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Nuclear Discourse and Its Discontents, Or Apocalypse Now Or Never Jean Bethke Elshtain
Vietnam Generation Volume 1 Number 3 Gender and the War: Men, Women and Article 21 Vietnam 10-1989 Nuclear Discourse and its Discontents, or Apocalypse Now or Never Jean Bethke Elshtain Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation Elshtain, Jean Bethke (1989) "Nuclear Discourse and its Discontents, or Apocalypse Now or Never," Vietnam Generation: Vol. 1 : No. 3 , Article 21. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol1/iss3/21 This Article is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. NucLear D iscourse ancI Its D iscontents, or, ApocAlypsE Now or Never Jean BEThkE ElskrAiN Human beings think most often in images; a terrible or delightful picture comes into our minds and then we seek to find words to express it, to capture it, to make it somehow manageable. Thus it is with the possibility of nuclear war. Our images are fixed. The scenes of utter destruction at Hiroshima and Nagasaki; two cities laid waste; people disappeared, remaining as shadows on cement or persisting in a terrible and painful twilight zone of lingering death from radiation. Or, even years later, moving through the world carrying within them a perceived taint, a threat to themselves and others: “I am one who has been touched in the most frightening way by the most horrible sort of weapon.” I taught a class at the University of Massachusetts/Amherst for five years called “Issues of War and Peace in a Nuclear Age.” Inevitably, we would arrive at the section of the course that required a discussion of the dropping of the atomic bombs in World War 2. -
Gross Und Klein (Big and Small) a Journey Across Contemporary Germany by Botho Strauss English Text by Martin Crimp
Education Resources Pre‐Production Sydney Theatre Company and UBS Investment Bank present Gross und Klein (Big and Small) A Journey across contemporary Germany By Botho Strauss English text by Martin Crimp PRE‐PRODUCTION RESOURCES About Sydney Theatre Company 2 About STCEd 2 Creative Team and Cast 2 Themes 2 Synopsis 3‐6 Historical and social background 7‐8 Additional Resources 8‐9 PRE‐PRODUCTION EXERCISES The Heroine’s Journey 10‐12 Voice Of An Angel 13‐14 Roles & Fantasies 15‐16 Education Resource written by Kerreen Ely‐Harper and compiled by Education Coordinator Toni Murphy KEY AIM of exercise or section Extension Exercises Download and watch + Drama Exercises English Exercises Play online GROSS UND KLEIN Sydney Theatre Company Education Resources 2011 © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. PRE‐PRODUCTION RESOURCES ABOUT SYDNEY THEATRE COMPANY www.sydneytheatre.com.au/about ABOUT STCED www.sydneytheatre.com.au/stced/about “ LOTTE CREATIVE TEAM Time passes, but not the way it Director – Luc Bondy should. Set Designer – Johannes Schϋtz Morocco Costume Designer – Alice Babidge Gross und Klein Lighting Designer – Nick Schlieper ” Composer & Sound Designer – tba CAST Lotte – Cate Blanchett Alf & Juergen – Richard Pyros Inge & Turk’s Wife – Anita Hegh Girl with bladder & Josephine – Old Woman & Older Married Woman – Sophie Ross Melissa Jaffer -
The Inventory of the Alvin Epstein Collection #1717
The Inventory of the Alvin Epstein Collection #1717 Howard Gotlieb Archival Research Center Epstein, Alvin #1717 2/17/06 Preliminary Listing I. Professional Materials. Box 1 A. Files, re: American Repertory Theater, unless noted; may include reviews; scores; scripts; notes; correspondence; printed materials; legal materials; photographs; artwork; audio material. 1. AAlliance for the Development of Theater Arts, Inc.@ [F. 1] 2. AAmerican Repertory Theater.@ [F.1-3] 3. AAspen Musical Festival.@ [F. 4] 4. ABeckett, Samuel.@ [F. 5] 5. AContracts.@ [F. 5-6] 6. AThe Cabinet of Dr. Caligari.@ [F. 7] 7. ACaligula - Yale Repertory Theater.@ [F. 8] 8. ACarnegie Hall.@ 9. ACharlie in the House of Rue,@ includes photographs; slides. 10. AThe Cherry Orchard.@ 11. AClerambard,@ includes printed material; telegram; photographs. [F. 9] 12. AColette,@ includes printed material. [F. 10] 13. AColette Scores.@ [F. 11] 14. ACrossing Niagra,@ includes printed material; telegram. [F. 12] 15. ACrimes and Crimes.@ 16. ADear Liar.@ [F. 13] Box 2 17. ADoctor=s Dilemma.@ [F. 1] 18. ADoing Life,@ includes contract. 19. ADon Juan.@ 20. ADream of the Red Spider.@ [F. 2] 21. ADynamite Tonite,@ includes sub-files: a. AYale Repertory Theater,@ includes 2 contracts, 11/14/06. b. ANew York,@ includes contract, 2/23/67. 22. AHamlet.@ 23. AOn Ne Badine Pas Avec L=Amour (No Trifling With Love),@ includes original sketches. [F. 2-4] 24. AOpera,@ includes printed material. [F. 5] 25. ARevue Material.@ 26. ASolider=s Tale.@ [F. 6] 27. AStory Theater.@ [F. 7] 28. ASalzburg American Seminar.@ 29. ATartuffe,@ includes printed material. [F. 8] 30. ATempest,@ American Repertory Theater and Yale Repertory Epstein, Alvin (2/17/06) Theater, MS, 200 p.; includes score; photograph. -
