Incomplete Decommodification: Art, State Subsidy and Welfare Economics
15 Incomplete Decommodification: Art, State Subsidy and Welfare Economics DAVE BEECH Dave Beech is PARSE Professor of Art at Valand Academy, University of London. He is the author of Art and Value: Art’s Economic Exceptionalism in Gothenburg. He is an artist in the collective Freee (with Andy Hewitt and Classical, Neoclassical and Marxist Economics, (2015). He has written widely Mel Jordan), as well as a writer and curator. His work has been exhibited at on the politics of art, including The Philistine Controversy (2002, co-authored the Istanbul Biennial; the Liverpool Biennial; BAK, Utrecht; Wysing Arts, with John Roberts) and Art and Text (2011). He is a founding co-editor of the Cambridge; SMART Project Space, Amsterdam; the ICA, London; Centro journal Art and the Public Sphere (2011-). He also curated the exhibition We Are Cultural, Montehermoso, Vitoria, Spain; the Collective Gallery, Edinburgh; Grammar at the Pratt Institute, New York 2011 (co-curator Paul O’Neill) and International Project Space, Birmingham; and at 1000000mph Gallery, edited a special edition of Third Text on “Art, Politics, Resistance?” (2010). 16 PARSE JOURNAL HE DEVELOPMENT OF WELFARE ECONOMICS socialist movement by guaranteeing national health between 19121 and 19592 not only propelled insurance, a pension, a minimum wage, workplace T unrivalled social reforms that had been regulation, vacation and unemployment insurance, sporadically underway since the 1880s, and not together comprise the historical origin of the welfare only reimagined the state as an economic
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