This February... Biff's Bit... Novel Ideas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
THE EXHIBITION ROAD OPENING Boris Johnson Marks the Offi Cial Unveiling Ceremony: Pages 5 and 6
“Keep the Cat Free” ISSUE 1509 FELIX 03.02.12 The student voice of Imperial College London since 1949 THE EXHIBITION ROAD OPENING Boris Johnson marks the offi cial unveiling ceremony: Pages 5 and 6 Fewer COMMENT students ACADEMIC ANGER apply to university OVERJOURNALS Imperial suffers 0.1% THOUSANDS TO REFUSE WORK RELATED TO PUBLISHER Controversial decrease from 2011 OVER PROFIT-MAKING TACTICS material on drugs Alexander Karapetian to 2012 Page 12 Alex Nowbar PAGE 3 There has been a fall in university appli- cations for 2012 entry, Universities and Colleges Admissions Service (UCAS) ARTS statistics have revealed. Referred to as a “headline drop of 7.4% in applicants” by UCAS Chief Executive Mary Curnock Cook, the newly published data includes all applications that met the 15 January equal-consideration deadline. Imperial College received 14,375 applications for 2012 entry, down from 14,397 for 2011, a 0.1% decrease. Increased fees appear to have taken a toll. Towards the end of 2011 preliminary fi gures had indicated a 12.9% drop in To Bee or not to Bee university applications in comparison to the same time last year. Less marked but in Soho still signifi cant, 7.4% fewer applications were received for this cycle. Consider- Page 18 ing applications from England UCAS describes the true fi gures: “In England application rates for 18 year olds have decreased by around one percentage point in 2012 compared to a trend of in- creases of around one per cent annually HANGMAN ...Continued on Page 3 TEDx COMES TO IMPERIAL: Hangman gets a renovation PAGE 4 Page 39 2 Friday 03 february 2012 FELIX HIGHLIGHTS What’s on PICK OF THE WEEK CLASSIFIEDS This week at ICU Cinema Fashion for men. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Customer Order Form
ORDERS PREVIEWS world.com DUE th 18 OCT 2016 OCT COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Oct16 Cover ROF and COF.indd 1 9/8/2016 4:16:17 PM Oct16 Archie.indd 1 9/8/2016 9:50:56 AM THE LEGEND MOTOR CRUSH #1 OF ZELDA: IMAGE COMICS ART & ARTIFACTS HC DARK HORSE COMICS SUPERGIRL: BEING SUPER #1 DC ENTERTAINMENT ALIEN VS. PREDATOR: ROCKSTARS #1 LIFE AND DEATH #1 IMAGE COMICS DARK HORSE COMICS LOCKE & KEY: SMALL WORLD ONE-SHOT IDW ENTERTAINMENT JUSTICE LEAGUE VS. U.S.AVENGERS #1 SUICIDE SQUAD #1 MARVEL COMICS DC ENTERTAINMENT Oct16 Gem Page ROF COF.indd 1 9/8/2016 4:10:22 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Rough Riders Volume 1 TP l AFTERSHOCK COMICS Reggie & Me #1 l ARCHIE COMICS Uber: Invasion #1 l AVATAR PRESS The Avengers: Steed & Mrs Peel: The Diana Magazine Stories Volume 1 GN l BIG FINISH PRODUCTIONS Jim Henson’s The Storyteller: Giants #1 l BOOM! STUDIOS 1 Klaus and the Witch of Winter One-Shot l BOOM! STUDIOS 1 Wonder Woman ‘77 Meets the Bionic Woman 77 #1 l D.E./DYNAMITE ENTERTAINMENT Red Sonja #0 l D.E./DYNAMITE ENTERTAINMENT Another Castle: Grimoire TP l ONI PRESS Disney’s Great Parodies Volume 1: Mickey’s Inferno GN/HC l PAPERCUTZ Hookjaw #1 l TITAN COMICS World War X #1 l TITAN COMICS Divinity III: Stalinverse #1 l VALIANT ENTERTAINMENT Tomie Complete Deluxe Editon HC l VIZ MEDIA The Pokemon Cookbook Sc l VIZ MEDIA BOOKS 2 Mercenary: The Freelance Illustration of Dan Brereton HC l ART BOOKS Krazy: The Black & White World of George Herriman HC l COMICS The Art of Archer HC l MOVIE/TV The Art of Rogue One: A Star Wars Story HC l STAR WARS Star Wars Little Golden Book: I Am a Stormtrooper l STAR WARS - YOUNG READERS MAGAZINES 2 Doctor Who Magazine Special #45: 2017 Yearbook l DOCTOR WHO Birth.Movies.Death. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Absolute Kingdom Come (New Edition) by Mark Waid
