Newest Press Fall 2021

Total Page:16

File Type:pdf, Size:1020Kb

Newest Press Fall 2021 NEWEST PRESS CATALOGUE FALL•2021 PUBLISHER INFORMATION Ordering Information For more information, questions, or for further promotional materials, please contact NeWest Press at [email protected] Matt Bowes (he/him) Claire Kelly (she/her) General Manager Marketing and Production Ph: 780.432.9427 Coordinator [email protected] Ph: 780.432.9427 [email protected] Christine Kohler (she/her) Office Administator Ph: 780.432.9427 [email protected] Cover photo by Kirill Pershin on Unsplash 1 newestpress.com CONTENTS Publisher Information ..................................................................................................................1 Contents ......................................................................................................................................2 Icefields: Landmark Edition ........................................................................................................3 The Cine Star Salon .....................................................................................................................4 Last Tide .......................................................................................................................................5 Tenure ..........................................................................................................................................6 rump + flank ................................................................................................................................7 Accolades ...................................................................................................................................8 Backlist .........................................................................................................................................9 Distribution ................................................................................................................................10 2 newestpress.com NEW TITLE INFORMATION Icefields: Landmark Edition by Thomas Wharton A new edition of an award-winning Western Canadian classic. In 1898, Doctor Edward Byrne slips on the ice of the Arcturus glacier in the Canadian Rockies and slides into a crevasse, wedged upside down nearly sixty feet below the surface. As he fights losing consciousness, a stray beam of sunlight illuminates the ice in front of him and Byrne sees something in the blue-green radiance that will forever link him to the ancient glacier. In this moment, his life’s purpose becomes uncovering the mystery of the icefield that almost was his tomb. Along the way, he encounters similarly fixated individuals, each immersed in their own quest: the healer and storyteller Sara; the bohemian travel writer Freya Becker; the entrepreneur Trask; the poet Hal Rowan; and Elspeth, greenhouse keeper and Byrne’s lover. First published in 1995, Wharton’s Icefields is an astonishing historical novel set in a mesmerizing literary landscape, one that is constantly being altered by the surging and retreating glacier and unpredictable weather. Here—where Trade Paperback / October 15, 2021 characters are pulled into deep chasms of ice as well as the stories and ISBN 10: 1-77439-036-1 histories they tell one another—is a vivid, daring, and crisply written book that reveals the human spirit, loss, myth, and elusive truths. ISBN 13: 978-177439-036-8 BISAC 1: FIC014000 This updated Landmark Edition includes an author interview with Smaro Kamboureli and an Afterword by award-winning writer Suzette Mayr. BISAC 2: FIC077000 BISAC 3: FIC019000 248 pp / 5.5 x 8.5 / $23.95 CDN $19.95 USD “Ice, when it is touched, can sear the flesh: in Icefields it fires the imagination.” ~ Emily Mitchell, People About The Author Thomas Wharton’s novels, stories, and nonfiction have been published in Canada, the US, the UK, Italy, and other countries. His first novel, Icefields, received the 1996 Commonwealth Writers’ Prize for Best First Book in Canada and the Caribbean. His first collection of fantastical stories, The Logogryph, was shortlisted the International Dublin Literary Award. He has also published a YA fantasy trilogy, The Perilous Realm, and an eco-fiction, Every Blade of Grass. Wharton lives near Edmonton, Alberta and teaches creative writing. ADDITIONAL SALES POINTS • Submit to all eligible awards. • Originally a part of the Nunatak First Fiction Series, the longest- • Ads in Glass Buffalo, Prairie Books