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Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
Vod Copy Approval and Delivery
Spider-Man: Far From Home VoD Commercials Approval and Delivery – A guide • Creative Agency needs to upload commercial to Clearcast and instructions via Caria – Clearcast gives us the required approvals – When instructions are sent via Caria, copy begins to transcode automatically once delivered • VoD copy needs to be fully approved for Linear by Clearcast. – Submit for Linear approval, NOT VOD! • Creatives have a choice of three delivery centres to supply commercials, they need to be delivered to BOTH Sky UK/TV AND Sky Online – Submit to both at point of order – Clickable campaigns can be supplied to Sky Online only • Copy and instructions need to be delivered 6 working days prior to start of campaign – Allows time for sales/campaign managers/ops to set live, and to fix technical issues • The agencies send commercials via one of these three Centres. • At Sky, we have two Video Libraries • This means we have two destinations at each Delivery Centre; – SkyUK/SkyTV/SkyHD – Sky Online • Sky UK – Sent to M.A.M. (Media Asset Management) – Any content we serve direct to the Sky Box – TV VoD (Push and Pull VoD), Linear TV, Adsmart • Sky Online – Sent to H.V.L. (Honeycomb Video Library) – Any content we serve to devices outside the Sky Box – Sky Go, Demand 5, Sky Go Linear, Kids VoD, PC VoD, Advance – This can include viewing on a big screen (X-Box, Ps4 devices) – These can include a link to direct viewer to extra content • The majority of VoD campaigns will include impressions on the Sky box and OTT devices • Unless a campaign is exclusively on one, it makes sense to get in the habit of sending to both • We serve VoD content to big screen devices • As a consequence, we need to ensure linear viewing approval rules are adhered to • ‘Online’ campaigns will serve to PS4/Xbox, which are viewed on a TV/ hence linear approval needed • OTT linear campaigns play over linear feeds, hence the approval. -
Sky Media Vod Intro the Very Best Content – Delivered Wherever, Whenever
Sky Media VoD intro The very best content – delivered wherever, whenever Delivered wherever, whenever Sky Go The way viewers are consuming TV is rapidly changing. At Sky, we Sky Go is Sky’s service that allows users to view content on a are proudly placed at the forefront of this transition, offering our variety of devices including desktop, mobile and tablet customers the ultimate in flexible, fluid viewing. Users stream content from the Sky Go website or app. Viewing has increased rapidly over the past 5 years coinciding with the Whether it be downloading a movie in the living room on the set rise of tablets and smartphones top box, or watching a boxset on an iPad in the park, Sky offers customers the very best content whenever and wherever they Sky Go’s VoD adload is low, and ads are clickable/trackable are. One preroll break and midroll break is the maximum number of breaks on Sky Go content. Each break is restricted to a maximum There are two consumer services, ‘Sky Go’ and ‘On Demand’ of 2 ads so there is very low clutter. In movies there is no midroll. delivering across four strands of content: • Catchup Sky Go Linear allows advertisers to target live viewing too! • Movies The Sky Go Linear platform dynamically overlays the linear • Boxsets transmission with bespoke, targeted ads. This includes channels • Sports from Sky Atlantic to Sky Sports F1 Crucially, movies and boxsets are the biggest drivers of VOD on Sky. This content is incremental to linear viewing and captures viewers at their most engaged, “lean forward” moments. -
134.1099 Food and Flowers with Jo Pratt and Anna Steven Friday 18 July 2014 Tutor(S): Jo Pratt Anna Steven
Denman Tel: 01865 391991 Marcham Fax: 01865 391966 Abingdon E: [email protected] Oxon, OX13 6NW www.denman.org.uk 134.1099 Food and Flowers with Jo Pratt and Anna Steven Friday 18 July 2014 Tutor(s): Jo Pratt Anna Steven Full Description of Course: Book yourself on this lovely day event where you will be treated to a morning demonstration on the theme of Jo Pratt's 'Madhouse Cookbook' featuring home cooked food that's tasty and stress free. All of the dishes have been devised to make life easy, with shortened preparation and cooking times and brilliant plan ahead tips. This will be followed by a lovely lunch and a flower demonstration in the afternoon. Jo is a TV cook, food stylist, journalist and bestselling author of four books – 'The Nation’s Favourite Food', 'In the Mood for Food', 'In the Mood for Entertaining' and most recently 'Madhouse Cookbook'. She is also a regular contributor to magazines such as BBC Good Food Magazine and M&S Magazine and often appears on TV shows such as the new Channel 4 and Sainsbury’s tie up What’s Cooking? Most recently Jo has been busy setting up a new restaurant The Gorgeous Kitchen in Heathrow’s new Queen’s Terminal 2 with three other female chefs. Jo spends a lot of time writing and developing ideas online and in the press for brands such as Bramley Apples, Maris Piper Potatoes, Tilda Rice and Patak’s. Many of her online video recipes can be viewed on www.youtube.com: http://www.cookwithchefs.com and http://uktv.co.uk/goodfood. -
