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Clifton Callender Professor of Composition Co Editor-In-Chief
CURRICULUM VITAE Clifton Callender Professor of Composition Co Editor-in-Chief, Journal of Mathematics and Music Associate Editor, Perspectives of New Music College of Music, Florida State University Tallahassee, Florida 32306-1180 850.644.7492 [email protected] cliftoncallender.com EMPLOYMENT Florida State University, Professor of Composition, 2016 – present; Associate Professor of Composition, 2008 – 2016; Assistant Professor 2002 – 2008. Responsibilities include composition lessons, orchestration, counterpoint and other theory courses, and serving as Artistic Director of the New Music Ensemble. Northern Illinois University, Assistant Professor of Theory and Composition, 2000 – 2002. Responsibilities included teaching first- and second-year theory and aural skills and composition lessons. EDUCATION The University of Chicago, Illinois, Ph.D. in composition with a minor in theory, December 1999. Composition studies with Shulamit Ran, Andrew Imbrie, and Marta Ptaszynska. The Peabody Institute of the Johns Hopkins University, Baltimore, Maryland, 1993 – 1994. Studies in electronic and computer music composition with Geoff Wright and McGregor Boyle. The Peabody Institute of the Johns Hopkins University, Baltimore, Maryland, Master of Music in Composition, 1993. Composition studies with Jean Eichelberger Ivey. King’s College, London, attended 1989 – 1990. Composition studies with Peter Dickenson. Tulane University, New Orleans, Louisiana, Bachelor of Fine Arts (summa cum laude), 1991. Composition studies with Barbara Jazwinski and piano studies with Faina Lushtak. AWARDS AND FELLOWSHIPS Artist-in-Residence Fellow, I-Park Foundation, Summer, 2015. Committee on Faculty Research Support Summer Award, Florida State University, 2012. David Kraehenbuehl Prize, Journal of Music Theory, “Continuous Harmonic Spaces,” 2011. State of Florida, Individual Artist Grant, 2011. Fellow, Mannes Institute for Advanced Studies in Music Theory, 2009 Institute on Music and the Mind, Mannes College of Music. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
Snakebite by Stephen Montague Born March 10, 1943, in Syracuse, New
Snakebite By Stephen Montague Born March 10, 1943, in Syracuse, New York After growing up in Idaho, West Virginia, and Florida, Stephen Montague studied composition, conducting, and piano at Florida State University (1963-67). He received his doctorate in composition from The Ohio State University in 1972. Additional studies include conducting at the Mozarteum in Salzburg, Austria (1966), computer music at IRCAM, Paris (1981), and at Stanford University, California(1984). After he was awarded a Fulbright Fellowship/Polish Cultural Grant to work at the Experimental Music Studio of Polish Radio in Warsaw, Poland (1972 -74), he moved to London where he was a musician with Strider Dance Company, and has since remained a UK resident while composing and touring worldwide. Though he has been described as a “Romantic minimalist” in the past, his compositions have spanned a considerably wider range of genres and settings than that description might suggest. He has worked with many of the world’s leading modern-era composers such as John Cage, Mauricio Kagel, Steve Reich, Conlon Nancarrow, and Astor Piazzolla. As the prominent classical music writer and broadcaster Stephen Johnson has observed, “In an age when most American composers seem happy to play safe, Stephen Montague’s extrovert, quirkily individual, energetic music recalls older, more adventurous times. …Montague experiments, takes risks, but he still has the common touch.” In a BBC Radio interview, Montague commented: "I have lived in Britain since 1974 but my musical heroes remain American. I admire Charles Ives's unapologetic juxtaposition of vernacular music and the avant-garde, Henry Cowell's irreverent use of fist and arm clusters, the propulsive energy of minimalism, and John Cage's radical dictum that 'all sound is music'. -
Linorientation Schedule Fall 2017
