Georgia Poetry 20Th Century
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The Myth of the City in the French and the Georgian Symbolist Aesthetics
The International Journal of Social Sciences and Humanities Invention 5(03): 4519-4525, 2018 DOI: 10.18535/ijsshi/v5i3.07 ICV 2015: 45.28 ISSN: 2349-2031 © 2018, THEIJSSHI Research Article The Myth of the City in the French and the Georgian Symbolist Aesthetics Tatia Oboladze PhD student at Ivane Javakhisvhili Tbilisi State University, Tbilisi, Georgia,young-researcher at Shota Rustaveli Institute of Georgian Literature ―Modern Art is a genuine offspring of the city… the city The cultural contexts of the two countries were also different. created new images, here the foundation was laid for the If in the 19th-c. French literature the tendencies of literary school, known as Symbolism…The poet’s Romanticism and Realism (with certain variations) co-existed consciousness was burdened by the gray iron city and it and it was distinguished by paradoxes, striving towards poured out into a new unknown song‖ (Tabidze 2011: 121- continuous formal novelties, the beginning of the 20th c. was 122), - writes Georgian Symbolist Titsian Tabidze in his the period of stagnation of Georgian culture. Although in the program article Tsisperi Qantsebit (With Blue Horns). Indeed, work of individual authors (A.Abasheli, S.Shanshiashvili, in the Symbolist aesthetics the city-megalopolis, as a micro G.Tabidze, and others) aesthetic features of modernism, model of the material world, is formed as one of the basic tendencies of new art were observable, on the whole, literature concepts. was predominated by epigonism1. Against this background, in Within the topic under study we discuss the work of Charles 1916, the first Symbolist literary group Tsisperi Qantsebi (The Baudelaire and the poets of the Georgian Symbolist school Blue Horns) came into being in the Georgian literary area. -
Prenesi Datoteko Prenesi
From War to Peace: The Literary Life of Georgia after the Second World War Irma Ratiani Ivane Javakhishvili, Tbilisi State University, Shota Rustaveli Institute of Georgian Literature, 1 Chavchavadze Ave, Tbilisi 0179, Georgia [email protected] After the Second World War, political changes occurred in the Soviet Union. In 1953 Joseph Stalin—originally Georgian and the incarnate symbol of the country— died, and soon the much-talked-about Twentieth Assembly of the Communist Party of the Soviet Union headed by Nikita Khrushchev followed in 1956. In Georgia, Khrushchev’s speech against Stalin was followed by serious political unrest that ended with the tragic events of March 9th, 1956. It is still unclear whether this was a political event or demonstration of insulted national pride. Soon after that, the Khrushchev Thaw (Russian: Ottepel) occurred throughout the Soviet Union. The literary process during the Thaw yielded quite a different picture compared to the previous decades of Soviet life. Under the conditions of political liberalization, various tendencies were noticed in Georgian literary space: on the one hand, there was an obvious nostalgia for Stalin, and on the other hand there was the growth of a specific model of Neo-Realism and, of no less importance, the rise of women’s writing. Keywords: literature and ideology / Georgian literature / World War II / Khrushchev thaw / Soviet Union Modifications of the Soviet regime Georgian literature before the Second World War was by no means flourishing. As a result of the political purges of the 1930s conducted by Soviet government, the leading Georgian writers were elimi- nated. -
Byron's Reception in Georgia
1 THE RECEPTION OF BYRON IN EUROPE In Two Volumes Edited by Richard A. Cardwell Continuum Press, London – New York, 2004 Volume II, Chapter 21: LIBERTY AND FREEDOM AND THE GEORGIAN BYRON Innes Merabishvili At the age of twenty one Lord Byron published his famous satire English Bards and Scotch Reviewers where he set out the plans of his first journey: Yet once again, adieu! Ere this the sail That wafts me hence is shivering in the gale; And Afric’s coast and Calpe’s adverse height, And Stamboul’s minarets must greet my sight; Thence shall I stray through beauty’s native clime Where Kaff is clad in rocks, and crown’d with snows sublime. Here Kaff denotes the Caucasus, but under 'beauty’s native clime' Byron meant Georgia, the country that is situated between the Black Sea and the Caspian Sea, bordering with Armenia, Azerbaijan, Turkey, Chechnya, Ossetia, Ukraine and Russia. Thus, being located on the crossroads of Asia and Europe, the history of Georgia has been marked by intensive interactions with other cultures and nations which, when not aggressors, were generally welcomed. In the same way Georgia welcomed Byron. By the time of Lord Byron’s intended journey across the Caucasus, Georgia had obtained peace through the patronage of the Russian Empire. In 1801 Russia abolished the Kartl-Kakhetian kingdom, which had been a Russian protectorate since 1783 and formally incorporated it into the Russian Empire. The Russian patronage, though politically oppressive, opened huge prospects to Europe and to its great men and writers. Georgia was firmly linked with Russia but this was never a one-sided connection. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
Sogdian Merchant Scripts