NOW, Prairie Fire, PRISM running debut-fiction series in Canada. international, Read Alberta Books (Alberta Views), subTerrain, • His work has been published in the US, UK, France, Germany, and the ULS Super Forthcoming Catalogue. Italy, Japan, and other countries. • Book will appeal to those who enjoy historical fiction with MARKETS multiple well-written characters, and for fans of the book looking • National trade: literary/historical fiction for further insight and background information. • US and UK trade: literary/historical fiction • Jasper, AB. MARKETING PLAN • International press release mailout. COMPARISON TITLES • Announcement of book’s release by email newsletter and on • The Black Grizzly of Whiskey Creek by Sid Marty the NeWest Press Facebook, Instagram, and Twitter pages. (978-0-771056-98-7, McClelland & Stewart, 2008) • Podcast reading/interview posted on Apple Podcasts, RSS feed, • Places Far from Ellesmere by Aritha Van Herk Facebook, and NeWest website. (978-0-889950-60-3, Red Deer Press, 2003) • Press releases and review mailouts to various CBC outlets across • The Tiger: A True Story of Vengeance and Survival the nation, both radio and television. by John Vaillant • Online Zoom launch, and eventual in-person launches in (978-0-307397-15-7, Knopf Canada, 2011) Edmonton, and Calgary. 3 newestpress.com NEW TITLE INFORMATION The Cine Star Salon by Leah Ranada Sophia is pulled between the life she imagines, the life her parents imagine, and what the world has in store for her. Philippine-born Vancouverite Sophia is most grateful for two things: her modest hair salon and Adrian, her mild-mannered fiancé. She is eager to get married, move away from her highly educated but career-frustrated parents, who believe that their daughter can be so much more than a beautician. Then Sophia’s estranged friend reaches out from Manila, desperate for help. After a dubious accident, her fiery Auntie Rosy is on the verge of losing the Cine Star Salon—the place where Sophia first felt the call to become a hairstylist and salon owner. Coming to her auntie’s aid is not so easy though. Sophia worries helping might reopen old wounds and threaten the bright future she has planned. Leah Ranada’s debut novel is a graphic and engaging depiction of the importance of women’s work and the loyalties that connect friends across oceans. Recalling the work of Doretta Lau, Alex Leslie, and Lauralyn Chow, Trade Paperback / October 1, 2021 The Cine Star Salon marks the entry of a vital new voice in Canadian literature. ISBN 10: 1-77439-032-9 ISBN 13: 978-177439-032-0 BISAC 1: FIC054000 BISAC 2: FIC082000 BISAC 3: FIC051000 200 pp / 5.5 x 8.5 / $21.95 CDN $17.95 USD Part of the Nunatak First Fiction Series, Canada’s longest-running debut fiction series. Notable Nunatak titles include Chorus of Mushrooms by Hiromi Goto; Icefields by Thomas Wharton; Dance, Gladys, Dance by Cassie Stocks; The Shore Girl by Fran Kimmel; and Molly of the Mall by Heidi L.M. Jacobs. About The Author Le a h Ra n a d a wa s b o r n i n D a va o Ci t y, ra i s e d i n M et ro M a n i l a, a n d m ove d to Va n co u ve r i n 2 0 0 6 . She attended The Writer’s Studio at Simon Fraser University in 2013. Her writing has appeared in Room Magazine, Sta. Ana River Review, Scarlet Leaf Literary Review, and elsewhere. Leah has brought her administrative and editorial skills to legal, settlement services, and academic workplaces. She lives in New Westminster and blogs at leahranada.com. ADDITIONAL SALES POINTS • Submit to all eligible awards. • Book will appeal to those who enjoy diaspora and Asian Canadian fiction. MARKETS • Setting of the book, hair salons, is a place readers have • National trade: Asian Canadian and literary fiction experienced but have not read about in Canadian literature. • US and UK trade: Asian Canadian and literary fiction • Vancouver, BC, and Manila. MARKETING PLAN • Early ARC and international press release mailout. COMPARISON TITLES • Announcement of book’s release by email newsletter and on • Natalie Tan’s Book of Luck and Fortune by Roselle Lim the NeWest Press Facebook, Instagram, and Twitter pages. (978-1-984803-25-2, Penguin Random House, 2019) • Podcast reading/interview posted on Apple Podcasts, RSS feed, • Scarborough by Catherine Hernandez Facebook, and NeWest website. (978-1-55156-77-5, Arsenal Pulp Press, 2017) • Press releases and review mailouts to various CBC outlets across • Belinda’s Rings by Corinna Chong the nation, both radio and television. (978-1-927063-27-9, NeWest Press, 2013) • Ads in Glass Buffalo, Prairie Books NOW, Prairie Fire, PRISM international, Read Alberta Books (Alberta Views), subTerrain, and the ULS Super Forthcoming Catalogue. • Online Zoom launch, and eventual in-person launches in Vancouver. 4 newestpress.com NEW TITLE INFORMATION Last Tide by Andy Zuliani A debut novel that confronts the near future in microcosm. Ana and Win find themselves stuck, lifting the weight of their pasts, while frustrated by their present jobs: photographing vacant lots and decayed industrial sites, cataloguing the decline of capitalist excess to digitally scrub away humanity,