UKTV Case Study
Case Study UKTV Satisfying 42 million viewers Web channel overhaul UKTV is a multi-award winning media “In 2012 we embarked on a large project company with eleven core brands: to redevelop all of our consumer and UKTV Play, Dave, Watch, Gold, Alibi, business websites from the ground Yesterday, Drama, Really, Home, Eden, up,” says UKTV Head of Digital Delivery, and Good Food. It’s home to the most Oliver Davies. “Moving from Cold popular non-PSB channel in the UK, Fusion, new channel sites were built in and reaches more than 42 million a fully responsive mobile-friendly grid, Like many companies, we really viewers every month. A ‘David to the using a Python Django-based content “ suffered from having images all Goliath brands’, UKTV is the fastest management system. Our digital asset over the place, in folders and on growing broadcaster in Britain. platform had to be the right fit.” desktops, and the workflow was proving difficult to manage. Our image management was something we were determined to get right. – Oliver Davies, Head of Digital Delivery, UKTV. ” Simplifying Solutions Third Light at Work UKTV chose an Enterprise Edition Third Light media library to host all 168,768 of its image assets. The system is accessed by 21 administrators, and 600+ in-house and press users. Simpler storage and retreival No more manual handling “We’d never used a third-party digital asset “Before we used the Third Light system, management tool before, so we did lots of our web editors had to go through a very research into different systems, and made manual process to prepare images for the decision to use Third Light as our tool websites. -
UKTV Gets a New Look
6th October 2016 BBC Worldwide Australia & New Zealand (ANZ) today announced a channel refresh for UKTV and new content across its channel portfolio (BBC First, UKTV, BBC Knowledge, CBeebies), as the company ensures it has the strong brands necessary to inform audience choice in an ever more competitive environment. From next Monday (10 October), UKTV is a getting a whole new on-air look and feel as BBC Worldwide ANZ re-invigorates its identity as a cracking celebration of British entertainment. (Embeddable clip to view here) The changes come as the company seeks to: broaden UKTV’s appeal amongst a younger demographic whilst still retaining the heartland audience; strengthen its emotional connection with the audience; and differentiate the channel further from premium drama channel, BBC First. The refresh is a result of extensive research that indicated while audiences loved the shows, there was an opportunity to build a deeper connection to them through the brand personality. Of all the brand attributes tracked, entertainment indexed as the highest for UKTV and the refresh of the brand and programming schedule aims to further capitalise on this universal need state. Entertainment still plays an important role in unifying families in front of the main screen in the house. Audiences want to be entertained together and share this experience. The Aussies get the Brits- there is a strong cultural resonance and shared humour was a strong lever for audiences’ love of popular British programmes. Tim Christlieb, Director of Channels, BBC Worldwide ANZ, said: “In this ever-evolving media landscape we want to make sure that UKTV reflects the needs of our audience. -
Rachel Khoo: My Swedish Kitchen Coming to UKTV and Being Distributed All Around the World by DRG
Rachel Khoo: My Swedish Kitchen coming to UKTV and being distributed all around the world by DRG. Apr 01, 2019 13:19 CEST Rachel Khoo: My Swedish Kitchen to launch at MIPTV DRG and UKTV join forces to co-commisson new cookery and lifestyle title. Rachel Khoo: My Swedish Kitchen is the first production from Splay One for the UK market, and the series is set to launch at MIPTV. DRG today announces that it has joined forces with UKTV to co-commission Rachel Khoo: My Swedish Kitchen, a new cookery and lifestyle series that’s due to air on the broadcaster’s Good Food channel this summer. The 8 x 30 series, produced by the Swedish company Splay One, part of the NENT Studios, follows the popular British chef as she puts her own twist on traditional Swedish dishes in the kitchen of a ‘stuga’, an old-style wooden house. However, this is more than just a cookery show: Rachel spends time immersed in nature in the local countryside, making the most of her new way of life, as well as meeting with food producers and other local craftspeople. There’s also a sprinkling of witty anecdotes, charming stories and entertaining observations about her new homeland. The show has been commissioned by DRG’s SVP of acquisitions, Mette Kanne-Behrendsen and Kirsty Hanson, commissioning editor at UKTV. It was ordered for Good Food by Vicky Walker, channel director. Mette Kanne-Behrendsen, DRG’s SVP of acquisitions and executive producer, struck the co-commissioning deal with UKTV. She comments: “When we heard that Splay One, a sister company within the NENT Group, were talking to Rachel Khoo we were very excited. -
Social Distancing and Streaming TV Viewing Takes on New Behaviours and Characteristics with the Coronavirus