Postcolonial Text, Vol 8, No 2 (2013) Rebecca Gould Sogdian Merchant Scripts Teresa didn’t want to go. She had too much to worry about, too many distractions. She preferred to let her pain incubate, to let it fester. So when her elderly neighbor Beatrice woke her up, shortly past midnight, to celebrate Easter and share a boiled egg, as red as blood, she was both irritated and bemused. What kind of person bangs on their neighbor’s door in the middle of the night to share an egg? she wondered to herself. When Beatrice informed her that her son wanted to show her Old Tbilisi, and to introduce her to the history and culture of the city where he had been born and raised, Teresa agreed. But she was less than pleased. “I’m leaving for America the next day,” she warned her neighbor, “So I’ll have to finish early.” Beatrice shook Teresa’s hand before she parted that night, winked slyly, and insisted she take another egg. “I’ll be gone that day,” Beatrice added before she parted, “But you and Irakli will have fun.” All that month, Teresa had been cooped up in her apartment. Meditating. Mostly about a man she had never met, but whom she knew better than her own soul. They shared in common a passion for certain obscure subjects, like Arabic epigraphy and Persian paleography. More than that, they shared expertise in the peculiar annotations that itinerate Sogdian merchants of early modern Central Asia made on Arabic manuscripts, in a handwriting all their own. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
6. Imereti – Historical-Cultural Overview
SFG2110 SECOND REGIONAL DEVELOPMETN PROJECT IMERETI REGIONAL DEVELOPMENT PROGRAM IMERETI TOURISM DEVELOPMENT STRATEGY Public Disclosure Authorized STRATEGIC ENVIRONMENTAL, CULTURAL HERITAGE AND SOCIAL ASSESSMENT Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Tbilisi, December, 2014 ABBREVIATIONS GNTA Georgia National Tourism Administration EIA Environnemental Impact Assessment EMP Environmental Management Plan EMS Environmental Management System IFI International Financial Institution IRDS Imereti Regional Development Strategy ITDS Imereti Tourism Development Strategy MDF Municipal Development Fund of Georgia MoA Ministry of Agriculture MoENRP Ministry of Environment and Natural Resources Protection of Georgia MoIA Ministry of Internal Affairs MoCMP Ministry of Culture and Monument Protection MoJ Ministry of Justice MoESD Ministry of Economic and Sustaineble Developmnet NACHP National Agency for Cultural Heritage Protection PIU Project Implementation Unit PPE Personal protective equipment RDP Regional Development Project SECHSA Strategic Environmental, Cultural Heritage and Social Assessment WB World Bank Contents EXECUTIVE SUMMARY ........................................................................................................................................... 0 1. INTRODUCTION ........................................................................................................................................... 14 1.1 PROJECT CONTEXT ............................................................................................................................... -
Rebecca Gould CV
Rebecca Gould Assistant Professor, Literature Division of Humanities Yale-NUS College RESEARCH INTERESTS Comparative literature (Persian, Russophone, Arabic), poetics, Islamic legal and rhetorical theory, Islamic Caucasus, methodologies of comparison, political theory, political geography, translation, postcoloniality EMPLOYMENT 2012- Assistant Professor, Literature, Yale-NUS College. EDUCATION 2011 Ph.D. Columbia University (distinction), Institute for Comparative Literature and Society & Middle East, South Asian, & African Studies, Dissertation: The Political Aesthetic of the Medieval Persian Prison Poem, 1100-1200. 2003 M.A. Graduate Center, City University of New York. Comparative Literature (Persian, Russian, & Anglophone Literatures). 1999 B.A. University of California, Berkeley (distinction in general scholarship; departmental citation for outstanding undergraduate accomplishment). Comparative Literature and Slavic. AWARDS, GRANTS, FELLOWSHIPS NATIONAL AND INTERNATIONAL COMPETITION 2014-5 Research Grant, The Harry Frank Guggenheim Foundation 2014-5 Senior Fellowship, Central European University, Institute for Advanced Study 2014-16 Visiting Fellowship, Heidelberg Centre for Transcultural Studies, Institute for Advanced Studies, University of Heidelberg (twelve-month fellowship, to be used between 2014 and 2016) 2011-16 Polonsky Fellow, Van Leer Institute for Advanced Studies, Jerusalem (in residence only for 2011-12) 2011 Bernadotte E. Schmitt Grant, American Historical Association 2011-15 Harper-Schmidt Fellowship in the Humanities, -
TERMS of REFERENCE Consultancy Service for Project Results Monitoring & Evaluation for the Third Regional Development Projec
TERMS OF REFERENCE Consultancy Service for Project Results Monitoring & Evaluation Section 1.Backgroundfor the Third Regional Development Project (RDP3) The Government of Georgia with World Bank are co-financing is implementing a US$75 million Third Regional Development Project (RDP3), focusing on Samtskhe-Javakheti and Mtskheta-Mtianeti during the period of 2015-2019. The Project Development Objective is to improve infrastructure services and institutional capacity to support increased contribution of tourism in the local economy of the Samtskhe-Javakheti and Mtskheta- Mtianeti regions. The project aims at addressing challenges identified during the project preparation period and follows integrated approach to urban and tourism development. Through its various components the project is expected to lead to improved urban and tourist infrastructure, enhanced cultural heritage assets and increased capacity for tourism-based local economic development in these two regions. The economic benefits linked to the above are multiple, such as improved urban infrastructure, including public spaces, streetscapes and municipal roads, improved urban liveability and increased safety of movement for locals. At the same time, these investments are expected to make selected municipalities better places to visit and more attractive places to invest, promoting private investment and increasing income generating opportunities in the project area. Cultural heritage enhancements will lead to the preservation of global public goods, but are also expected to lead to increased willingness to visit/pay for tourist and increased property prices in neighbouring areas. The proposed investments are aligned with the regional development strategies, prepared with technical assistance from EU for Mtskheta-Mtianeti and by GiZ for Samtskhe-Javakheti. -
