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Lai CV April 24 2018 Ucalg For
THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’ -
Fall 2018 Catalogue 1.Pdf
Fall 2018 Contents CONNECT Click below to navigate Subscribe to NeWest Press video, audio, news, and more by clicking on these links: FRONTLIST THE EAVESDROPPERS 3 FRONTLIST LEFT 4 ITUNES PODCAST FRONTLIST PAPER CASKETS 5 FACEBOOK FRONTLIST SEA OF CORTEZ 6 FRONTLIST THE MIGHTY CARLINS AND TWITTER OTHER PLAYS 7 COMPLETE LIST 8 DISTRIBUTION INFORMATION 12 CONTENTS | NeWest Press Fall 2018 | 2 The Eavesdroppers by Rosie Chard When social attitudes researcher Bill Harcourt puts an advertisement in the newspaper for ‘listeners’ to work on an unconventional project, he anticipates that his team of eavesdroppers will discover previously A creepy ambush of a untapped insights into public opinion. “novel, unsettling and But as five eager listeners begin eavesdropping in the cafes, dentist profound in its ideas waiting rooms, public toilets, tube trains and launderettes of London, and fears. One feels discreetly noting the details of unguarded conversations, Bill starts the weight of history to notice subtle changes in their behaviour and realises he has underestimated the compulsive nature of his group. His anxiety is and of the future; one compounded after he receives a series of anonymous letters warning hears a warning.” him of the dangers of his experiment. - Michelle Butler Hallett, author of This As the group becomes increasingly intertwined in their subjects’ lives, eavesdropping descends into obsession and Bill has to find a way to Marlowe rein in his increasingly unruly team before they are beyond help. Part spy-thriller Informed by conversations collected over three years, The Eavesdroppers, by award-winning author Rosie Chard, is a dark, yet “in miniature, part wryly humorous tale of present-day Londoners, living in a constant fable for our state of noise and crowds and eavesdroppers. -
Newest Press Fall 2021
NEWEST PRESS CATALOGUE FALL•2021 PUBLISHER INFORMATION Ordering Information For more information, questions, or for further promotional materials, please contact NeWest Press at [email protected] Matt Bowes (he/him) Claire Kelly (she/her) General Manager Marketing and Production Ph: 780.432.9427 Coordinator [email protected] Ph: 780.432.9427 [email protected] Christine Kohler (she/her) Office Administator Ph: 780.432.9427 [email protected] Cover photo by Kirill Pershin on Unsplash 1 newestpress.com CONTENTS Publisher Information ..................................................................................................................1 Contents ......................................................................................................................................2 Icefields: Landmark Edition ........................................................................................................3 The Cine Star Salon .....................................................................................................................4 Last Tide .......................................................................................................................................5 Tenure ..........................................................................................................................................6 rump + flank ................................................................................................................................7 Accolades ...................................................................................................................................8 -
CPI Welcomes Jennifer Eiserman's Special Issue Cecille Depass And
i CPI Welcomes Jennifer Eiserman’s Special Issue Cecille DePass and Ali A. Abdi (Editors) In Us-Them-Us, several artists affiliated with the University of Calgary, and an invited poet, adopt perspectives, usually associated with that of being agents provocateur. Key themes, issues, images, symbols, and slogans associated with postcoloniality and postmodernity are well illustrated in particularly, vivid ways. The works selected for inclusion by Eiserman, serve several functions. In different ways, each one strips away and reveals with precision, some key societal themes, concerning past and present patterns of interactions between dominance and oppression. Thank you Jennifer Eiserman, for working closely with the contributors, in order to, produce a special issue which highlights well established traditions of the arts and humanities. This CPI Special Issue holds up for scrutiny, central aspects of our troubling contemporary and historical life worlds. CPI continues to flourish as a result of the passionate interests and demonstrated commitments of J. Eiserman (in the Summer 2017 issue) and as importantly, the future guest editors (for issues in Fall 2017 through to Summer 2020) who plan to create and produce the following CPI special issues: • Carol Lee’s (Fall 2017): anthology, “No Return”, is a refugee story graphically depicted in a series of poems. The anthology incorporates rich metaphors to exemplify the lived experiences of many refugees and immigrants. “No Return” brings a particularly, poignant dimension to illuminate the contemporary human conditions of many people who have been forced to flee their homes and have come to live in Canada. In interesting ways, Carol Lee’s work complements Hilary Burke’s docu-play in CPI, Fall 2016, as well as, John Samuel’s and Nand Tandon’s (2005), research conducted in major Canadian urban centres. -
Contemporary Canadian Poetry Circa 1998: Some Notes
Kunapipi Volume 20 Issue 3 Article 40 1998 Contemporary Canadian Poetry circa 1998: Some Notes Douglas Barbour Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Barbour, Douglas, Contemporary Canadian Poetry circa 1998: Some Notes, Kunapipi, 20(3), 1998. Available at:https://ro.uow.edu.au/kunapipi/vol20/iss3/40 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Contemporary Canadian Poetry circa 1998: Some Notes Abstract Notes only, and from a position I tend to think of as on the margin. But I have been reminded all too often of the fact that my margin is pretty close to many other peoples' centres and so I can't even make that claim with any sense of real justification. Let's say that I write from a site which takes certain kinds of innovation as positive, and which recognizes that many other margins, of class, race or ethnicity, gender, as well as poetic practice, are circling on the peripheries of official culture. 1 will also admit, right up front, that 1 cannot possibly do justice to the vast range of writing in Canada today, and that this series of notes can only attempt to give some sense of that range, and of the writers working in various fields within it. ln that sense, this is a highly provisional overview, a glimpse from one point on the circumference of some of what lies within. -