Recommended publications
  • Brought to You By: WHY READ in This Catalogue
    See what Alberta authors and publishers have to offer! Brought to you by: WHY READ In this Catalogue ALBERTA BOOKS? The 2019 Read Alberta Books catalogue features shortlisted and award winning literature from Alberta authors and publishers. The These six categories shortlists are created for the Alberta Literary Awards (established showcase a dynamic by the Writers’ Guild of Alberta) and the Alberta Book Publishing collection of literature and Awards (established by the Book Publishers Association of our authors offer stories that Alberta). To order, please contact the book publishers. We hope reflect not only Alberta’s that you will enjoy reading these excellent works from Alberta’s culture, art, and landscape, authors and publishing houses! but also dynamically situate The featured books span six categories: us within the global writers’ community. Fiction 4 This collection of books Speculative Fiction 7 includes literature from multicultural backgrounds, Children’s and Young Adult 9 tales for all ages and walks of Nonfiction 11 life, and ranges from delightful children’s stories to haunting Scholarly and Academic 15 memoir. Poetry 17 Embracing the diversity of our province and our nation, Alberta books offer something for anyone and everyone. Experience Alberta Literature at its Finest 2 3 Fiction Fiction Ali Bryan | The Figgs Clem Martini | The Comedian Meet the Figgs. June, the family’s matriarch, looks forward to a quiet Titus Maccius Plautus’ career is on the decline. Once renowned for retirement - if only she can get her three adult children to finally, finally, bringing Greek comedies to the Roman world, now he struggles to stage move out of the house.
    [Show full text]
  • Writing Alberta POD EPDF.Indd
    WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work.
    [Show full text]
  • Lai CV April 24 2018 Ucalg For
    THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’
    [Show full text]
  • Fall 2018 Catalogue 1.Pdf
    Fall 2018 Contents CONNECT Click below to navigate Subscribe to NeWest Press video, audio, news, and more by clicking on these links: FRONTLIST THE EAVESDROPPERS 3 FRONTLIST LEFT 4 ITUNES PODCAST FRONTLIST PAPER CASKETS 5 FACEBOOK FRONTLIST SEA OF CORTEZ 6 FRONTLIST THE MIGHTY CARLINS AND TWITTER OTHER PLAYS 7 COMPLETE LIST 8 DISTRIBUTION INFORMATION 12 CONTENTS | NeWest Press Fall 2018 | 2 The Eavesdroppers by Rosie Chard When social attitudes researcher Bill Harcourt puts an advertisement in the newspaper for ‘listeners’ to work on an unconventional project, he anticipates that his team of eavesdroppers will discover previously A creepy ambush of a untapped insights into public opinion. “novel, unsettling and But as five eager listeners begin eavesdropping in the cafes, dentist profound in its ideas waiting rooms, public toilets, tube trains and launderettes of London, and fears. One feels discreetly noting the details of unguarded conversations, Bill starts the weight of history to notice subtle changes in their behaviour and realises he has underestimated the compulsive nature of his group. His anxiety is and of the future; one compounded after he receives a series of anonymous letters warning hears a warning.” him of the dangers of his experiment. - Michelle Butler Hallett, author of This As the group becomes increasingly intertwined in their subjects’ lives, eavesdropping descends into obsession and Bill has to find a way to Marlowe rein in his increasingly unruly team before they are beyond help. Part spy-thriller Informed by conversations collected over three years, The Eavesdroppers, by award-winning author Rosie Chard, is a dark, yet “in miniature, part wryly humorous tale of present-day Londoners, living in a constant fable for our state of noise and crowds and eavesdroppers.
