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Cougar Stalks Deer
predators were aroundi" Science has produced an abundance of evidence that predation on prey, such as rabbits and deer, actually benefits the prey species as a whole by 1) keeping populations at a sustainable level for the amount of vegetative food and other resources in an area, and 2) improving the gene pool over time by preying on the weakest, and therefore ensuring chat the most 6t and survival-strong genes get passed on. Predation makes both predator and prey species stronger. Cougar Stalks Deer Animal Forms, Expanding the Senses, f0Rt R0uTmEs Questioning and Tracking, Listening for Bird Lang,tage tI Sneaking, Imitating Animals, Challenge .!er Mammals 7h Bt}t}K OF IIATURE Southeast: Activate, Southl Focus, Northeastl I{ATURAL CYCTE Open and Listen til0tcATR0s Aliveness and Agrlity, Quiet Mind, ()F AU{ARTilESS Common Sense Prirner Cougars hunt Deer by sneaking up from behind so stealthily that they remain unaware. A Cougar stalks slowly, moving low to the ground, making almost no noise as its hind foot lands exactly where its front foot had been. After a stalking Cougar gets close behind a Deer, they powerfully lunge onto the deer's back, biting into the neck. I bet you didn't know this: Cougars actually have nerve endings on the rips oftheir big canine teeth so that they can feel exactly where to put their teeth and bite, immediately severing the spine and killing the Deer quickly and painlessly. The only protection a Deer has from a stalking Cougar is its sensory awareness. If it hears something and turns to see the Cougar moving, the Deer can bound offeasily to safety and the hunt ends. -
Heraldry Examples Booklet.Cdr
Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field -
Games Ancient and Oriental and How to Play Them, Being the Games Of
CO CD CO GAMES ANCIENT AND ORIENTAL AND HOW TO PLAY THEM. BEING THE GAMES OF THE ANCIENT EGYPTIANS THE HIERA GRAMME OF THE GREEKS, THE LUDUS LATKUNCULOKUM OF THE ROMANS AND THE ORIENTAL GAMES OF CHESS, DRAUGHTS, BACKGAMMON AND MAGIC SQUAEES. EDWARD FALKENER. LONDON: LONGMANS, GEEEN AND Co. AND NEW YORK: 15, EAST 16"' STREET. 1892. All rights referred. CONTENTS. I. INTRODUCTION. PAGE, II. THE GAMES OF THE ANCIENT EGYPTIANS. 9 Dr. Birch's Researches on the games of Ancient Egypt III. Queen Hatasu's Draught-board and men, now in the British Museum 22 IV. The of or the of afterwards game Tau, game Robbers ; played and called by the same name, Ludus Latrunculorum, by the Romans - - 37 V. The of Senat still the modern and game ; played by Egyptians, called by them Seega 63 VI. The of Han The of the Bowl 83 game ; game VII. The of the Sacred the Hiera of the Greeks 91 game Way ; Gramme VIII. Tlie game of Atep; still played by Italians, and by them called Mora - 103 CHESS. IX. Chess Notation A new system of - - 116 X. Chaturanga. Indian Chess - 119 Alberuni's description of - 139 XI. Chinese Chess - - - 143 XII. Japanese Chess - - 155 XIII. Burmese Chess - - 177 XIV. Siamese Chess - 191 XV. Turkish Chess - 196 XVI. Tamerlane's Chess - - 197 XVII. Game of the Maharajah and the Sepoys - - 217 XVIII. Double Chess - 225 XIX. Chess Problems - - 229 DRAUGHTS. XX. Draughts .... 235 XX [. Polish Draughts - 236 XXI f. Turkish Draughts ..... 037 XXIII. }\'ci-K'i and Go . The Chinese and Japanese game of Enclosing 239 v. -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
Proposal to Encode Heterodox Chess Symbols in the UCS Source: Garth Wallace Status: Individual Contribution Date: 2016-10-25