The Writers Guild of Alberta: the First Thirty Years
The Writers Guild of Alberta: The First Thirty Years Compiled and Written by Bob Stallworthy for the Writers Guild of Alberta 2010 Acknowledgements: In no particular order, I would like to acknowledge the support and help of the following: Past Presidents: Rudy Wiebe, George Melnyk, Vivian Hansen, Dymphny Dronyk, Myrna Kostash, Suzette Mayr, Alice Major, Blaine Newton Former Executive Directors: Liz Grieve, Lyle Weis Former Acting Executive Director: Kerry Mulholland Current Executive Director: Carol Holmes The WGA Office Staff past and present in both Edmonton and Calgary The WGA Executives for the years 2007-2008, 2008-2009, 2009-2010 Don Meredith for turning over the files he kept stored in his "safe keeping place" Brian Brennan for his Herald article, "Federation of Alberta Writers to Meet in Calgary" Fred Stenson for his Alberta Views article "The Writer's Life" I would like to acknowledge and thank all those members of the Guild who have "been there" with me and for me over the years. Your patience, your guidance, your kindness are not forgotten. A special acknowledgement and "thank you" to my wife, Marilyn. 2 Table of Contents Presidents & Executive Directors of the Guild ....................................... 4 Writers Guild of Alberta Liasons ............................................................ 5 The Beginning ....................................................................................... 6 WGA Vision Statement .......................................................................... 10 WGA Mission Statement -
Canada's Writing Conference
Canada’s Writing Conference May 15-18, 2014 Vancouver, BC Conference Program and Guide HarperCollins Canada is proud to be the Founding Sponsor of Canadian Creative Writers and Writing Programs NATALEE CAPLE ANDREW WESTOLL RICHARD SCRIMGER 9:00 am – 10:15 am 1:45 pm – 3:00 pm 9:00 am – 10:15 am May 16th May 16th May 17th Room B315 Room B303 Room B303 Don’t miss these fantastic authors at Canada’s Writing Conference noun \’spärk\ The Writers’ Trust of Canada is a charitable organization that was founded to encourage an inspired writing community in Canada. The programs of the Writers’ Trust of Canada off er opportunity, reward success, and help spark the creativity of Canada’s writing community. writerstrust.com Sowing new seeds in Canadian publishing Read with us. 166 King Street East, Suite 300 Toronto, ON Canada Contents Welcome ........................................................................................................................................ 7 Schedule at a Glance ................................................................................................................ 8 Campus Map ..............................................................................................................................10 Detailed Map..............................................................................................................................11 Getting Around .........................................................................................................................12 Dining Guide ..............................................................................................................................13 -
University of Alberta (Canada)
WINTER 2017 UNIVERSITY OF ALBERTA ALUMNI MAGAZINE ‘THIS IS ALL THE FREEDOM I WANT’ HOW ABDULLAH ALTAMER AND OTHER STUDENTS ARE REBUILDING THEIR LIVES AFTER ESCAPING SYRIA Page 26 WINTER 2017 ON THE COVER VOLUME 73 NUMBER 3 Even the act of walking to school is meaningful to Abdullah Altamer, one of 14 Syrian students who have come to the U of A through the President’s Award for Refugees and Displaced Persons. Page 26 Photo by John Ulan “ The littlest thing tripped me up in more ways than one.” Whatever life brings your way, small or big, departments take advantage of a range of insurance options 3 at preferential group rates. Your Letters 5 Getting coverage for life-changing events may seem like a Notes What’s new and noteworthy given to some of us. But small things can mean big changes 12 too. Like an unexpected interruption to your income. Alumni Continuing Education insurance plans can have you covered at every stage of life, Column by Curtis Gillespie every step of the way. 16 Whatsoever Things Are True You’ll enjoy affordable rates on Term Life Insurance, Column by Todd Babiak Major Accident Protection, Income Protection Disability, 17 Health & Dental Insurance and others. The protection Thesis There are answers that you need. The competitive rates you want. lie at the intersection of words and images. 43 Get a quote today. Call 1-888-913-6333 or visit us Trails Where you’ve been and at manulife.com/uAlberta. where you’re going 44 features Books 26 46 Seen / Unseen Class Notes After fleeing conflict, three Syrian students embrace 59 the everyday moments. -
Wild Words: Essays on Alberta Literature/Edited by Donna Coates and George Melnyk
ESSAYS ON ALBERTA LITERATURE Edited by Donna Coates and George Melnyk 061494_Book.indb i 2/9/09 2:47:51 PM 061494_Book.indb ii 2/9/09 2:47:52 PM ESSAYS ON ALBERTA LITERATURE Edited by Donna Coates and George Melnyk 061494_Book.indb iii 2/9/09 2:47:53 PM © 2009 Donna Coates and George Melnyk Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Wild words: essays on Alberta literature/edited by Donna Coates and George Melnyk. Includes bibliographical references and index. Issued also in electronic format (ISBN 978-1-897425-31-2). ISBN 978-1-897425-30-5 1. Canadian literature – Alberta – History and criticism. I. Coates, Donna, 1944- II. Melnyk, George III. Title. PS8131.A43W54 2009 C810.9’97123 C2008-908001-7 Cover design by Kris Twyman Cover painting by Marion Twyman Book layout and design by Infoscan Collette, Québec Printed and bound in Canada by Marquis Book Printing This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author(s). Please contact AU Press, Athabasca University at [email protected] for permission beyond the usage outlined in the Creative Commons license. This book was funded in part by the Alberta Historical Resources Foundation. TABLE OF CONTENTS PREFACE: The Struggle for an Alberta Literature Donna Coates and George Melnyk . vii INTRODUCTION: Wrestling Impossibilities: Wild Words in Alberta Aritha van Herk . 1 PART ONE: Poetry 1. -
Contents – Just Click on the Name.)