    [Show full text]
  • Brought to You
    See what shortlisted and award-winning Alberta authors have to offer! Brought to you by: WHY READ ALBERTA BOOKS? Through poetry, drama, fiction, and non-fiction, our authors offer stories that reflect not only Alberta’s culture, art, and landscape, but also dynamically situate us within the global writers’ community. This collection of books includes literature from multicultural backgrounds, tales for all ages and walks of life, and a range of delightful children’s stories to haunting memoir. Embracing the diversity of our province and our nation, Alberta books offer something for anyone and everyone. Experience Alberta Literature at Its Finest (All prices listed in USD) FICTION Deborah Willis | The Dark and Other Love Stories The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer’s girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenage girl and her best friend test their relationship by breaking into suburban houses. Full of longing and strange humour, these subtle, complex stories show how love ties us to one another and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love. Hamish Hamilton, 256 pages, 9780670069576, $24.95 | Dr. Edith Vane and the Suzette Mayr | Hares of Crawley Hall Dr. Edith Vane, scholar of English literature, is contentedly ensconced at the University of Inivea.
    [Show full text]
  • CPI Welcomes Jennifer Eiserman's Special Issue Cecille Depass And
    i CPI Welcomes Jennifer Eiserman’s Special Issue Cecille DePass and Ali A. Abdi (Editors) In Us-Them-Us, several artists affiliated with the University of Calgary, and an invited poet, adopt perspectives, usually associated with that of being agents provocateur. Key themes, issues, images, symbols, and slogans associated with postcoloniality and postmodernity are well illustrated in particularly, vivid ways. The works selected for inclusion by Eiserman, serve several functions. In different ways, each one strips away and reveals with precision, some key societal themes, concerning past and present patterns of interactions between dominance and oppression. Thank you Jennifer Eiserman, for working closely with the contributors, in order to, produce a special issue which highlights well established traditions of the arts and humanities. This CPI Special Issue holds up for scrutiny, central aspects of our troubling contemporary and historical life worlds. CPI continues to flourish as a result of the passionate interests and demonstrated commitments of J. Eiserman (in the Summer 2017 issue) and as importantly, the future guest editors (for issues in Fall 2017 through to Summer 2020) who plan to create and produce the following CPI special issues: • Carol Lee’s (Fall 2017): anthology, “No Return”, is a refugee story graphically depicted in a series of poems. The anthology incorporates rich metaphors to exemplify the lived experiences of many refugees and immigrants. “No Return” brings a particularly, poignant dimension to illuminate the contemporary human conditions of many people who have been forced to flee their homes and have come to live in Canada. In interesting ways, Carol Lee’s work complements Hilary Burke’s docu-play in CPI, Fall 2016, as well as, John Samuel’s and Nand Tandon’s (2005), research conducted in major Canadian urban centres.