Title: Proposal to Encode Heterodox Chess Symbols in the UCS Source: Garth Wallace Status: Individual Contribution Date: 2016-10-25 Introduction The UCS contains symbols for the game of chess in the Miscellaneous Symbols block. These are used in figurine notation, a common variation on algebraic notation in which pieces are represented in running text using the same symbols as are found in diagrams. While the symbols already encoded in Unicode are sufficient for use in the orthodox game, they are insufficient for many chess problems and variant games, which make use of extended sets. 1. Fairy chess problems The presentation of chess positions as puzzles to be solved predates the existence of the modern game, dating back to the mansūbāt composed for shatranj, the Muslim predecessor of chess. In modern chess problems, a position is provided along with a stipulation such as “white to move and mate in two”, and the solver is tasked with finding a move (called a “key”) that satisfies the stipulation regardless of a hypothetical opposing player’s moves in response. These solutions are given in the same notation as lines of play in over-the-board games: typically algebraic notation, using abbreviations for the names of pieces, or figurine algebraic notation. Problem composers have not limited themselves to the materials of the conventional game, but have experimented with different board sizes and geometries, altered rules, goals other than checkmate, and different pieces. Problems that diverge from the standard game comprise a genre called “fairy chess”. Thomas Rayner Dawson, known as the “father of fairy chess”, pop- ularized the genre in the early 20th century. -
Heraldry & the Parts of a Coat of Arms
Heraldry reference materials The tomb of Geoffrey V, Count of Anjou (died 1151) is the first recorded example of hereditary armory in Europe. The same shield shown here is found on the tomb effigy of his grandson, William Longespée, 3rd Earl of Salisbury. Heraldry & the Parts of a Coat of Arms From fleur-de-lis.com Here are some charts from Irish surnames.com, but you can look up more specific information for you by searching “charges” and the words that allude to your ancestors’ backgrounds and cultures, if you prefer. Also try: http://www.rarebooks.nd.edu/digital/heraldry/charges/crowns.html for a good reference source on charges. THE COLORS ON COATS OF ARMS Color Meaning Image Generosity Or (Gold) Argent (Silver or White) Sincerity, Peace Justice, Sovereignty, Purpure (Purple) Regal Warrior, Martyr, Military Gules (Red) Strength Azure (Blue) Strength, Loyalty Vert (Green) Hope, loyalty in love Sable (Black) Constancy, Grief Tenne or Tawny (Orange) Worthwhile Ambition Sanguine or Murray Victorious, Patient in Battle (Maroon) LINES ON COATS OF ARMS Name Meaning Image Irish Example Clouds or Air Nebuly Line Wavy Line Sea or Water Gillespie Embattled Fire, Town-Wall Patterson Line Engrailed Earth, Land Feeney Line Invecked Earth, Land Rowe Line Indented Fire Power Line HERALDIC BEASTS Name Meaning Image Irish Example Fierce Courage. In Ireland the Lion represented the 'lion' season, Lawlor Lion prior to the full arrival of Dillon Summer. The symbol can Condon also represent a great Warrior or Chief. Tiger Fierceness and valour Of Regal origin, one of high nature. In Ireland the Fish is associated with the legend of Fionn who became the first to Roche Fish taste the 'salmon of knowledge'. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Excellent Tool for Standardized Test Preparation!
