The Writers Guild of Alberta: the First Thirty Years
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Nationalism and Globalization / Le Nationalisme Et La
Editorial Board / Comité de rédaction Editor-in-Chief Rédacteur en chef Kenneth McRoberts, York University, Canada Associate Editors Rédacteurs adjoints Isabel Carrera Suarez, Universidad de Oviedo, Spain Daniel Salée, Concordia University, Canada Robert S. Schwartzwald, University of Massachusetts, U.S.A. Managing Editor Secrétaire de rédaction Guy Leclair, ICCS/CIEC, Ottawa, Canada Advisory Board / Comité consultatif Irene J.J. Burgers, University of Groningen, The Netherlands Patrick Coleman, University of California/Los Angeles, U.S.A. Enric Fossas, Universitat Autonoma de Barcelona, España Lois Foster, La Trobe University, Australia Fabrizio Ghilardi, Università di Pisa, Italia Teresa Gutiérrez-Haces, Universidad Nacional Autónoma de México, Mexico Eugenia Issraelian, Russian Academy of Sciences, Russia James Jackson, Trinity College, Republic of Ireland Jean-Michel Lacroix, Université de Paris III/Sorbonne Nouvelle, France Denise Gurgel Lavallée, Universidade do Estado da Bahia, Brésil Eugene Lee, Sookmyung University, Korea Erling Lindström, Uppsala University, Sweden Ursula Mathis, Universität Innsbruck, Autriche Amarjit S. Narang, Indira Gandhi National Open University, India Heather Norris Nicholson, University College of Ripon and York St. John, United Kingdom Satoru Osanai, Chuo University, Japan Vilma Petrash, Universidad Central de Venezuela-Caracas, Venezuela Danielle Schaub, University of Haifa, Israel Sherry Simon, Concordia University, Canada Wang Tongfu, Shanghai International Studies University, China International -
Writing the Terrain Travelling Through Alberta with the Poets Edited by Robert M
WRITING THE TERRAIN TRAVELLING THROUGH ALBERTA WITH THE POETS EDITED BY ROBERT M. STAMP PRESS n O z XI INTRODUCTION 1 WRITING THE PROVINCE i Barry McKinnon, untitled 3 Dennis Cooley, labiarinth 4 Joan Shillington, I Was Born Alberta 5 Nancy Holmes, The Right Frame of Mind 6 George Bowering, it's the climate 7 Charles Noble, Mnemonic Without Portfolio 8 John O. Thompson, Fuel Crisis 9 Robert Stamp, Energy to Burn 2 WRITING CALGARY 13 Ian Adam, In Calgary These Things 14 George Bowering, calgary 15 Murdoch Burnett, Boys or the River 17 Anne Campbell, Calgary City Wind 18 Weyman Chan, Written on Water 19 Ryan Fitzpatrick, From the Ogden Shops 21 Cecelia Frey, Under the Louise Bridge 22 Gail Ghai, On a Winter Hill Overlooking Calgary 23 Deborah Godin, Time/Lapse Calgary as Bremen 24 Vivian Hansen, Wolf Willow against the bridge 25 Robert Hilles, When Light Transforms Flesh 26 Nancy Holmes, Calgary Mirage 27 Bruce Hunter, Wishbone 28 Pauline Johnson, Calgary of the Plains 29 Robert Kroetsch, Horsetail Sonnet 30 Erin Michie, The Willows at Weaselhead 31 Deborah Miller, Pictures from the Stampede 33 James M. Moir, This City by the Bow 34 Colin Morton, Calgary '80 36 ErinMoure, South-West, or Altadore 40 Roberta Rees, Because Calgary 41 Robert Stamp, A City Built for Speed 42 Yvonne Trainer, 1912 43 Aritha van Herk, Quadrant Four - Outskirts of Outskirts 48 Wilfred Watson, In the Cemetery of the Sun 50 Christopher Wiseman, Calgary 2 A.M. 51 Rita Wong, Sunset Grocery • 3 WRITING SOUTHWESTERN ALBERTA & THE FOOTHILLS 55 D.C.Reid, Drying Out Again 56 Ian Adam, The Big Rocks 57 George Bowering, high river alberta 58 Cecelia Frey, Woman in a potato field north of Nanton 60 Sheri-D Wilson, He Went by Joe 62 Charles Noble, Props64 63 Stacie Wolfer, Lethbridge 65 Karen Solie, Java Shop, Fort Macleod 66 Sid Marty, Death Song for the Oldman 67 Michael Cullen, wind down waterton lakes 68 Ian Adam, Job Description 70 Jan Boydol, Color Hillcrest Dead 71 Aislinn Hunter, Frank Slide, Alberta 72 r. -
Writing Alberta POD EPDF.Indd
WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Ureceived Their Segregated Work