ORIENTATION SCHEDULE FALL 2017 OBERLIN DEAR STUDENTS, CAMPUS OFFICES Welcome to Oberlin! We are excited that you’ve arrived on campus and A complete list of campus offices is available online at http://new.oberlin. are eager to help you and your family learn a bit more about the college, edu/home/az-index.dot. The offices listed below are especially important for new students and are open during orientation to help answer questions the conservatory, and the city. Orientation provides an introduction to the from new students and their families. For calls from campus phones, use the wide range of resources and opportunities available to you and includes last five digits of the numbers below. See map at end of booklet for locations. CAMPUS OFFICES plenty of time to meet members of your class, returning students, faculty WELCOME TO OBERLIN and staff, and members of the local community. As you begin to learn Academic Advising Resource Center/Registrar Carnegie Building 440-775-8450 how the college works, please remember that we are here to help you Arts and Sciences Advising Double-Degree Advising/Arts and Sciences get the most of your Oberlin experience. The most important message Registrar of orientation is that we encourage you to reach out for support and Admissions assistance at any time during your Oberlin journey. College of Arts And Sciences Gateway Center 440-775-8411 This week, you begin the process of finding new opportunities to learn, Conservatory of Music Conservatory Annex 440-775-8413 Bonner Center For Service And Learning Daub House 440-775-8055 grow, and thrive. -
Owen Gunnell & Oliver
***** smallgems’ theFringe’s ‘Brilliant….one of The DailyTelegraph withstyleandpanache’. ‘Phenomenal artistry...Brimming ConcertO-Duo En Festivals. London Cityof and Cheltenham Hall, atWigmore gaverecitals and Chorus BBCSymphony withthe Montague Stephen of premiere togivethe Proms tothe returned In 2010ODuo inScotland. series Concerts Classic Children’s the of Directors Artistic beenappointed and Borletti-BuitoniTrust the from Award Commissioning wonaSpecial debut, BBCProms their havemade past fewyearsODuo overthe panache’, withstyleand as‘brimming DailyTelegraph Described byThe and 2004 they won Best Music Act of the Fringe at the Edinburgh Festival. Edinburgh atthe Fringe the of Act wonBest Music 2004they and In2003 BBCTelevision. 4and FM,Channel 3,Classic 2and onBBCRadio broadcast and Park, inHyde Park inthe Proms atthe appeared film scores, and on television studios Sony atAbbeyRoadand haveworked ODuo communicators, Outstanding Orchestras. Philharmonia and Philharmonic London Philharmonic, BBC withthe concertos performed and Bulgaria and Germany Zug, Lucerne, Madrid, inParis, CityFestivalsand Mexico and AlBustan,Harare asthe afield far as havegivenconcerts acclaim.They BMGlabelin2007tocritical Sony CD onthe firstcommercial their released ODuo Music, of RoyalCollege in2000atthe Formed Edinburgh. Queen’sHall and Glasgow Hall RoyalConcert atthe Scottish Opera Christm 80th-birthd gag ements the following season include the world premiere of Stephen McNeff’s Stephen of worldpremiere the seasoninclude following the ements The Herald as Concerts -
IM-OS, Issue #5
IM-OS Improvised Music – Open Scores Issue 5, Fall 2020 IM-OS, issue 5, Fall 2020 1 Contents: Editorial (Carl Bergstrøm-Nielsen) 3 Open Forms - Open Decisions, part 2 (Alexis Porfiriadis) 5 Quintet (1976) (Stephen Montague) 18 Enquete: Discussing open scores (Joe Scarffe, Ruedi Debrunner, Stephen Montague, Federico Pozzer, Dennis Bathory-Kitsz) 20 Punctuation (Juan María Solares) 38 Contributors 45 Editors: Carl Bergstrøm-Nielsen, Denmark Teglgårdsvej 649, DK-3050 Humlebaek Jukka-Pekka Kervinen, Finland ISSN 2596-9080 (paper) ISSN 2596-9099 (online) [email protected] http://im-os.net Copyright © 2020 authors, unless otherwise stated. IM-OS, issue 5, Fall 2020 2 Editorial Welcome again - to the IM-OS mix of open scores and texts! This issue includes an enquete in which five specialised composers and musicians discuss open scores - answering questions regarding their experiences, their view of open scores within art and culture, their experiences within concert life and institutions, and the ambitions and challenges they see connected to both composition and performance. A many-sided discussion could certainly continue from all this, and here is a small picking of possible appetizers. As Dennis Bathory-Kitsz says, “graphical scores occupy a field rather than a road” Yet, as in every exercise of craft and art, quality matters as Stephen Montague assures us. Joe Scarffe calls for “clarity of ambitions” in composing and Ruedi Debrunner asserts the necessity of “a deep understanding of the ways of communication within a group” He also stresses the “common understanding” in his Schwarm 13 project as a relevant ambition, and the challenge may intensify with a combined group of different participants. -
October 2009
