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The Iceman Cometh Across: an Interview with Thomas Wharton
The Iceman Cometh Across: An Interview with Thomas Wharton SCL/ÉLC Interview by Herb Wyile homas Wharton was born in Grande Prairie and spent his teens in Jasper. He moved to Edmonton to do a B.A. in English at the University of Alberta, and subsequently embarked on Tan M.A. in creative writing. His Master’s thesis became his first novel, Icefields (1995), a historical novel set in Jasper during the exploration and subsequent commercialization of the Columbia icefields. The novel won a number of prizes, including the Commonwealth Writers Prize for Best First Book (Caribbean and Canada). Wharton went on to pursue his Ph.D. at the University of Calgary, where he wrote his second novel, Salamander (2001), a fantastical, Borgesian labyrinth of narratives set in eighteenth-century Europe and New France. Salamander was nominated for the Governor General’s Award for fiction.I talked to ThomasW harton in Edmonton in June of 2002. He is not at all icy. HW Your novel Icefields traces the history of the Rockies, and par- ticularly of Jasper and the Columbia icefields over the course of half a century. In Icefields you provide these wonderful definitions of geological terms, which serve as chapter headings in the novel, and I want to begin with your definition of a “moraine”: “Rock debris deposited by the re- ceding ice: a chaotic jumble of fragments, from which history must be reconstructed.” How does that description speak to your sense of writing history? Is that a reflection of how you see history and the difficulties of reproducing it or representing it in fiction? TW One of the reasons I write is my fascination with the com- plexity of life around us at any moment of our lives — all those things happening in our own lives and in the larger world around us — how all 158 Scl/Élc these things pass into the past so quickly, leaving us with just traces to hang onto, and that’s what we end up having to work with, as writers or historians or whatever, to reconstruct what happened in the past. -
Lai CV April 24 2018 Ucalg For
THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’ -
Newest Press Fall 2021
NEWEST PRESS CATALOGUE FALL•2021 PUBLISHER INFORMATION Ordering Information For more information, questions, or for further promotional materials, please contact NeWest Press at [email protected] Matt Bowes (he/him) Claire Kelly (she/her) General Manager Marketing and Production Ph: 780.432.9427 Coordinator [email protected] Ph: 780.432.9427 [email protected] Christine Kohler (she/her) Office Administator Ph: 780.432.9427 [email protected] Cover photo by Kirill Pershin on Unsplash 1 newestpress.com CONTENTS Publisher Information ..................................................................................................................1 Contents ......................................................................................................................................2 Icefields: Landmark Edition ........................................................................................................3 The Cine Star Salon .....................................................................................................................4 Last Tide .......................................................................................................................................5 Tenure ..........................................................................................................................................6 rump + flank ................................................................................................................................7 Accolades ...................................................................................................................................8 -
Brought to You
See what shortlisted and award-winning Alberta authors have to offer! Brought to you by: WHY READ ALBERTA BOOKS? Through poetry, drama, fiction, and non-fiction, our authors offer stories that reflect not only Alberta’s culture, art, and landscape, but also dynamically situate us within the global writers’ community. This collection of books includes literature from multicultural backgrounds, tales for all ages and walks of life, and a range of delightful children’s stories to haunting memoir. Embracing the diversity of our province and our nation, Alberta books offer something for anyone and everyone. Experience Alberta Literature at Its Finest (All prices listed in USD) FICTION Deborah Willis | The Dark and Other Love Stories The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer’s girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenage girl and her best friend test their relationship by breaking into suburban houses. Full of longing and strange humour, these subtle, complex stories show how love ties us to one another and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love. Hamish Hamilton, 256 pages, 9780670069576, $24.95 | Dr. Edith Vane and the Suzette Mayr | Hares of Crawley Hall Dr. Edith Vane, scholar of English literature, is contentedly ensconced at the University of Inivea. -
Annual Report Table of Contents
