Kristallnacht-The Real Story
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Wilhelm Gustloff“ in Der Literatur Diplomarbeit
Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky Magisterská diplomová práce 2016 Bc. Martina Mutlová Masaryk Universität Philosophische Fakultät Institut für Germanistik, Nordistik und Nederlandistik Deutsche Sprache und Literatur Martina Mutlová „Wilhelm Gustloff“ in der Literatur Diplomarbeit Betreuer: Mgr. Aleš Urválek, Ph. D. 2016 Hiermit erkläre ich, dass ich meine Diplomarbeit selbstständig mit Hilfe der angeführten Bibliographie und Quellen erarbeitet habe. …………………………………………….. Martina Mutlová Motto dieser Magisterarbeit: „Wenn der lange, harte Winter der Vergangenheit angehört und allmählich vor dem blühenden Frühling zurückweicht, müssen die Gedanken wieder frei werden für die Gegenwart, die es sich wahrlich zu leben lohnt.“1 1 WEISE, Peter. Hürdenlauf: Erinnerungen eines Findlings. Rostock: BS-Verlag, 2006, S. 256. Inhaltsverzeichnis: Einleitung ..................................................................................................................... 1 1 Historische Hintergründe ..................................................................................... 2 1.1 Wilhelm Gustloff .......................................................................................... 2 1.2 „Wilhelm Gustloff“ – KdF Schiff ................................................................. 6 2 Günter Grass ....................................................................................................... 13 2.1 Leben .......................................................................................................... -
Martin Bormann
Martin Bormann Hitlers Vollstrecker von Volker Koop 1. Auflage Martin Bormann – Koop schnell und portofrei erhältlich bei beck-shop.de DIE FACHBUCHHANDLUNG Thematische Gliederung: Biographien & Autobiographien: Historisch, Politisch, Militärisch Böhlau Köln/Wien 2012 Verlag C.H. Beck im Internet: www.beck.de ISBN 978 3 412 20942 1 Inhaltsverzeichnis: Martin Bormann – Koop Hitlers Vollstrecker Volker Koop ist Zeithistoriker und Bormann Martin Journalist und lebt in Berlin. Skelett gefunden. Er wurde offiziell für tot Martin Bormann, Leiter der Partei-Kanzlei der NSDAP und »Sekretär Martin Bormann (1900–1945) war einer erklärt. Inzwischen wurde nachgewiesen, des Führers«, war einer der mächtigsten und am meisten gefürchteten der am meisten gehassten NS-Funktionäre. dass Bormann am 2. Mai 1945 zur Giftkap- Männer im Dritten Reich. Als zwanghafter Bürokrat steuerte er Hitlers Als Leiter der Partei-Kanzlei der NSDAP im sel gegriffen hatte. Apparat des Terrors und der Verbrechen derart effektiv, dass er zum Rang eines Reichsministers und Privatse- Zahlreiche, erst seit Kurzem zugänglich ge- heimlichen Herrscher Deutschlands wurde. Volker Koop zeigt, in welch kretär Hitlers wurde er von Ministern, Gau- wordene Dokumente ermöglichen es jetzt, hohem Ausmaß er die zerstörerische Dynamik des NS-Regimes prägte. leitern, Beamten, Richtern und Generälen die Biographie von Hitlers treuestem Vasal- gefürchtet. Bormann identifizierte sich mit Volker Koop Volker len neu zu schreiben. Volker Koop führt dem Martin Hitlers Vorstellungen von Rassenpolitik, Ju- Leser die Machtfülle und Skrupellosigkeit denvernichtung und Zwangsarbeit und des im Schatten des »Führers« operieren- machte sich als sein Vollstrecker für die De- den zweitmächtigsten Mannes im Dritten Bormann tail- und Schmutzarbeit unentbehrlich. Eis- Reich vor Augen. -
3 Briarwood Lane Dept. of Religion Durham NH 03824 145 Bay State Rd