Sentiment Insights Series Social Distancing and Streaming TV Viewing Takes on New Behaviours and Characteristics with the Coronavirus UK EDITION March 2020 | White Paper Adapting to this rapidly changing environment requires the ability to quickly understand why viewers are engaging in content, beyond just traditional viewership metrics, and to interpret and adjust to those patterns in real-time. Copyright © 2020, TV Time, a Whip Media Group Company AllWhite product Paper names, | logos,Social and Distancing brands are property and Streaming of their respective owners. whipmedia.com About This Study The impact of the coronavirus has spread to the United Kingdom and every continent around the world (Antarctica is the only region spared thus far). Outbreaks are accelerating in major cities and metropolitan areas across the UK and the collective population is being directed to avoid crowds, cancel events, stay at home and work remotely to reduce the risk of contracting the disease or infecting others. As they adjust to this new life of isolation and social distancing, people are staying inside, hunkering down and turning to television. While TV viewership is already up, today’s situation is beyond what we’ve come to think about as binge watching. It’s not voluntary or by choice. It’s an extended period of content engagement to pass the time as consumers wait out the crisis. As the entire country vacillates between being worried and bored, anxious and reconciled, TV Time, a Whip Media Company, conducted a UK-based study in March 2020. The study leverages the UK based users of TV Time App’s global community of more than 13 million connected users of its TV tracking platform on both iOS and Android devices. -
Analysys Mason Document
Report for the Internet Society Discussion paper on the contribution of the Internet to content creation 31 May 2013 Michael Kende, Mark Colville, Alex Reichl Ref: 37342-244 . Contents 1 Executive summary 1 2 Introduction 3 3 The evolution of the content industry 4 3.1 Overview of trends in content distribution 4 3.2 Audio content 11 3.3 Video content 15 4 New business models 22 4.1 Streaming 22 4.2 Digital download services 30 4.3 Device strategies 32 4.4 TV Everywhere 34 5 Conclusions 37 Annex A About us Ref: 37342-244 . Discussion paper on the contribution of the Internet to content creation Copyright © 2013. Analysys Mason Limited and the Internet Society (ISOC). This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this licence, visit: http://creativecommons.org/licenses/by-nc-sa/3.0/. The analysis and conclusions presented in this report are those of the stated author and Analysys Mason Limited, and have been arrived at independently of any client-specific work. Analysys Mason Limited St Giles Court 24 Castle Street Cambridge CB3 0AJ UK Tel: +44 (0)845 600 5244 Fax: +44 (0)1223 460866 [email protected] www.analysysmason.com Registered in England No. 5177472 Ref: 37342-244 . Discussion paper on the contribution of the Internet to content creation | 1 1 Executive summary The Internet is a platform that is ideal for the distribution of digital content such as music or video. In general, given that the Internet empowers technology at its edges, it allows companies to introduce innovative services that can grow quickly; more specifically, digital content can be copied perfectly an endless number of times and distributed at low cost, particularly compared with physical manufacture and distribution. -
Do You Need Tv Licence for Freesat
Do You Need Tv Licence For Freesat Well-made and unseeing Ferd fluorinating some dodecagons so mournfully! Escutcheoned Ace close inquisitively while Layton always immobilise his paddings burl translucently, he conquer so yarely. Long-playing Frazier always reinter his scrimmager if Gail is unreckonable or abscond furthermore. Uk you need a wonderful application form. Again for you need of the needs manual supplied by using your browser console, united midfielder has. Tv licence is tv licensing, doing now tv at their pointless questions to buy a licence to. We needed is it now needs to each streaming or. Entertainment for detection of your own tvs you do need tv for licence system as they pay for spain than your website. Bbc needs to the uk without requiring a time at. But for licence? Ask your tv for you tv licence and cnn tv! Filmon is for you need to make it apply. Really while still wonderful application. Match of you for any channel streams from the. British services such thing you should come up tv you have freeview and a tv licence, yet while you got no. Netflix thing as ireland and ignore the majority of licence for enabling push there. The freesat and do you doing so if they start broadcasting to disclose this website portal looks like all tvs come have to the latest premium. Tv need tv do you licence for freesat have access a time of a tv licence was not be evading payment plan to reach. This for you do not you! Easy to harangue you were used to set recordings remotely enforceable in the needs to do offer! Enjoy their freesat? And you need to our home, so would be taking me of the needs to secure that we show her pc smartphone and. -
Nathalie Slides
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