World Bank Document
Sample Procurement Plan (Text in italic font is meant for instruction to staff and should be deleted in the final version of the PP) Public Disclosure Authorized (This is only a sample with the minimum content that is required to be included in the PAD. The detailed procurement plan is still mandatory for disclosure on the Bank’s website in accordance with the guidelines. The initial procurement plan will cover the first 18 months of the project and then updated annually or earlier as necessary). I. General 1. Bank’s approval Date of the procurement Plan [Original: December 2007]: Revision 15 of Updated Procurement Plan, June 2010] 2. Date of General Procurement Notice: Dec 24, 2006 3. Period covered by this procurement plan: The procurement period of project covered from year June 2010 to December 2012 Public Disclosure Authorized II. Goods and Works and non-consulting services. 1. Prior Review Threshold: Procurement Decisions subject to Prior Review by the Bank as stated in Appendix 1 to the Guidelines for Procurement: [Thresholds for applicable procurement methods (not limited to the list below) will be determined by the Procurement Specialist /Procurement Accredited Staff based on the assessment of the implementing agency’s capacity.] Procurement Method Prior Review Threshold Comments US$ Public Disclosure Authorized 1. ICB and LIB (Goods) Above US$ 500,000 All 2. NCB (Goods) Above US$ 100,000 First contract 3. ICB (Works) Above US$ 15 million All 4. NCB (Works) Above US$ 5 million All 5. (Non-Consultant Services) Below US$ 100,000 First contract [Add other methods if necessary] 2. -
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Phasis 10 (II), 2007 Ketevan Gardapkhadze (Tbilisi) THE ARGONAUTICA IN THE WORKS OF GEORGIAN SYMBOLISTS Symbolism as a literary trend entered Georgia at the outset of the 20th century. In 1915 it was established in institutional terms, when a group of young poets formed a new literary order called ‘Blue Horns’. It was the period when Georgian artistic consciousness became extremely feeble. Shabby imitations of the 19th century great authors brought almost to nonsense the literary life of the country. The new generation found it impossible to follow the path. The only way for them to fulfill their inherent vocation and calling was Symbolism.1 The members of the Blue Horn shared completely the aesthetic principles of Symbolism, provided arguments for the necessity of establishing this trend in Georgia, looked for national foundation to build Symbolism on, tried to combine western European, Russian and Georgian outlooks, and give an original, peculiar character to Georgian Symbolism. ‘We must shape our Georgian profile’, Titsian Tabidze wrote, ‘the basic experience of being a Georgian is our primary requirement. It should imply our temperament, our sensibility, our image. We will unite the sharpness of the West and the sunny relaxation of the East.’2 This very original property of Georgian Symbolism underlay the reception of ancient culture by Georgian Symbolists. I will dwell only on one point of the comprehensive topic called the reception of ancient culture in the works of Georgian Symbolists. This point is the cycle of Argonautic myths. For French and Russian Symbolists, the Argonautica was the source of symbolic figures with strong passions and unforgettable events. -
The Figurative Language of Soviet Power and Georgian Literature
Bela Tsipuria The Figurative Language of Soviet Power and Georgian Literature Abstract: The Soviet language of power can be seen as a set of basic, universal codes with the special connotation of referring to major principles of Soviet ide- ology or social/political goals prioritized by the Communist Party. This language was developed in political discourse by the Party’s leading ideologists, and imple- mented within cultural/literary discourse. Ideological principles were often met- aphorized and implemented in canonical texts: speeches by Party leaders, cen- trally developed poems and songs, epic novels. After this, the codes were used in all the national cultures/languages of the USSR. Through the bearers of the ideol- ogy – bigger and smaller Party leaders, poets, prose writers, and songwriters – the messages of power were communicated to the Soviet people. Based on Georgian material, this article discusses the spread of one of the main metaphors related to the multinational composition of the USSR – the metaphor of the “united broth- erly family of the nations.” The metaphor carried not only a political meaning but also a hidden agenda of suggesting to Sovietized nations both views and verbal formulations, and how to deal with the existing political reality and the domi- nance of the Russian centre. In this sense, it was an imperial metaphor, related to the national question and the centre–periphery model of the USSR. Keywords: Georgian literature, metaphors/language of power, national question, Soviet ideology The Soviet totalitarian