DAVID FRANKFURTER 3 Briarwood Lane Dept. of Religion Durham NH 03824 145 Bay State Rd. (603) 868-1619 Boston MA 02215 (603) 397-7136 (c) (617) 353-4431 [email protected] EDUCATION Ph.D., Princeton University (Religion — Religions of Late Antiquity), 1990 M.A., Princeton University (Religion — Religions of Late Antiquity), 1988 M.T.S., Harvard Divinity School (Scripture and Interpretation: New Testament), 1986 B.A., Wesleyan University (Religion), 1983, with High Honors in Religion and University Honors POSITIONS HELD Boston University: Department of Religion. Professor of Religion and William Goodwin Aurelio Chair in the Appreciation of Scripture, 2010 - present. Chair of Department, 2013 - . University of New Hampshire: Religious Studies Program, Department of History. Professor of History and Religious Studies, 2002-2010 ; Associate Professor of History and Religious Studies, 1998-2002; Assistant Professor of History and Religious Studies, 1995-98; Director of Religious Studies Program, 1997- 2010. Radcliffe Institute for Advanced Study, Harvard University: Lillian Gollay Knafel Fellow, 2007-08 Brown University: Department of Religious Studies. Visiting Professor of Religious Studies, Fall 2006. Institute for Advanced Study, Princeton NJ: School of Historical Studies. Fairchild Fellow, 1993-95 The College of Charleston: Department of Philosophy and Religious Studies. Assistant Professor of Religious Studies, 1990-95. University of Michigan: Department of Near Eastern Studies. Adjunct Lecturer in New Testament, 1989. FELLOWSHIPS, HONORS, AND -
Jews, Masculinity, and Political Violence in Interwar France
Jews, Masculinity, and Political Violence in Interwar France Richard Sonn University of Arkansas On a clear, beautiful day in the center of the city of Paris I performed the first act in front of the entire world. 1 Scholom Schwartzbard, letter from La Santé Prison In this letter to a left-wing Yiddish-language newspaper, Schwartzbard explained why, on 25 May 1926, he killed the former Hetman of the Ukraine, Simon Vasilievich Petliura. From 1919 to 1921, Petliura had led the Ukrainian National Republic, which had briefly been allied with the anti-communist Polish forces until the victorious Red Army pushed both out. Schwartzbard was a Jewish anarchist who blamed Petliura for causing, or at least not hindering, attacks on Ukrainian Jews in 1919 and 1920 that resulted in the deaths of between 50,000 and 150,000 people, including fifteen members of Schwartzbard's own family. He was tried in October 1927, in a highly publicized court case that earned the sobriquet "the trial of the pogroms" (le procès des pogroms). The Petliura assassination and Schwartzbard's trial highlight the massive immigration into France of central and eastern European Jews, the majority of working-class 1 Henry Torrès, Le Procès des pogromes (Paris: Editions de France, 1928), 255-7, trans. and quoted in Felix and Miyoko Imonti, Violent Justice: How Three Assassins Fought to Free Europe's Jews (Amherst, MA: Prometheus, 1994), 87. 392 Jews, Masculinity, and Political Violence 393 background, between 1919 and 1939. The "trial of the pogroms" focused attention on violence against Jews and, in Schwartzbard's case, recourse to violence as resistance. -
Film Propaganda: Triumph of the Willas a Case Study
Film Propaganda: Triumph of the Will as a Case Study Author(s): Alan Sennett Source: Framework: The Journal of Cinema and Media, Vol. 55, No. 1 (2014), pp. 45-65 Published by: Wayne State University Press Stable URL: http://www.jstor.org/stable/10.13110/framework.55.1.0045 . Accessed: 10/07/2014 11:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wayne State University Press is collaborating with JSTOR to digitize, preserve and extend access to Framework: The Journal of Cinema and Media. http://www.jstor.org This content downloaded from 68.191.205.73 on Thu, 10 Jul 2014 11:40:03 AM All use subject to JSTOR Terms and Conditions Film Propaganda: Triumph of the Will as a Case Study Alan Sennett Until a reassessment by historians and film critics in the 1990s, Leni Riefenstahl’s cinematic “record” of the September 1934 Nazi party rally had generally been regarded as the quintessential example of the art of political film propaganda. Susan Sontag argued in a seminal article for the New York Review of Books that Riefenstahl’s “superb” films of the 1930s were powerful propaganda as well as important documentary art made by “a film-maker of genius.”1 She concluded that Triumph des Willens/Triumph of the Will (DE, 1935) was “a film whose very conception negates the possibility of the filmmaker’s having an aesthetic concep- tion independent of propaganda.”2 Although still an important source, Sontag’s assessment has been seriously challenged on a number of counts. -