September 2009 FLORIDA STATE Florida State ranked No. 3 in arts research iimesmes By Libby Fairhurst BESTTHREE RHODES IN SCHOLARST IN FOUR YEARS News and Public Affairs The Florida State University is one No other state university in the of the nation’s most prolific research country can make that claim. institutions in the arts, according to NATION more on PAGE 6 rankings recently released by Science Watch that place Florida State third among the universities with the most published papers in the field of performing arts between 2003 and 2007. Science Watch conferred that No. 3 rank on The Florida State University after surveying more than 6,000 articles from more than 240 of the leading scholarly journals in the arts. Other institutions ranked in the top five are City University of New York, New York University and Indiana University (tie), Columbia University Joe Garrett Myron and the University of Texas-Austin. O’Shea Johnson Rolle It’s no secret that the arts have (2008) (2006) (2009) long enjoyed an outstanding national reputation and been integral to the history and culture at Florida State. Still, Florida State’s College of Music Board of Dean Don Gibson and Dean Sally Trustees seek public input McRorie, who heads the College Trustees of Visual Arts, Theatre and Dance, in search for next president candidates say it’s nice to get it in writing from By Jill Elish sought such an objective, respected source build on our strengths and move While the presidential search is News and Public Affairs as Science Watch (www.sciencewatch. -
Oberlin College Archives Geoffrey T. Blodgett Papers
OBERLIN COLLEGE ARCHIVES GEOFFREY T. BLODGETT PAPERS INVENTORY Subgroup I. Biographical, 1943-46, 1949-66, 1977-78, 1993, 1998-2002, ca. 2011 (1.81 l.f.) Box 1 Awards Alumni Medal, May 2000 Heisman Club Award (remarks by Jane Blodgett), May 2000 Birthday (70th) tribute, 2001 Clippings, 1946, 1952, 1954, 1999-2000, n.d. Curriculum vitae, 1978, 1993, 2000 Employment search Oberlin faculty appointment, 1960 Other teaching job applications, 1959-60 Fellowships, 1959-60 (See also SG III, Series 3) Football Memorabilia/Reunions “Football Memories,” compiled booklet of clippings and photographs, ca. 2011 “Oberlin Football, 1950 and 1951,” booklet for reunion event, May 23, 1998 Graduate Education Graduate school applications: Cornell University, Harvard University, 1953, 1955, n.d. Harvard University, Teaching Assistant for Arthur M. Schlesinger, Jr., 1956-60 PhD thesis correspondence, 1958-65 Oberlin College Commencement programs, 1953 Diploma, 1953 Memorial Minute by Robert Longsworth, April 16, 2002 Memorial service eulogies and programs, December 8, 2001 Notes on the Oberlin College Men’s Board, ca. 1949-53 Oberlin Community Tax proposal, ca. 1963 Estate of Frederick B. Artz for the Monroe House, Oberlin Historical and Improvement Organization (includes Last Will and Testament), 1977 Tributes, 1993 United States Navy Correspondence, 1951 Officer’s Correspondence Record, “C Jacket,” 1951-65 Officer Service Record for Geoffrey Blodgett, 1953-66 1 OBERLIN COLLEGE ARCHIVES GEOFFREY T. BLODGETT PAPERS Subgroup I. Biographical (cont.) Box 1 (cont.) United States Navy (cont.) Honorable Discharge Certificate, 1966 Box 2 (oversize) Scrapbooks “Invasion of Europe” (news clippings), 1943-45 Oberlin College memorabilia (news clippings, photographs, programs, letters), 1949-53 Subgroup II. -
Request for Proposals City of Oberlin, Ohio Branding and Cultural Wayfinding Signage Plan
Request for Proposals City of Oberlin, Ohio Branding and Cultural Wayfinding Signage Plan Introduction The City of Oberlin, Ohio, in association with the Firelands Association for the Visual Arts (FAVA), is seeking proposals from qualified professionals who have proven experience with branding and wayfinding projects. Through this request for proposals (“RFP”) process, a qualified consultant will be selected that will develop a brand identity for Oberlin; and develop and implement a cultural wayfinding system for the City. Ultimately, the wayfinding signage program will be incorporated throughout the main pedestrian, bicycle, and vehicular corridors in and around the City. The purpose of this request for proposals (“RFP”) is to provide information to prospective consultants detailing the City’s desired services and deliverables, the expectations relative to consultant qualifications and the proposal content. This information is intended to enable consultants to develop branding for Oberlin as an arts destination and to design cultural wayfinding signage. Project Background The City of Oberlin With its small town sense of community, the services of a large city, and the music, art, and science of a cosmopolitan center—all situated in just under five square miles—the City of Oberlin has justifiably earned numerous accolades, including being named one of the “top 20 best small towns to visit” by Smithsonian Magazine. Founded concurrently with Oberlin College in 1833, the City is famous for its rich and diverse history of progressive thought, innovation, and social activism. The community was a beacon of freedom during the years of the Underground Railroad, and Oberlin College was the first in the country to admit men and women of all races. -