Larry "has flown the coop," leaving a to his bed" the day that she was born a growing number of fictional daughters black rabbit ("Satan") and "one measly "November 7, the anniversary of the who is - now that women are writing shirt" to remind Lureen of him. Lureen Bolshevik Revolution." Harris' "The more of the scripts - mis-fathered or has no interest in acting on anything she Soma Building" is the most philosophical, fatherless. It is not an entirely satisfying has learned; she wants her Larry back, polysemous of the realistic stories. In the ending because Lannie leaves too many and she dreams about him, waits for him, end the narrator becomes the creative stones unturned: we wonder what ever and reconstructs conversations with him writer about whom Hams writes, and the came of her university lover, the ''boy'' until Larry finally reappears in the middle father's wisdom initiates her own Tim, or herchildhood friend, Angela- the of the night, and they go off and make revelation, her unfinished fiction, in her only person in whom she confides. And love in the park. office in the Soma Building. Hams' narra we also expect there to be a more pro This is the only story of its kind in tive voice is complex, butnowhere is voice found reason for getting to know Barney Double Bond, but it is one of the stories as self-consciously intricate as it is in and Iris from the inside, but none which depends very much on its prairie Sharon Butala's first novel, Country of comes. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Celebrate Alberta Arts Day at the Jubilee September 6 in Calgary
Strong Communities August 29, 2008 Celebrate Alberta Arts Day at the Jubilee September 6 in Calgary Enjoy free daytime activities for the entire family and an evening gala featuring top Alberta artists Calgary... Make a date with family and friends to celebrate the arts on September 6 at the Southern Alberta Jubilee Auditorium, 1415 - 14th Avenue NW, Calgary. Experience a diverse range of creative and interactive arts activities, workshops and performances FREE from 10 a.m. to 3 p.m. Throughout the day, families can participate in dance workshops, sit in on readings by Alberta authors, listen to live music, learn how to create animation, view short films by Alberta filmmakers and much more. A thrilling evening gala of lively and eclectic performances from some of Alberta’s top artists, including the Alberta Ballet, Asani, Decidedly Jazz Danceworks, The Swiftys and many more will take place on the main stage starting at 7:30 p.m. Three major awards recognizing outstanding contributions to the arts in Alberta will also be presented at the gala. Tickets are $15 and available through Ticketmaster. Group rates are also available. The events at the Jubilee are part of the Alberta Arts Day celebrations. For details on all the activities at the Jubilee as well as other Arts Day events across the province, visit culture.alberta.ca/artsday. Alberta Arts Day aims to increase Albertans’ access to the province’s vibrant culture, one of the goals outlined in Alberta’s Cultural Policy - The Spirit of Alberta. To learn more about The Spirit of Alberta visit culturalpolicy.alberta.ca. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
Lai CV April 24 2018 Ucalg For
THE UNIVERSITY OF CALGARY Curriculum Vitae Date: April 2018 1. SURNAME: Lai FIRST NAME: Larissa MIDDLE NAME(S): -- 2. DEPARTMENT/SCHOOL: English 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor/ CRC II SINCE: 2014 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Calgary PhD English 2001 - 2006 University of East Anglia MA Creative Writing 2000 - 2001 University of British Columbia BA (Hon.) Sociology 1985 - 1990 Title of Dissertation and Name of Supervisor Dissertation: The “I” of the Storm: Practice, Subjectivity and Time Zones in Asian Canadian Writing Supervisor: Dr. Aruna Srivastava 6. EMPLOYMENT RECORD (a) University, Company or Organization Rank or Title