Cr^Ltxj
THE NAZI BLOOD PURGE OF 1934 APPRCWBD": \r H M^jor Professor 7 lOLi Minor Professor •n p-Kairman of the DeparCTieflat. of History / cr^LtxJ~<2^ Dean oiTKe Graduate School IV Burkholder, Vaughn, The Nazi Blood Purge of 1934. Master of Arts, History, August, 1972, 147 pp., appendix, bibliography, 160 titles. This thesis deals with the problem of determining the reasons behind the purge conducted by various high officials in the Nazi regime on June 30-July 2, 1934. Adolf Hitler, Hermann Goring, SS leader Heinrich Himmler, and others used the purge to eliminate a sizable and influential segment of the SA leadership, under the pretext that this group was planning a coup against the Hitler regime. Also eliminated during the purge were sundry political opponents and personal rivals. Therefore, to explain Hitler's actions, one must determine whether or not there was a planned putsch against him at that time. Although party and official government documents relating to the purge were ordered destroyed by Hermann GcTring, certain materials in this category were used. Especially helpful were the Nuremberg trial records; Documents on British Foreign Policy, 1919-1939; Documents on German Foreign Policy, 1918-1945; and Foreign Relations of the United States, Diplomatic Papers, 1934. Also, first-hand accounts, contem- porary reports and essays, and analytical reports of a /1J-14 secondary nature were used in researching this topic. Many memoirs, written by people in a position to observe these events, were used as well as the reports of the American, British, and French ambassadors in the German capital. -
German’ Communities from Eastern Europe at the End of the Second World War
EUROPEAN UNIVERSITY INSTITUTE, FLORENCE DEPARTMENT OF HISTORY AND CIVILIZATION EUI Working Paper HEC No. 2004/1 The Expulsion of the ‘German’ Communities from Eastern Europe at the End of the Second World War Edited by STEFFEN PRAUSER and ARFON REES BADIA FIESOLANA, SAN DOMENICO (FI) All rights reserved. No part of this paper may be reproduced in any form without permission of the author(s). © 2004 Steffen Prauser and Arfon Rees and individual authors Published in Italy December 2004 European University Institute Badia Fiesolana I – 50016 San Domenico (FI) Italy www.iue.it Contents Introduction: Steffen Prauser and Arfon Rees 1 Chapter 1: Piotr Pykel: The Expulsion of the Germans from Czechoslovakia 11 Chapter 2: Tomasz Kamusella: The Expulsion of the Population Categorized as ‘Germans' from the Post-1945 Poland 21 Chapter 3: Balázs Apor: The Expulsion of the German Speaking Population from Hungary 33 Chapter 4: Stanislav Sretenovic and Steffen Prauser: The “Expulsion” of the German Speaking Minority from Yugoslavia 47 Chapter 5: Markus Wien: The Germans in Romania – the Ambiguous Fate of a Minority 59 Chapter 6: Tillmann Tegeler: The Expulsion of the German Speakers from the Baltic Countries 71 Chapter 7: Luigi Cajani: School History Textbooks and Forced Population Displacements in Europe after the Second World War 81 Bibliography 91 EUI WP HEC 2004/1 Notes on the Contributors BALÁZS APOR, STEFFEN PRAUSER, PIOTR PYKEL, STANISLAV SRETENOVIC and MARKUS WIEN are researchers in the Department of History and Civilization, European University Institute, Florence. TILLMANN TEGELER is a postgraduate at Osteuropa-Institut Munich, Germany. Dr TOMASZ KAMUSELLA, is a lecturer in modern European history at Opole University, Opole, Poland. -
Resource Booklet