Absolute Kingdom Come (New Edition) by Mark Waid Ebook Absolute Kingdom Come (New Edition) currently available for review only, if you need complete ebook Absolute Kingdom Come (New Edition) please fill out registration form to access in our databases Download here >> Series:::: Absolute Kingdom Come+++Hardcover:::: 344 pages+++Publisher:::: DC Comics; New edition (October 16, 2018)+++Language:::: English+++ISBN-10:::: 9781401284626+++ISBN-13:::: 978-1401284626+++ASIN:::: 1401284620+++Product Dimensions::::8.9 x 1.6 x 14.5 inches+++ ISBN10 ISBN13 Download here >> Description: DC Comics Absolute Editions set the standard for the highest quality, most in-depth presentation of classic graphic novels. Each oversized volume is presented in a slipcase and includes unique additional material making each Absolute Edition a cornerstone of any serious comic collection. The latest Absolute Collection is the classic KINGDOM COME, written by Mark Waid and illustrated by Alex Ross. This riveting story set in the future pits the old guard—Superman, Batman, Wonder Woman and their peers—against a new, uncompromising generation of heroes in the final war to determine the fate of the planet. Published to tie-in with the 10th Anniversary of its original publication, ABSOLUTE KINGDOM COME is packaged in a beautifully designed slipcase that features an all-new painted image by Alex Ross, annotations of the entire series, rare art, promotional images, a gallery of DC Direct Kingdom Come products, a feature on the evolution of a story page and much more. My absolute favorite graphic novel of all time, entering a new print run, whats more to like?Picking this up for the first time after this was shipped to my office I noticed one thing that jumped out at me right away, something I cant unsee. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
Drew Edward Johnson 1835 N Screenland Drive, Burbank, CA
Drew Edward Johnson 1835 N Screenland Drive, Burbank, CA. 91505 (818) 445-1006 [email protected] http://drewedwardjohnson.deviantart.com www.facebook.com/The-Art-of-Drew-Edward-Johnson Biography Drew Edward Johnson began his illustration career in 1996 as series artist on Dark Horse Comics’/Lucasfilm’s STAR WARS: X-WING ROGUE SQUADRON comic book. His work has since been published by DC Comics, Marvel Comics, Image Comics, Wildstorm Productions, Boom! Studios, IDW, Legendary Comics, Zenescope Entertainment, Archie Comics, Disney Publishing, and Sports Illustrated. Past commercial clients have included Warner Brothers Studios, Hasbro Toys, Mattel Toys, Paramount Studios, and Walt Disney Studios. Drew is best known for his recent work on Legendary Comics’ best-selling graphic novel, GODZILLA: AFTERSHOCK, as well as for his work as series illustrator on DC Comics’ WONDER WOMAN, SUPERGIRL and THE AUTHORITY. In 2013, Drew moved into the field of television animation, working as a Storyboard Revisionist for two episodes of Marvel Animantion’s series, HULK & THE AGENTS OF SMASH. Drew’s other animation works include Storyboard artist on four episodes of Marvel Animation’s series, GUARDIANS OF THE GALAXY, season 2, as well as character concept design for Bento Box Entertainment’s shows THE BLUES BROTHERS and BOTCOP in 2016. Over the course of his career, Drew has served as a member of illustration studios such as Jolly Roger Studio, of Macon, GA, as well as Helioscope Studio of Portland, OR. He is currently a member of Garage Art Studio of North Hollywood, CA. Work Experience Freelance Storyboard Artist 2016-Current Responsiblities include working with show director to create storyboard roughs and clean-ups using Toon Boom Storyboard Pro 4.1, and creating PDF files of rough and clean boards as well as track-timed animatic Quicktime movies.