Dates University of Calgary, Department of English Associate Professor/ CRC 2014-present II in Creative Writing University of British Columbia, Department of English Associate Professor 2014-2016 (on leave) University of British Columbia, Department of English Assistant Professor 2007-2014 University of British Columbia, Department of English SSHRC Postdoctoral 2006-2007 Fellow Simon Fraser University, Department of English Writer-in-Residence 2006 University of Calgary, Department of English Instructor 2005 University of Calgary, Department of Communications Instructor 2004 Clarion West, Science Fiction Writers’ Workshop Instructor 2004 University of Calgary, Department of Communications Teaching Assistant 2002-2004 University of Calgary, Department of English Teaching Assistant 2001-2002 Writers for Change, Asian Canadian Writers’ -
Fall 2018 Catalogue 1.Pdf
Fall 2018 Contents CONNECT Click below to navigate Subscribe to NeWest Press video, audio, news, and more by clicking on these links: FRONTLIST THE EAVESDROPPERS 3 FRONTLIST LEFT 4 ITUNES PODCAST FRONTLIST PAPER CASKETS 5 FACEBOOK FRONTLIST SEA OF CORTEZ 6 FRONTLIST THE MIGHTY CARLINS AND TWITTER OTHER PLAYS 7 COMPLETE LIST 8 DISTRIBUTION INFORMATION 12 CONTENTS | NeWest Press Fall 2018 | 2 The Eavesdroppers by Rosie Chard When social attitudes researcher Bill Harcourt puts an advertisement in the newspaper for ‘listeners’ to work on an unconventional project, he anticipates that his team of eavesdroppers will discover previously A creepy ambush of a untapped insights into public opinion. “novel, unsettling and But as five eager listeners begin eavesdropping in the cafes, dentist profound in its ideas waiting rooms, public toilets, tube trains and launderettes of London, and fears. One feels discreetly noting the details of unguarded conversations, Bill starts the weight of history to notice subtle changes in their behaviour and realises he has underestimated the compulsive nature of his group. His anxiety is and of the future; one compounded after he receives a series of anonymous letters warning hears a warning.” him of the dangers of his experiment. - Michelle Butler Hallett, author of This As the group becomes increasingly intertwined in their subjects’ lives, eavesdropping descends into obsession and Bill has to find a way to Marlowe rein in his increasingly unruly team before they are beyond help. Part spy-thriller Informed by conversations collected over three years, The Eavesdroppers, by award-winning author Rosie Chard, is a dark, yet “in miniature, part wryly humorous tale of present-day Londoners, living in a constant fable for our state of noise and crowds and eavesdroppers. -
2019 Fall Catalogue
PLAYWRIGHTS CANADA PRESS fall 2019 ORDERING AND DISTRIBUTION IN CANADA SALES Canadian Manda Group 664 Annette Street, Toronto, ON M6S 2C8 t: 416.516.0911 | f: 416.516.0917 | e: [email protected] | w: www.mandagroup.com customer service & orders Ryan Muscat, Account Manager, Ontario & Manitoba t: 1.855.626.3222 | f: 1.888.563.8327 | e: [email protected] t: 416.516.0911 x243 Chris Hickey, Sales Manager Iolanda Millar, Account Manager, British Columbia, t: 416.516.0911 x229 Yukon & Northern Territories :: t: 604.662.3511 x246 Tim Gain, National Account Manager, Library Market Nikki Turner, Account Manager, Trade & Library t: 416.516.0911 x231 Market :: t: 416.516.0911 x225 Dave Nadalin, Account Manager, Ontario Anthony Iantorno, National Account Manager, Online t: 416.516.0911 x400 Retailers :: t: 416.516.0911 x242 Jean Cichon, Account Manager, Alberta, Saskatchewan Joanne Adams, National Account Manager, & Manitoba :: t: 403.202.0922 x245 Mass Market :: t: 416.516.0911 x224 Kristina Koski, Account Manager, Special Markets Jacques Filippi, Account Manager, Quebec & Atlantic t: 416.516.0911 x234 Provinces :: t: 1.855.626.3222 x244 David Farag, National Account Coordinator Kate Condon-Moriarty, Account Manager, British t: 416.516.0911 x248 Columbia :: t: 604.662.3511 x247 Emily Patry, Marketing & Communications Manager Caitrin Pilkington, Account Manager, t: 416.516.0911 x230 Special Markets :: t: 416.516.0911 x228 Ellen Warwick, National Account Manager, Special Markets :: t: 416.516.0911 x240 DISTRIBUTION University of Toronto Press Inc. 5201 Dufferin Street, Toronto, ON M3H 5T8 t: 1.800.565.9523 or 416.667.7791 | f: 1.800.221.9985 or 416.667.7832 | e: [email protected] To order by EDI: Through Pubnet: SAN 115 1134 All orders from individuals must be prepaid. -