UC Davis E-Research
UC Davis E-Research Title Literaturmagazin (Rowohlt): An Index Permalink https://escholarship.org/uc/item/3c32v2rd Author Siegel, Adam P Publication Date 2018-05-16 eScholarship.org Powered by the California Digital Library University of California Literaturmagazin (Rowohlt): An Index Adam Siegel Copyright © 2017 by Adam Siegel Literaturmagazin (Rowohlt) Index / 1 Introduction Am Anfang das Manifesto, a stance that the most conflicted and complex publishing house in West Germany could take without risk of irony: "Für eine neue Literatur - gegen den spätbürgerlichen Literaturbetrieb." Rowohlt Verlag, pioneer of the German paperback, the Manny Farber termite of West German publishing (Suhrkamp, of course, the white elephant). Literaturbetrieb -- typical German summation. Previously, the German Literaturbetrieb had been dominated by Gruppe 47. After the suspension of Gruppe 47, after 1968, the field lay open. Rowohlt's commitment to "die neue Literatur," both in the Literaturmagazin and the companion series Das neue Buch can be read in retrospect as a cultural history of West Germany during the seventies (which we might demarcate as having taken place between the 1972 Munich Olympics and the fall of Helmut Schmidt's government). The Seventies: “Atmosphäre muss gereinigt werden von allen (rechten und linken) Spielarten des Obskurantismus und Opportunismus, von dem Pfaffentum, das heute die marxistische Lehre verwaltet, ebenso wie von der bürgerlichen Feuilletonmafia.”1 Of course Rowohlt continued to publish Literaturmagazin until 2001. As the eighties progressed, the contents remained engagé, but more international. Which is to say, less German. Verlagsprogramme als Geschichte. Let the index serve as narrative. 1 Rundbrief zum Projekt "Literaturmagazin", mit Randbemerkungen von Peter O. -
German Ecocriticism an Overview
Citation for published version: Goodbody, A 2014, German ecocriticism: an overview. in G Garrard (ed.), The Oxford Handbook of Ecocriticism. Oxford Handbooks of Literature, Oxford University Press, Oxford, U. K., pp. 547-559. Publication date: 2014 Document Version Early version, also known as pre-print Link to publication University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 ‘German Ecocriticism: An Overview’1 Axel Goodbody (for Oxford Handbook of Ecocriticism, ed. Greg Garrard) The contrast between the largely enthusiastic response to ecocriticism in the Anglophone academy and its relative invisibility in the German-speaking world is a puzzle. Why has it yet to gain wider recognition as a field of literary study in Germany, Austria and Switzerland, countries in whose philosophy and cultural tradition nature features so prominently, whose people are shown by international surveys of public opinion to show a high degree of environmental concern, and where environmental issues rank consistently high on the political agenda? One reason may be that German scientists, political thinkers and philosophers have been pioneers in ecology since Humboldt and Haeckel, and non-fiction books have served as the primary medium of public debate on environmental issues in Germany. -
Translation Studies As a Transforming Model for the Humanities
TRANSLATION STUDIES AS A TRANSFORMING MODEL FOR THE HUMANITIES Lynn Hoggard Dennis M. Kratz Midwestern State University (U.S.A.) The University of Texas at Dallas (U.S.A.) [email protected] [email protected] Rainer Schulte The University of Texas at Dallas (U.S.A.) [email protected] Abstract: The digital revolution that began in the twentieth century and continues today has profound and surprising implications for the role of the humanities in higher education. Three prominent characteristics of the twenty-first century — ubiquitous technology, global interaction, and relentless change — require a new approach to the education that fosters technological expertise, communication across boundaries of language and culture, and creative response to new challenges and opportunities. This situation creates new opportunities for a revitalized role of the humanities in education that combines critical with creative thought and emphasizes communication