    [Show full text]
  • Stratégies De Traduction Et Non-Traduction Dans the Widows De Suzette Mayr Translation and Non-Translation Strategies in Suzette Mayr’S the Widows Nathalie Ramière
    Document generated on 10/02/2021 3:35 p.m. TTR Traduction, terminologie, re?daction Stratégies de traduction et non-traduction dans The Widows de Suzette Mayr Translation and Non-translation Strategies in Suzette Mayr’s The Widows Nathalie Ramière Traduction et (im)migration Article abstract Translation and (im)migration Focusing on the perspective of a feminist immigration writing and “the new Volume 16, Number 2, 2003 Canadian literature”, I analyze the linguistic and narrative strategies that the Alberta writer Suzette Mayr uses in her novel The Widows (1998) to translate URI: https://id.erudit.org/iderudit/010720ar the process of identity negotiation and cultural hybridization, which her DOI: https://doi.org/10.7202/010720ar German characters have to face in Canada. Through this, she creates a new form of writing by conflating the phenomena of cross-linguistic and cross-cultural encounters. In Mayr’s text, translation (in the proper and See table of contents metaphorical sense) plays a fundamental role and becomes “an element of textual dynamics”, as Sherry Simon suggests in Le Trafic des langues (1994). In addition, my translation of The Widows into French enables me to point out the Publisher(s) specific translation problems raised by an immigrant perspective. Association canadienne de traductologie ISSN 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Ramière, N. (2003). Stratégies de traduction et non-traduction dans The Widows de Suzette Mayr. TTR, 16(2), 175–196. https://doi.org/10.7202/010720ar Tous droits réservés © TTR: traduction, terminologie, rédaction — Les auteurs, This document is protected by copyright law.
    [Show full text]
  • Annual Report
    ANNUAL REPORT June 11, 2017 Table of Contents Writers’ Guild of Alberta Overview ................................................................................... 1 Membership .............................................................................................................................. 2 Board of Directors................................................................................................................... 3 Staff............................................................................................................................................... 3 Committees................................................................................................................................ 3 President’s Report .................................................................................................................. 4 Executive Director’s Report ................................................................................................. 5 Treasurer’s Report.................................................................................................................. 7 Youth Committee Report ...................................................................................................... 8 Fund Development Committee Report ............................................................................ 9 Report on Activities ..............................................................................................................10 WGA Events..............................................................................................................................18
    [Show full text]
  • Myrna Kostash Was Born in Edmonton, Alberta, and Educated at the Universities of Alberta, Washington and Toronto
    Myrna Kostash was born in Edmonton, Alberta, and educated at the Universities of Alberta, Washington and Toronto. She was awarded the M.A. degree in Russian Language and Literature in 1968 (Toronto). A founding member of The Periodical Writers' Association of Canada and of the Writers' Guild of Alberta, she served as president of the WGA (1989-90) and as chair of The Writers' Union of Canada (1993-94). She served as Alberta representative to the Board of Governors of the Canadian Conference of the Arts (1996-2000).She is a member of the Writers’ Union of Canada, the Writers’ Guild of Alberta, the Creative Nonfiction Collective, Alberta Playwrights’ Network and PEN. She is a co-founding member of the Creative Nonfiction Collective, and served as its president 2003-6 and 2008-2011. She is a founding member of the now-defunct Canada Yugoslavia Literary Association. In 2010 she became a Fellow of the (now defunct) Sophia Institute, Columbia University. She was an executive member of the Board of the Parkland Institute, University of Alberta, 2002-6, 2007 - 2012. Kostash is the recipient of several Canada Council, Alberta Foundation for the Literary Arts and Secretary of State (Multiculturalism) grants. In 1985, she was awarded a Silver citation in the National Magazine Awards and was short-listed in 1997. In 1999 she was a finalist in the Western Magazine awards. In 1988, her book, No Kidding: Inside the World of Teenage Girls, received the Alberta Culture and Writers' Guild of Alberta prizes for Best Non-Fiction. In 1994 she was awarded the same prize for her book, Bloodlines: A Journey Into Eastern Europe.