Resource Booklet 1 Teaching the Holocaust with Primary Sources To The Teacher This booklet was created by Teaching with search box on the Library of Congress website Primary Sources at Eastern Illinois University (www.loc.gov). Please feel free to print and (www.eiu.edu/eiutps) as a companion to the share this publication with colleagues. Contact TPS EIU website. The booklet features us with questions, comments or ideas! information and images of digitized primary sources from the Library of Congress that you may use in your classroom. These images were selected for their relevance and as a means to engage students and encourage inquiry. Items can be found by typing the item’s title in the Why Teach with Primary Sources Primary Sources provide a window into the past-unfiltered access to the record of artistic, social, scientific and political thought and achievement during the specific period under study, produced by people who lived during that period. Bringing students into close contact with these unique, often profoundly personal, documents and objects can give them a very real sense of what it was like to be alive during a long-past era. Primary sources engage students by helping them relate in a personal way to events of the past and promote a deeper understanding of history. Because primary sources are snippets of history, they encourage students to seek additional evidence through research. Primary sources develop critical thinking skills. Primary sources are often incomplete and have little context. Students must use prior knowledge and work with multiple primary sources to find patterns. -
Testaments to the Holocaust
Testaments to the Holocaust INTRODUCTION by Ben Barkow. General Editor & Director of the Wiener Library, London. Historical Background The Wiener Library is the oldest institution in the world established for the task of documenting the Nazi regime and its crimes against the Jewish people. The founder, Alfred Wiener (1885 - 1964) was a German Jew, born in Potsdam, who had studied Arabic literature to doctorate level, and spent the years 1907 - 1909 travelling in the Middle East. This experience persuaded him that the Zionist ideal was misplaced and that efforts to establish a national homeland for the Jews could only prove damaging to the Jews (naturally he altered his views later, enjoying friendly relations with former political enemies and even, for a time, pondering whether the Wiener Library should not move to Jerusalem). After serving in the 1914 - 1918 war (in the course of which he was decorated with the Iron Cross, 2nd Class) he became increasingly perturbed by the rise of extreme right-wing anti- Semitic groups in Germany. He joined the largest Jewish civil rights organisation, the conservative and anti-Zionist Centralverein deutscher Staatsbürger jüdischen Glaubens (Central Association of German Citizens of Jewish Faith), and devoted himself to the task of enlightening the German people about the dangers of right-wing extremism and anti- Semitism. Within a few years he had risen to a very high position in the organisation and was closely involved in formulating its policy. From 1925 onwards Wiener was in no doubt that the greatest danger from the far right was from the National Socialists under Hitler. -
David Frankfurter (1909-1982)
159 46 159 Am 4. Februar 1936 erschießt David Frankfurter in Davos den Leiter Sabina Bossert der NSDAP-Landesgruppe Schweiz, Wilhelm Gustloff. Frankfurter war nicht der erste jüdische Widerstandskämpfer, aber er ist ein frü- hes Beispiel für einen Juden, der erfolgreich zur Waffe gegriffen und ) David seine Tat überlebt hat, um davon zu erzählen. Im Zentrum des Buches steht seine eigene Sicht auf sein Leben, wie sie sich aus seinen Frankfurter Memoiren und weiteren Egodokumenten erschließen lässt. Durch den Einbezug zusätzlicher Quellen geht es über die reine Beschreibung ( ) des Selbstbildes von Frankfurter hinaus und erlaubt einen ganzheitli- 1909–1982 chen