Excellent Tool for Standardized Test Preparation! • Latin and Greek roots • Figurative language • Reading comprehension • Fact and opinion • Predicting outcomes • Answer key Reading Grade 6 Frank Schaffer Publications® Spectrum is an imprint of Frank Schaffer Publications. Printed in the United States of America. All rights reserved. Except as permitted under the United States Copyright Act, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without prior written permission from the publisher, unless otherwise indicated. Frank Schaffer Publications is an imprint of School Specialty Publishing. Copyright © 2007 School Specialty Publishing. Send all inquiries to: Frank Schaffer Publications 8720 Orion Place Columbus, Ohio 43240-2111 Spectrum Reading—grade 6 ISBN 978-0-76823-826-6 Index of Skills Reading Grade 6 Numerals indicate the exercise pages on which these skills appear. Vocabulary Skills Drawing Conclusions 3, 7, 17, 23, 25, 29, 31, 33, 41, 43, 47, 51, 61, 65, 75, 79, 87, 89, 93, 95, 97, 99, 101, Abbreviations 5, 11, 15, 27, 39, 59, 61, 69, 79, 81, 103, 107, 109, 113, 117, 121, 123, 127, 133, 135, 111 139, 143, 151 Affixes 3, 9, 21, 29, 35, 51, 59, 65, 71, 77, 89, 95, Fact and Opinion 7, 31, 45, 53, 71, 83, 99, 115 109, 111, 117, 123, 125 Facts and Details all activity pages Antonyms 13, 31, 45, 53, 61, 67, 83, 91, 105, 135, 141 Fantasy and Reality 39, 57, 125, 143 Classification 5, 21, 41, 55, 125, 137, 151 Formulates Ideas and Opinions 103, 107, -
KEY to the FRESHWATER FISHES of MARYLAND Updated
KEY TO THE FRESHWATER FISHES OF MARYLAND Updated December 2009 KEY TO THE FRESHWATER FISHES OF MARYLAND Compiled by P.F. Kazyak; R.L. Raesly Graphics by D.A. Neely This key to the freshwater fishes of Maryland was prepared for the Maryland Biological Stream Survey to support field and laboratory identifications of fishes known to occur or potentially occurring in Maryland waters. A number of existing taxonomic keys were used to prepare the initial version of this key to provide a more complete set of identifiable features for each species and minimize the possibility of incorrectly identifying new or newly introduced species. Since that time, we have attempted to remove less useful information from the key and have enriched the key by adding illustrations. Users of this key should be aware of the possibility of taking a fish species not listed, especially in areas near the head-of- tide. Glossary of anatomical terms Ammocoete - Larval lamprey. Lateral field - Area of scales between anterior and posterior fields. Basal - Toward the base or body of an object. Mandible - Lower jaw. Branchial groove - Horizontal groove along which the gill openings are aligned in lampreys. Mandibular pores - Series of pores on the ventral surface of mandible. Branchiostegal membranes - Membranes extending below the opercles and connecting at the throat. Maxillary - Upper jaw. Branchiostegal ray - Splint-like bone in the branchiostegal Myomeres - Dorsoventrally oriented muscle bundle on side of fish. membranes. Myoseptum - Juncture between myomeres. Caudal peduncle - Slender part of body between anal and caudal fin. Palatine teeth - Small teeth just posterior or lateral to the medial vomer. -
Peeps at Heraldry Agents America
"gx |[iitrt$ ^tul\xtff SHOP CORKER BOOK |— MfNUE H ,01 FOURTH ».u 1 N. Y. ^M ^.5 ]\^lNicCi\ /^OAHilf'ii ^it»V%.^>l^C^^ 5^, -^M - 2/ (<) So THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA GIFT OF William F. Freehoff, Jr. PEEPS AT HERALDRY AGENTS AMERICA .... THE MACMILLAN COMPANY 64 & 66 FIFTH Avenue, NEW YORK ACSTRAiAETA . OXFORD UNIVERSITY PRESS 205 FLINDERS Lane, MELBOURNE CANADA ...... THE MACMILLAN COMPANY OF CANADA, LTD. St. MARTIN'S HOUSE, 70 BOND STREET. TORONTO I^TDIA MACMILLAN & COMPANY. LTD. MACMILLAN BUILDING, BOMBAY 309 Bow Bazaar Street, CALCUTTA PLATE 1. HEKALU. SHOWING TABARD ORIGINALLY WORN OVKR MAIL ARMOUR. PEEPS AT HERALDRY BY PHGEBE ALLEN CONTAINING 8 FULL-PAGE ILLUSTRATIONS IN COLOUR AND NUMEROUS LINE DRAWINGS IN THE TEXT GIFT TO MY COUSIN ELIZABETH MAUD ALEXANDER 810 CONTENTS CHAPTER PAGE I. AN INTRODUCTORY TALK ABOUT HERALDRY - I II. THE SHIELD ITS FORM, POINTS, AND TINCTURES - 8 III. DIVISIONS OF THE SHIELD - - - - l6 IV. THE BLAZONING OF ARMORIAL BEARINGS - -24 V. COMMON OR MISCELLANEOUS