in a world connected by interactive technology. Literary translation can be a key contributor to the development and implementation of a humanities curriculum for the modern world designed to educate technologically sophisticated, innovative “citizens of the world.” This paper has two sections. The first section sets a conceptual framework; the second suggests ways to apply translation to achieve this 1 goal: both employing translation in a traditional manner and attempting to expand its meaning and implications. Key Words: translation; interpretation; creativity; humanities; education 1. PART ONE: EDUCATION IN THE DIGITAL WORLD The digital revolution that began in the twentieth century and continues today has profound and perhaps surprising implications for the role of the humanities in higher education. Despite superficial differences, from a wide range of sources — among them educators, economists, psychologists, and futurists — there has emerged a consensus of three essential characteristics of our brave new world. -
Alexander Kluge Raw Materials for the Imagination
FILM CULTURE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press Alexander Kluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Front cover illustration: Alexander Kluge. Photo: Regina Schmeken Back cover illustration: Artists under the Big Top: Perplexed () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © T. Forrest / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustra- tions reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. For Alexander Kluge …and in memory of Miriam Hansen Table of Contents Introduction Editor’s Introduction Tara Forrest The Stubborn Persistence of Alexander Kluge Thomas Elsaesser Film, Politics and the Public Sphere On Film and the Public Sphere Alexander Kluge Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to G I A Miriam Hansen ‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge Heide -
Fo Reign Rights Autumn 2020
HANSER • HANSER BERLIN • HANSER KINDERBUCH •HANSERBLAU • ZSOLNAY HANSER LITERATURVERLAGE FOREIGN RIGHTS AUTUMN 2020 Impressum Cover: © Peter-Andreas Hassiepen Translation: Lucy Jones Design: Tessa Schlesinger Concept and compilation: Claudia Horzella Copyright: September 2020 Carl Hanser Verlag GmbH & Co. KG Vilshofener Straße 10 81679 München, Germany www.hanser-literaturverlage.de http://foreignrights.hanser.de FICTION LITERARY FICTION Dorothee Elmiger, Aus der Zuckerfabrik 2 Robert Seethaler, Der letzte Satz 4 Rolf Lappert, Leben ist ein unregelmäßiges Verb 6 Thilo Krause, Elbwärts 8 Irene Diwiak, Malvita 10 Lisa Eckhart, Omama 12 Ronya Othmann, Die Sommer 14 Karin Wieland • Heinz Bude • Bettina Munk, Aufprall 16 Daniel Glattauer, Die Liebe Geld 18 Elke Heidenreich, Männer in Kamelhaarmänteln 20 Verena Keßler, Die Gespenster von Demmin 22 Beatrix Kramlovsky, Fanny oder das weiße Land 24 Margrit Schriber, Die Vielgeliebte meines Mannes 26 CRIME FICTION / THRILLER Claude Cueni, Genesis 2.0 28 Holger Senzel, Später Zeuge 30 Leif Karpe, Der Mann, der in die Bilder fiel 32 ESSAY Mely Kiyak, Frausein 34 Karl-Markus Gauß, Die unaufhörliche Wanderung 36 Edi Zollinger, Herkules am Spinnrad 37 POETRY Oskar Pastior, »eine sanduhr für methapern« 38 FICTION Nominated for the Swiss Book Prize Shortlisted for Selected by the German New books Book Prize in German DOROTHEE ELMIGER »It is already clear that Out of the Sugar Factory will be one If the connections between world events should suddenly be wiped out, we would be of this year’s most grateful to find Dorothee Elmiger’s book to help us understand what happened in the important books. This past. Its subject: the cycles of capital, labour and lust. -
Andrzej Kopacki Laudatory Speech for Martin Pollack Good Evening
Andrzej Kopacki Laudatory Speech for Martin Pollack Good evening, Martin. Good evening, ladies and gentlemen. Just what does it mean to be a translator? That’s a tricky question and one that has become suspiciously relevant these days. I say “suspiciously relevant” because passing fads and short-lived cultural trends are dodgy by definition. Literary translation has become fashionable. It’s a staple focus of conferences and seminars, symposiums and workshops nowadays. The good old translator, once the wallflower in the ballroom of literature, has suddenly been asked to dance. But the music is not very pleasant because the orchestra seems to be playing—literally—out of tune. It does not seem to know the score, but only abstract concepts hatched in the theory of translation, cultural studies and linguistics. These abstract concepts