2019/20 ANNUAL REPORT TABLE OF CONTENTS ABOUT THE WRITERS' GUILD OF ALBERTA 3 PRESIDENT'S REPORT 5 EXECUTIVE DIRECTOR'S REPORT 6 YOUTH COMMITTEE REPORT 7 REPORT ON ACTIVITIES 9 WGA EVENTS 17 WGA LITERARY AWARDS 23 IMPORTANT ACKNOWLEDGMENTS 25 DONORS 26 WGA STAFF & VOLUNTEERS 27 TREASURER'S REPORT 29 FINANCIAL STATEMENTS 31 STRATEGIC PLAN 43 2 About The Writers' Guild of Alberta ABOUT THE WRITERS' GUILD OF ALBERTA The Writers’ Guild of Alberta (WGA) was formed in October 1980 on the SAIT campus to provide a meeting ground and collective voice for all the writers of the province. Our members write in every genre at every level of expertise. The WGA helps give Alberta writers a sense of unity and community and is the largest provincial writers’ organization in Canada. VISION STATEMENT A thriving writing community that is diverse, valued, and celebrated. MISSION STATEMENT We support and advocate for all writers and provide opportunities to grow and connect while enriching Alberta’s culture and economy. VALUES GUIDING BELIEFS The WGA believes that: I. The literary arts are essential to the well-being of all individuals, communities, and the economy of Alberta; II. Working in partnership with other organizations contributes to the quality of life in Alberta; III. Networking and collaboration are beneficial to innovation and the creative process; IV. A free and safe environment is essential for writers to pursue their craft; V. Knowledge and ongoing development are fundamental to cre- ative growth. 3 About The Writers' Guild of Alberta MEMBERSHIP WGA membership is open to all writers who are residents, or former residents, of Alberta. -
CPI Welcomes Jennifer Eiserman's Special Issue Cecille Depass And
i CPI Welcomes Jennifer Eiserman’s Special Issue Cecille DePass and Ali A. Abdi (Editors) In Us-Them-Us, several artists affiliated with the University of Calgary, and an invited poet, adopt perspectives, usually associated with that of being agents provocateur. Key themes, issues, images, symbols, and slogans associated with postcoloniality and postmodernity are well illustrated in particularly, vivid ways. The works selected for inclusion by Eiserman, serve several functions. In different ways, each one strips away and reveals with precision, some key societal themes, concerning past and present patterns of interactions between dominance and oppression. Thank you Jennifer Eiserman, for working closely with the contributors, in order to, produce a special issue which highlights well established traditions of the arts and humanities. This CPI Special Issue holds up for scrutiny, central aspects of our troubling contemporary and historical life worlds. CPI continues to flourish as a result of the passionate interests and demonstrated commitments of J. Eiserman (in the Summer 2017 issue) and as importantly, the future guest editors (for issues in Fall 2017 through to Summer 2020) who plan to create and produce the following CPI special issues: • Carol Lee’s (Fall 2017): anthology, “No Return”, is a refugee story graphically depicted in a series of poems. The anthology incorporates rich metaphors to exemplify the lived experiences of many refugees and immigrants. “No Return” brings a particularly, poignant dimension to illuminate the contemporary human conditions of many people who have been forced to flee their homes and have come to live in Canada. In interesting ways, Carol Lee’s work complements Hilary Burke’s docu-play in CPI, Fall 2016, as well as, John Samuel’s and Nand Tandon’s (2005), research conducted in major Canadian urban centres. -
Presence, Politics, and Virtual Necromancy in Canadian Literary Archives
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2019-08-01 Questions of Trace: Presence, Politics, and Virtual Necromancy in Canadian Literary Archives Bolay, Jordan Bolay, J. (2019). Questions of Trace: Presence, Politics, and Virtual Necromancy in Canadian Literary Archives (Unpublished doctoral thesis). University of Calgary, Calgary, AB. http://hdl.handle.net/1880/110704 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Questions of Trace: Presence, Politics, and Virtual Necromancy in Canadian Literary Archives by Jordan Bolay A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA AUGUST, 2019 © Jordan Bolay 2019 ABSTRACT Questions of Trace: Presence, Politics, and Virtual Necromancy in Canadian Literary Archives excavates the documents, both archival and published, of politically-inclined works by Guy Vanderhaeghe, Katherine Govier, and Robert Kroetsch to examine depictions of progressivism and agrarian socialism in 20th-century western Canada. The fonds serve as case studies to theorise archival presence, absence, and trace. I conclude by unpacking the politics inherent to the archive and the practice of academic collection. Specifically, I examine how digitisation radicalises the archive’s spatiality and alters the relationship between author, text, reader, and archive to serve a necromantic function: it raises the author as an uncanny simulation, a revenant coming back to the text, the selection, the present. -
Annual Report
ANNUAL REPORT June 11, 2017 Table of Contents Writers’ Guild of Alberta Overview ................................................................................... 1 Membership .............................................................................................................................. 2 Board of Directors................................................................................................................... 3 Staff............................................................................................................................................... 3 Committees................................................................................................................................ 3 President’s Report .................................................................................................................. 4 Executive Director’s Report ................................................................................................. 5 Treasurer’s Report.................................................................................................................. 7 Youth Committee Report ...................................................................................................... 8 Fund Development Committee Report ............................................................................ 9 Report on Activities ..............................................................................................................10 WGA Events..............................................................................................................................18 -
