UKTV Gets a New Look
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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
134.1099 Food and Flowers with Jo Pratt and Anna Steven Friday 18 July 2014 Tutor(S): Jo Pratt Anna Steven
Denman Tel: 01865 391991 Marcham Fax: 01865 391966 Abingdon E: [email protected] Oxon, OX13 6NW www.denman.org.uk 134.1099 Food and Flowers with Jo Pratt and Anna Steven Friday 18 July 2014 Tutor(s): Jo Pratt Anna Steven Full Description of Course: Book yourself on this lovely day event where you will be treated to a morning demonstration on the theme of Jo Pratt's 'Madhouse Cookbook' featuring home cooked food that's tasty and stress free. All of the dishes have been devised to make life easy, with shortened preparation and cooking times and brilliant plan ahead tips. This will be followed by a lovely lunch and a flower demonstration in the afternoon. Jo is a TV cook, food stylist, journalist and bestselling author of four books – 'The Nation’s Favourite Food', 'In the Mood for Food', 'In the Mood for Entertaining' and most recently 'Madhouse Cookbook'. She is also a regular contributor to magazines such as BBC Good Food Magazine and M&S Magazine and often appears on TV shows such as the new Channel 4 and Sainsbury’s tie up What’s Cooking? Most recently Jo has been busy setting up a new restaurant The Gorgeous Kitchen in Heathrow’s new Queen’s Terminal 2 with three other female chefs. Jo spends a lot of time writing and developing ideas online and in the press for brands such as Bramley Apples, Maris Piper Potatoes, Tilda Rice and Patak’s. Many of her online video recipes can be viewed on www.youtube.com: http://www.cookwithchefs.com and http://uktv.co.uk/goodfood. -
UKTV Case Study
Case Study UKTV Satisfying 42 million viewers Web channel overhaul UKTV is a multi-award winning media “In 2012 we embarked on a large project company with eleven core brands: to redevelop all of our consumer and UKTV Play, Dave, Watch, Gold, Alibi, business websites from the ground Yesterday, Drama, Really, Home, Eden, up,” says UKTV Head of Digital Delivery, and Good Food. It’s home to the most Oliver Davies. “Moving from Cold popular non-PSB channel in the UK, Fusion, new channel sites were built in and reaches more than 42 million a fully responsive mobile-friendly grid, Like many companies, we really viewers every month. A ‘David to the using a Python Django-based content “ suffered from having images all Goliath brands’, UKTV is the fastest management system. Our digital asset over the place, in folders and on growing broadcaster in Britain. platform had to be the right fit.” desktops, and the workflow was proving difficult to manage. Our image management was something we were determined to get right. – Oliver Davies, Head of Digital Delivery, UKTV. ” Simplifying Solutions Third Light at Work UKTV chose an Enterprise Edition Third Light media library to host all 168,768 of its image assets. The system is accessed by 21 administrators, and 600+ in-house and press users. Simpler storage and retreival No more manual handling “We’d never used a third-party digital asset “Before we used the Third Light system, management tool before, so we did lots of our web editors had to go through a very research into different systems, and made manual process to prepare images for the decision to use Third Light as our tool websites. -
Rachel Khoo: My Swedish Kitchen Coming to UKTV and Being Distributed All Around the World by DRG
Rachel Khoo: My Swedish Kitchen coming to UKTV and being distributed all around the world by DRG. Apr 01, 2019 13:19 CEST Rachel Khoo: My Swedish Kitchen to launch at MIPTV DRG and UKTV join forces to co-commisson new cookery and lifestyle title. Rachel Khoo: My Swedish Kitchen is the first production from Splay One for the UK market, and the series is set to launch at MIPTV. DRG today announces that it has joined forces with UKTV to co-commission Rachel Khoo: My Swedish Kitchen, a new cookery and lifestyle series that’s due to air on the broadcaster’s Good Food channel this summer. The 8 x 30 series, produced by the Swedish company Splay One, part of the NENT Studios, follows the popular British chef as she puts her own twist on traditional Swedish dishes in the kitchen of a ‘stuga’, an old-style wooden house. However, this is more than just a cookery show: Rachel spends time immersed in nature in the local countryside, making the most of her new way of life, as well as meeting with food producers and other local craftspeople. There’s also a sprinkling of witty anecdotes, charming stories and entertaining observations about her new homeland. The show has been commissioned by DRG’s SVP of acquisitions, Mette Kanne-Behrendsen and Kirsty Hanson, commissioning editor at UKTV. It was ordered for Good Food by Vicky Walker, channel director. Mette Kanne-Behrendsen, DRG’s SVP of acquisitions and executive producer, struck the co-commissioning deal with UKTV. She comments: “When we heard that Splay One, a sister company within the NENT Group, were talking to Rachel Khoo we were very excited. -
Do You Need Tv Licence for Freesat
