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Book of Proceedings
Book of Proceedings: the 6th Academic Conference of Hummingbird Publications and Research International on Paving Way for Africa Unique Opportunities for Sustainable Development in the 21st Century Vol.6 No.1 on 30th September, 2015- University of Ibadan Conference Centre,U.I, Ibadan, Oyo State, Nigeria DIRECTORIAL CONCEPTS AND TECHNIQUES ON THE NIGERIAN STAGE IN THE 21ST CENTURY OGUNGBESAN, OLUSEYI ABIODUN Department of Performing Arts, Olabisi Onabanjo University, Ago-Iwoye, Ogun State, Nigeria Abstract The Nigerian stage is an arena where human beings are presented in a cosmic totality, acting and reacting to forces around them and within them perceiving and being preceded by those interacting with them and by those in the audience who experience the enigma that is the common lot of humanity. It is not an ideal situation which is a very rare occurrence in the theatre where representations of what life should be is re-enacted. Since this ideal situations are not possible, the position of the director then becomes prerogative especially when his directorial styles and techniques are put into recognition for sustainable development on the Nigerian Stage in the 21st Century. As the Nigerian stage is inseparable from the Nigerian theatre so is there no stage without theatre. As play scripts differ, so also the concepts and techniques of each director. It is based on all these that this paper reviews the directorial concepts and techniques of directors on the Nigerian stage especially in the 21st century with the aim of comparing and analyzing their directorial skills and approaches. For the expression of the relationship between man, society and nature, the Nigerian theatre arose out of fundamental human needs in the dawn of human civilization and has continued to express those needs ever since, which is to say Nigerian theatre and drama originated with Nigerians themselves. -
Orisa-Shakespeare: a Study of Shakespeare Adaptations Inspired by the Yoruba Tradition
Orisa-Shakespeare: A study of Shakespeare Adaptations Inspired by the Yoruba Tradition By Olalekan Is’haq Balogun (PhD with creative component) A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Theatre Victoria University of Wellington (2017) Abstract This thesis combines creative practice with critical analysis to intervene in the field of post-colonial Shakespeare where, for over a generation, the process of adaptation has been presented as one of the main strategies by which Shakespeare’s ambiguous legacy in successor cultures can be both confronted and manipulated. Scholars often use the term “writing back” to designate a set of adaptations which challenge the cultural capital that Shakespeare privileges. By linking Yoruba spirituality in its political and cultural terms to the wider field of the relation between Africa, African writers and theatre makers and Shakespeare, the thesis proposes a new sub-field or genre of adaptations, “Orisa-Shakespeare,” rooted in Yoruba traditions. The thesis argues that, written in Nigeria and the Yoruba global diaspora, this set of adaptations are not necessarily challenging the Shakespeare canon but addressing their own societies, thus “writing forward.” The thesis examines the cultural and political significance of this bourgeoning body of adaptations of Shakespeare through the lens of Yoruba epistemology and its aesthetic principles. The thesis is broadly divided into two parts: an exegesis of selected adaptations of Shakespeare as case studies of post-colonial works that reflect and integrate Yoruba creative and performative idioms and translate them into dramaturgy; and an original play, Emi Caesar! in which core elements of Shakespeare’s Julius Caesar are transplanted into the complex, violent world of Yoruba politics of the mid-19th century, as a parable for contemporary Nigeria politics where factionalism (specifically tribal/ethnic bigotry) works against the integrity and security of the society. -
Nigerian Writers
Society of Young Nigerian Writers Chris Abani From Wikipedia, the free encyclopedia Jump to: navigation, search Chris Abani The poem "Ode to Joy" on a wall in the Dutch city of Leiden Christopher Abani (or Chris Abani) (born 27 December 1966) is a Nigerian author. He is part of a new generation of Nigerian writers working to convey to an English-speaking audience the experience of those born and raised in "sthat troubled African nation". Contents 1 Biography 2 Education and career 3 Published works 4 Honors and awards 5 References 6 External links Biography Chris Abani was born in Afikpo, Nigeria. His father was Igbo, while his mother was English- born.