Bio – Kurt Hentschläger, 2014

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BIO – KURT HENTSCHLÄGER, 2014 Chicago based Austrian artist Kurt Hentschläger creates audiovisual installations and performances. Between 1992 and 2003 he worked collaboratively within the artist duo "Granular-Synthesis". Hentschläger’s works have characteristically been visceral and immersive, as in ZEE & FEED, with extreme perceptual effects, composed from light, sound and fog. These works physiologically transport the viewer quite literally into another world. His CLUSTER series builds on the uncanny, by portraying 3D representations of humanoid creatures that can only exist in dynamic flux, seeming to swirling and flow like the wind, apparently unhinged from the screen that they are projected on. His most recent, emerging body of work is tracing the perception of “nature” in the 21st century. Selected presentations include the Venice Biennial, the Venice Theater Biennial, Stedelijk Museum Amsterdam, PS1 New York, Creative Time, Inc. New York, MAC - Musée d'Art Contemporain Montreal, MAK - Museum of Applied Arts Vienna, National Art, ZKM Karlsruhe, Museum of China Beijing, National Museum for Contemporary Art Seoul, ICC Tokyo, Arte Alameda Mexico City, MONA – Museum of Old and New Art, Hobart, Tasmania. Most recently he works on large-scale installations, for 2015 - ORT, an outdoor projection project in Le Havre on Oscar Niemeyer’s “Le Volcan”. In 2012 he was commissioned, as part of the Cultural Program of the 2012 London Olympics / London Festival, to create CORE, a large-scale, symphonic installation. In 2010 he won the Quartz Media Art Award in Paris. He is currently a full time Visiting Artist at the School of the Art Institute of Chicago. .

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+Download Bibliography
KURT HENTSCHLÄGER BIBLIOGRAPHY BOOKS (Selected) Castelli, Richard: Matière-Lumière Matter-light, Regional Capital of Culture, Béthune: Epidemic, 2011, (34-41); ISBN 978-2-9538822-0-9 Dieter Daniels and Sandra Naumann; with Jan Thoben, eds.: See This Sound: Audiovisuology Essays 2: Histories and Theories of Audiovisual Media and Art. Verlag der Buchhandlung Walther König, Köln 2011; ISBN 978-3-86560-687-7 Moulon, Dominique: Art Contemporain Nouveaux Médias. Nouvelles éditions Scala, Paris 2011 Schmidt, Gunnar: Weiche Displays: Projektionen auf Rauch, Wolken und Nebel. Verlag Klaus Wagenbach, Berlin 2011 (121-126); ISBN 978-3-8031-5180-3 Reas, Casey, McWilliams, Chandler: Form+Code in Design, Art, and Architecture, Princeton Architectural Press, New York 2010 (49-50); ISBN 1568989377, ISBN 978-1-56898-937-2 (G.S.) Salter, Chris. Entangled: Technology and the Transformation of Performance, Mass.: MIT Press, Cambridge 2010, (165-166, 174-175); ISBN 978-0-262-19588-1 (G.S.) Spielmann, Yvonne: Hybridkultur, Suhrkamp, Berlin 2010 (154-158, 162, 168, 187) 2010; ISBN 978-3-518-29572-4 (G.S.) Cosima Rainer; Manuela Ammer; Lentos Kunstmuseum Linz et al: See This Sound: Versprechungen Von Bild Und Ton / Promises in Sound and Vision: Verlag der Buchhandlung Walther König, Köln; New York, NY 2010; distribution outside of Europe, Distributed Art Publishers (164); ISBN 978-3-86560-683-9 (G.S.) Shanken, Edward A.: Art and Electronic Media (Themes & Movements), Phaidon, London 2010 (281); ISBN 978-0-7148-4782-5 (G.S.) Elavia, Firoza, ed.: Cinematic Folds: The Furling And Unfurling Of Images. Pleasure Dome, Toronto 2009 (121-123, 133-137); ISBN 978-0-9682115-4-0 (G.S.) Stocker, Gerfried/Schöpf, Christine, ed.s with Stubbs, Mike: INFOWAR, GRANULAR SYNTHESIS, Vienna 1998 (252-257) (G.S.) Richard, Birgit: Motion Control - Ein elektronischer Bildersturm?, in: Bolz, Norbert (ed.), Riskante Bilder, Munich 1996 (117-128) (G.S.) Seeber, Ursula: Interview with Hentschläger/Langheinrich, in: Medien.
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