adaptations which challenge the cultural capital that Shakespeare privileges. By linking Yoruba spirituality in its political and cultural terms to the wider field of the relation between Africa, African writers and theatre makers and Shakespeare, the thesis proposes a new sub-field or genre of adaptations, “Orisa-Shakespeare,” rooted in Yoruba traditions. The thesis argues that, written in Nigeria and the Yoruba global diaspora, this set of adaptations are not necessarily challenging the Shakespeare canon but addressing their own societies, thus “writing forward.” The thesis examines the cultural and political significance of this bourgeoning body of adaptations of Shakespeare through the lens of Yoruba epistemology and its aesthetic principles. The thesis is broadly divided into two parts: an exegesis of selected adaptations of Shakespeare as case studies of post-colonial works that reflect and integrate Yoruba creative and performative idioms and translate them into dramaturgy; and an original play, Emi Caesar! in which core elements of Shakespeare’s Julius Caesar are transplanted into the complex, violent world of Yoruba politics of the mid-19th century, as a parable for contemporary Nigeria politics where factionalism (specifically tribal/ethnic bigotry) works against the integrity and security of the society.
    [Show full text]
  • Nigerian Writers
    Society of Young Nigerian Writers Chris Abani From Wikipedia, the free encyclopedia Jump to: navigation, search Chris Abani The poem "Ode to Joy" on a wall in the Dutch city of Leiden Christopher Abani (or Chris Abani) (born 27 December 1966) is a Nigerian author. He is part of a new generation of Nigerian writers working to convey to an English-speaking audience the experience of those born and raised in "sthat troubled African nation". Contents 1 Biography 2 Education and career 3 Published works 4 Honors and awards 5 References 6 External links Biography Chris Abani was born in Afikpo, Nigeria. His father was Igbo, while his mother was English- born.[1] He published his first novel, Masters of the Board (1985) at the age of sixteen. The plot was a political thriller and it was an allegory for a coup that was carried out in Nigeria just before it was written. He was imprisoned for 6 months on suspicion of an attempt to overthrow the government. He continued to write after his release from jail, but was imprisoned for one year after the publication of his novel, Sirocco. (1987). After he was released from jail this time, he composed several anti-government plays that were performed on the street near government offices for two years. He was imprisoned a third time and was placed on death row. Luckily, his friends had bribed government officials for his release in 1991, and immediately Abani moved to the United Kingdom, living there until 1999. He then moved to the United States, where he now lives.[2] Material parts of his biography as it relates to his alleged political activism, imprisonments and death sentence in Nigeria have been disputed as fiction by some Nigerian literary activists of the period in question.
    [Show full text]