    [Show full text]
  • Contemporary Canadian Poetry Circa 1998: Some Notes
    Kunapipi Volume 20 Issue 3 Article 40 1998 Contemporary Canadian Poetry circa 1998: Some Notes Douglas Barbour Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Barbour, Douglas, Contemporary Canadian Poetry circa 1998: Some Notes, Kunapipi, 20(3), 1998. Available at:https://ro.uow.edu.au/kunapipi/vol20/iss3/40 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Contemporary Canadian Poetry circa 1998: Some Notes Abstract Notes only, and from a position I tend to think of as on the margin. But I have been reminded all too often of the fact that my margin is pretty close to many other peoples' centres and so I can't even make that claim with any sense of real justification. Let's say that I write from a site which takes certain kinds of innovation as positive, and which recognizes that many other margins, of class, race or ethnicity, gender, as well as poetic practice, are circling on the peripheries of official culture. 1 will also admit, right up front, that 1 cannot possibly do justice to the vast range of writing in Canada today, and that this series of notes can only attempt to give some sense of that range, and of the writers working in various fields within it. ln that sense, this is a highly provisional overview, a glimpse from one point on the circumference of some of what lies within.
    [Show full text]
  • Is Canadian Literature Still “National”? Twenty-First-Century Canadian Literature in Spatial Perspective
    Is Canadian Literature Still “National”? Twenty-First-Century Canadian Literature in Spatial Perspective Sabine Milz orLit, the successor to CanLit, is about money,” writ- er and literary journalist Stephen Henighan proclaims in “ a chapter of When Words Deny the World: The Reshaping of CanadianT Writing that carries the title “Vulgarity on Bloor: Literary Institutions From CanLit to TorLit” (159). In this chapter, Henighan argues that in the 1960s and 1970s a national literature came into life in Canada through the wide distribution and “laudable accessibility” (158) of Canadian-authored titles produced in distinctly regional settings. The national literary climate was one of “comfortable collegiality where everyone knew everyone else through their work, even though they might not have met” (158). To a significant degree, Henighan notes, this interactive environment and collegiality was fostered by governmental and arm’s-length granting agencies that supported a national dissemina- tion infrastructure, and by literary journals, as well as by the national media, that were and still are largely centred in Ontario, and especially in Toronto. While Canadian publishing was (and still is) primarily regional — and Henighan emphasizes that the “southern Ontario com- mercial presses are no exception to this” (160) — the widely distributed literary product was distinctly Canadian: national. “With the advent of the globalized 1990s”, Henighan writes, this balance of regional produc- tion and national distribution/exposure got undone as English Canada’s publishing centre, Toronto,1 “was plugged into the global marketplace,” leaving other English-Canadian publishers “corralled within their own regions” (159). Nowadays, these regional publishers “scrape by within their regional markets” (159) as consistent national distribution and media attention have largely disappeared — and with them, a truly (i.e., grassroots) national Canadian literature.
    [Show full text]
  • The Writers Guild of Alberta: the First Thirty Years
    The Writers Guild of Alberta: The First Thirty Years Compiled and Written by Bob Stallworthy for the Writers Guild of Alberta 2010 Acknowledgements: In no particular order, I would like to acknowledge the support and help of the following: Past Presidents: Rudy Wiebe, George Melnyk, Vivian Hansen, Dymphny Dronyk, Myrna Kostash, Suzette Mayr, Alice Major, Blaine Newton Former Executive Directors: Liz Grieve, Lyle Weis Former Acting Executive Director: Kerry Mulholland Current Executive Director: Carol Holmes The WGA Office Staff past and present in both Edmonton and Calgary The WGA Executives for the years 2007-2008, 2008-2009, 2009-2010 Don Meredith for turning over the files he kept stored in his "safe keeping place" Brian Brennan for his Herald article, "Federation of Alberta Writers to Meet in Calgary" Fred Stenson for his Alberta Views article "The Writer's Life" I would like to acknowledge and thank all those members of the Guild who have "been there" with me and for me over the years. Your patience, your guidance, your kindness are not forgotten. A special acknowledgement and "thank you" to my wife, Marilyn. 2 Table of Contents Presidents & Executive Directors of the Guild ....................................... 4 Writers Guild of Alberta Liasons ............................................................ 5 The Beginning ....................................................................................... 6 WGA Vision Statement .......................................................................... 10 WGA Mission Statement
    [Show full text]