Oberlin College & Conservatory
Oberlin College & Conservatory commencement | reunion weekend may 25-28, 2018 ALUMNI, PARENTS, AND FRIENDS Welcome back to Oberlin for an exciting weekend that will reacquaint you with old friends and introduce you to new ones. We hope you have a wonderful weekend on campus and make many fond memories. This booklet provides a listing of the activities planned for the days ahead (for more detailed descriptions, download our app). Please take advantage of the variety of ways to experience Oberlin. We hope you will relish this time of celebration here and return home renewed and inspired. Congratulations to our graduates and their families, as well as alumni celebrating their reunions! COMMENCEMENT/REUNION WELCOME CENTER The Commencement/Reunion Welcome Center is located in the Ward Alumni Center, 65 E. College St., Suite 4. Information about Commencement/Reunion Weekend, room accommodations, and tickets for meals and events can be found there. TELEPHONE: 440.775.8692 (When using a college phone, dial 58692.) HOURS: Friday, May 25 9:00 a.m.-1:00 a.m. (Ticket sales close at 11:00 p.m.) Saturday, May 26 8:00 a.m.-8:00 p.m. Sunday, May 27 8:00 a.m.-7:00 p.m. Monday, May 28 8:00 a.m.-2:00 p.m. 1 SCHEDULE OF EVENTS 2018 COMMENCEMENT/REUNION WEEKEND Events listed within this program are sponsored by the college, the conservatory, the Commencement/Reunion Weekend Committee, individual groups, departments, programs, and reunion classes. Download our Commencement/Reunion Weekend app—Guidebook—on your phone or tablet for easy access to the schedule, more detailed descriptions, announcements, and more. -
Stockhausen STIMMUNG & COSMIC PULSES
Stockhausen STIMMUNG & COSMIC PULSES Monday 20 November 2017 7.30pm, Hall Stockhausen STIMMUNG interval 30 minutes Stockhausen COSMIC PULSES Singcircle Gregory Rose bass/director Jacqueline Barron soprano Zoë Freedman soprano Heather Cairncross mezzo-soprano Guy Elliott tenor Angus Smith tenor Rolando Paolo Guerzoni Paolo Rolando Robert Henke laser artist Kathinka Pasveer sound projection Stephen Montague assistant sound projection Reinhard Klose sound engineer Part of Barbican Presents 2017–18 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel. 020 3603 7930) Confectionery and merchandise including organic ice cream, quality chocolate, nuts and nibbles are available from the sales points in our foyers. Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Karlheinz Stockhausen was a towering figure the 10th anniversary of Stockhausen’s in the history of 20th- and 21st-century music, death (which falls next month), but also one who literally changed the sound of the 40th anniversary of Singcircle’s first music and the way we listen to it. Tonight’s performance of the work in the Round concert presents two seminal works from House. It is also the last-ever performance opposite ends of his career. It is intended of STIMMUNG by Singcircle. -
Oberlin College Archives Office of the Secretary 20
OBERLIN COLLEGE ARCHIVES OFFICE OF THE SECRETARY INVENTORY Subgroup I. Administrative Records (General) Series 1. Account Books and Datebooks Box 1 Account Books, 1910-43 (21 vols) Box 2 Account Ledgers, 1962-66 (3f) Box 3 Chapel Rental and Date Books, 1913-37 (3 vols) Box 4 Donations Ledgers, 1836-46 (copies) and 1846-96 (originals) Series 2. Accreditation and Accrediting Bodies (see also Papers of Nancy S. Dye, 2/13) Box 1 Accrediting, 1953-56 American Association of University Women, 1928-61 North Central Association Correspondence, 1928-46 Faculty Reporting Blanks, 1935-36 (2f) Inquiry on Scholarship and Athletics, 1927-37 Accreditation Reviews and Reports 1913-62 (6f) 1958, Training Visit 1966-68, Review Visit 1968, Institutional Profile 1978, Accreditation Review (2 binders) 1978, Institutional Assessment (2 vols) 1988, Institutional Self-Study Report 1988, "Report of a Visit to Oberlin College" Box 2 Ohio College Association Committee Membership Inspection, 1926 Committee on Post War Needs and Facilities, 1944 Correspondence and Directories, 1915-65 Programs and Transactions, 1898-1927, 1947-61 (2f) Box 3 Ohio Department of Education Annual Reports, 1927-1945 (20f) Box 4 Annual Reports, 1946-61 (16f) Report of Private Schools on Public Instruction, 1915-26 Report of Teacher Training Institutions, 1926-37 Special Report on Qualifications, Teaching Loads and Salaries, 1926 20 OBERLIN COLLEGE ARCHIVES OFFICE OF THE SECRETARY Subgroup I. Administrative Records (General) (cont.) Series 3. Buildings and Grounds Subseries 1. Building and