Newest Press Fall 2021
NEWEST PRESS CATALOGUE FALL•2021 PUBLISHER INFORMATION Ordering Information For more information, questions, or for further promotional materials, please contact NeWest Press at [email protected] Matt Bowes (he/him) Claire Kelly (she/her) General Manager Marketing and Production Ph: 780.432.9427 Coordinator [email protected] Ph: 780.432.9427 [email protected] Christine Kohler (she/her) Office Administator Ph: 780.432.9427 [email protected] Cover photo by Kirill Pershin on Unsplash 1 newestpress.com CONTENTS Publisher Information ..................................................................................................................1 Contents ......................................................................................................................................2 Icefields: Landmark Edition ........................................................................................................3 The Cine Star Salon .....................................................................................................................4 Last Tide .......................................................................................................................................5 Tenure ..........................................................................................................................................6 rump + flank ................................................................................................................................7 Accolades ...................................................................................................................................8 -
Competitions 2021
Alberta 2021 Literary Competitions 2021 To recognize and celebrate the highest standards of excellence in writing, the Writers' Guild of Alberta hosts or administers the following annual awards: Alberta Literary Awards (with categories in fiction, drama, nonfiction, poetry, and children’s literature) 2 Jon Whyte Memorial Essay Award Howard O'Hagan Award for Short Story James H. Gray Award for Short Nonfiction 3 The Robert Kroetsch City of Edmonton Book Prize 4 The City of Calgary W.O. Mitchell Book Prize 5 The Golden Pen Award 6 Alberta Literary Awards The Alberta eLit rary Awards were created by the Writers' Guild of Alberta (WGA) in 1982 to recognize excellence in writing by Alberta authors. Entries are judged by independent juries recruited by the WGA. Submissions are evaluated on originality, creativity, and quality of writing, as well as an appropriate fit within a category. Prizes of $1,500 are awarded in the categories listed below. Please refer to the WGA website (writersguild.ca) for a history of the awards and more information about the authors for whom our awards are named. The submission deadline is December 31, 2020. Winners will be announced and prizes awarded in the spring of 2021. Submission Guidelines & Rules: Gwen Pharis Ringwood Award for Drama • Authors of all entries in the Alberta Literary Awards must • Awarded to a play written by an Alberta author published, have been a resident of Alberta for a minimum of twelve of scheduled for production or staged at a live reading in 2020. the eighteen months prior to December 31, 2020. • Plays submitted to the drama category may be one-act or • All entries must have been published or produced anywhere in full-length.