lebensweltlichen Blick auf ihn. Das Selbstbild des 1909–1982 ( Gustloff-Attentäters 235 David Frankfurter Trimmed: (235H × 364W)Trimmed: Untrimmed: (265H × 394W) mm Band 20 Sabina Bossert Reihe Jüdische ModerneReihe Jüdische 978-3-412-51260-6_bossert_FINAL.indd Alle Seiten 27.03.19 17:41 Sabina Bossert: David Frankfurter (1909-1982) © 2019 by Böhlau Verlag GmbH & Cie, Köln ISBN Print: 9783412512606 — ISBN E-Book: 9783412512613 Sabina Bossert: David Frankfurter (1909-1982) Reihe Jüdische Moderne Herausgegeben von Alfred Bodenheimer, Jacques Picard, Monica Rüthers und Daniel Wildmann Band 20 © 2019 by Böhlau Verlag GmbH & Cie, Köln ISBN Print: 9783412512606 — ISBN E-Book: 9783412512613 Sabina Bossert: David Frankfurter (1909-1982) Sabina Bossert David Frankfurter (1909–1982) Das Selbstbild des Gustloff-Attentäters Mit 57 Abbildungen BÖHLAU VERLAG WIEN KÖLN WEIMAR © 2019 by Böhlau Verlag GmbH & Cie, Köln ISBN Print: 9783412512606 — ISBN E-Book: 9783412512613 Sabina Bossert: David Frankfurter (1909-1982) Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://portal.dnb.de abrufbar. -
The Jewish Kulturbund in Bavaria, 1934-‐1938
The Jewish Kulturbund in Bavaria, 1934-1938: Art and Jewish Self-Representation under National Socialism Dana LeiGh Smith Submitted in partial fulfillment of the requirements of the DeGree of DoCtor of Philosophy 1 I, Dana LeiGh Smith, Confirm that the researCh inCluded within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly aCknowledGed below and my Contribution indiCated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledGe break any UK law, infrinGe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I aCCept that the ColleGe has the riGht to use plaGiarism deteCtion software to check the electronic version of the thesis. I Confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The CopyriGht of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written Consent of the author. Signature: Date: 16 July 2015 Details of collaboration and publications (published as of 16 July 2015): “‘Münchens Ruf als erste deutsChe Kunststadt…”: Der JüdisChe Kulturbund in Bayern, Ortsgruppe München (1934-1938)’ in Münchner Beiträge zur Jüdischen Geschichte und Kultur (Autumn 2014). ‘Die Arbeit des JüdisChen Kulturbundes’ in Das Jahr 1938: Kunstleben im Nationalsozialismus, ed. Julia Voss and Raphael Gross (Wallstein: DeCember 2013). -
Marine Und Öffentlichkeit 1919—1939
Walter Schwengler Marine und Öffentlichkeit 1919—1939 Der Flottenbau der Kaiserlichen Marine vom ersten Flottengesetz (1898) bis zum Be- ginn des Ersten Weltkriegs wurde von einer Propaganda begleitet, deren Ausmaß alles bis dahin Bekannte bei weitem übertraf. Das Besondere daran war die Tatsache, daß sie von dem 1897 gebildeten Nachrichtenbureau im Reichsmarineamt, mithin einem Organ der staatlichen Exekutive, gestaltet und gelenkt wurde. Mit großem Erfolg setz- ten einige wenige Marineoffiziere alle an der Jahrhundertwende zur Verfügung ste- henden Informations-und Propagandamittel ein, um die Flottenpolitik von Staatsse- kretär Alfred v. Tirpitz gegenüber der Öffentlichkeit zu erläutern und für ihre Unter- stützung zu werben. Die mittelbaren Wirkungen der Tätigkeit des Nachrichtenbu- reaus im Reichsmarineamt gingen über den Bereich der Marinepolitik, die ja für einige Jahre durchaus die Gesamtpolitik des Deutschen Reiches bestimmte, sogar noch weit hinaus: Durch das Einbeziehen der Öffentlichkeit in die Auseinandersetzungen über die Rüstung wurden sowohl nationalistisch-plebiszitäre Kräfte — vornehmlich im »Deutschen Flotten-Verein« zum Ausdruck kommend — geweckt als auch parlamen- tarisch-demokratische Kräfte gestärkt. Letztere durch den Umstand, daß der Reichs- tag aufgrund seines Budgetrechts an öffentlicher Beachtung gewann, obgleich die Tir- pitzsche Politik der Flottengesetze und -novellen auf das Aternat und damit auf eine einschneidende Beschränkung der parlamentarischen Mitsprache zielte. Nicht zuletzt förderte das ständige