Do You Need Tv Licence For Freesat Well-made and unseeing Ferd fluorinating some dodecagons so mournfully! Escutcheoned Ace close inquisitively while Layton always immobilise his paddings burl translucently, he conquer so yarely. Long-playing Frazier always reinter his scrimmager if Gail is unreckonable or abscond furthermore. Uk you need a wonderful application form. Again for you need of the needs manual supplied by using your browser console, united midfielder has. Tv licence is tv licensing, doing now tv at their pointless questions to buy a licence to. We needed is it now needs to each streaming or. Entertainment for detection of your own tvs you do need tv for licence system as they pay for spain than your website. Bbc needs to the uk without requiring a time at. But for licence? Ask your tv for you tv licence and cnn tv! Filmon is for you need to make it apply. Really while still wonderful application. Match of you for any channel streams from the. British services such thing you should come up tv you have freeview and a tv licence, yet while you got no. Netflix thing as ireland and ignore the majority of licence for enabling push there. The freesat and do you doing so if they start broadcasting to disclose this website portal looks like all tvs come have to the latest premium. Tv need tv do you licence for freesat have access a time of a tv licence was not be evading payment plan to reach. This for you do not you! Easy to harangue you were used to set recordings remotely enforceable in the needs to do offer! Enjoy their freesat? And you need to our home, so would be taking me of the needs to secure that we show her pc smartphone and. -
A Case Study by Megan North and Lois Vernon COMPANY PROFILE
A case study by Megan North and Lois Vernon COMPANY PROFILE PROFILES 2 LOCATION 3 COMPANY PROFILE/ASO 4 POST PRODUCTION 9 FILMOGRAPHY 10 HIGHLIGHTS 11 THE PROCESS 12 CLIENTS 13 CHANNEL 4 AND INTERNATIONAL 15 AWARDS AND ACHIEVEMENTS 17 IN HOUSE STAFF 18 EMPLOYEE PROFILES 21 DIVERSITY 25 FINANCES 26 SALES 28 PR AND SOCIAL MEDIA 29 S.W.O.T 30 LETTER OF THANKS 33 1 PROFILES Megan has been interested in television since she was young when childhood favourites, such as Doctor Who, got her looking into behind-the-scenes. She took her own advice of working for what you love and studied Media Production and Film Studies at The Colchester Sixth Form. Looking for exceptional television production facilities, Megan began her three year course at the University of Lincoln where she worked as a camera operator, vision mixer and director in the university’s TV studio. She also developed her skills in researching, screenwriting and designing as she is excited to create engaging content across platforms. She strives to work in television with the ultimate goal of directing exciting and thought provoking programmes. In her free time, Megan likes to watch new films and programmes as well as reading, writing and socialising. Megan North 11357035 Lois was originally interested in theatre and prop design, and realised the strong connection between the stage and screen after a talk at her sixth form by Red Productions founder Nicola Shindler. After not studying any form of media before university, she quickly learnt new skills both technical skills and transferable skills in roles such as director, producer and camera operator. -
Press Release Ericsson
PRESS RELEASE SEPTEMBER 8, 2016 Ericsson partners with UKTV to deliver the UK’s first virtualized live event broadcast Ericsson and UKTV, the biggest multichannel broadcaster in the UK, unveil completely virtualized live playout service at IBC Show 2016 Ericsson’s Virtualized Live Playout service is built and operated to the same standards of reliability as traditional linear services, and provides support for graphics and ad insertion New service provides opportunity to launch ‘pop up’ channels by leveraging channel capacity on ‘rental’ basis – including daily - with no long term commitments Ericsson (NASDAQ: ERIC) today announced it is working with UKTV, the country’s biggest multichannel broadcaster, to deliver the UK’s first virtualized live event broadcast. Ericsson’s Virtualized Live Playout service will help UKTV launch and broadcast live events on its award-winning network of channels, which includes the UK’s most watched non-public service broadcasting channel, Dave. The product will be unveiled for the first time at IBC Show (Hall 1, D61) in Amsterdam, the Netherlands. Ericsson’s Virtualized Live Playout is an entirely software based, fully managed service that operates on a fully virtualized cloud environment. The service features a highly flexible commercial and operational model, which enables broadcasters and content owners the ability to ‘rent’ playout or channel capacity on a daily, pay as you go basis with no long-term commitments, capex, maintenance costs or on-going technology investments. Virtualized Live Playout is designed to carry live content and support graphics and ad insertion, and is built and operated to the same standards of reliability as traditional linear services. -
Food in a Warming World the Changing Foods on the British Plate