CHARGES - " 3^ VI. ANIMAL CHARGES - - - - "39 VII. ANIMAL CHARGES (CONTINUED) - - "47 VIII. ANIMAL CHARGES (CONTINUED) - - " 5^ IX. INANIMATE OBJECTS AS CHARGES - - - ^3 X. QUARTERING AND MARSHALLING - - "70 XI. FIVE COATS OF ARMS - - - "74 XII. PENNONS, BANNERS, AND STANDARDS - - 80 VI LIST OF ILLUSTRATIONS PLATE 1. Herald showing Tabard, originally Worn over Mail Armour - - - - - frontispiece FACING PAGE 2. The Duke of Leinster - - - - 8 Arms : Arg. saltire gu. Crest : Monkey statant ppr., environed round the loins and chained or. Supporters : Two monkeys environed and chained or. Motto : Crom a boo. - - 3. Marquis of Hertford - - - 16 Arms : Quarterly, ist and 4th, or on a pile gu., between 6 fleurs-de- lys az,, 3 lions passant guardant in pale or ; 2nd and 3rd gu., 2 wings conjoined in lure or. -
Turkish Great Chess and Chinese Whispers: Misadventures of a Chess Variant
TURKISH GREAT CHESS AND CHINESE WHISPERS: MISADVENTURES OF A CHESS VARIANT Georgi Markov National Museum of Natural History – BAS, Sofia Stefan Härtel Freie Universität Berlin A large chess variant with 52 pieces originally described in a 1800s Ottoman Turkish book as šaṭranǧ-i kabīr, or great chess, appears under various names in a number of subsequent Western sources, including authoritative works on chess history and variants. Game rules as presented in the latter are seriously flawed though, with inaccuracies regarding pieces array and moves. Over a period of more than two centuries, baseless assumptions, misreadings of previous sources and outright errors gradually accumulating in the literature have changed the game almost beyond recognition. With some of the game’s aspects not covered even by the original Turkish source, reconstructed rules are suggested and discussed, as well as a reformed variant. Introduction A chess variant with 26 pieces a side was described in a Turkish encyclopaedia, Ad-Durar al-muntahabāt al-manṯūra fī iṣlāḥ al-ġalaṭāt al-mašhūra1 by Abū'r-Rafīd Muḥammad Ḥafīd Ibn-Muṣṭafā ʿĀšir, published in AH 1221/CE 1806/72, as šaṭranǧ-i kabīr, or great chess.3 A number of later sources, including seminal works such as e.g. Murray’s History of Chess (Murray 1913), describe the game under varying names. While all 1 Written in Ottoman Turkish, the title of this work and the name of its author have been transcribed in various ways in later sources. Here, we are following the transcription conventions of the Deutsche Morgenländische Gesellschaft. The copy of this rare book used in this paper is from the Staatsbibliothek zu Berlin. -
Heraldry As Art : an Account of Its Development and Practice, Chiefly In
H ctwWb gc M. L. 929.6 Ev2h 1600718 f% REYNOLDS HISTORICAL GENEALOGY COLLECTION ALLEN COUNTY PUBLIC LIBRARY 3 1833 00663 0880 HERALDRY AS ART HERALDRY AS ART AN ACCOVNT OF ITS DEVELOPMENT AND PRACTICE CHIEFLY IN ENGLAND BY G W. EVE BTBATSFORD, 94 HIGH HOLBORN LONDON I907 Bctlkr & Tanner, The Selwood Printing ^Vobks, Frome, and London. 1GC0718 P r e fa c e THE intention of this book is to assist the workers in the many arts that are concerned with heraldry, in varying degrees, by putting before them as simply as possible the essential principles of heraldic art. In this way it is hoped to contribute to the improve- ment in the treatment of heraldry that is already evident, as a result of the renewed recognition of its ornamental and historic importance, but which still leaves so much to be desired. It is hoped that not only artists but also those who are, or may become, interested in this attractive subject in other ways, will find herein some helpful information and direction. So that the work of the artist and the judgment and appreciation of the public may alike be furthered by a knowledge of the factors that go to make up heraldic design and of the technique of various methods of carrying it into execution. To this end the illustrations have been selected from a wide range of subjects and concise descriptions of the various processes have been included. And although the scope of the book cannot include all the methods of applying heraldry, in Bookbinding, Pottery and Tiles for example, the principles that are set forth will serve ;; VI PREFACE all designers who properly consider the capabilities and limitations of their materials.