[1] He published his first novel, Masters of the Board (1985) at the age of sixteen. The plot was a political thriller and it was an allegory for a coup that was carried out in Nigeria just before it was written. He was imprisoned for 6 months on suspicion of an attempt to overthrow the government. He continued to write after his release from jail, but was imprisoned for one year after the publication of his novel, Sirocco. (1987). After he was released from jail this time, he composed several anti-government plays that were performed on the street near government offices for two years. He was imprisoned a third time and was placed on death row. Luckily, his friends had bribed government officials for his release in 1991, and immediately Abani moved to the United Kingdom, living there until 1999. He then moved to the United States, where he now lives.[2] Material parts of his biography as it relates to his alleged political activism, imprisonments and death sentence in Nigeria have been disputed as fiction by some Nigerian literary activists of the period in question. -
The Sociolinguistics of a Nollywood Movie Dr
July 2010 Journal of Global Analysis The Sociolinguistics of a Nollywood Movie Dr. Emmanuel Adedayo Adedun* Recent trends in sociolinguistic study (Bleichenbacher 2008, Heller 2008, Coupland 2007, Lippi-Green 1997) have focused on the understanding of the ideologies that underpin linguistic variation and how linguistic behaviour in a multilingual setting makes people reveal both their personal identity and their search for social role (Le Page and Tabourett-Keller 1985). Language scholars have interrogated these issues more in face- to-face interaction than in fictional contexts. The movie as a genre of fictional study has been found to be the ‘most apt medium to represent the richness and complexity of real-life multilingual realities’ (Bleichenbacher, 21). This article examines the dominance of English in Nollywood movies and the language ideology that is responsible. The semiotic processes of linguistic differentiation developed by Irvine and Gal (2000) and Mares’ (2003) classificatory strategies for the analysis of multilingual texts provide the framework for the case study of a Yoruba movie in which there is a preponderance of English switching. Also, the distribution of languages in which filmmakers produce their movies in Nigeria indicates that English is dominant. Even when a movie is produced in the local Nigerian language, English words and expressions still feature prominently. The article consequently argues that the dominance of English in Nollywood movies is linguicist as the power relation between English and Nigerian languages is disproportionate. The local and global implications of this are then examined. Keywords: Sociolinguistics, Nollywood, Movies, Multilingualism, Language Ideology, Linguicist. Dr. Emmanuel Adedayo Adedun Department of English University of Lagos Akoka – Yaba Lagos, Nigeria e-mail: [email protected]; [email protected] www.cesran.org * Dr. -
Nigerian Eatre Journal
Nigerian ? eatre Journal A Journal of the Society of Nigeria ? eatre Artists (SONTA) Vol. 13, No. 1 Editor Ameh Dennis Akoh Assistant Editor Biodun Layiwola Copyright © 2013 Society of Nigeria ? eatre Artists (SONTA) Nigerian ? eatre Journal (NTJ ) is published by the Society of Nigeria ? eatre Artists, c/o ? e Editor,NTJ , Department of ? eatre and Film Studies, Osun State University,Ikire Campus, Nigeria ISSN 0189-9562 EDITORIALBOARDMEMBERS Professor S. E. Ododo Chairman Dr A. D. Akoh Editor Dr Biodun Layiwola Assistant Editor Professor Charles Nwadigwe Member Dr Ted Anyebe Member EDITORIAL ADVISERS Professor Femi OsoMsan Nigeria Professor John S. Illah Nigeria Professor Tess Onwueme USA Professor Don Rubin Canada Professor Olu Obafemi Nigeria Professor Osita Okagbue UK Professor Sam Ukala Nigeria Professor Saint Gbilekaa Nigeria Professor L. O. Bamidele Nigeria Copyright © 2013 Society of Nigeria ? eatre Artists (SONTA) All Right Reserved Nigerian ? eatre Journal (ISSN 0189-9562) is published annually by the Society of Nigeria ? eatre Artists (SONTA). Because the leadership of the Society changes every two to four years, it is encouraged that enquires about the Journal should be addressed to the current President of SONTA. Paper Subscription: Libraries and other institutions, U.S $100.00; individuals, U.S. $70.00; association members, U.S. $50.00; Students, $25.00. Journal orders and remittances should be sent to SONTA EDITOR. Manuscripts: Articles submitted for publication should be mailed to the Editor via: [email protected] . Manuscripts should meet the criteria outlined in the Instructions for Contributors. Copyright © 2013 Society of Nigeria ? eatre Artists (SONTA). All Right Reserved. Article copying exclusively for personal or internal or academic use, is permitted provided the copy user or producer gets appropriate permission from the SONTA Editor through writing. -
Futures of Technology in Africa