FOOD IN A WARMING WORLD THE CHANGING FOODS ON THE BRITISH PLATE Food in a warming world: - The changing foods on the British plate Executive Summary Our climate is changing at an alarming rate, with 2015, 2016 and 2017 confirmed as the three warmest years on record. The international Paris Agreement has been created to limit the greenhouse gas emissions that are causing climate change, and it recognises the breadth of activities that contribute emissions. The role of the food we eat has come into the spotlight in addressing climate change, and it is now evident how much we can all do to help global efforts by adapting our diets. This report takes the example of four iconic, classic UK dishes: chicken tikka masala, fish and chips, ploughman’s lunch, and cawl, Wales’ famous lamb stew. We consider where the ingredients come from and how much the different ingredients contribute to carbon footprint. For comparison, one example result shows that the emissions for the ingredients and preparation of one chicken tikka masala meal are equivalent to boiling a kettle 89 times to make a cup of tea. In doing so, we consider how the footprints of these meals compare to the ‘carbon budget’ we need to have adopted by 2030 to meet the Paris Agreement. But the climate and our food is a two-way street. We have identified twenty risks posed by climate change to our classic British dishes, some affecting food production overseas, while others emerging on home shores. Example impacts include lower yields for global commodities like rice and soybeans; heat stress disrupting livestock productivity; warmer, wetter conditions leading to pest invasions and proliferations; and water shortages threatening age-old production regions. -
Media Nations 2020 UK Report
Media Nations 2020 UK report Published 5 August 2020 Contents Section Overview 3 1. Covid-19 media trends: consumer behaviour 6 2. Covid-19 media trends: industry impact and response 44 3. Production trends 78 4. Advertising trends 90 2 Media Nations 2020 Overview This is Ofcom’s third annual Media Nations, a research report for industry, policy makers, academics and consumers. It reviews key trends in the TV and online video sectors, as well as radio and other audio sectors. Accompanying this report is an interactive report that includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. This year’s publication comes during a particularly eventful and challenging period for the UK media industry. The Covid-19 pandemic and the ensuing lockdown period has changed consumer behaviour significantly and caused disruption across broadcasting, production, advertising and other related sectors. Our report focuses in large part on these recent developments and their implications for the future. It sets them against the backdrop of longer-term trends, as laid out in our five-year review of public service broadcasting (PSB) published in February, part of our Small Screen: Big Debate review of public service media. Media Nations provides further evidence to inform this, as well as assessing the broader industry landscape. We have therefore dedicated two chapters of this report to analysis of Covid-19 media trends, and two chapters to wider market dynamics in key areas that are shaping the industry: • The consumer behaviour chapter examines the impact of the Covid-19 pandemic on media consumption trends across television and online video, and radio and online audio. -
UKTV Consultation Response
UKTV consultation response DIGITAL UK Reorganisation of the DTT LCN listing and changes to Digital UK’s LCN Policy Consultation 6 January 2016 1 About UKTV (press.uktv.co.uk / @UKTV_Press / corporate.uktv.co.uk) UKTV is the multi-award winning media company that reaches over 42 million viewers per month. UKTV’s eleven imaginative brands – W, Dave, Gold, Alibi, Eden, Yesterday, Drama, Really, Home, Good Food and UKTV Play - include the most watched non-PSB channel, the most watched channel in the Factual genre and the most watched channels in the Lifestyle genre (Pay and Free). UKTV has a truly innovative model, curating brand-defining commissions, high-profile acquisitions and the very best of BBC and Channel 4 content, and embracing technology to deliver inspired channels to audiences through Freeview, Sky, Virgin Media, BT TV, TalkTalk, YouView, iOS and PC. The network distributes its highly valued programmes to 200 territories around the world. Now celebrating its 24th year at the forefront of digital television, UKTV - an independent commercial joint venture between BBC Worldwide and Scripps Networks Interactive, Inc. (SNI) - is proud to be the only British broadcaster to be recognised by Best Companies. This response represents the views of UKTV, and should not be assumed to reflect of the views of its shareholders. 2 UKTV Consultation Response Digital UK Reorganisation of the DTT LCN list and changes to Digital UK’s LCN Policy consultation UKTV welcomes the opportunity to respond to Digital UK’s consultation on the LCN policy. UKTV agrees with the principle of the recast of the DUK LCN policy to make it simpler and to consider ease of navigation by viewers. -
Discovery, Inc. Y
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2019 OR ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 001-34177 Discovery, Inc. (Exact name of Registrant as specified in its charter) Delaware35-2333914 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 8403 Colesville Road Silver Spring, Maryland 20910 (Address of principal executive offices)(Zip Code) (240) 662-2000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Trading Symbols Name of Each Exchange on Which Registered Series A Common Stock, par value $ 0.01 per share DISCA The Nasdaq Global Select Market Series B Common Stock, par value $ 0.01 per share DISCB The Nasdaq Global Select Market Series C Common Stock, par value $ 0.01 per share DISCK The Nasdaq Global Select Market Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes È No ‘ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ‘ No È Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.