Contemporary Canadian Poetry Circa 1998: Some Notes
Kunapipi Volume 20 Issue 3 Article 40 1998 Contemporary Canadian Poetry circa 1998: Some Notes Douglas Barbour Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Barbour, Douglas, Contemporary Canadian Poetry circa 1998: Some Notes, Kunapipi, 20(3), 1998. Available at:https://ro.uow.edu.au/kunapipi/vol20/iss3/40 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Contemporary Canadian Poetry circa 1998: Some Notes Abstract Notes only, and from a position I tend to think of as on the margin. But I have been reminded all too often of the fact that my margin is pretty close to many other peoples' centres and so I can't even make that claim with any sense of real justification. Let's say that I write from a site which takes certain kinds of innovation as positive, and which recognizes that many other margins, of class, race or ethnicity, gender, as well as poetic practice, are circling on the peripheries of official culture. 1 will also admit, right up front, that 1 cannot possibly do justice to the vast range of writing in Canada today, and that this series of notes can only attempt to give some sense of that range, and of the writers working in various fields within it. ln that sense, this is a highly provisional overview, a glimpse from one point on the circumference of some of what lies within. -
An Interview with Thomas Wharton Herb Wyile
Document generated on 09/25/2021 5:30 a.m. Studies in Canadian Literature / Études en littérature canadienne The Iceman Cometh Across: An Interview with Thomas Wharton Herb Wyile Volume 27, Number 1, Spring 2002 Article abstract Author Thomas Wharton discusses the process of writing history in his URI: https://id.erudit.org/iderudit/scl27_1int01 historical novel Icefields (1995). He talks about the historical pioneering figures of the Canadian Rockies, the sense of "mountain metaphysics" he writes about, See table of contents and the tradition of writing about the mountains. He also discusses the influence of modernism on his novel, calling Icefields "a modernist novel slightly out of its time." He comments on the relationship between Icefields and Publisher(s) his second novel, Salamander. The University of New Brunswick ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this document Wyile, H. (2002). The Iceman Cometh Across:: An Interview with Thomas Wharton. Studies in Canadian Literature / Études en littérature canadienne, 27(1), 157–182. All rights reserved © Management Futures, 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The Iceman Cometh Across: An Interview with Thomas Wharton SCL/ÉLC Interview by Herb Wyile homas Wharton was born in Grande Prairie and spent his teens in Jasper. -
The Writers Guild of Alberta: the First Thirty Years
The Writers Guild of Alberta: The First Thirty Years Compiled and Written by Bob Stallworthy for the Writers Guild of Alberta 2010 Acknowledgements: In no particular order, I would like to acknowledge the support and help of the following: Past Presidents: Rudy Wiebe, George Melnyk, Vivian Hansen, Dymphny Dronyk, Myrna Kostash, Suzette Mayr, Alice Major, Blaine Newton Former Executive Directors: Liz Grieve, Lyle Weis Former Acting Executive Director: Kerry Mulholland Current Executive Director: Carol Holmes The WGA Office Staff past and present in both Edmonton and Calgary The WGA Executives for the years 2007-2008, 2008-2009, 2009-2010 Don Meredith for turning over the files he kept stored in his "safe keeping place" Brian Brennan for his Herald article, "Federation of Alberta Writers to Meet in Calgary" Fred Stenson for his Alberta Views article "The Writer's Life" I would like to acknowledge and thank all those members of the Guild who have "been there" with me and for me over the years. Your patience, your guidance, your kindness are not forgotten. A special acknowledgement and "thank you" to my wife, Marilyn. 2 Table of Contents Presidents & Executive Directors of the Guild ....................................... 4 Writers Guild of Alberta Liasons ............................................................ 5 The Beginning ....................................................................................... 6 WGA Vision Statement .......................................................................... 10 WGA Mission Statement -
Canada's Writing Conference
Canada’s Writing Conference May 15-18, 2014 Vancouver, BC Conference Program and Guide HarperCollins Canada is proud to be the Founding Sponsor of Canadian Creative Writers and Writing Programs NATALEE CAPLE ANDREW WESTOLL RICHARD SCRIMGER 9:00 am – 10:15 am 1:45 pm – 3:00 pm 9:00 am – 10:15 am May 16th May 16th May 17th Room B315 Room B303 Room B303 Don’t miss these fantastic authors at Canada’s Writing Conference noun \’spärk\ The Writers’ Trust of Canada is a charitable organization that was founded to encourage an inspired writing community in Canada. The programs of the Writers’ Trust of Canada off er opportunity, reward success, and help spark the creativity of Canada’s writing community. writerstrust.com Sowing new seeds in Canadian publishing Read with us. 166 King Street East, Suite 300 Toronto, ON Canada Contents Welcome ........................................................................................................................................ 7 Schedule at a Glance ................................................................................................................ 8 Campus Map ..............................................................................................................................10 Detailed Map..............................................................................................................................11 Getting Around .........................................................................................................................12 Dining Guide ..............................................................................................................................13