FUTURES OF TECHNOLOGY IN AFRICA Jasper Grosskurth STT 75 About STT STT explores new trends and develops inspiring foresights on technology and society. For that purpose STT facilitates a free space in which enthusiastic stakeholders meet and construct creative views on the future. The results serve as starting points for new initiatives, such as applied research programmes or public-private cooperation. Project participants are the most important ambassadors of the results, which are also distributed through the media, lectures and workshops. The STT Netherlands Study Centre for Technology Trends was established in 1968 by The Netherlands Royal Instititute of Engineers (KIVI). STT is a non-profit organiza- tion funded by the Dutch government and business contributions. STT’s advisory board consists of almost 30 members who are selected among contributors and scientific institutions, all appointed on personal title. In addition, STT hosts two academic chairs on futures studies and research. While most regular updates on our activities are in Dutch, many of our reports are in English. Do take a look at current and past foresight projects and our recent publications on our website. Address: P.O. Box 30424 2500 GK The Hague the Netherlands Telephone: +31 70 302 98 30 E-mail: [email protected] Imprint Lead author: Jasper Grosskurth, STT, the Hague Proofreading: Sally Lansdell, EditExpert, Northolt, United Kingdom Production co-ordinator: Rosemarijke Otten, STT, the Hague Book and cover design: Roquefort Ontwerpers, Utrecht STT 75 Print: Deltahage, -
The Quint V12.4
the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board the quint volume twelve issue four Moshen Ashtiany, Columbia University an interdisciplinary quarterly from Brenda Austin-Smith, University of Manitoba Keith Batterbe. University of Turku the north Donald Beecher, Carleton University Melanie Belmore, University College of the North ISSN 1920-1028 Gerald Bowler, Independent Scholar editor Robert Budde, University Northern British Columbia Sue Matheson John Butler, Independent Scholar film review editor David Carpenter, Professor Emeritus, University of Saskatchewan Antonio Sanna Terrence Craig, Mount Allison University the quint welcomes submissions. See our guidelines Lynn Echevarria, Yukon College or contact us at: Erwin Erdhardt, III, University of Cincinnati the quint Peter Falconer, University of Bristol University College of the North P.O. Box 3000 Peter Geller, University of the Fraser Valley The Pas, Manitoba Susan Gold, University of Windsor Canada R9A 1K7 Peter Gordon, Independent Scholar We cannot be held responsible for unsolicited Jim Gough, Athabasca University material John George Hansen, University of Saskatchewan Richard Harris, University of Saskatchewan Stella Hockenhull, University of Wolverhampton Didi Hutchins, University of Alaska (Anchorage) Deborah Lynn Kitchen Døderlein, University of Oslo production Ying Kong, University College of the North Sue Matheson cover photo: Sue Matheson Martin Kuester, University of Marburg A quarterly journal, the quint is housed by the Faculty of Arts, Business and Science at the University Ronald Marken, Professor Emeritus, University of Saskatchewan of the North. The encouragement and support of this project by the Vice President Academic of the Camille McCutcheon, University of South Carolina Upstate University College of the North is deeply appreciated. -
LWC-2013-Brochure.Pdf
SPECIAL SPECIAL GUEST OF HONOUR Hon. Mrs. Adejoke Orelope –Adefulire Deputy Governor, Lagos State 2 3 WELCOME NOTE “Outstanding leaders go out of their way to boost the self- esteem of their personnel. If people believe in themselves, it’s amazing what they can accomplish”. — Sam Walton Valentina Halim Valentina Halim is the CEO of Havensgate Productions Ltd and Editor of Haven Africa. She’s also the PR & Marketing Executive of Eko Atlantic and Editor of Silverbird’s Entertainment Weekly Magazine. Welcome to the inaugural edition of the You will gain more knowledge, more Leading Woman Conference (LWC). LWC is connections and more actionable steps to an energetic, bold experience that boost your career and live your life in a is packed with personal and professional more confident, yet holistic way. development power. I thank you for taking the time out of your Attending this conference is an investment – busy schedules to attend this conference an investment in you, your career / and may the rest of 2013 and 2014 bring business. forth more opportunities and success in your endeavors. The Leading Woman Conference delivers relevant, practical, implementable content, Sincerely, strategies, tools and action steps to help you accelerate your success in every area of your life – finances, health, self-care, business, career, and relationships. You won’t just leave motivated and inspired, you will leave equipped. Equipped with the step-by-step process to carry out your plans for your most important goals. 4 5 The Leading Woman Conference is an energetic, bold experience that is packed with personal and professional development power organized by Haven Africa and offers a unique mix of learning from inspirational keynote speakers, mingling with other like-minded aspiring women.