are apparently needed for the “transcultural” world to reflect on its own globality. Passing fads should not be overestimated; between one ballroom and another, the translator puts on the overalls of a pipefitter of literary works. Things are supposed to be fast and neat. The payment will be made according to the rate set by the works dealer. The name of the man or woman in the overalls, with a black case full of nuts and bolts, seems unimportant. There is no space for it on the website. The face? Who remembers the face of a pipefitter? Yet translators have always been with us. Let’s face it: the vast majority of literary works would have never been known to us had it not been for translators. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The use and function of mystery within contemporary systematic theology with special reference to the doctrine of providence in Karl Barth and Maurice Wiles Griffin, Nicholas Philip Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The use and function of mystery within contemporary systematic theology with special reference to the doctrine of providence in Karl Barth and Maurice Wiles. -
Reviews Thinking Europe Politically Claudia Wiesner, University Of
Reviews Th inking Europe politically Claudia Wiesner, University of Marburg Review of Robert Menasse, kursiivilla der Europäische Landbote, tavallisella Paul Zsolnay Verlag, Vienna 2012, ISBN 978-3-552-05616-9 My most pressing thoughts after having read Robert Menasse´s book were “Oh wow, this made me think!”, and: “why is it that a writer has written such a book and not an academic?” I believe that this latter aspect tells us something decisive about the state of the art of the debate on the future of democracy in the European Union, and also on the state of the art of the academic debate on this topic. Let me explain this further: I read Menasse´s book because I was invited to participate with the author in a public discussion on the topic of “Europe in Crisis”. As the state of democracy in the EU and its multilevel system is one of my main research fi elds, and also because I am a concerned pro-European, I accepted the invitation with pleasure, read the book, and took part in the discussion. What happened was not only that we had a very fruitful discussion, but also for the fi rst time in all of the interventions on the topic of democracy in the EU in which I have been involved over the last years. Th is time I was in the role of the sceptic, saying things like “we must see this in a more diff erentiated way…”. I had been expecting this, but I had still consid- ered myself an imaginative political scientist with a strong interest in the topic. -
Inhalt Lebensfahrt
Inhalt Vorwort 17 Lebensfahrt H. C. ARTMANN mit einem jähr ein kind 21 RICARDA HUCH Die Lebensalter 21 WILHELM BUSCH Lebensfahrt 23 FRIEDRICH RÜCKERT Des ganzen Menschen und des einzelnen Geschichte 25 FRIEDRICH HÖLDERLIN Lebenslauf 25 ERNST JANDL sommerlied 26 MAX DAUTHENDEY Vorm Springbrunnenstrahl 27 ERICH KÄSTNER Das Eisenbahngleichnis 29 RUDOLF OTTO WIEMER partizip perfekt 30 KLABUND Woher 31 5 Bibliografische Informationen digitalisiert durch http://d-nb.info/988814811 gescannt durch Geburt und Geburtstage EDUARD MÖRIKE Storchenbotschaft 32 DURS GRÜNBEIN Begrüßung einer Prinzessin 33 HANS MAGNUS ENZENSBERGER Geburtsanzeige 36 GEORG TRAKL Geburt 37 PAULA LUDWIG Kommt nicht mit jeder Geburt 38 H. C. ARTMANN herrgott bin ich froh ich habe geburtstag 39 REINER KUNZE Mein fünfundzwanzigster Geburtstag 40 THEODOR STORM Am Geburtstage 43 MARTIN GREIF An meinem fünfzigsten Geburtstag . 44 RICARDA HUCH Einer Freundin zum sechzigsten Geburtstage 44 ELISABETH BORCHERS Vergessener Geburtstag 45 Kindheit FRIEDERIKE MAYRÖCKER Kindersommer 46 HUGO BALL Kind und Traum 47 FRIEDRICH HEBBEL Auf ein schlummerndes Kind 48 PETER HUCHEL Das Kinderfenster 48 MASCHA KALEKO Notizen 52 KARL KROLOW Kindheit 53 FRIEDRICH HÖLDERLIN Da ich ein Knabe war 54 GÜNTER EICH Kindheit 55 GEORG TRAKL Kindheit 56 HERMANN HESSE Julikinder 57 Schul- und Jugendzeit H. C. ARTMANN Zueignung 58 ELSE LASKER-SCHÜLER Schulzeit 59 MASCHA KALEKO Autobiographisches 61 GÜNTER GRASS Schulpause 62 ALBERT EHRENSTEIN Matura 63 ANNETTE VON DROSTE-HÜLSHOFF Die Schulen 63 CHRISTINE BUSTA Einem jungen Menschen zwischen Tür und Angel 64 ERICH KÄSTNER Marionettenballade 65 SARAH KIRSCH Flügelschlag 66 Lebenspartner JOSEPH VON EICHENDORFF Liebe, wunderschönes Leben 67 THEODOR STORM Wer je gelebt in Liebesarmen 69 ADELBERT VON CHAMISSO Hochzeitlieder 69 GEORG PHILIPP HARSDÖRFFER / JOHANN KLAJ Hochzeits-Wunsch 71 EDUARD C.