(Each writer is linked to his or her entryContents – just click on the name.) Acknowledgements .................................................................................................. 3 Foreword ..........................................................................................................................4 Frequently Asked Questions .....................................................................................6 Timothy Anderson ........................................................................................................8 John Ballem ..................................................................................................................18 Marty Chan ....................................................................................................................21 Joan Crate ......................................................................................................................25 Paulette Dubé ...............................................................................................................29 Dave Duncan .................................................................................................................33 Will Ferguson ................................................................................................................38 Cheryl Foggo .................................................................................................................48 Fil Fraser ..........................................................................................................................52 -
A Mythological Mapping of Aritha Van Herk's Fiction
DIPLOMARBEIT Titel der Diplomarbeit Un/Covered Origins: A Mythological Mapping of Aritha van Herk’s Fiction Verfasserin Katrin M. Fennesz angestrebter akademischer Grad Magistra der Philosophie (Mag. Phil) Wien, im September 2008 Studienkennzahl lt. Studienblatt: A 190 344 299 Studienrichtung lt. Studienblatt: UF Englisch, UF Psychologie und Philosophie Betreuerin: Univ.-Prof. Dr. Carmen Birkle to lose oneself is not the same as not to find one’s way (Monty Reid, Dog Sleeps, 12) Impossible: somewhere to come from/ never to run away to. (Aritha van Herk, Places Far from Ellesmere, 15) You don’t ask where you are going; going is what you are there to do. (Robert Kroetsch, Alberta, 30) Acknowledgements Writing is an act done in solitude, but this paper would not be what it is today without the many people around me who have shaped my ideas in endless conversations and steered my thoughts along avenues less traveled by. I would like to begin where it all began. Thank you Prof. Carmen Birkle for making me read No Fixed Address – the world needs more of those eccentric, immoral, unconventional heroines. Also, thank you for allowing me the freedom to express my voice in my own style. I really appreciate it. In Calgary, a big thank you to the whole staff of the Special Collections Department at the University of Calgary, above all Apollonia Steele and Marlys Chevrefils. You know that the view of the Rockies is there for a reason. A very special thank you to Aritha van Herk. You made me think big. Thank you for all your time, wise words, and encouraging and inspirational thoughts. -
Annual Report
Annual Report 2017/2018 Contents 3 about the writers’ guild of alberta 4 president’s report 5 Executive director’s report 6 Youth committee 7 Fund development committee 8 report on activities 12 wga events 14 wga literary awards 15 important acknowledgments 16 donors 17 staff and board 18 committees and volunteers 19 treasurer’s report and financial statements Front cover photos, clockwise from left: Todd Babiak gives a keynote address at the 2017 conference. Photo by Monique de St. Croix. Candas Jane Dorsey accepts the Golden Pen Award at the 2017 Alberta Literary Awards Gala. Photo by Monique de St. Croix. Left to right: Aritha van Herk, Samantha Warwick, and Denise Chong at the April 3, 2018 Calgary event. Photo by Monique de St. Croix. 2 about the writers’ guild of alberta The Writers’ Guild of Alberta (WGA) In 2018 we have such as retreats. was formed in October 1980 on SAIT • Reduced rates for workshops, campus to provide a meeting ground 1008 members conferences, and other literary events. and collective voice for all the writers hailing from • Subscription to the weekly email of the province. Our members write newsletter WriteClick. in every genre and at every level of 106 communities • Subscription to the quarterly magazine expertise. across Alberta. WestWord. • Access to the Manuscript Reading The WGA helps give Alberta writers craft; Service. a sense of unity and community, V. Knowledge and ongoing development • Opportunity to apply for the and is the largest provincial writers’ are fundamental to creative growth. Mentorship Program. organization in Canada. • Support for starting critiquing groups.